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2009 National Conference Program - PCA/ACA

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"Deathdream’s’ Hybrid Horror: The Soldier as Vampire and Living Dead"<br />

Joyce Thomas, Castleton State College<br />

"Conservative Gothicism: The Effect of Creolization"<br />

James Callahan, Northwestern State University<br />

Balcony N (4th Floor)<br />

3015 Music XI: Rap and Hip-Hop<br />

Chair: Linta Varghese, Vassar College<br />

"Australian Hip Hop and Contemporary Political Activism"<br />

Alex Kaiser, University of Melbourne<br />

"Exploitation or Agency: Women, Sexuality, and Hip Hop"<br />

Jessica Parker, Metropolitan State College of Denver<br />

FRIDAY<br />

8:00 – 9:30 A.M.<br />

"’I’ve got the bombs to make you blow / I’ve got the beats to make you bang’: The<br />

Hybrid Aesthetic of M.I.A and Her Cultural Political Practice "<br />

Yiorgos Boudouris, University of Calgary<br />

"’They Wanna Check My Papers, See What I Carry Around’: M.I.A., Bird Flu, and<br />

Fear of a Global Planet"<br />

Linta Varghese, Vassar College<br />

Preservation Hall Studio 1 (2nd Floor)<br />

3016 Adaptation (Film, TV, Lit., & Electronic Gaming) IV: What Cowboys<br />

and Murderers Can Teach Your Students<br />

Chair: Lynnea Chapman King, Butler Community College<br />

"‘What you got ain’t nothing new’: Intertextuality, the Western, and the Problem of<br />

Resolution in No Country for Old Men "<br />

Jimmy Gilmore, University of South Carolina<br />

"What Film Adaptation Can Do that Literary Criticism Can, too (and Vice Versa)"<br />

Glenn Jellenik, University of South Carolina<br />

"Simple Plans in the Bedroom: The Pedagogy of Murder in Films by Sam Raimi<br />

and Todd Field"<br />

Jim Everett, Mississippi College<br />

"Parody, Homage, and the Kitchen Sink: Adapting Genre in Ed Harris' Appaloosa"<br />

Lynnea Chapman King<br />

193

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