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Your pictures in print<br />

1<br />

Lake and mountain<br />

1 In this image of Mount<br />

Rainier taken from Tipsoo<br />

Lake in Washington, fl owers<br />

create a colourful border<br />

that neatly frames the lake<br />

Nikon D300, 18-200mm,<br />

1/60sec at f/25, ISO 400<br />

2<br />

Autumn colour<br />

2 Michel stood under the<br />

tree canopy to take this<br />

shot and has captured a<br />

wonderful array of autumn<br />

colours in the process<br />

Nikon D300, 18-200mm,<br />

4secs at f/14, ISO 200<br />

Leafy river<br />

3 Using a low angle, Michel<br />

framed his image to lead the<br />

eye from the leaves in the<br />

bottom left-hand corner to<br />

the gushing water behind<br />

Nikon D300, 18-200mm,<br />

1/40sec at f/18, ISO 200<br />

Japanese maple tree<br />

4 Tangled branches<br />

create depth, inviting the<br />

viewer to look closer into<br />

this mysterious scene in<br />

Portland’s Japanese Garden<br />

Nikon D300, 18-200mm,<br />

0.77secs at f/13, ISO 200<br />

Michel Hersen<br />

Oregon, USA<br />

Michel has also had his images<br />

featured in our Reader Gallery<br />

(AP 3 October 2009). His father<br />

was a keen amateur photographer<br />

and encouraged Michel to take up<br />

photography when he was growing<br />

up. In 2003, Michel concentrated<br />

on astrophotography and he has<br />

recently become more serious about<br />

taking pictures of nature. Citing<br />

mountains, rivers, waterfalls and<br />

lakes as his favourite subjects,<br />

Michel’s aim is to capture the<br />

grandeur of nature and interesting<br />

light using the compositional<br />

techniques of 19th century<br />

American Hudson River painters.<br />

With its powerful colours and snaking<br />

lines, this picture is just bursting with<br />

energy. The combination of the bright<br />

amber leaves and the lime and moss<br />

greens work brilliantly, while the<br />

twisting branches, like fi rework trails,<br />

explode from the gravel and whizz all<br />

around the frame. I love the before and<br />

after effects of placing it alongside<br />

the ‘green’ version, too.<br />

EDITOR’S<br />

CHOICE<br />

SEE MORE ONLINE AT<br />

AMATEURPHOTOGRAPHER.<br />

CO.UK/GALLERY<br />

38 www.amateurphotographer.co.uk I 17 April 2010 subscribe 0845 676 7778<br />

www.storemags.com & www.fantamag.com

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