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SANTA ROSA FILM FESTIVAL - Santa Rosa International Film Festival

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<strong>Santa</strong> <strong>Rosa</strong> <strong>International</strong> <strong>Film</strong> <strong>Festival</strong><br />

art anD cinema:<br />

a Duet Dialogue<br />

Ongoing Exhibit, <strong>Festival</strong> Hospitality Lounge,<br />

#1 <strong>Santa</strong> <strong>Rosa</strong> Avenue, <strong>Santa</strong> <strong>Rosa</strong><br />

Artists Reception - Friday, September 16, 2011, 5-8pm<br />

Through their unique ability to probe the artistic intentions of five different films<br />

that will screen at the SRIFF, five Sonoma County artists have created their own<br />

interpretive artistic reaction through their Art. Each Art piece will be displayed at its<br />

corresponding film screening and at the <strong>Festival</strong> Hospitality Lounge.<br />

Gerald Huth<br />

Connie Mygatt<br />

Don Ponte Official Art for the SRIFF<br />

The film Only A Number is about a Hungarian woman who<br />

survived the Holocaust. This film spoke to me very strongly,<br />

as my family was refugees from Nazi Germany, who came<br />

to America after 13 years without a home. In my work, I<br />

have tried to show the de-humanization of the concentration<br />

camps, the suffering imposed on a people for no real reason.<br />

I have included the image for the film itself, and the repetition<br />

of the numbers, which became that person’s identity.<br />

When I was a young girl I would sit by the sea staring at her<br />

vastness with wonder and longing. The sea seemed to hold<br />

the depths and wonder of what my young heart was seeking.<br />

I recalled those feeling while watching Heaven’s Mirror. Fado<br />

music embraces the longing one has for a profound passion.<br />

In my art I wanted to portray that longing. The girl fearlessly<br />

awaits her fate, not to be washed out to sea, but to hold fast<br />

to a custom that sings in her heart and fuels her own passion.<br />

Karina Nishi Marcus<br />

In my connected paintings “12 Bar Blues: Key of Hope,” I<br />

have sought to explore the atmosphere of transformation.<br />

Regardless of outward circumstance and situation,<br />

it is a human journey to hope in seeming hopelessness<br />

that is the inspiration. Because the film—Music From the<br />

Big House—is shot in black and white, I have limited my<br />

palette to the strong contrasts of blue and yellow. The<br />

two corresponding canvases represent the “call and response” song form of the Blues.<br />

Kathleen McCallum<br />

Jennifer Mygatt-Tatum<br />

Joào de Brito<br />

Touch is essential to our existence.<br />

We need it. We crave it. We seek it.<br />

When we have experienced it and it has been taken<br />

from us<br />

We feel pain. We are here to learn two essential<br />

lessons.<br />

To Love. To Forgive. The rest doesn’t matter.<br />

Mother earth floats in the poisoned river. Coal<br />

collects on her abdomen. Her fertile body depleted<br />

by toxins in the water is frail. Grasping on to one<br />

slim representative of what was once a vibrant<br />

forest she hopes to stay afloat. With what little<br />

strength her body holds, she hopes for the return<br />

to a harmonious, respectful relationship between<br />

man and nature. On Coal River.<br />

is a Portuguese born painter who is known for his bright<br />

colors and themes of nature. He incorporates his Portuguese<br />

roots and is compared to the Fauvists. He is deeply<br />

inspired, he says, by Fado music and we are privileged to<br />

have him with us showing his work at the Heaven’s<br />

Mirror screenings and in the <strong>Festival</strong> Hospitality Lounge.<br />

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