SANTA ROSA FILM FESTIVAL - Santa Rosa International Film Festival
SANTA ROSA FILM FESTIVAL - Santa Rosa International Film Festival
SANTA ROSA FILM FESTIVAL - Santa Rosa International Film Festival
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<strong>Santa</strong> <strong>Rosa</strong> <strong>International</strong> <strong>Film</strong> <strong>Festival</strong><br />
art anD cinema:<br />
a Duet Dialogue<br />
Ongoing Exhibit, <strong>Festival</strong> Hospitality Lounge,<br />
#1 <strong>Santa</strong> <strong>Rosa</strong> Avenue, <strong>Santa</strong> <strong>Rosa</strong><br />
Artists Reception - Friday, September 16, 2011, 5-8pm<br />
Through their unique ability to probe the artistic intentions of five different films<br />
that will screen at the SRIFF, five Sonoma County artists have created their own<br />
interpretive artistic reaction through their Art. Each Art piece will be displayed at its<br />
corresponding film screening and at the <strong>Festival</strong> Hospitality Lounge.<br />
Gerald Huth<br />
Connie Mygatt<br />
Don Ponte Official Art for the SRIFF<br />
The film Only A Number is about a Hungarian woman who<br />
survived the Holocaust. This film spoke to me very strongly,<br />
as my family was refugees from Nazi Germany, who came<br />
to America after 13 years without a home. In my work, I<br />
have tried to show the de-humanization of the concentration<br />
camps, the suffering imposed on a people for no real reason.<br />
I have included the image for the film itself, and the repetition<br />
of the numbers, which became that person’s identity.<br />
When I was a young girl I would sit by the sea staring at her<br />
vastness with wonder and longing. The sea seemed to hold<br />
the depths and wonder of what my young heart was seeking.<br />
I recalled those feeling while watching Heaven’s Mirror. Fado<br />
music embraces the longing one has for a profound passion.<br />
In my art I wanted to portray that longing. The girl fearlessly<br />
awaits her fate, not to be washed out to sea, but to hold fast<br />
to a custom that sings in her heart and fuels her own passion.<br />
Karina Nishi Marcus<br />
In my connected paintings “12 Bar Blues: Key of Hope,” I<br />
have sought to explore the atmosphere of transformation.<br />
Regardless of outward circumstance and situation,<br />
it is a human journey to hope in seeming hopelessness<br />
that is the inspiration. Because the film—Music From the<br />
Big House—is shot in black and white, I have limited my<br />
palette to the strong contrasts of blue and yellow. The<br />
two corresponding canvases represent the “call and response” song form of the Blues.<br />
Kathleen McCallum<br />
Jennifer Mygatt-Tatum<br />
Joào de Brito<br />
Touch is essential to our existence.<br />
We need it. We crave it. We seek it.<br />
When we have experienced it and it has been taken<br />
from us<br />
We feel pain. We are here to learn two essential<br />
lessons.<br />
To Love. To Forgive. The rest doesn’t matter.<br />
Mother earth floats in the poisoned river. Coal<br />
collects on her abdomen. Her fertile body depleted<br />
by toxins in the water is frail. Grasping on to one<br />
slim representative of what was once a vibrant<br />
forest she hopes to stay afloat. With what little<br />
strength her body holds, she hopes for the return<br />
to a harmonious, respectful relationship between<br />
man and nature. On Coal River.<br />
is a Portuguese born painter who is known for his bright<br />
colors and themes of nature. He incorporates his Portuguese<br />
roots and is compared to the Fauvists. He is deeply<br />
inspired, he says, by Fado music and we are privileged to<br />
have him with us showing his work at the Heaven’s<br />
Mirror screenings and in the <strong>Festival</strong> Hospitality Lounge.<br />
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