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Bartholomew Fair Cover.indd - Stratford Festival

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6<br />

Ideas and Insights<br />

costume sketch by cArolyn m. smith<br />

ArcelorMittal applauds the artists, artisans and staff behind every<br />

outstanding experience at the <strong>Stratford</strong> Shakespeare <strong>Festival</strong>.<br />

A Kaleidoscope of Colourful<br />

Characters<br />

<strong>Bartholomew</strong> <strong>Fair</strong> is a brilliant satire of class and<br />

character in Jacobean London. But far from<br />

being bitter, it is a very warm and deliciously<br />

funny argument for tolerance. This warmth and<br />

inclusiveness, this humanity, have made me fall in<br />

love with the play.<br />

Ben Jonson was a deeply ambiguous individual.<br />

He aspired to be the court poet and moral arbiter<br />

of the age, yet his plays document the life of the<br />

grittiest aspect of the criminal class. He himself killed<br />

a fellow actor during a fight on the street. This was a<br />

man who was full of life, and his plays demonstrate<br />

that vibrancy. His love of language mirrored the<br />

contradictions in his character. Jonson believed<br />

personal corruption bled into one’s grammar and<br />

speech. Consequently, while he was capable of<br />

writing beautifully lyrical passages, his special talent<br />

was to write the most hilariously tortured syntax and<br />

scatological invective ever created.<br />

This is an amazingly detailed and complex work –<br />

yet it gives the reader or audience member a feeling<br />

of chaotic improvisation. It is like a kaleidoscope in<br />

that it moves a group of extraordinarily colourful<br />

characters into a seemingly infinite number of<br />

groupings. These movements break up the normal<br />

societal cliques and expose the individuals to new<br />

influences, opportunities and temptations. We<br />

thereby discover the truth at the heart of them all.<br />

Antoni cimolino<br />

Director

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