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12 History · Geschichte · Histoire<br />
W<br />
Fabrizio Lomonaco<br />
hat significance did the Lex Regia De<br />
Imperio Vespasiani bear for the Dutch<br />
philosophers in the seventeenth and eighteenth<br />
centuries? Did it simply define a question<br />
of law and its ancient use? Was it responsible<br />
for the definition of a scholarly exercise<br />
in literary-rhetorical regulae? New Studies on<br />
Lex Regia explores these questions as the dispute<br />
on a non-literary source (the Lex Regia) is<br />
exemplary for the way in which philological<br />
research came together with interpretations<br />
of the Roman law and the political conclusions<br />
drawn from them .<br />
Situated between philosophy and philology,<br />
this book attempts to rehabilitate a debate<br />
on the fides historica in Cartesianism and<br />
post-Cartesian Pyrrhonism . It focuses on the<br />
Robert Lumley<br />
Entering the Frame<br />
Cinema and History in the Films<br />
of Yervant Gianikian<br />
and Angela Ricci Lucchi<br />
Oxford, Bern, Berlin, Bruxelles,<br />
Frankfurt am Main, New York, Wien, 2011 .<br />
XX, 192 pp ., num . coloured and b/w ill .<br />
Italian Modernities . Vol . 10<br />
Edited by Pierpaolo Antonello and Robert Gordon<br />
E<br />
pb . ISBN 978-3-03430-113-8<br />
CHF 56 .– / € D 38 .10 / € A 39 .20 / € 35 .60 /<br />
£ 32 .– / US-$ 55 .95<br />
ntering the Frame is the first complete<br />
study of the cinema of Yervant Gianikian<br />
and Angela Ricci Lucchi, pioneers of<br />
archival and found-footage films that testify<br />
to war, genocide and colonialism in the twentieth<br />
century . It explores their early performance-based<br />
‘scented films’ of the 1970s, before<br />
focusing on the historical films, such as<br />
From the Pole to the Equator, for which they<br />
are best known . The book analyses how Gianikian<br />
and Ricci Lucchi manipulate rare<br />
footage through re-photographing, handtinting<br />
and altering film speeds, to produce<br />
work of an other-worldly quality .<br />
New Studies on Lex Regia<br />
Right, Philology and Fides Historica<br />
in Holland Between the 17th and 18th Centuries<br />
Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Oxford, Wien, 2011,<br />
351 pp .<br />
Studies in Early Modern European Culture . Vol . 5<br />
Edited by Paolo L . Bernardini and Laura Orsi<br />
pb . ISBN 978-3-0343-0543-3<br />
CHF 89 .– / € D 61 .40 / € A 63 .10 / € 57 .40 / £ 51 .70 / US-$ 88 .95<br />
€ D includes VAT – valid for Germany · € A includes VAT – valid for Austria<br />
role that modern historiography on Rome plays<br />
in the construction of the politico-cultural<br />
model between republicanism and absolutism<br />
in the works of the Dutch thinkers Gronovius,<br />
Ulrik Huber, Perizonius, Noodt and Barbeyrac .<br />
fAbrizio loMonACo is Professor of History<br />
of Philosophy at the University of Naples<br />
«Federico II» . As a member of the editorial<br />
boards, he is involved with the following jour-<br />
nals: «Archivio di storia della cultura» (Naples),<br />
«Bollettino del centro di studi vichiani» (Rome),<br />
and «Post Filosofie» (Bari) . He is the Director of<br />
«Civiltà del Mediterraneo» (Naples) and «Logos»<br />
(Naples), and has written essays relating to the<br />
17th-18th centuries Holland and Southern Italian<br />
thought (Grozio and Perizonio, Noodt and Bar-<br />
beyrac, Caloprese and Gravina, Vico and Pagano) .<br />
Retrospectives of the films of Gianikian<br />
and Ricci Lucchi at the Jeu de Paume in Paris<br />
(2006) and at MoMA in New York (2009) have<br />
signalled international recognition at the<br />
highest level, as have appraisals by leading<br />
scholars of cinema such as Scott MacDonald<br />
and Raymond Bellour . Their work is unusual<br />
in attracting different audiences, and in relating<br />
art practices to wider ethical, historical<br />
and political issues . Gianikian and Ricci<br />
Lucchi have transformed old documentary<br />
footage into works that resonate in debates<br />
about postcolonialism as well as about the<br />
documentary form, the corporeality of the<br />
viewing experience and the metamorphoses<br />
of cinema .<br />
The volume includes a preface by the cultural<br />
historian Ruth Ben-Ghiat, Professor of<br />
Italian and History at New York University .<br />
Tate Modern will be screening a survey<br />
of films by Yervant Gianikian and Angela<br />
Ricci Lucchi in November 2011 .<br />
robert luMley is Professor of Italian Cultural<br />
History at University College London .<br />
He studied modern history at the University<br />
of Oxford and was a researcher at the Centre<br />
for Contemporary Cultural Studies in Birmingham<br />
. His publications include States of<br />
Emergency: Cultures of Revolt in Italy from<br />
1968 to 1978 (1990) and Arte Povera (2004), as<br />
well as the edited volumes The Museum Time-<br />
Machine (1987) and Italian Cityscapes: Culture<br />
and Urban Change in Contemporary Italy (with<br />
John Foot, 2004) .<br />
Paul Maylam<br />
Enlightened Rule<br />
Portraits of Six Exceptional<br />
Twentieth Century Premiers<br />
Oxford, Bern, Berlin, Bruxelles, Frankfurt am<br />
Main, New York, Wien, 2011 . VIII, 316 pp ., num ill .<br />
T<br />
pb . ISBN 978-3-0343-0271-5<br />
CHF 71 .– / € D 48 .70 / € A 50 .10 / € 45 .50 /<br />
£ 41 .– / US-$ 70 .95<br />
eBook ISBN 978-3-0353-0096-3<br />
he twentieth century has been called<br />
an ‘age of catastrophe’, characterized<br />
by devastating wars and a general poverty of<br />
leadership at government level . This book,<br />
written in a more optimistic vein, offers biographical<br />
essays on six twentieth century<br />
heads of government – three from Latin America,<br />
and one each from Africa, Asia and Europe<br />
– who were exceptions to the norm . During<br />
their terms of office each displayed admirable<br />
qualities: moral authority, integrity,<br />
an egalitarian spirit, and a firm commitment<br />
to democracy, human rights, social justice<br />
and international peace . They shunned personality<br />
cults, grandiosity and conspicuous<br />
consumption . Their governance was shaped<br />
by high ideals, in the tradition of democratic<br />
socialism or social democracy, but also marked<br />
by pragmatism and an awareness that the realization<br />
of these ideals was not always practicable<br />
. Although some of the six became<br />
iconic, venerated figures, none of them are<br />
presented here as ‘heroes’ or ‘great leaders’ .<br />
Each had failings and flaws, and each has<br />
been subject to critique . They are rather presented<br />
as government heads whose leadership<br />
has been worthy of deep respect and admiration<br />
. Had other premiers emulated their<br />
style of governance, twentieth century history<br />
would have taken a very different course .<br />
PAul MAylAM has been Professor of History<br />
at Rhodes University in South Africa<br />
since 1991, having formerly taught at the University<br />
of Natal in Durban from 1974 . He has<br />
authored or edited five other books in the<br />
field of southern African history .