Bartholomew Fair Cover.indd - Stratford Festival
Bartholomew Fair Cover.indd - Stratford Festival
Bartholomew Fair Cover.indd - Stratford Festival
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A Cosmos of Creativity<br />
Shakespeare lies at the centre of our dramatic<br />
universe. Here at <strong>Stratford</strong>, we celebrate him in<br />
our theatres by honouring honouring his text and by by placing<br />
it in the context of the work of his predecessors,<br />
contemporaries and successors, so we can better<br />
understand his breathtaking achievement. In doing<br />
so, we range freely through the best and most<br />
enduring works of the dramatic canon.<br />
This season, you can explore the diversity of<br />
Shakespeare’s genius in three such very diff diff erent erent<br />
plays as Macbeth, A Midsummer Night’s Dream and<br />
Julius Caesar. You also have a rare opportunity<br />
to compare his work to that of his friend and<br />
rival Ben Jonson, whose <strong>Bartholomew</strong> <strong>Fair</strong> is a<br />
brilliant satire of life in London, Shakespeare’s<br />
adopted city, or with that of Jean Racine,<br />
whose Phèdre is searing drama from a diff erent<br />
dramatic tradition. Both these plays are<br />
masterpieces in their own right – and to see<br />
them performed is to discover how radical<br />
are the diff erences between the world’s<br />
greatest playwright and his nearest peers.<br />
Shakespeare’s unprecedented<br />
exploration of the human comedy paved<br />
the way for such subsequent dramatists<br />
as Anton Chekhov, Edmond Rostand and<br />
Oscar Wilde, whose work also features on our<br />
stages this season. His infl uence reveals itself<br />
even in our two musicals, one of which shares<br />
its ancestry with The Comedy of Errors while the<br />
other draws directly on Romeo and Juliet.<br />
Our own writers here in Canada owe no less to<br />
Shakespeare and the extraordinary creative ferment<br />
of his age. George F. Walker’s Canadian classic<br />
Zastrozzi uses the Jacobean revenge tragedy as its<br />
point of departure, while Sunil Kuruvilla’s Rice Boy,<br />
newly revised for our production, is rooted, like<br />
some of Shakespeare’s greatest plays, in the tensions<br />
between parents and children. So too is Morris<br />
Panych’s The Trespassers, a brand-new play that<br />
receives its world première here this season.<br />
We are delighted to welcome you to this, our<br />
57th season. We hope you will enjoy exploring with<br />
us the astonishingly varied dramatic universe that<br />
Shakespeare helped to create and that will always<br />
honour him as its centre.<br />
Antoni cimolino<br />
General Director<br />
De s m c A n u ff<br />
Artistic Director<br />
We dedicate our 2009 season<br />
to the memory of<br />
richard monette<br />
Artistic Director of this <strong>Festival</strong><br />
from 1994 to 2007.<br />
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