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Virtual Archaeology Review The order in the choice of the hotspot activation is free, so every sequence can be activated. This solution not only makes the interaction amazing for the public, but allows people of every age and every “technical” skill to enjoy the virtual contents. The Acknowledgements VAR. Volumen 3 Número 7. ISSN: 1989-9947 Diciembre 2012 detailed description of the VR application and the research activity realized in the domain of natural interaction in the virtual space is not a subject covered by this paper. Special thanks to all the partners and colleagues working in and supporting the Etruscanning project, in particular the Vatican Museums (Maurizio Sannibale), the Soprintendenza all'Etruria Meridionale (Francesca Boitani, Rita Cosentino, Iefke Van Kampen), CNR ISCIMA (Vincenzo Bellelli). References ANTINUCCI, F. (2004): Comunicare il museo, Laterza, Roma. AA.VV. (2001): Principi Etruschi tra Mediterraneo ed Europa, catalogo mostra (Bologna 2000-2001), Venezia 2000. COLONNA, G. DI PAOLO, E. (1999): “Il letto vuoto, la distribuzione del corredo e la della Tomba Regolini Galassi”, in Etrusca et Italica, scritti in memoria di Massimo Pallottino edited by Università La Sapienza, Dip. Di Scienze Storiche, Archelogiche ed Antropologiche dell'Antichità_sez. Di Etruscologia &CNR, Vol.I, Istituti Editoriali e Poligrafici Internazionali, Pisa-Roma. FORTE, M. (2008): “La Villa di Livia, un percorso di ricerca di archeologia virtuale”, ed. Erma di Bretschneider, Roma FORTE, M., PIETRONI, E., RUFA, C. (2002): “Musealisin the Virtual: The Virtual Reality Project of the Scrovegni Chapel of Padua”, in VSMM 2002, Proceedings of the Eighth International Conference on Virtual Systems and Multimedia—“Creative and Digital Culture”. Gyeonggju, Korea, 25–27 September 200, pp. 43–52. HUPPERETZ ,W., PIETRONI, E., PLETINCKX, D., SANNIBALE, M. (2011): “The Regolini Galassi Tomb revisited. 3D reconstruction as a research instrument”, in Etruscans, eminet women and powerful men, edited by Patricia S. Lulof, Iefke van Kampen, ed. W Books, pp. 172- 176. MELLET-D'HUART, D. (2006): “A Model of (En)Action to approach Embodiment: A Cornerstone for the Design of Virtual Environments for Learning”, in WIN W. & HEDLEY N., Eds. Journal of Virtual reality, special issue on education. Springer London. Volume 10, Numbers 3-4 / December, 2006, pp. 253-269. PARETI, L. (1947): La Tomba Regolini - Galassi del Museo Gregoriano Etrusco e la civiltà dell’Italia centrale nel sec. VII a.C., Città del Vaticano 1947. SANNIBALE, M. (2008): “Gli ori della Tomba Regolini-Galassi: tra tecnologia e simbolo. Nuove proposte di lettura nel quadro del fenomeno Orientalizzante in Etruria”, in MEFRA 120.2, pp. 337-367. SANNIBALE, M. (2008): “Iconografie e simboli orientali nelle corti dei principi etruschi”, in Byrsa 7,1-2, pp. 85-123. SANNIBALE, M. (1995): “Osservazioni su alcuni argenti della tomba Regolini Galassi: tecniche antiche e interventi moderni”, in E. Formigli (ed.), Preziosi in Orio, Avorio, Osso e Corno. Arte e tecniche degli artigiani etruschi, Atti del seminario di studi ed esperimenti (Murlo 1992), Siena, pp. 89-98. SANNIBALE, M., BURANELLI, F. (2003): “Vaticano. Museo Gregoriano Etrusco”, Milano, pp. 35-214. 96
97 Resumen Virtual Archaeology Review The Virtual Museum of the Tiber Valley Project Antonia Arnoldus Huyzendveld 1, Marco Di Ioia 2, Daniele Ferdani 2, Augusto Palombini 2, Valentina Sanna 2, Sara Zanni 2 , Eva Pietroni 2 1 Digiter. Rome, Italy 2 Institute for Technologies Applied to Cultural Heritage, CNR. Rome, Italy El objetivo del proyecto del Museo Virtual del Valle del Tiber es la creación de un sistema digital integrado para el conocimiento, la valorización y la comunicación del paisaje cultural, arqueológico y natural a lo largo del valle del Tíber, en la zona Sabina entre Monte Soratte y la antigua ciudad de Lucus Feroniae (Capena). Actualmente están en proceso de construcción varias aplicaciones de realidad virtual, contenidos