28.02.2024 Views

MMoCA Newsletter - Winter 2024

Learn more about current and upcoming exhibitions, and explore educational programming at MMoCA.

Learn more about current and upcoming exhibitions, and explore educational programming at MMoCA.

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

WINTER <strong>2024</strong>


CURRENT EXHIBITIONS<br />

imaginary i<br />

Main Galleries • On view through April 7, <strong>2024</strong><br />

imaginary i takes its title from the mathematical<br />

concept of solving for i. While Ren é<br />

Descartes called these numbers “imaginary,”<br />

they are real, defined as complex, and vital<br />

for quantum physics and mechanics, mapping<br />

space and time, and calculating sound waves<br />

and frequencies. Through formulas and art,<br />

mathematicians and artists trace the boundaries<br />

of the imperceptible.<br />

Pairing works from the permanent collection<br />

with select loaned and commissioned pieces,<br />

the exhibition highlights the historic trajectory<br />

of not only the Museum, but also contemporary<br />

art. Rudolph Langer, creator of the mathematical<br />

principle the Langer Correction, donated<br />

over 1,000 works in 1968, which became the<br />

foundation of <strong>MMoCA</strong>’s collection. Deeply connected<br />

to mathematicians, scientists, and innovators,<br />

later additions of artwork were made<br />

possible by physicist Willy Haeberli, computer<br />

RELATED EVENTS<br />

scientist and logician Ann Harris Yasuhara,<br />

and mathematician Mitsuru Yasuhara, among<br />

others.<br />

Visitors are encouraged to explore the thematic<br />

sections and immersive environments—each<br />

drawn from the functionality of i —to experience<br />

the connections between visual art and<br />

data visualization.<br />

Major sponsorship for imaginary i is provided<br />

by Robert Lehman Foundation, Inc. Generous<br />

support for exhibition programming is provided<br />

by the Wisconsin Arts Board with funds<br />

from the State of Wisconsin and the National<br />

Endowment for the Arts. Additional support<br />

has been provided by Dane Arts with additional<br />

funds from the Endres Mfg. Company<br />

Foundation, the Evjue Foundation, Inc., charitable<br />

arm of the Capital Times, the W. Jerome<br />

Frautschi Foundation, and the Pleasant T.<br />

Rowland Foundation.<br />

Chasing the Stars: Women Computers at Washburn Observatory<br />

Sunday, February 11 • 2 PM • Lecture Hall • Free admission<br />

Erika Blumenfeld’s Tracing Luminaries series takes inspiration from the “Harvard Computers,” a<br />

group of women in the late 1800s who were prevented from participating in traditional academia.<br />

Through their study and cataloging of thousands of stars and other astronomical phenomena, they<br />

revolutionized the science of astronomy and astrophysics.<br />

In honor of International Women in STEM Day, James Lattis and Kelly Tyrrell will give a presentation<br />

on the early days of astronomy studies in Wisconsin, emphasizing the role of female astronomers<br />

