Media Collections - Off-air Television Broadcasts - The University of ...
Media Collections - Off-air Television Broadcasts - The University of ...
Media Collections - Off-air Television Broadcasts - The University of ...
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that when she picked Otis Redding's song "Respect"<br />
and ran with it, she really changed the way the whole generation perceived<br />
itself.<br />
First released: U.S. : Corridor Group Productions, 2003.<br />
<strong>Off</strong>-<strong>air</strong> recording.<br />
ERC VID.<br />
781.644 FRAN.<br />
MILES ELECTRIC - A DIFFERENT KIND OF BLUE [VIDEORECORDING] / PRODUCED & DIRECTED<br />
BY MURRAY LERNER.<br />
<strong>Off</strong>-<strong>air</strong> recording <strong>of</strong> the SBS programme broadcast 07/06/05. Copied under Part 5A<br />
<strong>of</strong> the Copyright Act 1968.<br />
Colour recording system: PAL ; Region all.<br />
'An MLF Production in association with Eagle Rock Entertainment, ltd.'<br />
Copyright notice: Commonwealth <strong>of</strong> Australia. Copyright Regulations 1969.<br />
Warning.<br />
Editors, Edward Goldberg, Einar Westerlund.<br />
A documentary tracing the long musical career <strong>of</strong> the legendary trumpeter Miles<br />
Davis, from the 1960s to 1991. During that period, he acquired a distinctive<br />
music style. <strong>The</strong> crazy, troubled times <strong>of</strong> the late 1960s, in the U.S.A.,<br />
influenced Davis' musical development into something beyond jazz - a kind <strong>of</strong><br />
blue with electronic effects. It became his signature theme. He learnt from the<br />
classical jazz musicians, like Jimi Hendrix, Chick Corea and Carlos Santana; but<br />
ended up playing their kind <strong>of</strong> music in his unique way, according to his own<br />
interpretation. Demonstrates his music style, with a close-up <strong>of</strong> his performance<br />
on the electric piano. Includes interviews with Miles, Herbie Hancock, Carlos<br />
Santana, Stanley Couch and other great musicians who performed with him during<br />
his long career. <strong>The</strong>ir reminicences provide an insight into Davis' personality<br />
and his talent which made him a worldwide celebrity. Includes selected archival<br />
footage <strong>of</strong> his performances on stage, highlighting his time at the Isle <strong>of</strong> Wight<br />
Festival, August 1970, and in Tokyo in 1973. Showcases many <strong>of</strong> Davis' most<br />
influential and timeless musical compositions, in albums such as, Miles runs the<br />
Voodoo down, Bitches brew and So what.<br />
Originally released: Widescreen ed. : [U.S.] : Pulsar Productions, c2004.<br />
DVD.<br />
Closed-captioned for the hearing imp<strong>air</strong>ed.<br />
ERC DVD.<br />
781.65 DAVI.<br />
ATTITUDE [VIDEORECORDING] : [CLASSIC ROCK IS KILLING AUSTRALIAN MUSIC].<br />
1993.<br />
<strong>Off</strong>-<strong>air</strong> recording, Australian Broadcasting Corporation, 27 October 1993.<br />
Title taken from opening lines <strong>of</strong> dialogue.<br />
<strong>The</strong> song remains the same / Caitlin Shea -- Talking about my generation / David<br />
Hannam -- Singing a different tune / Michael Bunworth.<br />
Producer, Laura Waters.<br />
Samantha Butler.<br />
What is happening to rock and pop music in Australia these days? "Classic Rock"<br />
playlists on radio stations and "Tribute Bands" in live venues are catering for<br />
an obsession with yesterdays music in Australia today. <strong>The</strong> end effect is that<br />
avenues for new and original music are being choked <strong>of</strong>f. Attitude questions<br />
musicians, recording industry people and radio station directors to try and find<br />
out why Australia's once vibrant music industry has all but died.<br />
ERC VID.<br />
781.66 ATTI : VHS (Not for I.L.L).<br />
PINK FLOYD [VIDEORECORDING] : DARK SIDE OF THE MOON / MATTHEW LONGFELLOW ;<br />
PRODUCERS, NICK DE GRUNWALD, MARTIN R. SMITH.<br />
<strong>Off</strong>-<strong>air</strong> recording <strong>of</strong> the SBS program broadcast 12/10/03. Copied under Part 5A <strong>of</strong><br />
the Copyright Act 1968.