7 august - The Reykjavik Grapevine
7 august - The Reykjavik Grapevine
7 august - The Reykjavik Grapevine
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2<br />
Articles <strong>The</strong> Reykjavík <strong>Grapevine</strong> crew<br />
06<br />
14<br />
Features<br />
16<br />
18<br />
22<br />
Essentials<br />
27<br />
30<br />
32<br />
33<br />
34<br />
35<br />
50<br />
Why the Gay Pride Festival Isn’t for Páll Óskar<br />
An interview with one of the Gay Pride organizers<br />
Cheap Way to Work or a Big Damn Hassle?<br />
Eliza Reid uses the new bus system<br />
Mourning <strong>The</strong> Old Giant<br />
A Londoner in Iceland on the Effects of July 7<br />
Gay Pride Celebration<br />
Night and Day: Two Very Different Approaches,<br />
If Shirts Are Your Thing<br />
Outside Reykjavík<br />
52<br />
<strong>The</strong> Professionals<br />
A Very Expensive Hour with Barði and Krummi<br />
Foreigner’s Guide to Vegetarian Eating<br />
Music & Nightlife<br />
40<br />
41<br />
42<br />
<strong>The</strong> Pond and Beyond<br />
<strong>Grapevine</strong> Picks for Museums and Galleries<br />
Album Reviews<br />
Pimp My Country<br />
Snoop Dogg, Hæsta hendin, Hjálmar, Forgotten Lores.<br />
Egilshöll Stadium, July 17<br />
Arts & Culture<br />
45<br />
46<br />
47<br />
Other<br />
47<br />
48<br />
54<br />
Turning the City into the Suburbs.<br />
<strong>The</strong> Future of Reykjavík<br />
Dining, Eating and Grubbing<br />
Bezt Í Heimi<br />
Hornið: <strong>The</strong> Chianti in Wicker Kind of Classy<br />
t.ATu: Good Music, Sleazy Origins<br />
Cabaret at the Icelandic Opera<br />
Come On, People. How Deep Do Your Cartoons Have to Be?<br />
Review of Madagascar<br />
Shelved Books Worth a Second Look<br />
Snæfellsnes on a Budget<br />
<strong>Grapevine</strong> on Tour: Festivals in Spain and the Faroe Islands<br />
Technology Review: Things to Fear<br />
<strong>The</strong> Violent Outburst of Graphic Design<br />
<strong>The</strong> Nohito and Other Brennevín Cocktails<br />
<strong>The</strong> Reykjavík <strong>Grapevine</strong><br />
Hafnarstræti 15, 2nd floor<br />
www.grapevine.is<br />
grapevine@grapevine.is<br />
Published by: Fröken ehf.<br />
Editor: 540-3602 / editor@grapevine.is<br />
Advertising: 540-3605 / 616-7731 / ads@grapevine.is<br />
Marketing: 540-3603 / 869-7796 / jontrausti@grapevine.is<br />
Distribution: 540-3601 / 694-2538 / dist@grapevine.is<br />
Production: 540-3608 / 849-5611 / production@grapevine.is<br />
Listings: 552-3600 / 847-9290 / listings@grapevine.is<br />
Subscription: 540-3601 / 694-2538 / subscribe@grapevine.is<br />
Publisher: Hilmar Steinn Grétarsson / publisher@grapevine.is<br />
Editor: Bart Cameron / editor@grapevine.is<br />
Marketing Director: Jón Trausti Sigurðarson /<br />
jontrausti@grapevine.is<br />
Production Manager: Oddur Óskar Kjartansson /<br />
production@grapevine.is<br />
Art Direction: Hörður Kristbjörnsson / design@grapevine.is<br />
Jóhannes Kjartansson / joi@grapevine.is<br />
Staff Journalist: Paul Fontaine-Nikolov / paul@grapevine.is<br />
Editorial Intern: Sari Peltonen / sari@grapevine.is<br />
Advertising Sales: Aðalsteinn Jörundsson / adalsteinn@grapevine.is<br />
Helgi Þór Harðarson / helgi@grapevine.is<br />
Photographs: Hörður Sveinsson / photo@grapevine.is<br />
Guðmundur Freyr Vigfússon / gundi@grapevine.is<br />
Charlie Strand / charlie_strand@hotmail.com<br />
Heidi Hartwig / heidi@heidihartwig.com<br />
Frímann Kjerúlf / kjerulf@gmail.com<br />
Proofreader: Erika Wolfe<br />
Distribution: Jóhann Páll Hreinsson<br />
Cover Photo by: Gunnar Hannesson (1915-1976)<br />
On cover: Reykjavík’s landmark church, Hallgrímskirkja,<br />
being built somewhere between the years 1968 - 1976.<br />
Thanks to: Gunnar Egill Egilsson and Ingólfur Egilsson.<br />
Printed by: Ísafoldarprentsmiðja ehf.<br />
# of copies: 30.101<br />
We are always looking for articles.<br />
Send your submissions to : editor@grapevine.is<br />
You may not like it, but at least it's not sponsored.<br />
(No articles in the Reykjavík <strong>Grapevine</strong> are pay-for articles.<br />
<strong>The</strong> opinions expressed are the writers’ own, not the advertisers’.)