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sketching, draping, fitting and substrate manipulation, could be conceptually driven and referenced back against memory, emotion and the narratives of specific workers. It was this ability to activate the subjective and the intuitive that made the methodology so applicable to the nature of this thesis. 70
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This exegesis is submitted to Auckl
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0 0 0 0 0 0 0 0 0 0 acknowledgement
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0 0 0 0 0 0 0 0 0 0 abstract This p
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o o o o o o o o o o o o o o o o o o
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The British Empire failed to unders
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attempts are made to hide prostitut
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design of the exegesis In the follo
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continuously behind barred windows
Page 20 and 21: For the young girls, the physical s
Page 22 and 23: artwork Fig. 1:3 The hand-knitted b
Page 24 and 25: o o o o o o o o o o o o o o o o o o
Page 26 and 27: 28 clients to them. The girls will
Page 28 and 29: Fig. 2:2 Sex workers caught by poli
Page 30 and 31: artwork Fig. 2:3 A woman struggles
Page 34 and 35: earing her husband’s children bri
Page 36 and 37: artwork Fig. 3:2 A woman struggling
Page 38 and 39: shuts the wearer out. A woman donni
Page 42 and 43: cultural practice. This spiritual d
Page 44 and 45: Varanasi at the same time as the Na
Page 46 and 47: artwork Fig. 4:4 A sex worker showi
Page 48 and 49: Thus, this artwork may be understoo
Page 50 and 51: Fig. 5:1 A sex worker revealing han
Page 52 and 53: an NGO and for dinner to our center
Page 54 and 55: artwork Fig. 5:4 Demise: integrated
Page 56 and 57: The fabric is only sufficient to co
Page 60 and 61: knowledge and a subjective approach
Page 62 and 63: sketching, draping and fitting In r
Page 64 and 65: What was important about this appro
Page 66 and 67: I began by searching the flea marke
Page 68 and 69: I conducted another experiment in o
Page 72 and 73: Fig. 7:1 The exhibition display. (p
Page 74 and 75: Fig. 7:3 The exhibition display. (p
Page 78: Menon, M. (1999). Twilight zone for
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