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Lake Barcroft History Book

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According to demographers, a generation consists of the<br />

thirty years it takes for a newborn to reach maturity.<br />

Thus, the late 1970s and early 1980s marked the<br />

beginning of <strong>Lake</strong> <strong>Barcroft</strong>’s second generation. From 1950 to<br />

1975, the community progressed through all the stages of<br />

growing up: <strong>Lake</strong> <strong>Barcroft</strong> developed from a wilderness into a<br />

modern, residential community; residents formed<br />

organizations to fulfill their needs and desires; the community<br />

purchased the lake and upgraded the dam; and property<br />

owners approved a special tax assessment that provided a<br />

continuous funding stream that would ensure maintenance of<br />

the lake as well as the surroundings. The first generation of<br />

<strong>Barcroft</strong>ers bequeathed a legacy of dedication to keeping the<br />

lake alive and the community involved. For the next twentyfive<br />

years, the second generation faced the prospect of<br />

maintaining the community on a steady course.<br />

After Hurricane Agnes and the restoration of the dam, the lake<br />

once again became a magnet for social activities. Barge parties,<br />

the revitalized Sailing Club’s Sunday regattas, Fourth of July<br />

fireworks and Labor Day sports competitions all marked the<br />

return of the residents’ lives to normal. The organizations<br />

responsible for managing the community continued under the<br />

guidance of dedicated individuals, but not without major<br />

changes. During the second twenty-five years, the<br />

environment—both man-made and natural—had its ups and<br />

downs, but overall it improved, because the residents were able<br />

to rekindle the spirit needed to maintain <strong>Lake</strong> <strong>Barcroft</strong> as a<br />

unique place to live. This chapter attempts to briefly chronicle<br />

lake history from 1975 to 2000 by focusing on social,<br />

community and environmental issues.<br />

Social Activities<br />

CHAPTER ELEVEN<br />

The Second Generation<br />

The lifestyle in <strong>Lake</strong> <strong>Barcroft</strong> offers something for everyone.<br />

One group, the <strong>Lake</strong> <strong>Barcroft</strong> Woman’s Club, has been<br />

providing services to its members as well as to the community<br />

since 1955. The Newcomer’s Club Welcoming Committee for<br />

new residents and periodic social events have helped that<br />

organization flourish; membership in the club is often an<br />

individual’s first step in community involvement. Members of<br />

the <strong>Barcroft</strong>ers, a social organization, plan and organize parties<br />

and outings. In the mid-1970s, Joe Theismann, the popular<br />

and outgoing Redskins’ quarterback, opened a restaurant at<br />

Bailey’s Crossroads, which became a popular community<br />

watering hole. Theismann contributed his considerable talents<br />

as auctioneer at fund-raisers sponsored by the Woman’s Club,<br />

43<br />

and his restaurant provided prizes for Labor Day events. Other<br />

memorable outdoor luaus and picnics coordinated by<br />

Trippi Penland provided an opportunity for residents to<br />

celebrate the thirty-fifth anniversary of <strong>Lake</strong> <strong>Barcroft</strong> in<br />

November 1986, the fortieth in November 1991 and the<br />

fiftieth in October 2000.<br />

During the seventies and eighties, several stage shows featured<br />

talented <strong>Barcroft</strong>ers. In January 1976, Jerry Meyer produced<br />

and Naomi Zeavin directed Barney’s Place, a musical<br />

extravaganza spanning the twenties, forties and sixties. Jerry<br />

gave an outstanding performance imitating Elvis Presley for his<br />

ecstatic teenybopper audience, including Jerrie Manteau, Sally<br />

Trebbe, Jean Meyer and Jeanne Fellows. This show was so<br />

successful, it was repeated during the Woman’s Club’s Arts ‘76<br />

Festival. A sort of sequel—Barney Goes to München—was<br />

performed by the same cast at the Oktoberfest held at St.<br />

Anthony’s Church. Naomi Zeavin, an accomplished actress<br />

and gracious neighbor, wrote, directed and produced several<br />

shows: Lighthouse Keeper’s Daughter in 1974, Cabaret in 1977,<br />

Let’s Take a Trip in 1979, Ego-Mania in 1983, Don’t Call Us,<br />

We’ll Call You in 1988 and This Is My Life in 1990.<br />

Jerry Meyer does his Elvis thing

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