and their contributions to astronomic research.<br />

Artist Talk: Martha Glowacki on<br />

Starry Transit<br />

Saturday, February 24 • 2 PM • Lecture<br />

Hall • Free admission<br />

Originally installed at the historic Washburn<br />

Observatory as part of a collaborative project<br />

between <strong>MMoCA</strong> and the UW-Madison<br />

Department of Astronomy in 2005, Starry<br />

Transit draws on historical scientific objects<br />

and manuscripts to explore the mysteries<br />

of nighttime bird migration and humanity’s<br />

relationship with the stars. In this artist talk,<br />

Martha Glowacki will speak about the “contemporary<br />

cabinet of curiosity” included in imaginary<br />

i placing it in context with its original<br />

installation.<br />

In addition to her artistic practice, Glowacki is<br />

an independent curator and former Director of<br />

the James Watrous Gallery at the Wisconsin<br />

Academy of Sciences, Arts and Letters.<br />

Artist Talk: Art, Computing, and<br />

AI: How the Proverbial Sausage<br />

is Made and Why You Should<br />

Worry about the Proverbial<br />

Sausage Making Process<br />

Saturday, March 2 • 2 PM • Lecture Hall<br />

Free admission<br />

Blessed is the Machine is a self-aware computational<br />

system, alive with data yet critical of<br />

the very activities in which it is engaged. The<br />

project features an “AI avatar” which makes<br />

inferences about visitors’ emotions and recommends<br />

products to them, all while describing<br />

what’s happening in the background. But can<br />

you trust what it is telling you about itself? Is it<br />

really AI? How would we even know, and why<br />

does that matter?<br />

This talk, given by artists Zach Kaiser and<br />

Gabi Schaffzin, will use the process of producing<br />

Blessed is the Machine as a lens through<br />

which to examine the development of AI systems,<br />

the assumptions of both hype-builders<br />

and hand-wringers, and the dangerous consequences<br />

of discourse that does not address the<br />

history and political-economy of computing<br />

itself.<br />

Madison New Music Ensemble<br />

Concert<br />

Saturday, March 9 • 6 PM<br />

Main Galleries • Free admission<br />

inspired by the intersection of music and scientific<br />

concepts, featuring five works written in<br />

the 21st Century by living American composers.<br />

The concert will take place in the museum’s<br />

Main Galleries, emphasizing the connection<br />

between scientists, artists, and composers as<br />

they explore and seek out musical patterns, formulas,<br />

time-keeping, and other mathematical<br />

concepts.<br />

The Madison New Music Ensemble is dedicated<br />

to the performance of current compositions<br />

by contemporary composers whose works are<br />

related to the tradition of “written-out music”<br />

(concert music) which has been a mainstay of<br />

Western musical culture for many years. The<br />

six-member ensemble, led by Artistic Director<br />

Joseph Koykkar, is comprised of local professional<br />

musicians, many of whom perform regularly<br />

with Madison orchestras and chamber<br />

music groups.<br />

Yoga in the Galleries<br />

Saturday, March 23 • 11 AM<br />

Main Galleries • Free Admission<br />

Skye Moss, founder of Adhikara Yoga, will lead<br />

a yoga class in the museum’s Main Galleries<br />

inspired by the installation impossible red by<br />

Anne Lindberg. Suitable for all skill levels, it<br />

is an opportunity to experience the restorative<br />

power of yoga surrounded by the exhibition<br />

imaginary i. A Madison native, Moss<br />

has taught practitioners of all ages while at<br />

UW-Milwaukee, through MSCR, at the Lussier<br />

Community Center, and virtually.<br />

Space is limited for this free class. Visit mmoca.<br />

org/yoga for more information and to register.<br />

Artist Talk: Erika Blumenfeld<br />

Thursday, April 4 • 6 PM<br />

Streaming Free on YouTube<br />

Erika Blumenfeld is a cross-disciplinary artist,<br />

researcher, and writer who seeks engagement<br />

across the arts, sciences, and humanities. In<br />

this virtual presentation, Blumenfeld will give<br />

an overview of her artistic practice and her collaborations<br />

with scientists and research institutions,<br />

including NASA, the Scripps Institution<br />

of Oceanography, the McDonald Observatory,<br />

and the South African National Antarctic<br />

Program. She will also discuss her time working<br />

with the Harvard-Smithsonian Center for<br />

Astrophysics, which inspired the print series<br />

Tracing Luminaries, on display in imaginary i.<br />

Jim Lattis manages the historic Washburn Observatory and is the Director of UW Space Place, the<br />

This virtual presentation will be streamed<br />

outreach and public education center of the UW-Madison Astronomy Department. Kelly Tyrell is<br />

The Madison New Music Ensemble presents via YouTube at youtube.com/@<br />

a science writer who oversees media relations for UW-Madison and serves as engagement editor<br />

a concert of contemporary classical music MadisonMuseumOfContemporaryArt<br />

for the science journalism nonprofit, The Open Notebook. Their book, Chasing the Stars: How the<br />

Astronomers of Observatory Hill Transformed Our Understanding of the Universe will be released<br />

COVER: Erika Blumenfeld, Plate No. I6914 (Small Magellanic Cloud) (detail), 2022. Cyanotype, chine colle, and 24k gold leaf on<br />

Hahnemuhle Copperplate, 17 x 14 3/4 inches. Courtesy of the Artist and Inman Gallery Houston. PAGE 2: Anne Lindberg, impossible red,<br />

in May <strong>2024</strong>.<br />

2023. Cotton thread and staples, dimensions variable. Courtesy of the Artist. Photo courtesy of Derek Porter<br />

2 3


CURRENT EXHIBITIONS<br />

FEDERICO URIBE<br />

Metamorphosis | Metamorfosis<br />

State Street Gallery, The Shop, and the Lobby<br />

On view through May 26, <strong>2024</strong><br />

<strong>MMoCA</strong> presents Metamorphosis | Metamorfosis, featuring the Colombian-born, Miami-based<br />

