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This exegesis is submitted to Auckland University of Technology for the degree of a Master of Art & Design. by Chander Kumar B. Art & Design [Honours] (AUT University) B. Humanities (Delhi University) Cert. Fashion Design and Clothing Technology (NIFT, Delhi) 2 2
0 0 0 0 0 0 0 0 0 0 attestation of authorship ‘I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of a university or other institution of higher learning, except where due acknowledgement is made in the acknowledgements’. Chander Kumar 3 3
Page 4 and 5: 0 0 0 0 0 0 0 0 0 0 acknowledgement
Page 6 and 7: 0 0 0 0 0 0 0 0 0 0 abstract This p
Page 8 and 9: o o o o o o o o o o o o o o o o o o
Page 10 and 11: The British Empire failed to unders
Page 12 and 13: attempts are made to hide prostitut
Page 14 and 15: design of the exegesis In the follo
Page 18 and 19: continuously behind barred windows
Page 20 and 21: For the young girls, the physical s
Page 22 and 23: artwork Fig. 1:3 The hand-knitted b
Page 26 and 27: 28 clients to them. The girls will
Page 28 and 29: Fig. 2:2 Sex workers caught by poli
Page 30 and 31: artwork Fig. 2:3 A woman struggles
Page 34 and 35: earing her husband’s children bri
Page 36 and 37: artwork Fig. 3:2 A woman struggling
Page 38 and 39: shuts the wearer out. A woman donni
Page 42 and 43: cultural practice. This spiritual d
Page 44 and 45: Varanasi at the same time as the Na
Page 46 and 47: artwork Fig. 4:4 A sex worker showi
Page 48 and 49: Thus, this artwork may be understoo
Page 50 and 51: Fig. 5:1 A sex worker revealing han
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an NGO and for dinner to our center
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artwork Fig. 5:4 Demise: integrated
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The fabric is only sufficient to co
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o o o o o o o o o o o o o o o o o o
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knowledge and a subjective approach
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sketching, draping and fitting In r
Page 64 and 65:
What was important about this appro
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I began by searching the flea marke
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I conducted another experiment in o
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sketching, draping, fitting and sub
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Fig. 7:1 The exhibition display. (p
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Fig. 7:3 The exhibition display. (p
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o o o o o o o o o o o o o o o o o o
Page 78:
Menon, M. (1999). Twilight zone for
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