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English for Cabin Crew Trainer's Guide - Heinle

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UNIT<br />

5 Minor passenger problems<br />

LEAD IN Speaking<br />

Revise the previous lesson by asking students to tell you what<br />

minor problems were discussed. Revise useful vocabulary <strong>for</strong><br />

exercise 1 by asking students to look at the four photographs on<br />

page 38 and work with a partner to label as many objects as they<br />

can and to think of useful verbs (eg, seatbelt; buckle; fasten;<br />

blanket; get; pass; stow; handset; press; card; fi ll in; menu; order).<br />

Dealing with problems<br />

EXERCISE 1 Speaking<br />

Ask students to work in pairs or small groups to come up with ideas<br />

about what the fl ight attendants are saying. Then get feedback in open<br />

class.<br />

Pre-teaching vocabulary<br />

Check the following key words: upright (not leaning back); fasten<br />

(connect the two parts of a seatbelt).<br />

EXERCISE 2 Listening<br />

Give students time to read the questions. Ask, What do you think the<br />

fl ight attendant will say in each situation? Play the recording. Students<br />

listen and then discuss their answers in pairs. Get feedback in open class<br />

at the end.<br />

Answers<br />

1 He offers to check on their arrival time.<br />

2 a sandwich<br />

3 a blanket<br />

4 no<br />

5 She offers to try to fi nd a doctor or nurse.<br />

EXERCISE 3 Listening<br />

Give students time to read the sentences and write in any words they<br />

think they know. Ask, What part of speech are the missing words?<br />

(infi nitives of verbs). Play the recording. Students listen, fi ll in the gaps<br />

and then check in pairs. Get feedback in open class at the end.<br />

Answers<br />

1 get back 2 get 3 meantime 4 see 5 ask<br />

OFFERING TO HELP (1) Language focus<br />

Give students time to read through the phrases in the box. Alternatively,<br />

read out the phrases and ask students to read and follow.<br />

Language notes<br />

I’ll uses the abbreviated <strong>for</strong>m of the modal verb will and is followed by<br />

the base infi nitive. It is used to make offers, promises and even threats.<br />

Although called the future simple <strong>for</strong>m, it is effectively used to make<br />

offers both now and/or in the future.<br />

Many learners revert to the present simple to make offers (I get you a<br />

blanket). Make sure your students are aware that they should use and<br />

pronounce ’ll.<br />

Note the use of get, a word which has many meanings in <strong>English</strong> and<br />

here is used to mean bring or fi nd. It’s used in<strong>for</strong>mally in spoken <strong>English</strong>.<br />

EXERCISE 4 Pronunciation<br />

Play the recording. Students listen and repeat.<br />

Pronunciation notes<br />

I’ll /aIl/ is diffi cult to pronounce. Students should start the sound with<br />

lips apart in a circle on ‘a’, close the lips a little through ‘i’, then fi nish<br />

the sound by touching the top palate just behind the teeth with their<br />

tongue to make ‘l’.<br />

EXERCISE 5 Speaking<br />

Read through the problems with the class and check students understand<br />

all the words. Then have a conversation in open class to get students<br />

started and show them how the prompts work: You say a problem, then<br />

you elicit a query from the class, then you explain, etc. Ask students to<br />

work in pairs. Tell each pair to decide who is the passenger, and who is<br />

the fl ight attendant, and to prepare what they are going to say be<strong>for</strong>e<br />

acting out their fi rst role play. Then ask them to change roles and act<br />

out a different situation. Monitor, prompt students to use I’ll correctly,<br />

and feedback on good examples of language use and errors you heard.<br />

You could ask a couple of pairs to act out a dialogue in open class at<br />

the end.<br />

ROUND UP<br />

Ask students to work in pairs to choose one of the photographs<br />

on page 38 and prepare a dialogue to go with the photo. When<br />

they are ready, ask a few pairs to act out their dialogue in open<br />

class. The rest of the class must guess which photograph they are<br />

basing their dialogue on.<br />

21

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