Donors - the Flint Institute of Arts
Donors - the Flint Institute of Arts
Donors - the Flint Institute of Arts
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Film Festivals<br />
Human Rights Watch Film Festival<br />
Selections from <strong>the</strong> Human Rights Watch Traveling Festival, 21–23<br />
April. Three films were screened in conjunction with <strong>the</strong> opening <strong>of</strong><br />
<strong>the</strong> special exhibition, Thy Bro<strong>the</strong>rs’ Keeper. 42 people attended.<br />
Greater <strong>Flint</strong> <strong>Arts</strong> Council (<strong>Flint</strong> Film Festival)<br />
GFAC/FIA partnership for <strong>the</strong> <strong>Flint</strong> Film Festival, 27–30 April.<br />
More than 60 feature films, documentaries, and short videos<br />
were presented on four screens at <strong>the</strong> FIA (FIA Theater, Isabel<br />
Hall, Fleckenstein Video Gallery, and Art School Lecture<br />
Room). Well over 1,100 people attended, and <strong>the</strong> response<br />
was overwhelmingly positive. As a partner/presenter, <strong>the</strong> FIA<br />
contributed $23,500 in services and site management.<br />
Lenore Marwil Jewish Film Festival<br />
Lenore Marwil Jewish Film Festival, 7–9 May. In partnership with<br />
<strong>the</strong> <strong>Flint</strong> Jewish Federation, seven films representing <strong>the</strong> Jewish<br />
Diaspora were screened over three days. 376 people attended.<br />
As a partner/presenter, <strong>the</strong> FIA contributed $11,000 in services and<br />
site management.<br />
Hip Hop Film Festival<br />
The Hip Hop Film Festival (HHFF), 28–30 July, was an <strong>of</strong>fshoot <strong>of</strong><br />
The Center for Hip Hop Education, a non-pr<strong>of</strong>it arts organization<br />
promoting <strong>the</strong> idea <strong>of</strong> collaborative learning as a positive force<br />
for change. Touring in <strong>the</strong> U.S. and abroad throughout <strong>the</strong> year,<br />
HHFF showcases progressive urban cinema that addresses social<br />
and individual responsibility while countering <strong>the</strong> apathy, cynicism<br />
and violence so pervasive in society today. 9 films were screened.<br />
95 people attended. As a partner/presenter, <strong>the</strong> FIA contributed<br />
$2,500 in services and site management.<br />
FIA Theater Films<br />
22<br />
Ancillary Activities<br />
December 30<br />
Special pre-film event What<br />
is Your Alternative? A Cultural<br />
Response to Andy Warhol was<br />
presented in collaboration<br />
with The Uncommon Sense<br />
newspaper. In conjunction<br />
with <strong>the</strong> closing <strong>of</strong> <strong>the</strong> special<br />
exhibition Andy Warhol,<br />
A to Z: A Retrospective <strong>of</strong><br />
<strong>the</strong> Work <strong>of</strong> <strong>the</strong> Master <strong>of</strong><br />
Pop Art, <strong>the</strong> event included<br />
readings <strong>of</strong> poetry and prose<br />
selected by newspaper<br />
editorial staff, in addition to<br />
musical performances by <strong>the</strong><br />
bands “taste this!” (<strong>Flint</strong>) and<br />
“Drafted by Minotaurs” (Ann<br />
Arbor), and a presentation<br />
<strong>of</strong> <strong>the</strong> documentary films<br />
Whatever You Destroy and<br />
DIG! (a documentary about<br />
<strong>the</strong> talented underground<br />
musicians Anton Newcombe,<br />
leader <strong>of</strong> The Brian Jonestown<br />
Massacre, and Courtney Taylor,<br />
head <strong>of</strong> The Dandy Warhols).<br />
47 people attended.<br />
March 24–26<br />
Q&A panel discussion followed<br />
screening <strong>of</strong> After Innocence.<br />
This documentary film is about<br />
seven wrongfully imprisoned<br />
men and <strong>the</strong>ir emotional<br />
journey to rebuild <strong>the</strong>ir lives<br />
after DNA evidence proved<br />
<strong>the</strong>ir innocence. Included<br />
a police <strong>of</strong>ficer, an army<br />
sergeant and a young fa<strong>the</strong>r<br />
sent to prison and even death<br />
row for decades for crimes<br />
<strong>the</strong>y did not commit. The<br />
film raises basic questions<br />
about human rights and<br />
society’s moral obligation to<br />
<strong>the</strong> exonerated, spotlighting<br />
flaws in our criminal justice<br />
system. Following <strong>the</strong> Sunday<br />
screening, audience members<br />
participated in a discussion<br />
with Michigan DNA exoneree<br />
Ken Wyniemko and Pr<strong>of</strong>essor<br />
Norman Fell, Director <strong>of</strong> The<br />
Innocence Project <strong>of</strong> Cooley<br />
Law School in Lansing. 127<br />
people attended.<br />
April 28–30<br />
Q&A discussions with a number<br />
<strong>of</strong> filmmakers in attendance at<br />
<strong>the</strong> <strong>Flint</strong> Film Festival.<br />
May 8<br />
Jewish Film Festival Q&A<br />
discussion with Pr<strong>of</strong>essor Guy<br />
Stern <strong>of</strong> Wayne State University,<br />
one <strong>of</strong> <strong>the</strong> subjects featured<br />
in <strong>the</strong> documentary film The<br />
Ritchie Boys (about a group <strong>of</strong><br />
German refugees recruited by<br />
<strong>the</strong> U.S. Army to be intelligence<br />
agents during WWII). 88 people<br />
attended.<br />
July 28–30<br />
Hip Hop Film Festival. Q&A<br />
discussions with filmmakers<br />
Kevin Fitzgerald, Todd Hickey,<br />
and Rachel Raimist. Live<br />
performances by Michiganbased<br />
hip hop musicians. Art<br />
installation in FIA Lobby with<br />
opening reception. Workshops<br />
and panel discussions on<br />
music, writing, production, and<br />
computer applications.