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Configuration and Tuning GPFS for Digital Media ... - IBM Redbooks

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Table 1-3 Broadcasting profile<br />

1.3.4 Post-production environments<br />

Compared to broadcasting, the post-production (mastering <strong>and</strong> distribution)<br />

environments require much higher b<strong>and</strong>width, as the resolution of the content is<br />

higher. Also the access behavior in post-production environments is more<br />

sequential, since this is predefined work, which involves “shuttle-in”, then work<br />

with the editing or color correction stations. Hence, the material will be opened<br />

<strong>for</strong> read, updated on the workstation <strong>and</strong> written/rendered back to the storage.<br />

Table 1-4 shows the profile <strong>for</strong> post-production environments.<br />

Table 1-4 Post-production profile<br />

Broadcasting<br />

Streaming rate 25 / 50 Mbit/s<br />

Access behavior Sequential or r<strong>and</strong>om<br />

Block size used (application) 64 / 128 / 256 KB<br />

Number of concurrent occurrences Small: 1-5<br />

Medium 5-15<br />

Large 15-...<br />

Read/write ratio 60/40%<br />

Remarks Read/write in parallel audio <strong>and</strong> video<br />

Mixed/divided depending on application<br />

post-production<br />

streaming rate 3000-5000 Mbps (400-600 MBps)<br />

access behavior sequential to r<strong>and</strong>om<br />

block size used (application) 256 KB<br />

number of concurrent occurrences small 1-3<br />

medium 3-10<br />

large 10-...<br />

read/write ratio 70/30%<br />

remarks read/write in parallel audio <strong>and</strong> video<br />

mixed/divided depending on application.<br />

As it is not possible in this book to cover all of the digital media requirements<br />

needed to build up a reliable, scalable <strong>and</strong> per<strong>for</strong>ming infrastructure, we will<br />

concentrate on broadcasting.<br />

Chapter 1. Introduction to digital media 9

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