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Introductory notes to the Semiotics of Music - Philip Tagg's home page

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42 P Tagg: Notes on <strong>Semiotics</strong> <strong>of</strong> <strong>Music</strong> Musematic analysis<br />

Fig. 3: Hermeneutic correspondence by means <strong>of</strong> interobjective comparison<br />

AO analysis object<br />

IOCM interobjective comparison<br />

material<br />

PMFA paramusical field<br />

<strong>of</strong> association<br />

AO<br />

IMC<br />

AO<br />

PMFA<br />

objective states <strong>of</strong> correspondence<br />

demonstrable states <strong>of</strong> correspondence<br />

IOCM<br />

IMC<br />

IOCM<br />

PMFA

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