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7 august - The Reykjavik Grapevine

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to perform. Having the dubious<br />

honour of putting out an album<br />

with one of the ugliest covers ever<br />

printed, Hæsta hendin are much<br />

more traditional than their peers in<br />

Forgotten Lores. No instruments<br />

- only a DJ and two MCs, although<br />

they did have guest rappers on<br />

stage during every single song.<br />

Erpur Eyvindarson aka Blazroca or<br />

Johnny Naz, formerly of Iceland’s<br />

most popular hip hop band XXX<br />

Rottweilerhundar, who opened last<br />

year for 50 Cent, is one of Hæsta<br />

hendin’s two MCs - and it says a<br />

lot about the sound that night that<br />

he was not heard once during their<br />

whole set. It also says a whole bunch<br />

that the playback actually sounded<br />

like it was coming from a pretty poor<br />

pair of PC speakers. <strong>The</strong> sound was<br />

muddy, thin, ill-balanced and utterly<br />

disgusting in every way imaginable.<br />

But Hæsta hendin played on. As an<br />

indication of the quality of their set,<br />

its high-point was a medley of XXX<br />

Rottweilerhundar songs performed<br />

by the reunited members of the<br />

now-retired band. An insider told<br />

me Hæsta hendin were commanded<br />

by Snoop’s crew (scary body-builder<br />

guys) to cut the set short when they<br />

still had more than ten minutes to<br />

go and that would explain the chaos<br />

that characterized the latter half of<br />

their set.<br />

It was now time for Snoopy.<br />

He made it perfectly clear that he<br />

No, sweetie. No, no, no.<br />

was coming on stage when what<br />

appeared to be a full-length feature<br />

film started rolling on the large<br />

screens on both sides of the stage.<br />

It had 80s B-film style credits and<br />

cheesy G-funk grooves. It started<br />

out like a mysterious crime flick but<br />

it didn’t take long to morph into a<br />

lesbian-soft-porn movie, with tittie<br />

licking and all. As I said previously<br />

the crowd was mainly comprised of<br />

kids barely 16 years old, and some<br />

of the younger attendants were there<br />

with their parents. I can’t imagine<br />

what went through a parent’s mind<br />

when it turned out Snoop wasn’t just<br />

a rapper but a porn enthusiast, too,<br />

and not afraid to display that side of<br />

him in concert.<br />

<strong>The</strong> porno movie soon gave way<br />

to a performance of Murder was<br />

the Case from 1993’s Doggystyle.<br />

Half of the songs turned out to be<br />

off that album, including What’s my<br />

Name and Gin and Juice. <strong>The</strong> sound<br />

hadn’t picked up - so nothing besides<br />

Snoop himself, bass, drums and the<br />

occasional keyboard could be heard<br />

from the ten-strong Snoopadelics.<br />

This was really sad, because I’m sure<br />

the backing vocals and grooves were<br />

a lot more interesting than Snoop’s<br />

soulless performance of 12-year-old<br />

songs. <strong>The</strong>re I said it; Snoop was<br />

a terrible performer. And he was<br />

wearing the most distasteful clothes<br />

I’ve ever seen, not because they were<br />

obscene or anything; just so fucking<br />

ugly you wouldn’t believe it.<br />

Charlie Strand<br />

But Doggystyle is one great<br />

album. Actually, it’s my favourite<br />

hip hop album of all time. I find<br />

Dr. Dre’s (well, actually George<br />

Clinton’s) grooves irresistible and<br />

Snoop’s smooth delivery is one of a<br />

kind. And this strong set of songs<br />

managed to save the concert from<br />

being a catastrophe. Of course, the<br />

contents of the lyrics are debatable,<br />

and there was actually some intense<br />

debate going on in Iceland a few<br />

days before the concert, where<br />

rappers and feminists got to argue<br />

in front of a camera without any<br />

results or conclusions - only sparking<br />

small talk on who “had won”. I don’t<br />

know whether Snoop hates women<br />

(according to his videos he’s actually<br />

quite fond of them...) or if he’s just<br />

getting people to think about the<br />

world’s current status as all great art<br />

should do, but he’s an egotistical<br />

maniac – that much is clear.<br />

Snoop Dogg played for 90<br />

minutes and I’m positive he used<br />

at least 45 minutes for having the<br />

crowd shout “we love you Snoop”,<br />

chant “Sha-na-na-na Snoop Dogg”<br />

and regularly asking “what’s my<br />

motherfucking name?” It was fun for<br />

a while, but when he said “say it like<br />

you mean it” and expecting a “we<br />

love you Snoop” for the tenth time<br />

in a row it wasn’t all that exciting<br />

anymore.<br />

When I left Egilshöll stadium<br />

I couldn’t help but think only<br />

Snoop Dogg dressed in the world’s largest “doo rag.”<br />

one thing: It is insulting to an<br />

audience that has paid 4900 ISK<br />

(approximately $70 or 60 euros)<br />

for their ticket to have the sound as<br />

horrible as it was during this concert.<br />

Throughout the whole show - that’s<br />

four bands - the sound was always<br />

ridiculous. I don’t know how the<br />

consumer laws are on this kind of<br />

stuff - but there should be laws, and<br />

they should ensure that half of the<br />

people that bought tickets for Snoop<br />

Dogg will get at least half of the<br />

price refunded.<br />

By Atli Bollason<br />

43

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