artist Federico Uribe’s magical, colorful, and sculptural menagerie of plants and animals made<br />

of ordinary materials. Scissors, zip ties, and wool become a sheep, multi-colored shotgun casings<br />

and golden bullets are brought together to form a tiger, and saddles and horseshoes are fashioned<br />

into a horse.<br />

Uribe fills a former office adjacent to The Shop with his magical ecosystem using upcycled plastics<br />

depicting the flora and fauna found in a coral reef. A farm scene and a family of immigrants are<br />

among the worlds he creates using unexpected and recycled materials.<br />

Rather than to alert viewers to the exploitation of animals or the environment Uribe aims to use<br />

everyday and sometimes provocative materials to challenge associations. His goal is against the<br />

grain and utopian—or, as he explains, simply to “make people happy”.<br />

Metamorphosis | Metamorfosis is Guest Curated by Laura Dickstein Thompson, EdD.<br />

Presenting sponsorship for Federico Uribe: Metamorphosis | Metamorfosis is provided by Paula<br />

and David Kraemer.<br />

IS YOUR BUSINESS AN <strong>MMoCA</strong> SUPPORTER?<br />

In addition to receiving special benefits at the Museum for their employees, business<br />

members gain visibility in the community as economic and cultural leaders,<br />

while supporting free access to modern and contemporary art. For more information<br />

on becoming a corporate supporter, contact us at membership@mmoca.org or<br />

608.257.0158<br />

RECOLLECT: SAM GILLIAM<br />

Henry Street Gallery<br />

On view through March 3, <strong>2024</strong><br />

For over forty years, Sam Gilliam traveled between his home in Washington, D.C., and Madison<br />

every summer. Each trip was marked by a whirlwind of artistic activity as well as friendship, mentorship,<br />

and artistic exploration.<br />

RECOLLECT: Sam Gilliam invites visitors to celebrate the connections found in his art and through<br />

his art. Guided by stories shared by those who knew Gilliam, the exhibition is a meditation on<br />

individual and extremely personal ties to the artist and his works. The show is an opportunity to<br />

reflect on the innovative production of an internationally recognized artist and his impact on the<br />

development of Madison, Wisconsin’s creative culture.<br />

Exhibitions in the Henry Street Gallery are generously funded by an endowment established by<br />

the Pleasant T. Rowland Foundation.<br />

ABOUT THE MUSEUM<br />

The Madison Museum of Contemporary Art is an independent organization<br />

that exhibits, collects, and preserves modern and contemporary art to provide<br />

transformative experiences that educate, reflect, and inspire us as individuals<br />

and a community.<br />

Hours: Thursday–Sunday: 12–6 PM<br />

Closed Monday–Wednesday<br />

Admission to <strong>MMoCA</strong>'s galleries is always free.<br />

Visit mmoca.org for information about accessibility, memberships, employment,<br />

volunteer opportunities, and more.<br />

PAGE 4: Installation view of Federico Uribe: Metamorphosis | Metamorfosis, Madison Museum of Contemporary Art, 2023. Photo<br />

courtesy of <strong>MMoCA</strong>. PAGE 5: Installation view of Recollect: Sam Gilliam, Madison Museum of Contemporary Art, 2023. Photo courtesy of<br />

