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2009 National Conference Program - PCA/ACA

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FRIDAY<br />

8:00 – 9:30 A.M.<br />

Mardi Gras G&amp;H (3rd Floor)<br />

3017 Romance II: Romance Authorship 2: Theories and Practices<br />

Chair: Darcy Martin, East Tennessee State University<br />

"Romancing History, Historicizing Romance: The Practice of History through<br />

Romance Fiction"<br />

Lauren Willig, Harvard University<br />

"Don’t bother me! I’m living MY Happily Ever After: A Heuristic Inquiry into the<br />

Experience of Personal Happiness for Career Romance-genre Writers"<br />

Karen Henry, Capella University<br />

"Romance Divas: Understanding an Online Romance Writing community"<br />

Crystal Goldman, University of Utah<br />

"The Transition from Reader to Writer: Romance Fiction Authors’ Organizations"<br />

Glen Thomas, Queensland University of Technology<br />

Preservation Hall Studio 9 (2nd Floor)<br />

3018 Women's Studies IX: Reconciling the Gendered Body/Identity<br />

Chair: Pamela B. Rodgers, Indiana University of Pennsylvania<br />

"The Letter 'S' Around Her Neck: The Paradox of Shame and Pride in the Novels of<br />

Cisneros, Danticat, and Allende"<br />

Ginny Mercier, William Carey University<br />

"Reading Lucy Grealy: Authenticity and Survival in Women’s Narrative"<br />

Sarah Carnahan, Ohio State University<br />

"Bodily Fragmentation and Matrilineal Healing in Gayl Jones’s Corregidora"<br />

Pamela B. Rodgers<br />

Mardi Gras E (3rd Floor)<br />

3019 Popular Art, Architecture & Design VIII: The Art of ...<br />

Chair: Ann-Sargent Wooster, School of Visual Arts<br />

"Curating Kinkade: The Ballad of Jeffrey Vallance"<br />

Monica Kjellman-Chapin, Emporia State University<br />

"Human Likeness: The Portrayal of the Taboo and Strange"<br />

Elaine A. King, Carnegie Mellon University<br />

"The Moral Imperative of Looking in the Paintings of Winslow Homer"<br />

194

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