AHJ, Vol. 7 No. 1, Summer 1979
AHJ, Vol. 7 No. 1, Summer 1979
AHJ, Vol. 7 No. 1, Summer 1979
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64<br />
WRITE FOR OUR CURRENT BROCHURE<br />
CASWELL HARPS<br />
15095 FRUITVALE AVE., SARAT(]]A, CA. 95070<br />
FLOWING SONGS<br />
by Virginia Kendrick<br />
harp arrangements by Anne Ransom<br />
all for medium or medium high voice<br />
Before the World Was<br />
moving setting of verses<br />
from Proverbs 8<br />
Jade <strong>Summer</strong><br />
melodic, impressionistic,<br />
strong coloration<br />
Two Songs:<br />
Wealth of Mine<br />
lyrical, pastoral, rippling<br />
Tribute<br />
rich in modern, colorful<br />
harmony<br />
$1.50<br />
$1.75<br />
$2.50<br />
available from:<br />
Schmitt Music Co.<br />
88 South 10th Street<br />
Minneapolis, Minn. 55402<br />
National WATS Line 1-800-328-8480<br />
Minnesota WATS Line 1-800-292-7959<br />
the Annual Christmas Concert on December 10, 1978,<br />
at Trinity Lutheran Church, Palo Alto. Performers<br />
were: Michaela Alioto, Amy Stone, Amanda McIntyre,<br />
Mary Quinn, Heather Windes, Liest Mathis, Potts<br />
Cahill, Laurie Dick, Reni~ Quinn, Judy Hernandez,<br />
Beverly Sebanc, Peggy Osborne, Lynne Gruver, and<br />
Lisa Pease. Lynne Gruver gave a premiere performance<br />
of On the Banks of the Nile for Harp and Voice, by<br />
Menlo Park composer, Frank Van West. Lynne Gruver<br />
sang this song and When David Sang by Karl Carlson at<br />
a meeting and fund raising Fair for Peace in Alto in<br />
<strong>No</strong>vember. She and Heather Windes also played solos<br />
as a part of the entertainment. Heather Windes played<br />
for The King and I production in San Jose in February<br />
and March.<br />
Potts Cahill, Michaela Alioto, Laurie Dick, and<br />
Reni~ Quinn, performed in recitals at the Institute in<br />
San Francisco on February 4, 8 and 11th.<br />
Pamela Stutzke has been appointed assistant to<br />
Phyllis Schlomovitz by the Dean of Music and Arts Institute<br />
of San Francisco.<br />
Marjorie Chauvel has trained and directed several recent<br />
concerts. On February 25, Stanford harp students<br />
Marianne Stewart, Carol Littlefield, Jane Irwin, Ruth<br />
Bonaparte, and Tamar Richards appeared in a program<br />
that included flute, voice, and ensemble as well as solo<br />
harp. At California State University of San Francisco<br />
on March 11, a concert of aeolian harp duet; harp and<br />
wind ensemble; harp and piano; and solo harp was<br />
presented by Bennetta Heaton, Katherine O'Keefe, Linda<br />
Berg, and Pamalia O'Shea. April 29th will see the<br />
"19th Annual Spring Harp Concert" at Cubberly Performing<br />
Theatre in Palo Alto. Leslie Weinfield, Cynthia<br />
Stretch, Anna Marie Mendieta, Wendy Gamble,<br />
Katherine Riley, Laura Gatlin, Tina Peratis, Gretchen<br />
Hellman, and Nancy Oeth will present works by Salzedo<br />
and Grandjany, as well as other compositions in the<br />
standard repertoire.<br />
Anna Marie Mendieta will be the soloist with the<br />
California Youth Symphony in their spring concert,<br />
performing the Suite from Childhood by Harl<br />
McDonald.<br />
The harp students of Deborah Ricks who performed<br />
in a Christmas recital in Los Gatos were Tisha Sheeder<br />
Cheney, Dorothy Bowen, Donna Hunt, and Eileen<br />
Walsh.<br />
Patricia Wooster performed the Debussy Dances with<br />
the Bellevue Philharmonic Orchestra in Bellevue,<br />
Washington, on March 29 and April 1, <strong>1979</strong>. Juliet<br />
Olszewski, also from Bellevue, was selected for the All<br />
<strong>No</strong>rthwest Orchestra for the M.E.N.C. Conference in<br />
Montana in March. Karen Skinner, from Tacoma,<br />
Washington, was appointed harpist for the All<br />
<strong>No</strong>rthwest Band.<br />
The Duo Reyns-Bonnet (Piet Reyns, flute; Alex Bonnet,<br />
harpist) made an interesting tour of Iran in April<br />
and May 1978. The Duo, played in Teheran, Shiraz,<br />
Isfahan, Rezayeh, Gargan, Rasht, Rud bar, and Lahijan.<br />
The last evening was a concert for the Dutch<br />
amabassador, the Dutch colony and several guests. The<br />
major part of all the audiences were young people, 12 to<br />
AMERICAN HARP JOURNAL