<strong>MMoCA</strong>.<br />

4 5


UPCOMING EXHIBITIONS<br />

WILLIAM VILLALONGO<br />

Myths and Migrations<br />

Main Galleries • May 3–August 4, <strong>2024</strong><br />

William Villalongo: Myths and<br />

Migrations showcases 34 works created<br />

in the last two decades by the Brooklynbased<br />

artist William Villalongo. Highly<br />

recognized for his paintings, collages,<br />

and signature velour paper cut-outs,<br />

Villalongo’s striking visual narratives<br />

invite the viewer to engage with the complexities<br />

and precarity of Black existence.<br />

SHILPA GUPTA<br />

I did not tell you what I saw, but only what I dreamt<br />

June 28, <strong>2024</strong>–January 14, 2025<br />

The exhibition, I did not tell you what I<br />

saw, but only what I dreamt presents several<br />

recent installation works, photographs,<br />

and drawings by the internationally known,<br />

Mumbai-based artist Shilpa Gupta. A conceptual<br />

artist, Gupta’s interactive pieces<br />

center on human agency and the power of<br />

information to shape both societal behavior<br />

and one’s identity.<br />

Known for his imaginative approach<br />

towards combining various genres with<br />

sensuous materials, the artist reimagines<br />

historical narratives and myths to<br />

underscore the erasure of the Black and<br />

immigrant experience. In his early depictions<br />

of a mythical, hot-house world filled<br />

with an almost all-female cast, (Rhombus,<br />

2010) the artist turns to the art historical<br />

canon to wryly comment on the struggle<br />

for artistic acceptance and reassess<br />

African-American artistic histories.<br />

More recently, Villalongo utilizes myth<br />

and history to expand our understanding<br />

of Black culture and its layered past<br />

throughout the millennia. Villalongo’s<br />

large-scale mixed-media series of a single<br />

Black male protagonist enveloped within a swirling mix of cultural artifacts and natural elements<br />

emphasizes transformation, resilience, and beauty. He metaphorically suggests a Black subject<br />

who continually modifies and redefines their identity while navigating the world through time and<br />

space. Villalongo’s compositions call attention to the fraught condition of Black life and honor the<br />

power of the human spirit.<br />

This exhibition is organized by the Grinnell College Museum of Art.<br />

Major Sponsorship for William Villalongo: Myths and Migrations is generously provided by Mary<br />

Ellyn and Joe Sensenbrenner in memory of Stephen Fleischman. Additional support is provided<br />

by Dan and Natalie Erdman, Darcy Kind and Marc Vitale, and Jim and Jessica Yehle.<br />

RELATED EVENTS<br />

EXHIBITION CELEBRATION<br />

Saturday, May 4, <strong>2024</strong><br />

Reception, 5–8 PM • Artist talk and performance, 6–7 PM<br />

Listen as William Villalongo discusses the evolution of his artistic practice, culminating with<br />

works in Myths and Migrations. Following the talk, composer and pianist Igor Santos will<br />

perform a collaborative multi-media piano piece, Offering. The original composition features<br />

a synced video montage of works from the exhibition amid a milieu created by Villalongo;<br />

their other collaboration, Beacon, is included in the exhibition. Free admission<br />

PAGE 6: William Villalongo, Rhombus, 2010. Acrylic, paper, and velvet flocking on wood panel, 75 x 58 x 2 inches. Courtesy of Miyoung<br />

Lee and Neil Simpkins. PAGE 7: Shilpa Gupta, For, In Your Tongue, I Cannot Fit (detail), 2023. Casts of 100 books in gun metal, wooden<br />

and glass vitrines with light bulbs. 114 1/4 x 127 x 127 inches. © 2023 Amant, Inc. All rights reserved. Used by permission. Curated by Ruth<br />

Estévez. Coproduced by Amant and Madison Museum of Contemporary Art.<br />

A constant theme throughout Gupta’s practice<br />

is her inquiry into language and how it<br />

is often utilized by both dominant institutions<br />

and individuals to inform our understanding<br />

of reality—as a means to define<br />

and enforce societal values, or as a tool to<br />

spark new possibilities and challenge power<br />

structures.<br />

Referring to her work as “everyday art” Gupta’s sparse installations rely on a range of unassuming materials<br />

including photography, text, audio, and sculptural objects. Contemporary technologies play a large<br />

role in her practice, such as in her work Speaking Wall, (2009–2010). In this interactive audio piece, the<br />

visitor wears headphones while walking on a platform of bricks on the floor as Gupta’s voice—in alternating<br />

authoritative and suggestive tones—directs one across an invisible and shifting border. In other<br />

pieces, the artist introduces objects such as flags and maps as visible indicators of geopolitical struggles<br />

over national borders, immigration issues, religious censorship, and the repression of free speech.<br />

Inspired by her personal experiences yet deliberately elusive, Gupta’s work communicates across cultures.<br />

Often incorporating many languages and perspectives, Gupta allows the visitor to arrive at their<br />

own understanding of the work and to formulate individual associations, dependent on where or when<br />

it is encountered.<br />

TEEN FORUM<br />

Henry Street Gallery • March 21, <strong>2024</strong>–July 21, <strong>2024</strong><br />

<strong>MMoCA</strong>’s Teen Forum gives students with an<br />

interest in art real-life museum experience.<br />

Guided by <strong>MMoCA</strong>’s educators, these high school<br />

students from across Dane County meet at the<br />

Museum biweekly to learn more about careers<br />

in the arts, and the inner workings of a museum.<br />

Their time at <strong>MMoCA</strong> culminates by organizing<br />

an exhibition drawn from the Museum’s permanent<br />

collection.<br />

Staff guide the Teen Forum members as they<br />

organize the exhibition. Participants develop an<br />

Image courtesy of <strong>MMoCA</strong><br />

exhibition concept, select works, and consider the<br />

layout and installation of the exhibition, write explanatory labels, and create educational programming.<br />

