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Donors - the Flint Institute of Arts

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Film Festivals<br />

Human Rights Watch Film Festival<br />

Selections from <strong>the</strong> Human Rights Watch Traveling Festival, 21–23<br />

April. Three films were screened in conjunction with <strong>the</strong> opening <strong>of</strong><br />

<strong>the</strong> special exhibition, Thy Bro<strong>the</strong>rs’ Keeper. 42 people attended.<br />

Greater <strong>Flint</strong> <strong>Arts</strong> Council (<strong>Flint</strong> Film Festival)<br />

GFAC/FIA partnership for <strong>the</strong> <strong>Flint</strong> Film Festival, 27–30 April.<br />

More than 60 feature films, documentaries, and short videos<br />

were presented on four screens at <strong>the</strong> FIA (FIA Theater, Isabel<br />

Hall, Fleckenstein Video Gallery, and Art School Lecture<br />

Room). Well over 1,100 people attended, and <strong>the</strong> response<br />

was overwhelmingly positive. As a partner/presenter, <strong>the</strong> FIA<br />

contributed $23,500 in services and site management.<br />

Lenore Marwil Jewish Film Festival<br />

Lenore Marwil Jewish Film Festival, 7–9 May. In partnership with<br />

<strong>the</strong> <strong>Flint</strong> Jewish Federation, seven films representing <strong>the</strong> Jewish<br />

Diaspora were screened over three days. 376 people attended.<br />

As a partner/presenter, <strong>the</strong> FIA contributed $11,000 in services and<br />

site management.<br />

Hip Hop Film Festival<br />

The Hip Hop Film Festival (HHFF), 28–30 July, was an <strong>of</strong>fshoot <strong>of</strong><br />

The Center for Hip Hop Education, a non-pr<strong>of</strong>it arts organization<br />

promoting <strong>the</strong> idea <strong>of</strong> collaborative learning as a positive force<br />

for change. Touring in <strong>the</strong> U.S. and abroad throughout <strong>the</strong> year,<br />

HHFF showcases progressive urban cinema that addresses social<br />

and individual responsibility while countering <strong>the</strong> apathy, cynicism<br />

and violence so pervasive in society today. 9 films were screened.<br />

95 people attended. As a partner/presenter, <strong>the</strong> FIA contributed<br />

$2,500 in services and site management.<br />

FIA Theater Films<br />

22<br />

Ancillary Activities<br />

December 30<br />

Special pre-film event What<br />

is Your Alternative? A Cultural<br />

Response to Andy Warhol was<br />

presented in collaboration<br />

with The Uncommon Sense<br />

newspaper. In conjunction<br />

with <strong>the</strong> closing <strong>of</strong> <strong>the</strong> special<br />

exhibition Andy Warhol,<br />

A to Z: A Retrospective <strong>of</strong><br />

<strong>the</strong> Work <strong>of</strong> <strong>the</strong> Master <strong>of</strong><br />

Pop Art, <strong>the</strong> event included<br />

readings <strong>of</strong> poetry and prose<br />

selected by newspaper<br />

editorial staff, in addition to<br />

musical performances by <strong>the</strong><br />

bands “taste this!” (<strong>Flint</strong>) and<br />

“Drafted by Minotaurs” (Ann<br />

Arbor), and a presentation<br />

<strong>of</strong> <strong>the</strong> documentary films<br />

Whatever You Destroy and<br />

DIG! (a documentary about<br />

<strong>the</strong> talented underground<br />

musicians Anton Newcombe,<br />

leader <strong>of</strong> The Brian Jonestown<br />

Massacre, and Courtney Taylor,<br />

head <strong>of</strong> The Dandy Warhols).<br />

47 people attended.<br />

March 24–26<br />

Q&A panel discussion followed<br />

screening <strong>of</strong> After Innocence.<br />

This documentary film is about<br />

seven wrongfully imprisoned<br />

men and <strong>the</strong>ir emotional<br />

journey to rebuild <strong>the</strong>ir lives<br />

after DNA evidence proved<br />

<strong>the</strong>ir innocence. Included<br />

a police <strong>of</strong>ficer, an army<br />

sergeant and a young fa<strong>the</strong>r<br />

sent to prison and even death<br />

row for decades for crimes<br />

<strong>the</strong>y did not commit. The<br />

film raises basic questions<br />

about human rights and<br />

society’s moral obligation to<br />

<strong>the</strong> exonerated, spotlighting<br />

flaws in our criminal justice<br />

system. Following <strong>the</strong> Sunday<br />

screening, audience members<br />

participated in a discussion<br />

with Michigan DNA exoneree<br />

Ken Wyniemko and Pr<strong>of</strong>essor<br />

Norman Fell, Director <strong>of</strong> The<br />

Innocence Project <strong>of</strong> Cooley<br />

Law School in Lansing. 127<br />

people attended.<br />

April 28–30<br />

Q&A discussions with a number<br />

<strong>of</strong> filmmakers in attendance at<br />

<strong>the</strong> <strong>Flint</strong> Film Festival.<br />

May 8<br />

Jewish Film Festival Q&A<br />

discussion with Pr<strong>of</strong>essor Guy<br />

Stern <strong>of</strong> Wayne State University,<br />

one <strong>of</strong> <strong>the</strong> subjects featured<br />

in <strong>the</strong> documentary film The<br />

Ritchie Boys (about a group <strong>of</strong><br />

German refugees recruited by<br />

<strong>the</strong> U.S. Army to be intelligence<br />

agents during WWII). 88 people<br />

attended.<br />

July 28–30<br />

Hip Hop Film Festival. Q&A<br />

discussions with filmmakers<br />

Kevin Fitzgerald, Todd Hickey,<br />

and Rachel Raimist. Live<br />

performances by Michiganbased<br />

hip hop musicians. Art<br />

installation in FIA Lobby with<br />

opening reception. Workshops<br />

and panel discussions on<br />

music, writing, production, and<br />

computer applications.

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