Catalogue - factory-art gallery
Catalogue - factory-art gallery
Catalogue - factory-art gallery
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ALEXANDER KOSENKOV - RU<br />
1959 Born in Ekimchan Amur region (The Russian Far<br />
East).<br />
1984 Studied at the studio of <strong>art</strong>ist Natalia Chizhik in<br />
Novosibirsk (until 1998).<br />
1995 The first p<strong>art</strong> in the exhibitions: «Hamburg score-<br />
95». Gallery «Green Pyramid».<br />
Since 2007 member of the «Free Culture» Society, St<br />
Petersburg.<br />
Since 2010 member of the Union of Russian Artists.<br />
Personal and selected group exhibitions<br />
2012 «Farewell to the Old World?», personal. Er<strong>art</strong>a<br />
Galleries Zurich.<br />
2012 «PRIMAVERA», personal. Gallery «2 Suvorov»,<br />
Novokuznetsk.<br />
2011 Personal. ERARTA Galleries ― TEN43 New York.<br />
2011 «MAMA ROMA», Association named Petrov-<br />
Vodkin*. Novosibirsk.<br />
2011 «Red Prospect», zonal exhibition. Museum of Art,<br />
Novosibirsk.<br />
2011 «Dudes on Chumikan», personal. Museum<br />
of Contemporary Art and <strong>art</strong> galleries Er<strong>art</strong>a,<br />
FACTORY-ART <strong>gallery</strong><br />
TURN ON, TUNE IN! pag. 28<br />
St.Petersburg.<br />
2011 «Silver gate», personal. Gallery KINO, Moscow.<br />
2010 International competition ArtPreview-2010<br />
(winner), Gallery KINO, Moscow.<br />
2009 «Altai drive», personal. Gallery «Banderol»,<br />
Barnaul.<br />
2009 «Siberian telescope», personal. Gallery Kadieff,<br />
Helsinki (Finland).<br />
2009 VI Novosibirsk International Biennale. Museum of<br />
Art, Novosibirsk.<br />
2009 «Ark», <strong>art</strong> project. Russian Cultural Centre,<br />
Helsinki (Finland).<br />
2009 «Siberia, dog, dot, ru», personal. Krasnoyarsk<br />
Museum Center.<br />
2008 «Siberia-Х», zonal exhibition. Museum of Art,<br />
Novosibirsk.<br />
2008. «Interior with skis», personal. Gallery «Siberian<br />
masters», Novosibirsk.<br />
2007 «Hamburg score-2006». Museum of Art,<br />
Novosibirsk.<br />
2007 «Gouache 2 O». Gallery of the Generations Fund,<br />
Khanty-Mansiysk.<br />
2006 «Letters from Novo, letters to Novo»,<br />
Kunststation Kleinsassen, Fulda (Germany).<br />
2006 «Gorbunki are landing», Association named<br />
Petrov-Vodkin*. Krasnoyarsk.<br />
2005 «DIALOG No 2», personal. Galerie Stricker,<br />
Aachen (Germany).<br />
2005 «Niurka», personal. Gallery CHERNOFF,<br />
Novosibirsk.<br />
2004 «Fall back», Association named Petrov-Vodkin*.<br />
Gallery P-10, St.Petersburg.<br />
2002 «Tengri-Umai 2002», Art Festival. Kosteev’s<br />
Museum, Almaty (Kazakhstan).<br />
2000 «The joy of being», Association named Petrov-<br />
Vodkin*. Museum of Art, Tomsk.<br />
1999 I Novosibirsk International Biennale. Museum of<br />
Art, Novosibirsk.<br />
1998 Personal exhibition. Gallery House of Scientists,<br />
Novosibirsk (Akademgorodok)<br />
1998-2004 «Unknown Russia». Exhibition of 12<br />
Siberian <strong>art</strong>ists. Leuven, Ghent, Overayze, Hasselt,<br />
Tienen, Antwerp, Karlsruhe (Belgium).<br />
The works are in collections<br />
Museum of Contemporary Art «Er<strong>art</strong>a», St.Petersburg;<br />
State Museum «Tsarskoe Collection», St.Petersburg;<br />
Museum of Nonconformist Art, St.Petersburg;<br />
Novosibirsk State Art Museum;<br />
Tomsk Regional Museum of Art;<br />
Novokuznetsk Art Museum<br />
Krasnoyarsk Museum Center;<br />
Gallery House of Scientists, Novosibirsk<br />
(Akademgorodok).<br />
In private collections.<br />
*) Association of Free Artists named «Bathing the Red<br />
Horse» of Petrov-Vodkin»<br />
Artist statement<br />
The nature of my painting is based on a dense and<br />
resonant mixing French <strong>art</strong> and Russian avant-garde<br />
<strong>art</strong>, the poetics of «Jack of Diamonds» on the free<br />
picturesque St. Petersburg romantic expressionism. It<br />
is very important to create a special tension between<br />
the emphasis prosaic subjects of the paintings and the<br />
color and compositional energy, which should occur on<br />
the canvas. I do not do copying landscape or still life.<br />
For me, it is important to see the space-time, to create<br />
a self-contained world-in-themselves, to tell a story. It<br />
is always present, even in plotless works. To do this,<br />
looking at daily life, which otherwise seem mundane<br />
and boring, see the archetypal features of the world, to<br />
detect plastic formulas and color harmony, to find formal<br />
and semantic rhythms, to create a local story common<br />
themes of life in a given Euclidean space. And then there<br />
is a p<strong>art</strong>icular attraction life dark and bright patches of<br />
color on the canvas, and the interaction of divergent<br />
lines, which are due to my own «non-Euclidicity» easily<br />
and naturally can intersect at infinity, even though their<br />
apparent parallelism of the original ...<br />
Alexander Kosenkov