ROSEMARIE ALLERS - AR Title: Latin lover, 2011 An old man dispising a symbol of a powereless young woman. Nevertheless, he needs her. Technique: Oil on canvas size: 150 x 150 cm FACTORY-ART <strong>gallery</strong> TURN ON, TUNE IN! pag. 8
AMARIE BERGMAN - AU SELECTED SOLO EXHIBITIONS 2012 The Rosy Crucifixion ParisCONCRET, Paris 2011 Quadrant Bearing Sydney Non Objective (SNO), Sydney 2011 H, Factory 49, Sydney 2010 The Golden Eternity, Factory 49, Sydney 2009 C, ParisCONCRET, Paris SELECTED GROUP EXHIBITIONS 2012 Annual Group ShowFactory 49, Sydney 2012 SNO Fundraiser Auction (show 81) SNO, Sydney 2012 Group print Show, Factory 49, Sydney 2011 Poste Concret ParisCONCRET, Paris 2011 Spatial Intervais, Factory 49, Sydney 2011 Night Visions IV Coconino Center for the Arts, Flagstaff USA 2011 Galerie bij de Boeken, DRU Fabriek Cultural Centre, Ulft 2010 Adaptive Actions (<strong>art</strong>istical intervention) Madrid Abierto 2007 Community Art Grid Contemporary Art Gallery, Vancouver FACTORY-ART <strong>gallery</strong> TURN ON, TUNE IN! pag. 9 Zeitlupe – Câmera lenta / 2 [slow time, slow motion] Galeria Antonio Bandiera, Fortaleza Brazil 2005 Zeitlupe - Càmera lenta / 1 Stadtbibliothek, Nürnberg Germany 2000 9th International Biennial Print & Drawing Exhibition Taipei Fine Arts Museum, Taipei Taiwan SELECTED AWARDS 2011 Finalist (Smoke Screen) Lettera From The Sky experimental film festival coinciding with COP17, Durban 2006 Finalist in Design A Door competition, hosted by Rennie Marketing Systems, Westbank & Paterson Group and mcfarlaneGreen Architecture + Design,and sponsored by Woodward’s Redevelopment Group, Vancouver SELECTED INTERVIEWS 2010 Interview with Sand T. Kalloch, <strong>art</strong>SPACE PUBLICATIONS 2011 <strong>Catalogue</strong>: H, Factory 49, Sydney 2010 <strong>Catalogue</strong>: The Golden Eternity Factory 49 Sydney 2010 Adaptive Actions Camp-Madrid Project in collaboration with Madrid Abierto Biennial Lateral Leaming curated by Paul Butler; published/produced by Vantage Art Projects, Vancouver INVOLVEMENTS 2007-ongoing Art Reviewer Whitehot Magazine of Contemporary Art and <strong>art</strong>US Artsist statement The universe is radiant. The conception of light began in stars. Originating the code of light were hydrogen, helium and lithium. It was this array, with various reaction sequences, that made new elements of life possible in the early universe and created the Milky Way galaxy. Not unlike letters in an alphabet, chemical elements via astrophysics form a language about starlight, and my fascination is realized in several series, overall called Stellar Lingualumina. In addition, other series concentrate on architectural site mapping, for example, Quadrant Bearing, paintings and drawings formulated from an angle at Sydney Non Objective, or pay homage to literary texts that have metaphysical underpinnings, such as, The Golden Eternity by Jack Kerouac and The Rosy Crucifixion by Henry Miller. Through meticulous editing and/or ‘dissolving’ some of the language and filtering the essence, the work inherently is minimal. Essentially, I am translating a magnetic attraction to light in both inner and outer space. This attraction merges design elements into a minimalist’s ethos to produce a graphic style of imagery. Thoughts and ideas about simplicity are entertained along with geometry, equations and the esoteric qualities of numbers and colours. I play with visibility and invisibility. I know that light reveals the dimensions of space, (usually) in silence and with grace. ‘Since the various materials in the Universe are only varying coefficients of vibration, we build in this way not only intensities of a spiritual kind, but, who knows? New bodies, metals, nebulae and stars.’ The true <strong>art</strong> then for me is finding ways to build and transmit intense information about how light in space is a connector and a transformer – a transformative energy – and, factored by time, a unifying processor of continual enlightenment. Amarie Bergman
Change language