The Teen Forum is made possible through an estate gift from Shirley A. Kubly, with additional support<br />

from Nancy Mohs. Exhibitions in the Henry Street Gallery are generously funded through an endowment<br />

established by the Pleasant T. Rowland Foundation.<br />

6 7


IN MEMORIAM<br />

STEPHEN FLEISCHMAN<br />

STAFF PROFILE<br />

MEET ROBIN<br />

What sparked your interest in art?<br />

At an early age, I was exposed to the visual and<br />

performing arts which instilled within me a deep<br />

appreciation of art’s emotive and psychological<br />

power.<br />

Tell us a little about your career journey,<br />

from the classroom to the museum and<br />

New York to Toledo. What interested you<br />

in each space and what did you learn from<br />

each space?<br />

The connecting theme/line throughout my professional<br />

career has been an involvement with the<br />

art object. Upon obtaining a degree in studio art,<br />

I pursued graduate studies in art history, focusing<br />

on a group of early 20th-century German<br />

Expressionist artists known for revitalizing printmaking<br />

as a form of fine art. My research on the<br />

topic, conducted in several museums throughout<br />

Germany, impressed upon me the importance of<br />

carrying out a close, first-hand examination of the<br />

work of art. This method of researching not only allowed me to better understand the artist’s working<br />

process, materials, and intent but also often revealed crucial information regarding the work’s provenance<br />

and date.<br />

My subsequent positions in museum curating and object-based teaching, where I engaged with works<br />

of art on a day-to-day basis were a natural step. These opportunities introduced me to the breadth of<br />

remarkable contemporary artists from various cultures and traditions while allowing me to learn and<br />

share ideas with others.<br />

Image courtesy of <strong>MMoCA</strong><br />

Image courtesy of Sharon Vanorny<br />

The Madison Museum of Contemporary Art is saddened by the passing of former Museum Director<br />

Stephen Fleischman on Sunday, January 14, <strong>2024</strong>.<br />

Fleischman served as the Director of the Museum for nearly 30 years, beginning in 1991. During his<br />

tenure, Fleischman oversaw tremendous growth throughout all aspects of the organization including<br />

the expansion of the Museum into its current building. Following his vision, <strong>MMoCA</strong> held exceptional<br />

exhibitions of regional, national, and international scope, increased creative community partnerships<br />

and programming, and strengthened the Museum’s core permanent collection including acquiring a<br />

comprehensive concentration of works by Chicago Imagists.<br />

Under Fleischman’s leadership, the organization changed its name from the Madison Art Center to the<br />

Madison Museum of Contemporary Art (<strong>MMoCA</strong>) to better reflect its mission and established an <strong>MMoCA</strong><br />

Foundation to grow the endowment and secure the financial health of the Museum. Finally, the redesign<br />

of the Museum in the current César Pelli building created a signature presence for <strong>MMoCA</strong> on State Street<br />

within the downtown cultural community.<br />

Fleischman’s wife, Barbara Katz, was by his side at openings, events, on museum trips, or working at the<br />

Art Fair on the Square. The couple’s three sons grew up attending events and supporting the Museum. At<br />

the family’s request, memorial contributions may be made to the Museum. (mmoca.org/donate).<br />

We are grateful for Stephen Fleischman’s lasting contributions to the Museum, the arts, and the Madison<br />

community.<br />

What drew you to <strong>MMoCA</strong>?<br />

The Madison Museum of Contemporary Art had been on my radar for several years and I was drawn to<br />

it and Madison for several reasons. Along with the Museum’s vision that embraces artistic and cultural<br />

diversity, I have admired <strong>MMoCA</strong>’s nimbleness and consistency in presenting visually engaging and<br />

culturally relevant exhibitions. Additionally, <strong>MMoCA</strong>’s modest-sized but noteworthy permanent holdings<br />

in prints, drawings, and photographs correspond to my expertise in modern and contemporary works on<br />

paper. As an art historian with broad interests, I find it very rewarding to work with a range of historical<br />

periods and media that allow me to develop new narratives and draw connections between different<br />

periods and cultures.<br />

What was the biggest surprise you have encountered in the permanent collection?<br />

