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THE SIGNIFICANCE OF ROMAN BATHS<br />
“Publius Lucanius Quadratus, son of Lucius, from the tribe<br />
Terentina, duumvir (= mayor), quaestor (= treasurer) for<br />
the second time, has donated the baths completely from<br />
his own money”<br />
(inscription from Venafro / Italy, 1st century AD).<br />
At first, the construction of public buildings was<br />
incumbent upon the inhabitants of the civilian settlement<br />
themselves. The facilities and size of a bath-house<br />
(balnearium) depended on the importance of the vicus<br />
and the size of the population, but also on rich citizens<br />
who paid for such buildings or financed their upkeep.<br />
Under the influence of these factors was also the<br />
expenditure for the architecture and the fittings, also the<br />
heating and sanitation systems, which during the Roman<br />
period developed everywhere to an unparalleled tour<br />
de force.<br />
Bathing and the public baths formed an important component<br />
of the Roman lifestyle. The baths did not only act as<br />
a place for health and personal hygiene for all social classes,<br />
but also performed social and communicative roles.<br />
Here news was swapped, sport carried out, one read, ate and<br />
drank, even if it displeased some guests or inhabitants in the<br />
neighborhood:<br />
“<br />
Imagine what a variety of noises reverberates about my ears! I have lodgings right over a bathing establishment.<br />
So just imagine the assortment of sounds, which are strong enough to make me hate my very powers of hearing! When<br />
your strenuous gentleman, for example, is exercising himself by flourishing leaden weights; when he is working hard, or<br />
else pretends to be working hard, I can hear him grunt; and whenever he releases his imprisoned breath, I can hear him<br />
panting in wheezy and high-pitched tones. Or perhaps I notice some lazy fellow, content with a cheap rubdown, and hear<br />
the crack of the pummelling hand on his shoulder, varying in sound according as the hand is laid on flat or hollow.<br />
Then, perhaps, a professional comes along, shouting out the score; that is the finishing touch. Add to this the arresting of<br />
an occasional roisterer or pickpocket, the racket of the man who always likes to hear his own voice in the bathroom, or the<br />
enthusiast who plunges into the swimming-tank with unconscionable noise and splashing. Besides all those whose voices,<br />
if nothing else, are good, imagine the hair-plucker with his penetrating, shrill voice, – for purposes of advertisement, –<br />
continually giving it vent and never holding his tongue except when he is plucking the armpits and making his victim yell<br />
instead. Then the cake-seller with his varied cries, the sausage-man, the confectioner and all the vendors of food hawking<br />
their wares, each with his own distinctive intonation.<br />
”<br />
Lucius Annaeus Seneca (ca. 1-65 nach Christus), Briefe über Ethik an Lucilius 56, 1-3