24.11.2012 Aufrufe

D - Peter Lang

D - Peter Lang

D - Peter Lang

MEHR ANZEIGEN
WENIGER ANZEIGEN

Erfolgreiche ePaper selbst erstellen

Machen Sie aus Ihren PDF Publikationen ein blätterbares Flipbook mit unserer einzigartigen Google optimierten e-Paper Software.

2<br />

T<br />

Archaeology<br />

Archäologie<br />

Archéologie<br />

English Titles<br />

Cornelius Holtorf • Angela Piccini (eds .)<br />

Contemporary Archaeologies<br />

Excavating Now<br />

Second Edition<br />

his book is about the archaeology of the<br />

present and the very recent past . Archaeology’s<br />

repertoire of questions, procedures,<br />

methodologies and terminologies, its material<br />

manifestations (protected sites, public museums,<br />

archives) and its popular appeals are rooted in<br />

modernity . Contemporary archaeologies marry<br />

archaeology in the modern world with the archaeology<br />

of the modern world . Their strengths<br />

lie in a stimulating mix of interdisciplinary<br />

practices across academic, public-sector and<br />

professional contexts . This book brings together<br />

a wide variety of original case-studies,<br />

from contemporary theme parks to the bases<br />

of Antarctica expeditions, from a rocket engine<br />

test site in Australia to Swedish automobile<br />

history, from tiger enclosures to the ‘privatisation<br />

of experience’, and from a Nevada<br />

peace camp to a stretch of gutter in Bristol .<br />

Contents: Angela Piccini/Cornelius Holtorf:<br />

Fragments from a Conversation about Contemporary<br />

Archaeologies • Julian Thomas: Sigmund<br />

Freud’s Archaeological Metaphor and<br />

Archaeology’s Self-understanding • Cornelius<br />

Holtorf: Imagine This: Archaeology in the Experience<br />

Economy • Sarah May: Then Tyger<br />

Sébastien Clerbois •<br />

Martina Droth (eds)<br />

Revival and Invention<br />

Sculpture through<br />

its Material Histories<br />

Oxford, Bern, Berlin, Bruxelles,<br />

Frankfurt am Main, New York, Wien, 2011 .<br />

XXIV, 274 pp ., num . coloured and b/w ill .<br />

pb . ISBN 978-3-03911-552-5<br />

CHF 78 .– / € D 53 .50 / € A 55 .– / € 50 .– /<br />

£ 45 .– /US-$ 77 .95<br />

Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, 2011 .<br />

221 pp ., num . fig .<br />

pb . ISBN 978-3-631-61142-5<br />

CHF 57 .– / € D 39 .– / € A 40 .– / € 36 .40 / £ 32 .80 / US-$ 56 .95<br />

€ D includes VAT – valid for Germany · € A includes VAT – valid for Austria<br />

Fierce Took Life Away: The Contemporary Material<br />

Culture Of Tigers • Mike Pearson: ‘Professor<br />

Gregory’s Villa’ and Piles of Pony Poop: Early<br />

Expeditionary Remains in Antarctica • Colleen<br />

M . Beck/John Schofield/Harold Drollinger: Archaeologists,<br />

Activists, and a Contemporary<br />

Peace Camp • Louise K . Wilson: Notes on a<br />

Record of Fear: On the Threshold of the Audible<br />

• Mats Burström: Garbage or Heritage: The<br />

Existential Dimension of a Car Cemetery • Jonna<br />

Ulin: Into the Space of the Past: A Family Archaeology<br />

• Alice Gorman: Beyond The Space<br />

Race: The Material Culture Of Space In A New<br />

Global Context • Angela Piccini: Guttersnipe:<br />

A Micro Road Movie • Paul Graves-Brown: The<br />

Privatisation of Experience and the Archaeology<br />

of the Future .<br />

Cornelius Holtorf is Associate Professor<br />

in Archaeology at Linnaeus University,<br />

Kalmar (Sweden) . He recently published two<br />

books on archaeology and popular culture .<br />

AngelA PiCCini is Senior Lecturer in<br />

Screen Studies at the School of Arts at the<br />

University of Bristol (UK) . She recently co-edited<br />

books on contemporary archaeology and<br />

practice-as-research .<br />

M<br />

aterials may seem to be sculpture’s<br />

most obvious aspect . Traditionally<br />

seen as a means to an end, and frequently studied<br />

in terms of technical procedures, their intrinsic<br />

meaning often remains unquestioned .<br />

Yet materials comprise a field rich in meaning,<br />

bringing into play a wide range of issues<br />

crucial to our understanding of sculpture . This<br />

book places materials at the centre of our approach<br />

to sculpture, examining their symbolic<br />

and aesthetic language, their abstract and<br />

philosophical associations, and the ways in<br />

which they reveal the political, economic and<br />

social contexts of sculptural practice . Spanning<br />

a chronology from antiquity through to the<br />

end of the nineteenth century, the essays collected<br />

in this book uncover material properties<br />

as fundamental to artistic intentionality .<br />

Contents: Sébastien Clerbois/Martina<br />

Droth: Introduction • Michael Cole: The Cult<br />

of Materials • Carol Mattusch: The Privilege<br />

of Bronze: Modern Perception of Classical<br />

Materials • Fabio Barry: A Whiter Shade of<br />

Pale: Relative and Absolute White in Roman<br />

Sculpture and Architecture • Martin Hirsch:<br />

The Late Gothic Clay Sculpture of Bavaria •<br />

Maarten Delbeke: Matter Without Qualities?<br />

Wax in Giacomo Vivio’s Discorso of 1590 •<br />

Emilie Passignat: Twisting Marble: Observations<br />

on the Figura Serpentinata and its Applications<br />

• Philippe Malgouyres: Coloured<br />

Stones, Sculpted Objects: Subjects for Sculpture<br />

• Malcolm Baker: Shifting Materials,<br />

Shifting Values? Contemporary Responses to<br />

the Materials of Eighteenth-Century Sculpture<br />

• Catherine Chevillot: Nineteenth-Century<br />

Sculpteurs and Mouleurs: Developments<br />

in Theory and Practice • Sébastien Clerbois:<br />

The Revival of Ivory Sculpture in Belgium<br />

(1890-1910): The Material in Question .<br />

sébAstien Clerbois is Assistant Professor<br />

of History of Art at the Université libre<br />

de Bruxelles, Belgium .<br />

MArtinA DrotH is Head of Research and<br />

Curator of Sculpture at the Yale Center for<br />

British Art, USA .<br />

Download catalogues<br />

from our website<br />

www.peterlang.com/downloads<br />

If you prefer to download<br />

our electronic catalogues<br />

and no longer need our printed<br />

catalogues, please let us know<br />

by sending an e-mail to:<br />

publicity@peterlang.com

Hurra! Ihre Datei wurde hochgeladen und ist bereit für die Veröffentlichung.

Erfolgreich gespeichert!

Leider ist etwas schief gelaufen!