multimedia, junto con un sitio web, a los que se tendrá acceso en diversos museos de la zona así como en un museo central ubicado en Roma. Las diferentes fases de trabajo se centrarán en la construcción de una base de datos arqueológicos geo-espacial, en la reconstrucción del paisaje antiguo y en la creación de los modelos virtuales de los sitios arqueológicos más importantes. Este documento se centra en la metodología utilizada, desgranado los resultados presentes y futuros esperados. Palabras Clave: REALIDAD VIRTUAL, PAISAJE CULTURAL, ENFOQUE MULTIDISCIPLINARIO, RED DE MUSEOS, SIG Abstract The aim of the Virtual Museum of the Tiber Valley project is the creation of an integrated digital system for the knowledge, valorisation and communication of the cultural landscape, archaeological and naturalistic sites along the Tiber Valley, in the Sabina area between Monte Soratte and the ancient city of Lucus Feroniae (Capena). Virtual reality applications, multimedia contents, together with a web site, are under construction and they will be accessed inside the museums of the territory and in a central museum in Rome. The different stages of work will cover the building of a geo-spatial archaeological database, the reconstruction of the ancient potential landscape and the creation of virtual models of the major archaeological sites. This paper will focus on the methodologies used and on present and future results. Key words: VIRTUAL REALITY, TIBER LANDSCAPE, MULTIDISCIPLINARY APPROACH, INTEGRATION, MUSEUMS NETWORK, GIS. 1. The project: goals, philosophy, methodology There are no knowledge and communication without context, there is no museum without territory and is difficult to understand an area without a museum or a museum network. The Virtual Museum of the Tiber Valley has been conceived in order to increment and disseminate the knowledge of the territory and encourage the people to visit some important and beautiful places that are still marginal in relation with the main touristic itineraries, too much focused on the Capital. The Sabina area, north of Rome, between Monte Soratte and the ancient city of Lucus Feroniae (Capena) and along the ancient consular road via Salaria, has been taken in consideration. Virtual reality applications, multimedia contents, together with a web site, will support the public before and during the visit of the real sites through the access to cultural contents while attending places, museums, sites, itineraries. From the same dataset many elaborations and specific communicative formats accessible from multiple platforms will be realized: a spectacular installation of virtual reality in the roman museum (conceived as a sort of “portal” to the discovery of the external territory) based on the use of natural interfaces to explore the landscape in its interpretative and emotional dimensions; narrative and multimedia guides for mobile devices to be used during the visit of archaeological sites or naturalistic oasis; movies and multimedia in the small museums of the territory dedicated, together with a web site, to the evolution of the cultural landscape during the centuries (prehistorical, pre-roman, roman, medieval and actual periods); multimedia iBooks multi-touch. In the virtual museum the information is organized as a network of data, paths, themes highlighting the relations among sites, settlements, human activities, land, memory and history, the river environment in its developments and transformations. The project, supported by Arcus s.p.a., started in July 20111 and it will be finished in 2013; it involves a multidisciplinary team composed by CNR and University researchers (archaeologists, art historians, geologists, ethologists, cognitivists, computer scientists, surveyors, computer graphics) but also by artists, musicians and public stakeholders. VAR. Volumen 3 Número 7. ISSN: 1989-9947 Diciembre 2012
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Page 91 and 92: 91 Acknowledgements Virtual Archaeo
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