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2009 National Conference Program - PCA/ACA

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SATURDAY<br />

2:30 – 4:00 P.M.<br />

D’Lane Compton, The University of New Orleans<br />

Leah DeVun, Texas A&M University<br />

"Desperado and Saddledrag: Female Performances Queering Cowboys"<br />

Anna Campbell, Grand Valley State University<br />

"Queer Cowboygirls: Romance, Race, Gender and Passing in Penny Hayes’<br />

Lesbian Western Fiction"<br />

Sharon Barnes<br />

Preservation Hall Studio 10 (2nd Floor)<br />

4100 Documentary III: Questioning the Documentary Form<br />

Chair: Danny Shipka, Louisiana State University<br />

"John Milton and the Devil of West Memphis: A Postmodern Areopagitica in<br />

Defense of the West Memphis Three"<br />

Julia Guernsey-Shaw, University of Louisiana at Monroe<br />

"Documentary Gone Wild: The Mondo Film"<br />

Danny Shipka<br />

La Galerie 3 (2nd Floor)<br />

4101 Film XXVII: 21st-Century Japanese Horror: Pulse, Visitor Q, & Audition<br />

Session Chair: Virginia Grant, University of North Alabama<br />

"Ailing Screens, Viral Video: Technological Ghosts in Kiyoshi Kurosawa's Pulse"<br />

Kit Hughes, The University of Texas at Austin<br />

"Family Values and Microphone Rape: Takashi Miike's Visitor Q and the American<br />

Culture Wars"<br />

Justin Thurman, University of Louisiana at Lafayette<br />

"‘I became the real heroine’: Justifying Violence in Takashi Miike's Audition"<br />

Virginia Grant<br />

Jackson (5th Floor)<br />

4103 Film and Media Studies V: Roundtable on The American Superhero<br />

Zeitgeist from Comics to Screen<br />

Chair: J. Brian Wagaman, scholar<br />

"The American Superhero Zeitgeist from Comics to Screen"<br />

Marc Azard, University of North Texas<br />

Maja Bajac-Carter, University of North Texas<br />

320

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