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06/2012 - Auditorium Parco della Musica

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This month at the<br />

AUDITORIUM<br />

JUNE<br />

8-9/ MIT MEET IN TOWN It’s hard to imagine the sober <strong>Auditorium</strong> fill up with young clubbers dancing to electron-<br />

ic music. But it’s happened twice before, and it will happen again this year. For the third year in a row, the Meet in<br />

Town (MIT) festival will bring two nights of club madness to Renzo Piano’s music temple. On 8 and 9 June, the world’s<br />

best deejays will invade every concert hall, the underground carpark, the outdoor cavea, the hallways and the exhibi-<br />

tion spaces, proving that electronica is indeed an art. Innovative projects, video art, experimental music, meet-the-dee-<br />

jay events, theatre and installations are just some of the events on the menu, and guests include space disco DJ<br />

Lindstrøm, boogie funk expert Dâm Funk, synth wave manipulator Com Truise, as well as Squarepusher, James Blake,<br />

Sébastien Tellier; Atlas Sound, Mouse On Mars, Ghostpoet, Machine drum, Brandt Brauer Frick, and many more. All<br />

events can be followed live on www.mit.telecomitalia.com, which also has a detailed program of events.<br />

9-13-14/ HARDING/BOLLANI Ravel has been described as one the most mysterious composers in history: his<br />

music reveals very little of his private life, beliefs or moods. By listening to his explosive and sparkling Concerto in G,<br />

it seems almost impossible to believe that while he was working on this very composition, he was diagnosed with<br />

the brain disease that brought him to his death less than ten years later. Apart from a sweet and nostalgic Adagio,<br />

Ravel’s Concerto in G is a tumultuous race between the piano and the orchestra, with a series of rhythms and colors<br />

contaminated by jazz, a genre discovered by the composer in the USA a few years before. The Concerto has been<br />

defined “a cultivated cousin of Gershwin’s Rhapsody in Blue”, and will be performed by one of Italy’s best Gershwin<br />

interpreters: Stefano Bollani, under the baton of great conductor Daniel Harding.<br />

19-22/ LANG LANG FEST If you are one of those people who think that classical music is “stuff for old people”,<br />

you probably don’t know Lang Lang. The 30-year-old pianist is the first Chinese pianist to have been engaged by the<br />

top European and American orchestras. A Chicago Tribune music critic once described him as "the biggest, most exci-<br />

ting young keyboard talent I have encountered in many a year of attending piano recitals". Lang Lang is more than<br />

just a piano sensation. He is almost a global brand, and the piano manufacturers Steinway & Sons have dedicated a<br />

new piano to this exceptionally talented artist. Thanks to him, 40 million Chinese kids are now studying piano, and<br />

his blog is followed by 6 million people every day. And there’s more: his name can be found on earphones and MP3<br />

players, he was the first pianist to perform with the Youtube orchestra, he recorded a 3D concert and he launched<br />

an iPad application called Magic Piano. In Rome again this month, Lang Lang will be performing solo and with the<br />

Santa Cecilia Orchestra (with Carlo Rizzari). On the third night, he will meet 100 young piano students who will get<br />

a chance to play with one of the most acclaimed piano masters of our time.<br />

29/ LA NOTTE DELLA TARANTA LUGLIO SUONA BENE Andalucía has flamenco, Portugal has fado, and southern<br />

Italy has Taranta. This energetic folk music, with its accompanying dance pizzica, was born in Salento, one of the sou-<br />

thernmost areas of mainland Italy, deep in the heel of the boot. This month, the Notte <strong>della</strong> Taranta Orchestra will be<br />

performing on the <strong>Auditorium</strong> <strong>Parco</strong> <strong>della</strong> <strong>Musica</strong> stage, bringing together some of the finest southern Italian and inter-<br />

national musicians, singers and dancers to interpret the hypnotic rhythms, the haunting melodies and the high emo-<br />

tional intensity of this fascinating native dance. Ludovico Einaudi conducts 20 performers on a myriad of instruments<br />

including drums, percussion, horn, guitar, mandolin, violin, viola, cello, organ, accordion, and voice, blending the tra-<br />

ditional folk music with new and experimental sounds.<br />

<strong>Auditorium</strong> <strong>Parco</strong> <strong>della</strong> <strong>Musica</strong> viale Pietro de Coubertin Rome<br />

Page provided by<br />

www.auditorium.com Infoline <strong>Musica</strong> per Roma: <strong>06</strong> 802.41.281 Tickets and bookings: Tel. 892.982 (toll service)<br />

www.santacecilia.it Infoline Santa Cecilia: <strong>06</strong> 80.82.058<br />

M A Line Flaminio Station + N° 2 tram; M line bus from Termini Station (from 5 p.m.)<br />

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