04.01.2013 Views

Catalogue - factory-art gallery

Catalogue - factory-art gallery

Catalogue - factory-art gallery

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

ALEXANDER KOSENKOV - RU<br />

1959 Born in Ekimchan Amur region (The Russian Far<br />

East).<br />

1984 Studied at the studio of <strong>art</strong>ist Natalia Chizhik in<br />

Novosibirsk (until 1998).<br />

1995 The first p<strong>art</strong> in the exhibitions: «Hamburg score-<br />

95». Gallery «Green Pyramid».<br />

Since 2007 member of the «Free Culture» Society, St<br />

Petersburg.<br />

Since 2010 member of the Union of Russian Artists.<br />

Personal and selected group exhibitions<br />

2012 «Farewell to the Old World?», personal. Er<strong>art</strong>a<br />

Galleries Zurich.<br />

2012 «PRIMAVERA», personal. Gallery «2 Suvorov»,<br />

Novokuznetsk.<br />

2011 Personal. ERARTA Galleries ― TEN43 New York.<br />

2011 «MAMA ROMA», Association named Petrov-<br />

Vodkin*. Novosibirsk.<br />

2011 «Red Prospect», zonal exhibition. Museum of Art,<br />

Novosibirsk.<br />

2011 «Dudes on Chumikan», personal. Museum<br />

of Contemporary Art and <strong>art</strong> galleries Er<strong>art</strong>a,<br />

FACTORY-ART <strong>gallery</strong><br />

TURN ON, TUNE IN! pag. 28<br />

St.Petersburg.<br />

2011 «Silver gate», personal. Gallery KINO, Moscow.<br />

2010 International competition ArtPreview-2010<br />

(winner), Gallery KINO, Moscow.<br />

2009 «Altai drive», personal. Gallery «Banderol»,<br />

Barnaul.<br />

2009 «Siberian telescope», personal. Gallery Kadieff,<br />

Helsinki (Finland).<br />

2009 VI Novosibirsk International Biennale. Museum of<br />

Art, Novosibirsk.<br />

2009 «Ark», <strong>art</strong> project. Russian Cultural Centre,<br />

Helsinki (Finland).<br />

2009 «Siberia, dog, dot, ru», personal. Krasnoyarsk<br />

Museum Center.<br />

2008 «Siberia-Х», zonal exhibition. Museum of Art,<br />

Novosibirsk.<br />

2008. «Interior with skis», personal. Gallery «Siberian<br />

masters», Novosibirsk.<br />

2007 «Hamburg score-2006». Museum of Art,<br />

Novosibirsk.<br />

2007 «Gouache 2 O». Gallery of the Generations Fund,<br />

Khanty-Mansiysk.<br />

2006 «Letters from Novo, letters to Novo»,<br />

Kunststation Kleinsassen, Fulda (Germany).<br />

2006 «Gorbunki are landing», Association named<br />

Petrov-Vodkin*. Krasnoyarsk.<br />

2005 «DIALOG No 2», personal. Galerie Stricker,<br />

Aachen (Germany).<br />

2005 «Niurka», personal. Gallery CHERNOFF,<br />

Novosibirsk.<br />

2004 «Fall back», Association named Petrov-Vodkin*.<br />

Gallery P-10, St.Petersburg.<br />

2002 «Tengri-Umai 2002», Art Festival. Kosteev’s<br />

Museum, Almaty (Kazakhstan).<br />

2000 «The joy of being», Association named Petrov-<br />

Vodkin*. Museum of Art, Tomsk.<br />

1999 I Novosibirsk International Biennale. Museum of<br />

Art, Novosibirsk.<br />

1998 Personal exhibition. Gallery House of Scientists,<br />

Novosibirsk (Akademgorodok)<br />

1998-2004 «Unknown Russia». Exhibition of 12<br />

Siberian <strong>art</strong>ists. Leuven, Ghent, Overayze, Hasselt,<br />

Tienen, Antwerp, Karlsruhe (Belgium).<br />

The works are in collections<br />

Museum of Contemporary Art «Er<strong>art</strong>a», St.Petersburg;<br />

State Museum «Tsarskoe Collection», St.Petersburg;<br />

Museum of Nonconformist Art, St.Petersburg;<br />

Novosibirsk State Art Museum;<br />

Tomsk Regional Museum of Art;<br />

Novokuznetsk Art Museum<br />

Krasnoyarsk Museum Center;<br />

Gallery House of Scientists, Novosibirsk<br />

(Akademgorodok).<br />

In private collections.<br />

*) Association of Free Artists named «Bathing the Red<br />

Horse» of Petrov-Vodkin»<br />

Artist statement<br />

The nature of my painting is based on a dense and<br />

resonant mixing French <strong>art</strong> and Russian avant-garde<br />

<strong>art</strong>, the poetics of «Jack of Diamonds» on the free<br />

picturesque St. Petersburg romantic expressionism. It<br />

is very important to create a special tension between<br />

the emphasis prosaic subjects of the paintings and the<br />

color and compositional energy, which should occur on<br />

the canvas. I do not do copying landscape or still life.<br />

For me, it is important to see the space-time, to create<br />

a self-contained world-in-themselves, to tell a story. It<br />

is always present, even in plotless works. To do this,<br />

looking at daily life, which otherwise seem mundane<br />

and boring, see the archetypal features of the world, to<br />

detect plastic formulas and color harmony, to find formal<br />

and semantic rhythms, to create a local story common<br />

themes of life in a given Euclidean space. And then there<br />

is a p<strong>art</strong>icular attraction life dark and bright patches of<br />

color on the canvas, and the interaction of divergent<br />

lines, which are due to my own «non-Euclidicity» easily<br />

and naturally can intersect at infinity, even though their<br />

apparent parallelism of the original ...<br />

Alexander Kosenkov

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!