There are several treasures in the collection, and of the many I have discovered are works by Dieter Roth,<br />

a well-known Swiss artist who gained notoriety for his use of non-traditional materials such as rotting<br />

food to comment on the nature of impermanence and transformation. Other surprises include a marvelous<br />

group of prints by the German printmaker and sculptor Käthe Kollwitz, and an early painting by the<br />

Southeast Asian artist Kanishka Raja, who has gained international attention for his painting practice<br />

that brings together representation, craft, ornament, and textile design to reflect on the diasporic experience<br />

and migration.<br />

What are you excited about in the coming year at <strong>MMoCA</strong>?<br />

I am looking forward to working with <strong>MMoCA</strong>’s talented staff and the broader Madison community to<br />

promote the vital role art and artists play in our complex world.<br />

Robin Reisenfeld, PhD is the Senior Curator of Modern & Contemporary Art at <strong>MMoCA</strong>.<br />

8 9


MEMBERSHIP & GIVING<br />

MMOCA CIRCLE BREAKFAST<br />

Monday, April 8 • 10 AM<br />

You’re invited to join the <strong>MMoCA</strong> Circle and leave a legacy for future audiences. The <strong>MMoCA</strong> Circle<br />

recognizes and honors individuals who have established a planned gift for the Museum. To learn more<br />

about planned giving, join us for a conversation, coffee, and an array of breakfast foods followed by a<br />

brief presentation and a tour of the Teen Forum exhibition on view in the Henry Street Gallery. RSVP by<br />

contacting us at membership@mmoca.org or 608.257.0158.<br />

MEMBERS MAKE IT HAPPEN!<br />

Join or Renew Your Membership Today<br />

Community support is vital to <strong>MMoCA</strong>’s success. Membership contribution directly assists the mission to<br />

provide transformative experiences that educate, reflect, and inspire us as individuals and as a community.<br />

Gifts of any size help to support the Museum’s dynamic exhibitions, robust education programming, and<br />

engaging events offered free of charge to the public.<br />

<strong>MMoCA</strong> is committed to being an inclusive and welcoming resource with membership accessible to all.<br />

Recognizing the barriers that have existed in traditional membership models <strong>MMoCA</strong> offers free membership<br />

tier. Every member enjoys invitations and free admission to <strong>MMoCA</strong> openings, and events such as<br />

films, discussions, and lectures. They also receive a subscription to <strong>MMoCA</strong>’s newsletter and membership<br />

mailings; a subscription to <strong>MMoCA</strong> Notes e-newsletter; and more!<br />

To view a list of membership benefits, renew, or join as a member, visit mmoca.org/membership.<br />

Questions about membership? Contact us at membership@mmoca.org or 608.257.0158.<br />

HELP OTHERS TO LIVE MORE<br />

ARTFULLY<br />

Generous supporters like you allow <strong>MMoCA</strong> to provide wide and diverse audiences with free admission<br />

and targeted programming. Your support enables the Museum to be a hub for contemporary art and<br />

independent film, and a place to see, learn, enjoy, laugh, wonder, and share inspiration.<br />

Support the Museum and its mission to provide transformative experiences that educate, reflect, and<br />

inspire us as individuals and as a community with a gift. Contributions can be made at mmoca.org/donate<br />

or by calling 608.257.0158.<br />

NEW LANGER SOCIETY MEMBERS, AUGUST 15, 2023–JANUARY 15, <strong>2024</strong><br />

Sarita Field, Quinn Kozik & Carisah Gerdin, Eric Smithback<br />

NEW MEMBERS, AUGUST 15, 2023–JANUARY 15, <strong>2024</strong><br />

Dianné Jean Aldrich, Alexandra Allard, Baran Ataei Ardestani, Josh and Pelin Arnold, Michele Bahl,<br />

Samantha Bebel, Morgan Blackmore, Jacob Bong, Tom Bragg, Santhia Brandt, Wes Broske, Emily Cai,<br />

Diane Chapeta, Andy Chea, Bert Chee, Stat Cornia, Gabrielle Cornish, Eileen Cumming, Anne Eisenman,<br />

Maureen & Fran Ellsworth, Nadar Elovitz, Jackie Espinosa, Frank Fang, David Flegel, Matt Frater, Gideon<br />

French, Isaac Gammon, Jared Garcia, Amanda Gatewood, Lan Gou, Samuel Grassman, Yaron Greenwald,<br />

