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Innovative Film Austria 12/13

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Peter Tscherkassky<br />

Coming Attractions<br />

58 International Festival Screenings<br />

New York, Toronto, London, Rotterdam, Melbourne ...<br />

4 International Awards<br />

Venice (Premio Orizzonti for Best Short <strong>Film</strong>), Gijón (Best Short <strong>Film</strong>), Rio de<br />

Janeiro (Special Mention), Vienna Independent Shorts Festival (Best <strong>Austria</strong>n <strong>Film</strong>)<br />

Tscherkassky’s recent, most beautiful film Coming<br />

Attractions creates a complex mosaic of crossreferences<br />

– both formal, between shots, and<br />

historical, between periods and genres. This film<br />

demonstrates the extreme textual density found<br />

footage can achieve (…) Tscherkassky absolutely<br />

creates a new film, but still delivers discoveries<br />

drawn from the original footage, relevations about<br />

the nature of film and our fascination with it.<br />

Tom Gunning<br />

Avant-garde film is attributed with a spiritual affinity to early cinema, also known<br />

as the “Cinema of Attractions”. This notion touches upon its exhibitionistic<br />

character of early film, the undaunted show and tell of its creative possibilities,<br />

its direct connection to the audience. At the same time, elements of early cinema<br />

have been preserved in advertising, such as its frontal address of the camera and<br />

bald use of cinematic “tricks”. Coming Attractions seeks to humorously excavate<br />

the subterranean rhizomes of a mutual genealogy and to celebrate the trinity of<br />

early cinema, avant-garde film and advertising.<br />

<strong>Austria</strong> 2010 No dialogue 35 mm 1:1.37 b&w Dolby SR 25 min<br />

Premiere September 2010 Venice Int. <strong>Film</strong> Festival/Orizzonti Competition<br />

40>41 Most Wanted

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