07.02.2013 Views

Bartholomew Fair Cover.indd - Stratford Festival

Bartholomew Fair Cover.indd - Stratford Festival

Bartholomew Fair Cover.indd - Stratford Festival

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

A Cosmos of Creativity<br />

Shakespeare lies at the centre of our dramatic<br />

universe. Here at <strong>Stratford</strong>, we celebrate him in<br />

our theatres by honouring honouring his text and by by placing<br />

it in the context of the work of his predecessors,<br />

contemporaries and successors, so we can better<br />

understand his breathtaking achievement. In doing<br />

so, we range freely through the best and most<br />

enduring works of the dramatic canon.<br />

This season, you can explore the diversity of<br />

Shakespeare’s genius in three such very diff diff erent erent<br />

plays as Macbeth, A Midsummer Night’s Dream and<br />

Julius Caesar. You also have a rare opportunity<br />

to compare his work to that of his friend and<br />

rival Ben Jonson, whose <strong>Bartholomew</strong> <strong>Fair</strong> is a<br />

brilliant satire of life in London, Shakespeare’s<br />

adopted city, or with that of Jean Racine,<br />

whose Phèdre is searing drama from a diff erent<br />

dramatic tradition. Both these plays are<br />

masterpieces in their own right – and to see<br />

them performed is to discover how radical<br />

are the diff erences between the world’s<br />

greatest playwright and his nearest peers.<br />

Shakespeare’s unprecedented<br />

exploration of the human comedy paved<br />

the way for such subsequent dramatists<br />

as Anton Chekhov, Edmond Rostand and<br />

Oscar Wilde, whose work also features on our<br />

stages this season. His infl uence reveals itself<br />

even in our two musicals, one of which shares<br />

its ancestry with The Comedy of Errors while the<br />

other draws directly on Romeo and Juliet.<br />

Our own writers here in Canada owe no less to<br />

Shakespeare and the extraordinary creative ferment<br />

of his age. George F. Walker’s Canadian classic<br />

Zastrozzi uses the Jacobean revenge tragedy as its<br />

point of departure, while Sunil Kuruvilla’s Rice Boy,<br />

newly revised for our production, is rooted, like<br />

some of Shakespeare’s greatest plays, in the tensions<br />

between parents and children. So too is Morris<br />

Panych’s The Trespassers, a brand-new play that<br />

receives its world première here this season.<br />

We are delighted to welcome you to this, our<br />

57th season. We hope you will enjoy exploring with<br />

us the astonishingly varied dramatic universe that<br />

Shakespeare helped to create and that will always<br />

honour him as its centre.<br />

Antoni cimolino<br />

General Director<br />

De s m c A n u ff<br />

Artistic Director<br />

We dedicate our 2009 season<br />

to the memory of<br />

richard monette<br />

Artistic Director of this <strong>Festival</strong><br />

from 1994 to 2007.<br />

1

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!