Ambreen Hamadani, Jeff Hamlett, Jessica Hannebert, Sonja Hanson, Jake Henderson, Erik Hertel,<br />

Meggen Heuss, Allison Hochmuth, Drew Hunkins, Tom Johnson, Cheryl Johnson, Andrew Kelleher,<br />

Amira Khatabi, Brian King, Harald Kliems, Christine & Michael Krueger, John Lazowski, Julia Lepe, Ben<br />

Lewis, Selina Li, Paula Ludwig, David Lynch, Maria Davila Martinez, Alex Mikev, Miguel Pingol, Robin<br />

Reisenfeld, Kyle & Jessica Richards, Andrew Rogers, Robert R. Santurri, Theo Shulman, Madison Smith,<br />

Colleen Foy Sterling, Anne Stoner, Sheila Sullivan, Michael Szewczyk, T.J. Terrien, Andrew Van Roekel,<br />

Ann & Michael Varda, Kevin Walker, Keith Waz, Anita Winston, Ada Zhang<br />

BUSINESS, FOUNDATION,<br />

& GOVERNMENT DONORS<br />

<strong>MMoCA</strong> gratefully recognizes the businesses, foundations, and government agencies making contributions<br />

to Museum exhibitions, education programs, events, and ongoing operations. Thanks to this support,<br />

<strong>MMoCA</strong> can offer compelling and thought-provoking programming, which makes this community and<br />

region more vibrant. Through their gifts, the organizations below have established themselves as engaged,<br />

generous community leaders. <strong>MMoCA</strong> thanks the following for their support.<br />

