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In this design I aimed to portray references to spirituality as they are experienced by<br />
some sex workers.<br />
The design, in keeping with the preceding artworks, acts as a form of revelation. We see<br />
this garment first as one thing, but upon closer inspection something else is revealed.<br />
The mini dress gives the impression of a trade garment with a long centre front zip that<br />
operates from between the legs to the top and ends with an unfastening of the whole<br />
garment above the breast. The formless and overlapped scraps of fabric represent the<br />
mixed factors drawn from the outer world of the Indian sex workers. The fabric<br />
composed of off cuts from the manipulation, entrapment, and belonging designs, is<br />
stitched together and dyed with black textile ink to create a soiled and darkened surface.<br />
The frayed edges of fabrics signify the insecure and perpetually damaging life women<br />
face in this trade<br />
The artwork also reveals the sacred nature of the sex worker. Beneath the dull exterior,<br />
there is a beautiful and untouched layer that is the spiritual relationship with something<br />
higher than the men and women who exploit her. Once the outer layer is unzipped, the<br />
layer of Bhagwa 55 silk fabric is revealed.<br />
This layer of fabric is hidden from view when we see the worker in the lal batti, but it<br />
unfurls and can be draped around the body. With this action completed, a subtle image<br />
of the Goddess Durga resides in the centre of the chest of the wearer. This is the place<br />
where the soul lives. The image of the Goddess Durga signifies belief and strength in<br />
spiritual rites and rituals, and from these the powers of the sex workers are drawn.<br />
When worn, this garment is augmented with a string of red beads tied around the neck.<br />
This represents the spiritual initiation these women have as devdasis. Although these<br />
beads are worn at the initiation ceremony, they always remain part of the initiate’s life.<br />
Devotees don’t take them off while they operate in the lal batti. The beads are their<br />
strength and belief in the Goddess and her spiritual powers.<br />
55 Bhagwa is a Hindi word for the colour saffron. It is the colour used by Indian religious and spiritual<br />
saints and sages. It signifies liberation and freedom from the bondage of karma.<br />
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