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oth Tipu and his parents are buried, then<br />

went on to visit the Keshava temple at<br />

Somnathpur. Founded by the Hoysalas in<br />

the 13th century, it has a walled courtyard<br />

with colonnaded cloisters (64 separate cells,<br />

each containing sculptures). The exterior<br />

screens around the main central temple have<br />

exquisitely carved rows of elephants, geese,<br />

and horsemen.<br />

‘It was begun in 1116 and<br />

building work lasted for 100 years’<br />

The next day, back in Mysore, we took a<br />

local bus up to the top of Chamundi hill –<br />

five rupees each. It took about 20 minutes.<br />

At the top we found a temple, a large<br />

market and a lot of people, but they were<br />

soon left behind when we walked down the<br />

hill to see the famous statue of a Nandi,<br />

standing five metres high. (A Nandi is a<br />

Hindu god in the shape of a benign looking<br />

bull.) The Nandi was carved out of the rock<br />

in 1659 and is a famous place for pilgrims.<br />

A family posed for their photograph and<br />

then, in typical Indian fashion, asked us to<br />

sit with them for the next shot. It seemed<br />

churlish to refuse.<br />

From Mysore we took a three-hour train<br />

ride to Hassan, our base for three days while<br />

we explored temples at Belur and Halebid.<br />

Each day we took local buses, bouncing<br />

along with the locals, sometimes on tarmac,<br />

Carved Nandi at Chamundi hill<br />

Exquisite erotic carving on the Keshava<br />

temple at Somnathpur<br />

sometimes on gravel and sometimes we simply<br />

flew. Great views, though – fields of bright<br />

yellow sunflowers and what looked like<br />

lavender. This colourful spectacle was<br />

punctuated with small hills of red chillies<br />

drying in the sun.<br />

Belur had the wonderful Channekshava<br />

temple, an easy walk from the bus stand. It was<br />

travel v<br />

begun in 1116 and building work lasted for<br />

100 years. There was a carved frieze<br />

running round it with six tiers of figures<br />

and 38 freestanding figures between the<br />

eves and the upper walls. At the entrance<br />

was a seven-storey goporum (tower). The<br />

temple stood in a large, paved courtyard<br />

surrounded by a cloister and there were<br />

several smaller temples. The interior was a<br />

space of pillars and shrines, lit only by the<br />

light from the four doorways.<br />

Halebid, the capital of the Hoysala<br />

empire in the 12th century, held the<br />

Hoysaleswara Temple, begun in 1121 and<br />

worked on for 80 years but never<br />

completed.<br />

On the eastern side were two pavilions,<br />

each containing a large Nandi. The temple<br />

was set amid green lawns and well-tended<br />

flower beds. Inside the main temple was<br />

another, much smaller, Nandi, in front of<br />

the shrine. There were about 20 carved<br />

columns supporting the roof. The light<br />

from the four doorways lit the stone floor,<br />

polished smooth by tens of thousands of<br />

feet over the past 800 years.<br />

It was cool, and calm, with the faint<br />

smell of incense. We heard bird song and<br />

when we looked up saw, perched on the<br />

head of the god Krishna, a family of brighteyed<br />

sparrows. V<br />

Next issue: part two, Hassan to Mumbai,<br />

and home.<br />

9<br />

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