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semantics and pragmatics of evidentials in cuzco quechua

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6.2. PERFORMATIVITY 211<br />

use Garrett’s explanation for this restriction <strong>in</strong> Tibetan, I must provide a different<br />

account. In the follow<strong>in</strong>g section I argue that the distributional restrictions on the<br />

<strong>evidentials</strong> follows from a different, but closely related k<strong>in</strong>d <strong>of</strong> performativity.<br />

6.2.2 M-performativity<br />

Nuyts (2000:39) uses the terms descriptive <strong>and</strong> performative to describe different uses<br />

<strong>of</strong> modal expressions, <strong>and</strong> he def<strong>in</strong>es them as follows. “Expressions which report on<br />

an epistemic qualification <strong>of</strong> a state <strong>of</strong> affairs without <strong>in</strong>volv<strong>in</strong>g speaker commitment<br />

to it at the moment <strong>of</strong> speak<strong>in</strong>g, [ ... ], will be called ‘descriptive’. Epistemic forms<br />

which express the speaker’s current attitude towards the state <strong>of</strong> affairs, [ ... ], will<br />

be called ‘performative’.” This dist<strong>in</strong>ction “can also be found at least <strong>in</strong> the doma<strong>in</strong>s<br />

<strong>of</strong> deontic modality, evidentiality, <strong>and</strong> emotional attitude” (Nuyts 2000:40). In other<br />

words ‘performative’ forms are anchored to the speech event. 9 Nuytsiscarefulto<br />

dist<strong>in</strong>guish this use <strong>of</strong> the term performative from that used <strong>in</strong> speech act theory as<br />

discussed <strong>in</strong> the previous section:<br />

The present notion <strong>of</strong> performativity should also not be confused with that<br />

<strong>in</strong> speech act theory. There is a clear correspondence between the two:<br />

both <strong>in</strong>volve a phenomenon <strong>in</strong> which someth<strong>in</strong>g is performed here <strong>and</strong> now<br />

<strong>and</strong> this performance is expressed by means <strong>of</strong> some lexical element. But<br />

there is a clear difference <strong>in</strong> what is performed: a verbal act toward the<br />

listener, versus a mental act <strong>of</strong> evaluation <strong>of</strong> a state <strong>of</strong> affairs. The former<br />

only exists by virtue <strong>of</strong> the utterance: it is through the utterance that the<br />

speech act is performed. The latter, however, can exist without the verbal<br />

expression: the verbal act only expresses the mental act, without be<strong>in</strong>g<br />

constitutive <strong>of</strong> it. One can perform the act <strong>of</strong> (conceptually) evaluat<strong>in</strong>g<br />

someth<strong>in</strong>g without express<strong>in</strong>g it (Nuyts 2000:40-1).<br />

In order to dist<strong>in</strong>guish Nuyts’ notion <strong>of</strong> performative from the st<strong>and</strong>ard speech act<br />

theoretic notion, I will call it m-performative based on his characterization <strong>of</strong> it be<strong>in</strong>g<br />

9 I say that they are anchored to the speech event, <strong>and</strong> not simply to a speech act participant,<br />

because they express the speaker’s (or the hearer’s) current attitude, not a past or future one (see<br />

examples <strong>in</strong> (170) below).

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