rontholi jewellery cluster nagaon - Designclinicsmsme.org

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62 f. Design Opportunity in workstation and tooling design ISSUES and CONCERNS: * The work process is really slow due to hand made nature of the process. * The tools used are outdated and old, leads to slow and time consuming production process. * The work place is not appropriate, cluttered and not organized. * They use old kerosene lamps/wax lamps for soldering/ welding which is very time consuming and can be unhealthy. * There is no proper lighting system for working in night hours, rely generally on natural light. * In case of no electricity artisans work in candle light for long hours, which can be painful for eyes and leading to eyesight problems. Its a major area of concern in the cluster. * While working in the open, there is loss of precious metals like gold and silver, which artisans don’t realize. This is caused due to blowing of winds and no proper way of preventing waste. * Artisans who can afford work inside with decent facility, but maximum artisans work in sheds outside. * They sit on the floor and work with improper working benches. * The tools are kept with no proper arrangement or storage, leads to damage of tools. OPPORTUNITIES: * The new tools for buffing, soldering etc. can be introduced at common facilitation centre. * Organized work stations at CFC. * Solar lights can be introduced so that they could work in the evening hours. Unorganized and cluttered work place Interactive Design Study | Rontholi Jewellery Cluster Nagaon | 2011 | Arpit Agarwal
Work Stations Interactive Design Study | Rontholi Jewellery Cluster Nagaon | 2011 | Arpit Agarwal 63
Page 1 and 2:
RONTHOLI JEWELLERY CLUSTER NAGAON I
Page 3 and 4:
Contributors Arpit Agarwal Bijju Mu
Page 5 and 6:
About The Design Clinic Scheme Desi
Page 7 and 8:
Introduction Design Awareness Progr
Page 9 and 10:
About National Institute of Design
Page 11 and 12:
About Assam and Nagaon Popularly ca
Page 13 and 14:
Cityscape | Nagaon Area of the dist
Page 15 and 16: Kaziranga National Park Bordowa hou
Page 17 and 18: About Assam Jewellery The art of je
Page 19 and 20: About Rontholi Jewellery Cluster Th
Page 21 and 22: Rontholi Jewellery Cluster Products
Page 23 and 24: Dhansira Kharu Doog Doogi Interacti
Page 25 and 26: Match Box Midang Gam Kharu Interact
Page 27 and 28: Variation Of Traditional Jewellery
Page 29 and 30: Raw materials, tools & equipments R
Page 31 and 32: Fishnet wires used for stringing be
Page 33 and 34: Tools & equipments Scissors Plier W
Page 35 and 36: Stone for sharpening of tools Buffi
Page 37 and 38: Jewellery Making Process Flow Mould
Page 39 and 40: 12 13 14 15 16 17 After the La is s
Page 41 and 42: Process Flow of Enamelling/ Meenaka
Page 43 and 44: Process Flow of Gold Foil Setting 1
Page 45 and 46: Nagaon Rontholi Jewellery Cluster T
Page 47 and 48: Jewellery Units Visited: Unit One:
Page 49 and 50: Unit Six: Artisan: Shri Tapan Bania
Page 51 and 52: Unit Twelve: Artisan: Shri Jeetu Mo
Page 53 and 54: Unit Sixteen: Artisan: Shri Deep Mo
Page 55 and 56: Unit Twenty-One: Artisan: Shri Abon
Page 57 and 58: Rontholi Jewellery Cluster Supply C
Page 59 and 60: a. Study of existing Product design
Page 61 and 62: Randomly inspired Meena not of high
Page 63 and 64: c. Existing status and opportunity
Page 65: e. Scope for operations and process
Page 69 and 70: Wax Lamp Working in the open shed I
Page 71 and 72: g. Details of market and competitio
Page 73 and 74: Traditional Assamese jewellery from
Page 75 and 76: i. Description of ergonomic and env
Page 77 and 78: Packaging by artisans Packaging at
Page 79 and 80: m. Scope of design intervention for
Page 81 and 82: CONCLUSION The visit to Rontholi Je
Page 83 and 84: A Five-Day Design Workshop Interact
Page 85 and 86: List of Participants Sri Dipak Bani
Page 87 and 88: Participants filling the registrati
Page 89 and 90: Presentation on kinds of jewellery
Page 91 and 92: Interactive Design Study | Rontholi
Page 93 and 94: Problem Suggested solution Problem
Page 95 and 96: Artisans are used to create powder
Page 97 and 98: A metal dye with engraved design Si
Page 99 and 100: The meena is applied on the surface
Page 101 and 102: Pictures of artisans during the mee
Page 103 and 104: A snap shot one of the pages of mee
Page 105 and 106: During the workshop artisans were s
Page 107 and 108: Waste fabric New packaging design I
Page 111 and 112: Variations Interactive Design Study
Page 117:
At the end of the Need Assessment S
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