Innovative Film Austria 12/13
Innovative Film Austria 12/13
Innovative Film Austria 12/13
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Peter Tscherkassky<br />
Coming Attractions<br />
58 International Festival Screenings<br />
New York, Toronto, London, Rotterdam, Melbourne ...<br />
4 International Awards<br />
Venice (Premio Orizzonti for Best Short <strong>Film</strong>), Gijón (Best Short <strong>Film</strong>), Rio de<br />
Janeiro (Special Mention), Vienna Independent Shorts Festival (Best <strong>Austria</strong>n <strong>Film</strong>)<br />
Tscherkassky’s recent, most beautiful film Coming<br />
Attractions creates a complex mosaic of crossreferences<br />
– both formal, between shots, and<br />
historical, between periods and genres. This film<br />
demonstrates the extreme textual density found<br />
footage can achieve (…) Tscherkassky absolutely<br />
creates a new film, but still delivers discoveries<br />
drawn from the original footage, relevations about<br />
the nature of film and our fascination with it.<br />
Tom Gunning<br />
Avant-garde film is attributed with a spiritual affinity to early cinema, also known<br />
as the “Cinema of Attractions”. This notion touches upon its exhibitionistic<br />
character of early film, the undaunted show and tell of its creative possibilities,<br />
its direct connection to the audience. At the same time, elements of early cinema<br />
have been preserved in advertising, such as its frontal address of the camera and<br />
bald use of cinematic “tricks”. Coming Attractions seeks to humorously excavate<br />
the subterranean rhizomes of a mutual genealogy and to celebrate the trinity of<br />
early cinema, avant-garde film and advertising.<br />
<strong>Austria</strong> 2010 No dialogue 35 mm 1:1.37 b&w Dolby SR 25 min<br />
Premiere September 2010 Venice Int. <strong>Film</strong> Festival/Orizzonti Competition<br />
40>41 Most Wanted