29.01.2013 Views

View/Open - Scholarly Commons Home

View/Open - Scholarly Commons Home

View/Open - Scholarly Commons Home

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

shuts the wearer out. A woman donning the garment can not get her head through the<br />

‘sealed’ collar.<br />

The second part of this garment is the red sequined dress, worn under the jacket. The<br />

upper green bodice known as choli (top) is attached to the long skirt by the train. There is<br />

a material used between the lining and the main fabric of the choli. This material<br />

represents the strong boundaries Indian society has set against the sex workers.<br />

Irrespective of the individual build of the wearer, if this garment was successfully<br />

donned, the choli will not allow the woman’s form to influence the shape of the garment.<br />

Like the rare prostitute who does marry, she remains defined by her profession and the<br />

status it relegates her to in Indian society.<br />

43<br />

The skirt pattern used in the design is adapted from Indian lehnga, which is fused with<br />

the western style of the train. It is possible to be deceived by the jacket into believing<br />

that there could be another opening underneath the garment. However, closer inspection<br />

reveals that this dress also has no opening. A substantial volume of fabric has been added<br />

to the skirt to make the dress richer and suggest opulence and status. Under this volume<br />

is yet another layer of dull green polyester. This operates as a lining that implies perhaps<br />

another method of getting into the garment. However, even this is a ruse. A woman<br />

wanting to put the dress on from beneath finds that the linings are sewn together, so she<br />

is literally designed out of the dress.<br />

Thus, the very skirt that assures status, protection and modesty shuts the woman out.<br />

Status and safety are illusions. The protective layer that signifies belonging cannot be<br />

worn. One can hold the dress against one’s self and imagine how it might feel to wear it,<br />

but the (social) physical structure of the garment will not allow the woman to protect<br />

herself with its covering. Beneath its bright signifiers of status it is a closed door. It is<br />

desirable but exclusive.<br />

44<br />

The last element in the costume is a golden veil that is known as a dupatta. traditionally<br />

this signifies the values and respect a woman carries in Indian society. It connotes<br />

modesty and the paying of respect to elders, which is reciprocated.<br />

43 Lehnga is a voluminous embellished, circular skirt worn by Indian brides.<br />

38 38

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!