Connecting Media - Hochschule für Musik und Theater Hamburg
Connecting Media - Hochschule für Musik und Theater Hamburg
Connecting Media - Hochschule für Musik und Theater Hamburg
Sie wollen auch ein ePaper? Erhöhen Sie die Reichweite Ihrer Titel.
YUMPU macht aus Druck-PDFs automatisch weboptimierte ePaper, die Google liebt.
POINTES PRÉCAIRES<br />
for computer-generated audio-video media<br />
Composed in 2003<br />
So<strong>und</strong> and visuals by Diego Garro. Reciting and whispering voice by Dominique<br />
Belkadi.<br />
Programme Notes: A story of serendipity and instability; the peaceful so<strong>und</strong> of gentle waves lapping<br />
on the lakeside; the terror of a single droplet riding the crest before crushing on the cliff. A story<br />
where quasi natural shapes float in precarious equilibrium and move back and forth between their<br />
sonic and their visual dimensions. A story told by invisible narrators. A faint chant in the twilight. A<br />
tremor that never leaves you completely.<br />
Premiered at VAD Festival Internacional De Video I Arts Digitals, Girona, Spain, 13-15 November<br />
2003<br />
RADICAL LOW is a dance and multimedia ensemble formed in Spring 2001 by Kurt Ralske and Chan-<br />
tal Yzermans. Radical Low has performed at Joyce <strong>Theater</strong> Soho, Merce Cunningham Studio, at Re-<br />
cyclart Centre (Bruxelles, Belgium), the 92nd St. Y, Judson Hall, and Galapagos Art Space.<br />
RADICAL LOW is exploring the intersection of dance and technology by using custom software cre-<br />
ated by the artists. New avenues are opened for the relationship between dance and so<strong>und</strong> and<br />
image. Some techniques the artists have used are: video capture, real-time video processing, image<br />
analysis, sensors, and networked audio-video control systems Kurt Ralske is a Manhattan-based<br />
video artist and composer. His work is exclusively created with his own custom software, written in<br />
C, Java, and Max/MSP, and involves the expressive improvisation of both so<strong>und</strong> and image, simulta-<br />
neously and in real-time. Kurt has performed at museums, galleries, and theaters throughout Euro-<br />
pe, Canada, and the US, including the Los Angeles Museum of Contemporary Art and the Montreal<br />
Museum of Contemporary Art. The New York Times has praised his “compelling, ingenious alliance<br />
of so<strong>und</strong> and motion” and his “technological wizardry”. In February 2003, Kurt received received<br />
the Image Award at Transmediale International <strong>Media</strong> Art Festival in Berlin, for for his work on the<br />
DVD “Live in Bruxelles” by real-time video improvisation ensemble 242.pilots. Kurt works mainly as<br />
a performer: as a soloist, with other video artists, with live dancers, or with live musicians. He has<br />
created interactive video installations, software art, and video-derived still images. He is the author<br />
of Auvi, a commercially released software environment for creating custom real-time video programs.<br />
(http://auv-i.de)<br />
Chantal Yzermans [dancer/choreographer] was born in Ostend, Belgium, currently residing in NY.<br />
Chantal worked in Europe as a freelance choreographer in collaboration with Belgian composer Star-<br />
fish Pool. Together they toured throughout Europe and Canada with “Ritual for the Dying.” Yzermans