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periaSic kustarulad muSaobda, teqnologiebi<br />

efuZneboda ara codnas, aramed miTqma­moTqmas<br />

franguli brendis damzadebis wesebis Sesaxeb.<br />

rom ara daviT sarajiSvili, SesaZlebelia qar­<br />

Tuli brendis warmoeba isev dabal doneze darCeniliyo.<br />

sakuTari warmoeba daviT sarajiSvilma brwyinvale<br />

ganaTlebaze daafuZna. man germaniaSi miiRo<br />

filosofiis da qimiis mecnierebaTa doqtoris<br />

xarisxi, safrangeTSi ki meRvineoba Seiswavla da<br />

mxolod amis Semdeg gaxsna saqarTveloSi Rvinis<br />

brendis pirveli qarxana, rac mTeli amirkavkasiisTvis<br />

biZgi da magaliTi gaxda.<br />

daviT sarajiSvili ara mxolod Tavad iyo sakuTari<br />

sferos inovatori, aramed, xels uwyobda<br />

yvela sxva inovators imdroindel saqarTveloSi.<br />

daaarsa komiteti, romelsac niWieri axalgazrdebis<br />

gamovlena evaleboda da sazRvargareT<br />

swavlis gasagrZeleblad stipendiebs uniSnavda.<br />

mis stipendiantebs Soris bevri SemdgomSi cnobili<br />

moRvawea. maT Soris arian: musikosebi _ zaqaria<br />

faliaSvili, dimitri arayiSvili, meliton<br />

balanCivaZe; momRerlebi da mxatvrebi _ vano<br />

sarajiSvili, gigo gabaSvili, mose ToiZe; moqandake<br />

_ iakob nikolaZe da sxv. igi fulad daxmarebas<br />

uwevda ucxoeTSi myof akaki SaniZes, vaxtang<br />

kotetiSvils, geronti qiqoZes, Tedo saxokias da<br />

sxvebs. mas, aseve, udidesi wvlili miuZRvis qaSveTis<br />

eklesiis mSeneblobaSi, istoriul­eTnografiuli<br />

da dramaturgiuli sazogadoebisa da<br />

qarTvelTa Soris wera­kiTxvis gamavrcelebeli<br />

sazogadoebis CamoyalibebaSi. gazeTi „zakavkazskaia<br />

reC“ werda: „mis sicocxleSi ar arsebobda<br />

xalxisTvis sasargeblo saqme, romelSic monawileoba<br />

ar mieRos.“<br />

`ras miqvia uSviloba, gana yvela bavSvi, momavlis<br />

imedad aRzrdili, qveynis sakeTildReod<br />

gawvrTnili, Cemi Svili ar aris?!~ _ uSvilo biznesmenis<br />

es sityvebi kidev erTxel miuTiTebs mis<br />

msoflmxedvelobasa da pirovnul Tvisebebze.<br />

misi saxli, romelsac „sarajiSvilebis nomers“<br />

da „evropasac“ ki uwodebdnen, namdvili saloni<br />

iyo, sadac kviraSi erTxel ikribebodnen qarTveli<br />

mwerlebi, sazogado moRvaweebi Tu ucxoeli<br />

stumrebi. mas xSirad stumrobda ilia WavWavaZe,<br />

akaki wereTeli, rafiel erisTavi, iakob gogebaSvili,<br />

valerian gunia da artur laisti.<br />

daviT sarajiSvilma sazogadoebis aRfr­<br />

Tovaneba sikvdilis Semdegac SeZlo. misi ander­<br />

Zis Tanaxmad, mravalmilioniani qonebis udidesi<br />

nawili qarTveli eris ganviTarebas unda moxmareboda.<br />

`Tavisi anderZiT sikvdili daTrguna<br />

da brwyinvale SaravandediT Seimosa~ _ Tqva maSin<br />

iakob gogebaSvilma.<br />

sarajiSvilis brendis pavilioni (1889 w)<br />

Pavilion of Sarajishvili’s brandy (1889)<br />

tion of French brandy. If it was not David Sarajishvili,<br />

production of Georgian brandy may have never been developed<br />

any further.<br />

David Sarajishvili’s production was based on excellent<br />

knowledge. It was only after he graduated in Germany<br />

with PhD in chemistry and studied wine-making in<br />

France, that he opened the first brandy factory in Georgia,<br />

which served as a stimulus and an example throughout<br />

the Transcaucasia.<br />

Not only he was an innovator in the field where he<br />

worked, but he also promoted all other innovators in<br />

Georgia at that time. He established a committee for recruiting<br />

talented young people and providing them with<br />

scholarships to study abroad. A number of his scholarship<br />

beneficiaries later turned into well-known figures,<br />

including musicians such as Zakaria Paliashvili, Dimitry<br />

Arakishvili, Meliton Balanchivadze; singers and painters<br />

such as Vano Sarajishvili, Gigo Gabashvili, Mose Toidze;<br />

sculptor Iakob Nikoladze. He provided financial support<br />

to those living abroad, including Akaki Shanidze, Vakhtang<br />

Kotetishvili, Geronti Kikodze, Tedo Sakhokia... He<br />

made an immense contribution to the building of Kashveti<br />

Church and establishment of the historical-ethnographic<br />

and drama society, the society for spreading literacy<br />

among Georgians. According to the Zakavkazskaia Rech<br />

newspaper, “never in his life was a single public cause<br />

without his involvement”.<br />

“Being childless means nothing to me, as every child<br />

that has been raised with hopes for the future, trained for<br />

the good of the country is my child.” These words of the<br />

childless businessman are yet another reflection of his<br />

outlook and personality.<br />

His house dubbed as the “Sarajishvilis’ Room” and<br />

“Europe” was a true saloon, where Georgian writers,<br />

public figures and foreign guests met once a week. The<br />

house was frequently guested by Ilia Chavchavadze,<br />

Akaki Tsereteli, Rapiel Eristavi, Iakob Gogebashvili, Valerian<br />

Gunia, Arthur Leist.<br />

Even posthumously he managed to thrill public by<br />

leaving most part of his multi-million property for the<br />

development of the Georgian nation. “With his last will,<br />

he managed to suppress death and put a brilliant hallow<br />

over his head” – said Iakob Gogebashvili.<br />

45<br />

45

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