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D - Peter Lang

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12 History · Geschichte · Histoire<br />

W<br />

Fabrizio Lomonaco<br />

hat significance did the Lex Regia De<br />

Imperio Vespasiani bear for the Dutch<br />

philosophers in the seventeenth and eighteenth<br />

centuries? Did it simply define a question<br />

of law and its ancient use? Was it responsible<br />

for the definition of a scholarly exercise<br />

in literary-rhetorical regulae? New Studies on<br />

Lex Regia explores these questions as the dispute<br />

on a non-literary source (the Lex Regia) is<br />

exemplary for the way in which philological<br />

research came together with interpretations<br />

of the Roman law and the political conclusions<br />

drawn from them .<br />

Situated between philosophy and philology,<br />

this book attempts to rehabilitate a debate<br />

on the fides historica in Cartesianism and<br />

post-Cartesian Pyrrhonism . It focuses on the<br />

Robert Lumley<br />

Entering the Frame<br />

Cinema and History in the Films<br />

of Yervant Gianikian<br />

and Angela Ricci Lucchi<br />

Oxford, Bern, Berlin, Bruxelles,<br />

Frankfurt am Main, New York, Wien, 2011 .<br />

XX, 192 pp ., num . coloured and b/w ill .<br />

Italian Modernities . Vol . 10<br />

Edited by Pierpaolo Antonello and Robert Gordon<br />

E<br />

pb . ISBN 978-3-03430-113-8<br />

CHF 56 .– / € D 38 .10 / € A 39 .20 / € 35 .60 /<br />

£ 32 .– / US-$ 55 .95<br />

ntering the Frame is the first complete<br />

study of the cinema of Yervant Gianikian<br />

and Angela Ricci Lucchi, pioneers of<br />

archival and found-footage films that testify<br />

to war, genocide and colonialism in the twentieth<br />

century . It explores their early performance-based<br />

‘scented films’ of the 1970s, before<br />

focusing on the historical films, such as<br />

From the Pole to the Equator, for which they<br />

are best known . The book analyses how Gianikian<br />

and Ricci Lucchi manipulate rare<br />

footage through re-photographing, handtinting<br />

and altering film speeds, to produce<br />

work of an other-worldly quality .<br />

New Studies on Lex Regia<br />

Right, Philology and Fides Historica<br />

in Holland Between the 17th and 18th Centuries<br />

Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Oxford, Wien, 2011,<br />

351 pp .<br />

Studies in Early Modern European Culture . Vol . 5<br />

Edited by Paolo L . Bernardini and Laura Orsi<br />

pb . ISBN 978-3-0343-0543-3<br />

CHF 89 .– / € D 61 .40 / € A 63 .10 / € 57 .40 / £ 51 .70 / US-$ 88 .95<br />

€ D includes VAT – valid for Germany · € A includes VAT – valid for Austria<br />

role that modern historiography on Rome plays<br />

in the construction of the politico-cultural<br />

model between republicanism and absolutism<br />

in the works of the Dutch thinkers Gronovius,<br />

Ulrik Huber, Perizonius, Noodt and Barbeyrac .<br />

fAbrizio loMonACo is Professor of History<br />

of Philosophy at the University of Naples<br />

«Federico II» . As a member of the editorial<br />

boards, he is involved with the following jour-<br />

nals: «Archivio di storia della cultura» (Naples),<br />

«Bollettino del centro di studi vichiani» (Rome),<br />

and «Post Filosofie» (Bari) . He is the Director of<br />

«Civiltà del Mediterraneo» (Naples) and «Logos»<br />

(Naples), and has written essays relating to the<br />

17th-18th centuries Holland and Southern Italian<br />

thought (Grozio and Perizonio, Noodt and Bar-<br />

beyrac, Caloprese and Gravina, Vico and Pagano) .<br />

Retrospectives of the films of Gianikian<br />

and Ricci Lucchi at the Jeu de Paume in Paris<br />

(2006) and at MoMA in New York (2009) have<br />

signalled international recognition at the<br />

highest level, as have appraisals by leading<br />

scholars of cinema such as Scott MacDonald<br />

and Raymond Bellour . Their work is unusual<br />

in attracting different audiences, and in relating<br />

art practices to wider ethical, historical<br />

and political issues . Gianikian and Ricci<br />

Lucchi have transformed old documentary<br />

footage into works that resonate in debates<br />

about postcolonialism as well as about the<br />

documentary form, the corporeality of the<br />

viewing experience and the metamorphoses<br />

of cinema .<br />

The volume includes a preface by the cultural<br />

historian Ruth Ben-Ghiat, Professor of<br />

Italian and History at New York University .<br />

Tate Modern will be screening a survey<br />

of films by Yervant Gianikian and Angela<br />

Ricci Lucchi in November 2011 .<br />

robert luMley is Professor of Italian Cultural<br />

History at University College London .<br />

He studied modern history at the University<br />

of Oxford and was a researcher at the Centre<br />

for Contemporary Cultural Studies in Birmingham<br />

. His publications include States of<br />

Emergency: Cultures of Revolt in Italy from<br />

1968 to 1978 (1990) and Arte Povera (2004), as<br />

well as the edited volumes The Museum Time-<br />

Machine (1987) and Italian Cityscapes: Culture<br />

and Urban Change in Contemporary Italy (with<br />

John Foot, 2004) .<br />

Paul Maylam<br />

Enlightened Rule<br />

Portraits of Six Exceptional<br />

Twentieth Century Premiers<br />

Oxford, Bern, Berlin, Bruxelles, Frankfurt am<br />

Main, New York, Wien, 2011 . VIII, 316 pp ., num ill .<br />

T<br />

pb . ISBN 978-3-0343-0271-5<br />

CHF 71 .– / € D 48 .70 / € A 50 .10 / € 45 .50 /<br />

£ 41 .– / US-$ 70 .95<br />

eBook ISBN 978-3-0353-0096-3<br />

he twentieth century has been called<br />

an ‘age of catastrophe’, characterized<br />

by devastating wars and a general poverty of<br />

leadership at government level . This book,<br />

written in a more optimistic vein, offers biographical<br />

essays on six twentieth century<br />

heads of government – three from Latin America,<br />

and one each from Africa, Asia and Europe<br />

– who were exceptions to the norm . During<br />

their terms of office each displayed admirable<br />

qualities: moral authority, integrity,<br />

an egalitarian spirit, and a firm commitment<br />

to democracy, human rights, social justice<br />

and international peace . They shunned personality<br />

cults, grandiosity and conspicuous<br />

consumption . Their governance was shaped<br />

by high ideals, in the tradition of democratic<br />

socialism or social democracy, but also marked<br />

by pragmatism and an awareness that the realization<br />

of these ideals was not always practicable<br />

. Although some of the six became<br />

iconic, venerated figures, none of them are<br />

presented here as ‘heroes’ or ‘great leaders’ .<br />

Each had failings and flaws, and each has<br />

been subject to critique . They are rather presented<br />

as government heads whose leadership<br />

has been worthy of deep respect and admiration<br />

. Had other premiers emulated their<br />

style of governance, twentieth century history<br />

would have taken a very different course .<br />

PAul MAylAM has been Professor of History<br />

at Rhodes University in South Africa<br />

since 1991, having formerly taught at the University<br />

of Natal in Durban from 1974 . He has<br />

authored or edited five other books in the<br />

field of southern African history .

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