SANTA ROSA FILM FESTIVAL - Santa Rosa International Film Festival
SANTA ROSA FILM FESTIVAL - Santa Rosa International Film Festival
SANTA ROSA FILM FESTIVAL - Santa Rosa International Film Festival
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<strong>Santa</strong> <strong>Rosa</strong> <strong>International</strong> <strong>Film</strong> <strong>Festival</strong><br />
Screening of<br />
heaven’S mirror:<br />
a portugueSe voyage<br />
Saturday, September 17, 2011<br />
Deerfield Ranch Cave, 6:15pm<br />
Paintings by world renowned Portuguese-American artist Joao de Brito will accompany the<br />
screenings, followed by a discussion of the intersection of film, art and music in Portguese-<br />
American culture during a special Panel Event.<br />
DIR: Joshua<br />
Mellars<br />
PROD: Joshua<br />
Mellars CAM:<br />
Joshua Mellars<br />
ED: Joshua Mellars<br />
MUS: Carlos<br />
Goncalves<br />
FEATURING:<br />
Joana<br />
Amendoeira,<br />
Mafalda Arnauth,<br />
Camané<br />
70<br />
Minutes, 2011,<br />
USA<br />
The evenings at Deerfield Ranch Winery on September 17 and<br />
Summerfield Cinemas in <strong>Santa</strong> <strong>Rosa</strong> on the 18th featuring<br />
presentations of film and art will be complemented by Live music<br />
by Conjunto de Fado Os Rouxinois and fadista Carmencita. The<br />
band, all in their early twenties, are an example of the rising<br />
resurgence of fado both in Portugal and the US. And in addition,<br />
authentic Portuguese food and fine wines will be served.<br />
Heaven’s Mirror:<br />
A Portuguese<br />
Voyage<br />
World Premiere<br />
Arts in <strong>Film</strong><br />
Director Joshua Dylan<br />
Mellars’ love song to fado music, this documentary is a Chatwinesque travelogue of<br />
the filmmaker’s encounter with fado that goes deep into the spell of this hauntingly<br />
beautiful Portuguese folk music and its salient emotion--longing, or “saudade.”<br />
In telling fado’s story, Heaven’s Mirror travels from the Portuguese immigrant enclaves<br />
of California to New England’s former whaling ports, then to Lisbon’s candle-lit<br />
fado houses and Indian Goa’s steamy, pastel bungalows.<br />
New generation fadistas Ana Moura and Mafalda Arnauth are featured in Mellars’<br />
documentary, bringing a fresh approach to fado: Moura, filmed singing in an intimate<br />
cabaret setting, has sung “No Expectations” on the big stage with the Rolling Stones;<br />
Arnauth is filmed at Sintra’s windswept Moorish castle and on the rugged coastline<br />
which inspires her own songs, and has recorded Astor Piazzolla’s Argentine tangos<br />
and Tom Jobim’s Brazilian bossa novas, as well as traditional fados.<br />
ALSO PLAYING: Sunday, Sept. 18, 4:00 pm, Summerfield Cinemas 2<br />
<strong>Santa</strong> <strong>Rosa</strong> <strong>International</strong> <strong>Film</strong> <strong>Festival</strong><br />
Screening of<br />
only a number<br />
Sunday, September 18, 2011<br />
Summerfield Cinemas 3, 1pm<br />
Community Partner: Sonoma County Jewish <strong>Film</strong> <strong>Festival</strong><br />
Join in with Holocaust Survivor Lillian Judd and Director Steven Besserman<br />
as they discuss the film, and the process of Forgiveness, followed by debut of<br />
Liliian’s book From Nightmare To Freedom, and a book signing.<br />
DIR: Steven<br />
Besserman<br />
SCR: Steven<br />
Besserman,<br />
Aranka Mozes<br />
Besserman<br />
CAM: Gerardo<br />
Puglia<br />
ED: Iva Drufovka<br />
MUS:<br />
Allen Krantz<br />
FEATURING:<br />
M. Katrin Daria<br />
65<br />
Minutes, 2010,<br />
USA<br />
Only a Number<br />
West Coast Premiere<br />
Cinema of Conscience<br />
Stephen Besserman’s<br />
parents, Aranka and<br />
Joseph, are survivors<br />
of the Holocaust. Both<br />
have numbers tattooed<br />
on the inside of their left<br />
arm: hers is A17855, his<br />
is 159337.<br />
To better understand his<br />
parents’ history, he travels to Europe and follows the same path his mother did. Starting<br />
in her home of Atkar, Hungary, he moves on to Auschwitz-Birkenau in Poland, the<br />
place where she began her descent into hell and where she became only a number<br />
to the Nazis. Then he moves to Waldlager in Muhldorf, Germany to the concentration<br />
camp where his parents met, fell in love and found the will to live. The journey<br />
continues to Troubing, Germany, where they married, and finally onto America to<br />
begin a new, free life.<br />
While a majority of the film is narrated by his mother’s words, the film’s interspersed<br />
dialogue beautifully depicts Besserman’s ambivalent feelings about the Holocaust because<br />
had such a horrific event not occurred, he may not have come to be.<br />
ALSO PLAYING: Monday, Sept. 19, 2:00 pm Summerfield Cinemas 2<br />
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