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SANTA ROSA FILM FESTIVAL - Santa Rosa International Film Festival

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<strong>Santa</strong> <strong>Rosa</strong> <strong>International</strong> <strong>Film</strong> <strong>Festival</strong><br />

Screening of<br />

heaven’S mirror:<br />

a portugueSe voyage<br />

Saturday, September 17, 2011<br />

Deerfield Ranch Cave, 6:15pm<br />

Paintings by world renowned Portuguese-American artist Joao de Brito will accompany the<br />

screenings, followed by a discussion of the intersection of film, art and music in Portguese-<br />

American culture during a special Panel Event.<br />

DIR: Joshua<br />

Mellars<br />

PROD: Joshua<br />

Mellars CAM:<br />

Joshua Mellars<br />

ED: Joshua Mellars<br />

MUS: Carlos<br />

Goncalves<br />

FEATURING:<br />

Joana<br />

Amendoeira,<br />

Mafalda Arnauth,<br />

Camané<br />

70<br />

Minutes, 2011,<br />

USA<br />

The evenings at Deerfield Ranch Winery on September 17 and<br />

Summerfield Cinemas in <strong>Santa</strong> <strong>Rosa</strong> on the 18th featuring<br />

presentations of film and art will be complemented by Live music<br />

by Conjunto de Fado Os Rouxinois and fadista Carmencita. The<br />

band, all in their early twenties, are an example of the rising<br />

resurgence of fado both in Portugal and the US. And in addition,<br />

authentic Portuguese food and fine wines will be served.<br />

Heaven’s Mirror:<br />

A Portuguese<br />

Voyage<br />

World Premiere<br />

Arts in <strong>Film</strong><br />

Director Joshua Dylan<br />

Mellars’ love song to fado music, this documentary is a Chatwinesque travelogue of<br />

the filmmaker’s encounter with fado that goes deep into the spell of this hauntingly<br />

beautiful Portuguese folk music and its salient emotion--longing, or “saudade.”<br />

In telling fado’s story, Heaven’s Mirror travels from the Portuguese immigrant enclaves<br />

of California to New England’s former whaling ports, then to Lisbon’s candle-lit<br />

fado houses and Indian Goa’s steamy, pastel bungalows.<br />

New generation fadistas Ana Moura and Mafalda Arnauth are featured in Mellars’<br />

documentary, bringing a fresh approach to fado: Moura, filmed singing in an intimate<br />

cabaret setting, has sung “No Expectations” on the big stage with the Rolling Stones;<br />

Arnauth is filmed at Sintra’s windswept Moorish castle and on the rugged coastline<br />

which inspires her own songs, and has recorded Astor Piazzolla’s Argentine tangos<br />

and Tom Jobim’s Brazilian bossa novas, as well as traditional fados.<br />

ALSO PLAYING: Sunday, Sept. 18, 4:00 pm, Summerfield Cinemas 2<br />

<strong>Santa</strong> <strong>Rosa</strong> <strong>International</strong> <strong>Film</strong> <strong>Festival</strong><br />

Screening of<br />

only a number<br />

Sunday, September 18, 2011<br />

Summerfield Cinemas 3, 1pm<br />

Community Partner: Sonoma County Jewish <strong>Film</strong> <strong>Festival</strong><br />

Join in with Holocaust Survivor Lillian Judd and Director Steven Besserman<br />

as they discuss the film, and the process of Forgiveness, followed by debut of<br />

Liliian’s book From Nightmare To Freedom, and a book signing.<br />

DIR: Steven<br />

Besserman<br />

SCR: Steven<br />

Besserman,<br />

Aranka Mozes<br />

Besserman<br />

CAM: Gerardo<br />

Puglia<br />

ED: Iva Drufovka<br />

MUS:<br />

Allen Krantz<br />

FEATURING:<br />

M. Katrin Daria<br />

65<br />

Minutes, 2010,<br />

USA<br />

Only a Number<br />

West Coast Premiere<br />

Cinema of Conscience<br />

Stephen Besserman’s<br />

parents, Aranka and<br />

Joseph, are survivors<br />

of the Holocaust. Both<br />

have numbers tattooed<br />

on the inside of their left<br />

arm: hers is A17855, his<br />

is 159337.<br />

To better understand his<br />

parents’ history, he travels to Europe and follows the same path his mother did. Starting<br />

in her home of Atkar, Hungary, he moves on to Auschwitz-Birkenau in Poland, the<br />

place where she began her descent into hell and where she became only a number<br />

to the Nazis. Then he moves to Waldlager in Muhldorf, Germany to the concentration<br />

camp where his parents met, fell in love and found the will to live. The journey<br />

continues to Troubing, Germany, where they married, and finally onto America to<br />

begin a new, free life.<br />

While a majority of the film is narrated by his mother’s words, the film’s interspersed<br />

dialogue beautifully depicts Besserman’s ambivalent feelings about the Holocaust because<br />

had such a horrific event not occurred, he may not have come to be.<br />

ALSO PLAYING: Monday, Sept. 19, 2:00 pm Summerfield Cinemas 2<br />

12 13

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