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SANTA ROSA FILM FESTIVAL - Santa Rosa International Film Festival

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Third Street Cinema 1, 5:30 pm<br />

DIR: Elizabeth<br />

Pepin<br />

Silva<br />

27<br />

Minutes,<br />

2010,<br />

USA,<br />

Slow the Flow<br />

Eco Cinema<br />

A prime example of Eco Cinema from California,<br />

which covers multiple water-related<br />

issues, including: urbanization’s effect on<br />

stormwater runoff, water-friendly landscaping,<br />

water conservation and pesticide use.<br />

Featuring smart, beautiful landscaping and<br />

statistics, this documentary from the Water<br />

Board Training Academy is entertaining, informative<br />

and to-the-point.<br />

Roxy 1, 6:00 pm<br />

DIR: Bruce<br />

McDonald<br />

PROD:<br />

Erin Faith<br />

Young,<br />

Jennifer St.<br />

John<br />

ED:<br />

Eamonn<br />

O’Connor<br />

MUS: Rita<br />

Chiarelli,<br />

Christopher<br />

Guglick,<br />

John Hazen,<br />

Léah<br />

Lazonick<br />

FEATUR-<br />

ING: Rita<br />

Chiarelli<br />

87<br />

Minutes,<br />

2010,<br />

Canada<br />

Monday, September 19 Monday, September 19<br />

Music from the Big House<br />

Arts in <strong>Film</strong><br />

Angola Prison in Louisiana has had a colorful<br />

history since its establishment in the<br />

early days of Reconstruction.<br />

Canadian-born singer-songwriter Rita Chiarelli<br />

opens the door to Angola Prison in<br />

Music From The Big House. She discovered<br />

Angola Prison while on a pilgrimage down<br />

Highway 61 in search of the birthplace of<br />

the blues and encountered whole new<br />

generations of musicians confined behind<br />

those four walls and songs that were raw,<br />

real and moving in their truthfulness. Initially,<br />

Chiarelli had planned to perform a<br />

concert at Angola, but after jamming with<br />

several of the inmates, she realized that<br />

they, too, should perform.<br />

We learn about some of the legendary<br />

musical inmates of Angola Prison, such as<br />

Robert P. Williams, Hogman Maxie, Freddie<br />

Fender and Huddie “Leadbelly” Ledbetter,<br />

who earned a gubernatorial pardon with<br />

his music. There were talented female inmates,<br />

too, like Odea Matthews.<br />

Music is the main focus of this documentary,<br />

and as we see Chiarelli jamming with<br />

some very talented convicted felons, little<br />

about the specific reasons for their incarceration<br />

is given or necessary, especially<br />

since it is pointed out that many of them<br />

will spend the rest of their natural lives<br />

behind bars. Instead, these musicians talk<br />

about their heroes, and how music has<br />

given them something to keep themselves<br />

going.<br />

Deerfield Ranch Cave, 6:15 pm<br />

DIR: Alysa<br />

Nahmias<br />

& Ben<br />

Murray<br />

PROD:<br />

Benjamin<br />

Murray,<br />

Alysa<br />

Nahmias<br />

ED: Alex<br />

Minnick,<br />

Kristen<br />

Nutile<br />

FEATUR-<br />

ING:<br />

Vittorio<br />

Garatti,<br />

Roberto<br />

Gottardi,<br />

Ricardo<br />

Porro<br />

86<br />

Minutes,<br />

2011,<br />

USA<br />

Unfinished Spaces<br />

Arts in <strong>Film</strong><br />

In 1961, shortly after the revolution, Fidel<br />

Castro embarked on turning a country club<br />

outside of Havana into, “...the most beautiful<br />

academy of art in the world.” We learn<br />

what went wrong in this documentary.<br />

Three visionary architects were commissioned<br />

and given freedom to create. Roberto<br />

Gottardi, Ricardo Porro and Vittorio<br />

Garatti (all in the film) produced a surreal<br />

plan; a complex of buildings, some with<br />

subterranean paths, some resembling gigantic<br />

domed breasts, one with a fountain<br />

resembling a vagina.<br />

Because of the U.S. embargo on steel and<br />

other materials, the compound was constructed<br />

mostly using native terra cotta<br />

and the Catalonian arch. The structures<br />

were organic, undulating, breathtaking<br />

and represented more than just brick and<br />

mortar. They embodied the freedom, and<br />

exuberance of the new order. Before they<br />

were completed however, Soviet ideology<br />

forced a wedge between artistic freedom<br />

and functionality. The National Art Schools<br />

fell into disrepair, overgrown and neglected…<br />

nonetheless they continued as viable<br />

schools for all the arts which launched Cuban<br />

arts into world renown.<br />

The fate of the buildings even today, make<br />

for a dynamic real-life drama that offers<br />

surprises.<br />

Co-Director Alysa Nahmias In Person for<br />

Q & A.<br />

56 57<br />

ALSO PLAYING: Tuesday, Sept. 20 4:30 pm<br />

Summerfield Cinemas 2<br />

Happening at Deerfield Ranch Mon.!<br />

Food: Doce Lunas 6:30pm - 8pm<br />

Summerfield Cinemas 3, 6:30 pm<br />

DIR: Claus<br />

Wischmann,<br />

Martin<br />

Baer<br />

PROD:<br />

Stefan<br />

Pannen,<br />

Holger<br />

Preuße<br />

ED:<br />

Peter Klum<br />

MUS: Jan<br />

Tilman<br />

Schade<br />

FEATUR-<br />

ING:<br />

Joseph<br />

Masunda<br />

Lutete,<br />

Albert<br />

Nlanzu<br />

Matubanza,<br />

Nathalie<br />

Angwanguilo<br />

Bahati<br />

98<br />

Minutes,<br />

2010,<br />

Germany<br />

Kinshasa Symphony<br />

Northern California Premiere<br />

Arts in <strong>Film</strong><br />

A Perfect “Arts In <strong>Film</strong>,” “Cinema of Conscience”<br />

and “World Cinema” Nexus.<br />

Kinshasa Symphony shows how people living<br />

in one of the most chaotic cities in the<br />

world have managed to forge one of the<br />

most complex systems of human cooperation<br />

ever invented: a symphony orchestra.<br />

It is a film about the Congo, about the people<br />

of Kinshasa and about music.<br />

Claus Wischmann and Martin Baer have<br />

fashioned one of those very special films<br />

that take you into worlds unknown–inspiring<br />

in the face of completely unexpected<br />

beauty and at the same time ravaged by<br />

war and poverty.<br />

Kinshasa Symphony sings the praises for<br />

L’Orchestre Symphonique Kimbangusite<br />

and the indomitable resilience of its conductor<br />

and members—two hundred strong.<br />

In spite of the Congo’s atrocious war, 10<br />

years of bloodshed and displacement (the<br />

most devastating since WWII with over 5<br />

million deaths) Armand Diangienda, the<br />

conductor and founder has managed to<br />

create a viable orchestra. Overcoming enormous<br />

obstacles, the symphony has continued<br />

for fifteen years, providing classical<br />

music for audiences in the Congo that have<br />

almost no awareness that such music exists.<br />

This film exemplifies the power of art to<br />

heal and transform.

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