Catalogue - factory-art gallery
Catalogue - factory-art gallery
Catalogue - factory-art gallery
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ROSEMARIE ALLERS - AR<br />
Centro cultural Recoleta «The Spirit of the Beehive».<br />
Buenos Aires, Argentina.<br />
1995 IV Women´s International Conference. Beijing,<br />
China.<br />
1994 Honorable Consejo Deliberante, Hall of<br />
Exhibitions. Buenos Aires, Argentina.<br />
Archimboldo Art Gallery. Buenos Aires, Argentina.<br />
Winter Exhibition Rómulo Raggio Foundation. Buenos<br />
Aires, Argentina.<br />
National Salon of Plastic Art´s. Buenos Aires, Argentina.<br />
1991 Fine Arts Museum. La Plata, Argentina.<br />
Junto al Arte Salón. Buenos Aires, Argentina.<br />
Alliance Française Salon. Buenos Aires, Argentina.<br />
1990 Aramayo Art Gallery. Punta del Este, Uruguay.<br />
1989 Marienbad Art Gallery. Buenos Aires, Argentina.<br />
1988 Marienbad Art Gallery. Buenos Aires, Argentina.<br />
1987 La Porte Ouverte Art Gallery. Buenos Aires,<br />
Argentina.<br />
FACTORY-ART <strong>gallery</strong><br />
TURN ON, TUNE IN! pag. 6<br />
Bibliography:<br />
Treinta Años de Arte Argentino (Una visión parcial).<br />
Fundación Pettoruti, Buenos Aires, 1997<br />
Fermín Fevre<br />
Japón y la Argentina. Historia de sus relaciones.<br />
Sudamericana, Buenos Aires, 1997<br />
José R. Sanchís Muñoz<br />
ABC de las Artes Visuales en la Argentina. Artotal,<br />
Buenos Aires, 2006 Osvaldo Svanascini<br />
Artsist statement<br />
Painting overnight<br />
My painting does not belong to the kind of works you can<br />
look at peacefully. As a matter of fact, I’m not able to do it<br />
that way. I am selfish in <strong>art</strong>, I work for myself.<br />
In my theme there is a tumultuous relation between<br />
men and women, both generally stereotyped. In this<br />
fight between sexes underlies always confrontation,<br />
harassment and subordination. They make up a powerful<br />
erotism, not at all idyllic.<br />
Sometimes understanding and love happens.<br />
So, with ambition, “fighting overnight” I intend to<br />
represent my characters , my rhythms, my painting,<br />
following the previous idea I had.<br />
Bud suddenly “my hand” knows more than myself –and<br />
it was something else- Something I was not searching<br />
at all.<br />
…And I paint… and so rises my real painting. Finito.<br />
Rosemarie Allers