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7 august - The Reykjavik Grapevine

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46<br />

Movie Reviews<br />

Okay, Madagascar came to Iceland late,<br />

so we had already heard earfuls of “it’s too<br />

superficial” and “just a bunch of CGI”<br />

before the movie got here. This is how it<br />

goes with Dreamworks movies, viewed<br />

as the slow cousin of Pixar, producers of<br />

<strong>The</strong> Incredibles, Toy Story and Finding<br />

Nemo.<br />

Lucky for us, those who import<br />

movies to Iceland seem to only take on<br />

movies that get abysmal reviews: yes, last<br />

summer we got Punisher, Cat Woman<br />

and Alexander on as many screens as<br />

possible.<br />

But Madagascar has been done<br />

wrong, just as Ice Age, and Shark Tale<br />

were done wrong before that. First, let’s<br />

take the intelligence of a film named<br />

Madagascar. True, the film’s writers<br />

act on the unusual assumption that<br />

Madagascar, a country of 15 million<br />

with a remarkable archaeological history<br />

going back 2000 years, is uninhabited by<br />

humans. But on the bright side, they get<br />

this key point: they identify that there is<br />

a place called Madagascar, that it is an<br />

island, and that it contains lemurs and<br />

fossae—the amazing localized fauna that<br />

prove so useful in an evolution discussion.<br />

Getting a child to talk about lemurs is a<br />

step in the right direction. Along those<br />

lines, if the child is a little older, you<br />

pique the young one’s interest by telling<br />

him that courtesy of the BBC, you can<br />

watch fossae eat lemurs online, or you can<br />

watch fossae have screaming wild fossae<br />

sex. (We found archives of both at www.<br />

arkive.org.)<br />

Have we sold you on the intelligence<br />

thing? No? Well how about the other<br />

aspect that Dreamworks does right: they<br />

keep their references entirely in the low<br />

brow—a possible exception was a Tom<br />

Wolfe reference in Madagascar. But<br />

that was evened out by the context. Two<br />

monkeys escape the zoo, and they discuss<br />

seeing Tom Wolfe do a reading. <strong>The</strong><br />

one monkey, interpreting the other’s sign<br />

language, says, “Are we going to throw<br />

poop at him? Of course.” Sheer comic<br />

brilliance.<br />

<strong>The</strong> favourite low brow reference<br />

includes Saturday morning cartoons--<br />

Hanna Barbera’s Help! It’s the Hair Bear<br />

Hour -- is all over Madagascar’s opening<br />

half hour, just as Shark Tale owed a lot to<br />

that the high point of Saturday morning<br />

cartoons, Jabberjaw. And kudos go to<br />

Sacha Baron Cohen (Ali G). Playing<br />

a party-animal king of the lemurs,<br />

Mr. Cohen pulls a direct imitation of<br />

Peter Sellers’ vilest, and funniest, comic<br />

moment—his role as Indian stereotype<br />

Hrundi V. Bakshi in Blake Edward’s <strong>The</strong><br />

Alex the Lion will eat you, but his instincts are to blame.<br />

Come On, People. How Deep Do Your<br />

Cartoons Have to Be?<br />

MADAGASCAR<br />

Party (1968).<br />

One reason for strongly<br />

recommending Madagascar comes from<br />

our perusal of Screen It! (www.screenit.<br />

com) a website dedicated to providing<br />

information for concerned parents, (with<br />

sponsorship from Zoloft and Propel<br />

Fitness Water). Screen It! warns parents<br />

of “Disrespectful/ Bad Attitude” in the<br />

film: “Alex [the lion] develops a bad<br />

attitude toward Marty [the Zebra] and<br />

the others when they don’t follow his<br />

idea… He also tries to eat Marty, but<br />

that’s more out of nearly uncontrollable<br />

instincts/ urges rather than purposeful<br />

malevolence.” <strong>The</strong> website also warns of<br />

20 acts of violence, which qualifies it for a<br />

“moderate” rating.<br />

And of course the biggest reason for<br />

recommending Madagascar is really the<br />

use of poop jokes. <strong>The</strong>re are two of them<br />

in the film, and we are proud to state<br />

that we have just progressed in emotional<br />

maturity to Freud’s anal stage.<br />

By Bart Cameron

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