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Mitridate - program

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What if, by means of his poison intake, our <strong>Mitridate</strong><br />

were to live in a parallel world or in an illusion? What<br />

if he were to delude himself into being celebrated and<br />

loved while being isolated and heavily burdened with<br />

guilt and grief? What if we were to throw all the characters<br />

who surround him – dead or alive – into his<br />

surreal and magic kingdom? What if the waves of a<br />

mythical Black Sea – mysterious power of fate – were<br />

to shape and reshape the configuration of the play?<br />

Our staging of <strong>Mitridate</strong> is based on contemporary<br />

dance intertwined with music, visual arts, space and<br />

light design. We are interested in exploring non-verbal<br />

performative narratives out of visual and choreographic<br />

metaphors. These metaphors resonate with<br />

Mozart’s music and are open to interpretation.<br />

Often, in musical theater, the words tell the story,<br />

and the visuals support it. We have decided to<br />

proceed the other way around: the visuals and the<br />

choreography will tell the story, and the lyrics will<br />

support or add to it in free association.<br />

We are guided by the idea of »Gesamtkunstwerk«<br />

taken to a contemporary level: by bringing different<br />

art forms together we wish to create magical<br />

worlds that do not exist in reality, and the myth of<br />

<strong>Mitridate</strong> opens many doors there. The centerpiece<br />

of our stage design is an extensive work of<br />

art by Alexander Polzin, a multifaceted metaphor<br />

and a visual, physical and dramatic element: it is<br />

a sculpture, a space, a landscape, a playground, a<br />

shelter, an exposer, a source of light – and even a<br />

seemingly animated creature. Together with the<br />

dancers, it forms a unit, or to put it differently: the<br />

dancers are an organic part of the stage design and<br />

bring it to life. They make the space itself become a<br />

protagonist with its own history, its own emotions,<br />

own character and evolvement. And they unfold a<br />

multitude of images as well as physical and intimate<br />

interactions with the singers.<br />

Let these images speak!<br />

Ralf Pleger, director<br />

Dansare, Sarah Aristidou

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