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2<br />
T<br />
Archaeology<br />
Archäologie<br />
Archéologie<br />
English Titles<br />
Cornelius Holtorf • Angela Piccini (eds .)<br />
Contemporary Archaeologies<br />
Excavating Now<br />
Second Edition<br />
his book is about the archaeology of the<br />
present and the very recent past . Archaeology’s<br />
repertoire of questions, procedures,<br />
methodologies and terminologies, its material<br />
manifestations (protected sites, public museums,<br />
archives) and its popular appeals are rooted in<br />
modernity . Contemporary archaeologies marry<br />
archaeology in the modern world with the archaeology<br />
of the modern world . Their strengths<br />
lie in a stimulating mix of interdisciplinary<br />
practices across academic, public-sector and<br />
professional contexts . This book brings together<br />
a wide variety of original case-studies,<br />
from contemporary theme parks to the bases<br />
of Antarctica expeditions, from a rocket engine<br />
test site in Australia to Swedish automobile<br />
history, from tiger enclosures to the ‘privatisation<br />
of experience’, and from a Nevada<br />
peace camp to a stretch of gutter in Bristol .<br />
Contents: Angela Piccini/Cornelius Holtorf:<br />
Fragments from a Conversation about Contemporary<br />
Archaeologies • Julian Thomas: Sigmund<br />
Freud’s Archaeological Metaphor and<br />
Archaeology’s Self-understanding • Cornelius<br />
Holtorf: Imagine This: Archaeology in the Experience<br />
Economy • Sarah May: Then Tyger<br />
Sébastien Clerbois •<br />
Martina Droth (eds)<br />
Revival and Invention<br />
Sculpture through<br />
its Material Histories<br />
Oxford, Bern, Berlin, Bruxelles,<br />
Frankfurt am Main, New York, Wien, 2011 .<br />
XXIV, 274 pp ., num . coloured and b/w ill .<br />
pb . ISBN 978-3-03911-552-5<br />
CHF 78 .– / € D 53 .50 / € A 55 .– / € 50 .– /<br />
£ 45 .– /US-$ 77 .95<br />
Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, 2011 .<br />
221 pp ., num . fig .<br />
pb . ISBN 978-3-631-61142-5<br />
CHF 57 .– / € D 39 .– / € A 40 .– / € 36 .40 / £ 32 .80 / US-$ 56 .95<br />
€ D includes VAT – valid for Germany · € A includes VAT – valid for Austria<br />
Fierce Took Life Away: The Contemporary Material<br />
Culture Of Tigers • Mike Pearson: ‘Professor<br />
Gregory’s Villa’ and Piles of Pony Poop: Early<br />
Expeditionary Remains in Antarctica • Colleen<br />
M . Beck/John Schofield/Harold Drollinger: Archaeologists,<br />
Activists, and a Contemporary<br />
Peace Camp • Louise K . Wilson: Notes on a<br />
Record of Fear: On the Threshold of the Audible<br />
• Mats Burström: Garbage or Heritage: The<br />
Existential Dimension of a Car Cemetery • Jonna<br />
Ulin: Into the Space of the Past: A Family Archaeology<br />
• Alice Gorman: Beyond The Space<br />
Race: The Material Culture Of Space In A New<br />
Global Context • Angela Piccini: Guttersnipe:<br />
A Micro Road Movie • Paul Graves-Brown: The<br />
Privatisation of Experience and the Archaeology<br />
of the Future .<br />
Cornelius Holtorf is Associate Professor<br />
in Archaeology at Linnaeus University,<br />
Kalmar (Sweden) . He recently published two<br />
books on archaeology and popular culture .<br />
AngelA PiCCini is Senior Lecturer in<br />
Screen Studies at the School of Arts at the<br />
University of Bristol (UK) . She recently co-edited<br />
books on contemporary archaeology and<br />
practice-as-research .<br />
M<br />
aterials may seem to be sculpture’s<br />
most obvious aspect . Traditionally<br />
seen as a means to an end, and frequently studied<br />
in terms of technical procedures, their intrinsic<br />
meaning often remains unquestioned .<br />
Yet materials comprise a field rich in meaning,<br />
bringing into play a wide range of issues<br />
crucial to our understanding of sculpture . This<br />
book places materials at the centre of our approach<br />
to sculpture, examining their symbolic<br />
and aesthetic language, their abstract and<br />
philosophical associations, and the ways in<br />
which they reveal the political, economic and<br />
social contexts of sculptural practice . Spanning<br />
a chronology from antiquity through to the<br />
end of the nineteenth century, the essays collected<br />
in this book uncover material properties<br />
as fundamental to artistic intentionality .<br />
Contents: Sébastien Clerbois/Martina<br />
Droth: Introduction • Michael Cole: The Cult<br />
of Materials • Carol Mattusch: The Privilege<br />
of Bronze: Modern Perception of Classical<br />
Materials • Fabio Barry: A Whiter Shade of<br />
Pale: Relative and Absolute White in Roman<br />
Sculpture and Architecture • Martin Hirsch:<br />
The Late Gothic Clay Sculpture of Bavaria •<br />
Maarten Delbeke: Matter Without Qualities?<br />
Wax in Giacomo Vivio’s Discorso of 1590 •<br />
Emilie Passignat: Twisting Marble: Observations<br />
on the Figura Serpentinata and its Applications<br />
• Philippe Malgouyres: Coloured<br />
Stones, Sculpted Objects: Subjects for Sculpture<br />
• Malcolm Baker: Shifting Materials,<br />
Shifting Values? Contemporary Responses to<br />
the Materials of Eighteenth-Century Sculpture<br />
• Catherine Chevillot: Nineteenth-Century<br />
Sculpteurs and Mouleurs: Developments<br />
in Theory and Practice • Sébastien Clerbois:<br />
The Revival of Ivory Sculpture in Belgium<br />
(1890-1910): The Material in Question .<br />
sébAstien Clerbois is Assistant Professor<br />
of History of Art at the Université libre<br />
de Bruxelles, Belgium .<br />
MArtinA DrotH is Head of Research and<br />
Curator of Sculpture at the Yale Center for<br />
British Art, USA .<br />
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