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MMoCA Newsletter - Winter 2024

Learn more about current and upcoming exhibitions, and explore educational programming at MMoCA.

Learn more about current and upcoming exhibitions, and explore educational programming at MMoCA.

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UPCOMING EXHIBITIONS<br />

WILLIAM VILLALONGO<br />

Myths and Migrations<br />

Main Galleries • May 3–August 4, <strong>2024</strong><br />

William Villalongo: Myths and<br />

Migrations showcases 34 works created<br />

in the last two decades by the Brooklynbased<br />

artist William Villalongo. Highly<br />

recognized for his paintings, collages,<br />

and signature velour paper cut-outs,<br />

Villalongo’s striking visual narratives<br />

invite the viewer to engage with the complexities<br />

and precarity of Black existence.<br />

SHILPA GUPTA<br />

I did not tell you what I saw, but only what I dreamt<br />

June 28, <strong>2024</strong>–January 14, 2025<br />

The exhibition, I did not tell you what I<br />

saw, but only what I dreamt presents several<br />

recent installation works, photographs,<br />

and drawings by the internationally known,<br />

Mumbai-based artist Shilpa Gupta. A conceptual<br />

artist, Gupta’s interactive pieces<br />

center on human agency and the power of<br />

information to shape both societal behavior<br />

and one’s identity.<br />

Known for his imaginative approach<br />

towards combining various genres with<br />

sensuous materials, the artist reimagines<br />

historical narratives and myths to<br />

underscore the erasure of the Black and<br />

immigrant experience. In his early depictions<br />

of a mythical, hot-house world filled<br />

with an almost all-female cast, (Rhombus,<br />

2010) the artist turns to the art historical<br />

canon to wryly comment on the struggle<br />

for artistic acceptance and reassess<br />

African-American artistic histories.<br />

More recently, Villalongo utilizes myth<br />

and history to expand our understanding<br />

of Black culture and its layered past<br />

throughout the millennia. Villalongo’s<br />

large-scale mixed-media series of a single<br />

Black male protagonist enveloped within a swirling mix of cultural artifacts and natural elements<br />

emphasizes transformation, resilience, and beauty. He metaphorically suggests a Black subject<br />

who continually modifies and redefines their identity while navigating the world through time and<br />

space. Villalongo’s compositions call attention to the fraught condition of Black life and honor the<br />

power of the human spirit.<br />

This exhibition is organized by the Grinnell College Museum of Art.<br />

Major Sponsorship for William Villalongo: Myths and Migrations is generously provided by Mary<br />

Ellyn and Joe Sensenbrenner in memory of Stephen Fleischman. Additional support is provided<br />

by Dan and Natalie Erdman, Darcy Kind and Marc Vitale, and Jim and Jessica Yehle.<br />

RELATED EVENTS<br />

EXHIBITION CELEBRATION<br />

Saturday, May 4, <strong>2024</strong><br />

Reception, 5–8 PM • Artist talk and performance, 6–7 PM<br />

Listen as William Villalongo discusses the evolution of his artistic practice, culminating with<br />

works in Myths and Migrations. Following the talk, composer and pianist Igor Santos will<br />

perform a collaborative multi-media piano piece, Offering. The original composition features<br />

a synced video montage of works from the exhibition amid a milieu created by Villalongo;<br />

their other collaboration, Beacon, is included in the exhibition. Free admission<br />

PAGE 6: William Villalongo, Rhombus, 2010. Acrylic, paper, and velvet flocking on wood panel, 75 x 58 x 2 inches. Courtesy of Miyoung<br />

Lee and Neil Simpkins. PAGE 7: Shilpa Gupta, For, In Your Tongue, I Cannot Fit (detail), 2023. Casts of 100 books in gun metal, wooden<br />

and glass vitrines with light bulbs. 114 1/4 x 127 x 127 inches. © 2023 Amant, Inc. All rights reserved. Used by permission. Curated by Ruth<br />

Estévez. Coproduced by Amant and Madison Museum of Contemporary Art.<br />

A constant theme throughout Gupta’s practice<br />

is her inquiry into language and how it<br />

is often utilized by both dominant institutions<br />

and individuals to inform our understanding<br />

of reality—as a means to define<br />

and enforce societal values, or as a tool to<br />

spark new possibilities and challenge power<br />

structures.<br />

Referring to her work as “everyday art” Gupta’s sparse installations rely on a range of unassuming materials<br />

including photography, text, audio, and sculptural objects. Contemporary technologies play a large<br />

role in her practice, such as in her work Speaking Wall, (2009–2010). In this interactive audio piece, the<br />

visitor wears headphones while walking on a platform of bricks on the floor as Gupta’s voice—in alternating<br />

authoritative and suggestive tones—directs one across an invisible and shifting border. In other<br />

pieces, the artist introduces objects such as flags and maps as visible indicators of geopolitical struggles<br />

over national borders, immigration issues, religious censorship, and the repression of free speech.<br />

Inspired by her personal experiences yet deliberately elusive, Gupta’s work communicates across cultures.<br />

Often incorporating many languages and perspectives, Gupta allows the visitor to arrive at their<br />

own understanding of the work and to formulate individual associations, dependent on where or when<br />

it is encountered.<br />

TEEN FORUM<br />

Henry Street Gallery • March 21, <strong>2024</strong>–July 21, <strong>2024</strong><br />

<strong>MMoCA</strong>’s Teen Forum gives students with an<br />

interest in art real-life museum experience.<br />

Guided by <strong>MMoCA</strong>’s educators, these high school<br />

students from across Dane County meet at the<br />

Museum biweekly to learn more about careers<br />

in the arts, and the inner workings of a museum.<br />

Their time at <strong>MMoCA</strong> culminates by organizing<br />

an exhibition drawn from the Museum’s permanent<br />

collection.<br />

Staff guide the Teen Forum members as they<br />

organize the exhibition. Participants develop an<br />

Image courtesy of <strong>MMoCA</strong><br />

exhibition concept, select works, and consider the<br />

layout and installation of the exhibition, write explanatory labels, and create educational programming.<br />

The Teen Forum is made possible through an estate gift from Shirley A. Kubly, with additional support<br />

from Nancy Mohs. Exhibitions in the Henry Street Gallery are generously funded through an endowment<br />

established by the Pleasant T. Rowland Foundation.<br />

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