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shuts the wearer out. A woman donning the garment can not get her head through the<br />
‘sealed’ collar.<br />
The second part of this garment is the red sequined dress, worn under the jacket. The<br />
upper green bodice known as choli (top) is attached to the long skirt by the train. There is<br />
a material used between the lining and the main fabric of the choli. This material<br />
represents the strong boundaries Indian society has set against the sex workers.<br />
Irrespective of the individual build of the wearer, if this garment was successfully<br />
donned, the choli will not allow the woman’s form to influence the shape of the garment.<br />
Like the rare prostitute who does marry, she remains defined by her profession and the<br />
status it relegates her to in Indian society.<br />
43<br />
The skirt pattern used in the design is adapted from Indian lehnga, which is fused with<br />
the western style of the train. It is possible to be deceived by the jacket into believing<br />
that there could be another opening underneath the garment. However, closer inspection<br />
reveals that this dress also has no opening. A substantial volume of fabric has been added<br />
to the skirt to make the dress richer and suggest opulence and status. Under this volume<br />
is yet another layer of dull green polyester. This operates as a lining that implies perhaps<br />
another method of getting into the garment. However, even this is a ruse. A woman<br />
wanting to put the dress on from beneath finds that the linings are sewn together, so she<br />
is literally designed out of the dress.<br />
Thus, the very skirt that assures status, protection and modesty shuts the woman out.<br />
Status and safety are illusions. The protective layer that signifies belonging cannot be<br />
worn. One can hold the dress against one’s self and imagine how it might feel to wear it,<br />
but the (social) physical structure of the garment will not allow the woman to protect<br />
herself with its covering. Beneath its bright signifiers of status it is a closed door. It is<br />
desirable but exclusive.<br />
44<br />
The last element in the costume is a golden veil that is known as a dupatta. traditionally<br />
this signifies the values and respect a woman carries in Indian society. It connotes<br />
modesty and the paying of respect to elders, which is reciprocated.<br />
43 Lehnga is a voluminous embellished, circular skirt worn by Indian brides.<br />
38 38