BENEFACTOR ($10,000+)<br />

The Andy Warhol Foundation<br />

for the Visual Arts<br />

Block 100 Foundation<br />

Eugenie Mayer Bolz<br />

Family Foundation<br />

The DeAtley Family Foundation<br />

John J. Frautschi<br />

Family Foundation<br />

W. Jerome Frautschi<br />

Foundation<br />

The David and Paula Kraemer<br />

Fund<br />

Madison Community<br />

Foundation<br />

<strong>MMoCA</strong> Volunteers<br />

National Endowment<br />

for the Arts<br />

Nimick Forbesway Foundation<br />

Pleasant T. Rowland<br />

Foundation<br />

Theda and Tamblin Clark Smith<br />

Family Foundation<br />

US Bank Foundation<br />

Wisconsin Arts Board<br />

SPONSOR ($5,000)<br />

Artful Home<br />

Cummings Christensen<br />

Family Foundation<br />

The Evjue Foundation<br />

Findorff<br />

Hooper Foundation<br />

Johnson Financial Group<br />

Frank Beer Distributors, Inc<br />

SMS Foundation<br />

State Farm<br />

Summit Credit Union<br />

SupraNet Communications Inc.<br />

Venture Investors<br />

Waunakee Remodeling<br />

Wildwood Productions<br />

Wisconsin Heartland Dealers<br />

LEADER ($2,500)<br />

Access Information<br />

Management<br />

All Energy Solar<br />

The Capital Times Kids Fund<br />

Dane Arts<br />

Dirigible Studio<br />

Isthmus<br />

Leaf Home<br />

Madison Magazine<br />

Madison Media Partners<br />

Magic 98<br />

GIFTS IN TRIBUTE<br />

In memory of Seymour & Shirley Abrahamson: Abrahamson Family<br />

Fund<br />

In memory of Susan Axelrod: Jon Axelrod<br />

In honor of Christina Brungardt: Robert Leschke & Tony Lucchesi<br />

In memory of Stephen Fleischman: Betsy Abramson and David<br />

Seligman; Anonymous; Art Students League of Denver; Brenda Baker<br />

and Dean Gore; Barbara Banks; Ellis and Susan Bauman; Barbara<br />

Beckert; David Bernhardt; Marcia Bloomberg; Bonaiuto Family<br />

Charitable Fund; Sheri and Richard Castelnuovo; Survival Coalition of<br />

Wisconsin Disability Organizations; Ellen Efsic; Eggl Binter Family;<br />

Laurie Elwell and Rick Niess; Family Voices; Brigit Frank; Maria<br />

Heide; Give until it Hirts Fund; Julie Hood Shinnick; Michael and<br />

Debbie Kazamias; Valerie and Andreas Kazamias; David and Paula<br />

Kraemer; Lake Effect HR & Law LLC; Deborah Leopold and David<br />

Sacks; Leslie Melmen; Steven Morrison and Goldie Kadushin; Beth<br />

Moss; A. Jeanne Myers; Linda Newman; Opsal Family; Mary Pickard;<br />

Paul J. Reckwerdt and Ellen S. Rosner; Lynn Renner; The Sidrans;<br />

Eve-Lynn Siegel; Bob Sorge; Barbara Spierer; Beth and Cara Swedeen;<br />

UW-Madison Waisman Center; Liz Whitesel; Margaret Zutter<br />

Milawukee Valva Company<br />

Next Door & Window<br />

Wisconsin Lottery<br />

Wisconsin State Journal<br />

WKOW TV<br />

PARTNER ($1,000)<br />

Custer Financial Services<br />

DoubleTree by Hilton Madison<br />

Ho-Chunk Gaming Madison<br />

Lake Effect HR & Law<br />

Madison Arts Commission<br />

The Sow’s Ear<br />

The Terry Family Foundation<br />

Venture Investors<br />

Widen Enterprises<br />

DONOR<br />

Kinship LLC<br />

Perkins Coie<br />

PRL Keystone<br />

Tegria Services Group, Inc.<br />

SUPPORTER<br />

Robert W. Baird & Co.<br />

Blue Scissors Media<br />

UW Madison<br />

Division of the Arts<br />

<strong>MMoCA</strong> BOARD OF TRUSTEES<br />

Colin Good, President<br />

Juliet Page, Vice-President<br />

Leslie Smith III, Vice-President<br />

Tina Virgil, Vice-President<br />

Jennifer Ridley Hanson, Treasurer<br />

Erin Bemis, Secretary<br />

Dan Abrahamson<br />

Matthew Braunginn<br />

Gina Carter<br />

Max Duckworth<br />

Veronica Figueroa Velez<br />

Erica Fox Gehrig<br />

Evan Gruzis<br />

Chele Isaac<br />

Valerie Kazamias, Life Trustee<br />

Jennifer Pruitt<br />

Francesca Rodriquez<br />

Douglas Rosenberg<br />

Eric Smithback<br />

Jonathan Stenger<br />

Tracy Tompkins<br />

In memory of Theodora Zehner: Anonymous; Bobette F. Heller;<br />

Barbara Katz and Stephen Fleischman; Katie Dowling-Marcus and<br />

10 Ben Marcus; Brian Merson; Kathie Nichols; Vitale Kind Family Fund<br />

11


THE STEPHEN FLEISCHMAN<br />

LECTURESHIP WITH NICK CAVE<br />

AND BOB FAUST<br />

Saturday, April 13 • 6 PM • Lecture Hall<br />

Free Admission<br />

<strong>MMoCA</strong> is pleased to announce that the <strong>2024</strong> Stephen Fleischman Lectureship will feature artists Nick<br />

Cave and Bob Faust in conversation about their multi-disciplinary creative space Facility.<br />

Run by artists Nick Cave and Bob Faust, Facility is a hub for artists, artisans, designers, and architects.<br />

Located in Chicago, the space hosts a myriad of pop-up special projects such as exhibitions, performances,<br />

and educational opportunities. Facility offers interactive and inclusive contemporary art experiences<br />

focused on the communities they serve. Nick Cave and Bob Faust’s exhibition AMENDS was on display<br />

in The Shop at <strong>MMoCA</strong> in Summer 2021.<br />

Nick Cave is an artist and educator, working between the visual and performing arts through a wide range<br />

of mediums including sculpture, installation, video, sound, and performance. Cave is best known for his<br />

Soundsuits, sculptural forms based on the scale of his body, initially created in direct response to the<br />

police beating of Rodney King in 1991. Bob Faust creates visual, visceral, and contextual art experiences<br />

that inspire and/or instigate action. He is the principal and creative director for Faust, a cultural branding<br />

and communications studio as well as the studio/special projects director for Nick Cave, where he<br />

collaborates on both exhibition design and performance works.<br />

The Stephen Fleischman Lectureship was established to celebrate the 25th anniversary of Fleischman’s<br />

tenure as <strong>MMoCA</strong>’s director. An endowment provides for an annual lecture by individuals who have made<br />

exceptional contributions to art and culture. Talks organized for the Stephen Fleischman Lectureship are<br />

held each year in April and have free admission, in recognition of the Museum’s dedication to providing<br />

access to opportunities for learning and enrichment<br />

Admission to this event is free and advance registration is recommended.<br />

Learn more at mmoca.org/facility<br />

Image courtesy of Facility<br />

12

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!