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2009 National Conference Program - PCA/ACA

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Bacchus (4th Floor)<br />

1044 Mystery & Detective Fiction I: Reading and Decoding Narratives<br />

Chair: Andrew Phelps, University of Connecticut<br />

"The Mystery Writer as Criminologist"<br />

Frankie Bailey, University at Albany School of Criminal Justice<br />

WEDNESDAY<br />

2:30 – 4:00 P.M.<br />

"Laying Traps for Fools: How J.K. Rowling, Agatha Christie, Jane Austen, and<br />

Sophocles Manipulate Narratives to Surprise and Empower Readers"<br />

Marty Knepper, Morningside College<br />

"Dark Doubles in the Crime Fiction of Peter Abrams "<br />

Michael Larsen, Saint Mary’s University<br />

"Questions of Faith: Inquiries into the Spiritual Dimensions of Ian Rankin’s John<br />

Rebus Series"<br />

Andrew Phelps<br />

Balcony I (4th Floor)<br />

1045 Horror (Fiction, Film) II: Horror Genre Aesthetics<br />

Chair: Jim Iaccino, The Chicago School of Professional Psychology<br />

"Darkly Deciphering Dexter: The Successful Marriage of Horror and Detection in<br />

Showtime’s Dexter Series"<br />

Heidi Berkowitz, Burlington College<br />

"Sound and Simulacra in American Horror Films"<br />

Jeffrey Bullins, The Art Institute of Atlanta<br />

"The Ghost Hunters Strategy: Searching for Ghosts in All the ‘Right Places’"<br />

Jim Iaccino<br />

Napoleon Suite (41st Floor)<br />

1046 Film & History I: Imagining the 1960s<br />

Chair: Kevin Flanagan, North Carolina State University<br />

"Guess Who’s Coming to Dinner: The Web of Racial, Class, and Gender<br />

Constructions in late 1960s America"<br />

Anne Gray Perrin, Western Kentucky University<br />

"Hurry Sundown: Otto Preminger, Baton Rouge, and Race, 1966-1967"<br />

Thomas Aiello, University of Louisiana at Lafayette<br />

67

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