24.02.2013 Views

Susanne Schulz-Falster Catalogue Ten - Schulz-Falster Rare Books

Susanne Schulz-Falster Catalogue Ten - Schulz-Falster Rare Books

Susanne Schulz-Falster Catalogue Ten - Schulz-Falster Rare Books

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

could have a bearing on learning and serve the literary arts. The work is<br />

illustrated with Wne engravings by Franz Ertinger. Particularly attractive are<br />

the double-page plates at the beginning showing the interior of the library<br />

and the cabinet. The collection at St Geneviève was praised for its scientiWc<br />

order, both by contemporaries and throughout the eighteenth century. Du<br />

Molinet had shown John Locke around in 1677, and Martin Lister noted in<br />

1698: ‘Nothing pleased me more, than to have seen the remains of the cabinet<br />

of the noble Peiresc’ (Lister, A Journey to Paris, 1699, p. 123).<br />

Cicognara 2935; Nissen ZBI 2861; Murray, Museums I, 218 and III, 80; see W.<br />

Schupbach in The Origins of Museums, ‘The Cabinet of Curiosities in Sixteenth- and<br />

Seventeenth-Century Europe’, pp. 231–243.<br />

Mineral Waters – Sparkling or Still ?<br />

susanne schulz-falster rare books catalogue ten<br />

100 DUCHANOY, Claude-François. Essais sur l’Art d’imiter les<br />

Eaux Minérals, ou de la Connaissance des Eaux Minerals, et de la<br />

manière de se les procurer en les composant soi-même dans tous les<br />

tems et dans tous les lieux. Paris, Méquignon l’aîné, 1780. £450<br />

12mo, pp. vii, [i] blank, xxiv, 402, [4] approbation and privilege, with<br />

one engraved plate bound between prelims and text; clean and crisp,<br />

with insigniWcant worm trace to lower gutter margin of Wrst two<br />

signatures, never near text; contemporary full mottled calf, spine<br />

decoratively gilt, gilt-lettered spine label; head of spine chipped.<br />

First edition of this interesting work on mineral waters, concentrating both<br />

on the chemical analysis of naturally-occurring mineral waters and the production<br />

of artiWcial or ‘ersatz’ mineral waters for medicinal uses. Duchanoy<br />

begins with a review of recent developments in chemical analysis before giving<br />

a detailed classiWcation of diVerent types of mineral waters. On the engraved<br />

plate Duchanoy illustrates an apparatus to dissolve carbon dioxide<br />

gas in water. Also included in the work is a detailed account of the thermal<br />

springs of France and neighbouring countries, with details of their respective<br />

composition and how to produce them artiWcially. Duchanoy (1742–<br />

1827), a disciple of Antoine Petit (to whom the work is dedicated), was a<br />

professor at the medical faculty in Paris.<br />

Wellcome II, 491; Duveen 182; not in Ferguson.<br />

Rousseau’s Last Years<br />

101 DUSAULX, Jean. De mes Rapports avec J. J. Rousseau, et de<br />

notre Correspondance, suivie d’une notice très importante. Paris,<br />

Didot Jeune, l’An VI – 1798. £380<br />

8vo, pp. viii, [9]–294; very clean and crisp; contemporary sheep-backed<br />

sprinkled boards, spine with double gilt rules, contrasting gilt-lettered<br />

spine labels; extremities a little worn; a nice copy with presentation<br />

inscription by the author to his cousin ?Servier de Trémémont to head<br />

of title.<br />

First edition of Dusaulx’s perceptive biographical essay on Jean-Jacques<br />

Rousseau, concentrating on the last decade of Rousseau’s life. At this time<br />

Rousseau, though suVering from bouts of insanity, was accessible to visitors<br />

and maintained a wide-ranging correspondence. Dusaulx, an admirer<br />

of Rousseau, had been introduced to him by Deleyre. His correspondence<br />

with Rousseau is reprinted here, with a detailed commentary by Dusaulx,<br />

analysing Rousseau’s varying and at times unpredictable reactions. Dusaulx<br />

brings to his analysis the same psychological insight that characterised his<br />

portrait of a gambler in De la Passion du Jeu. Their brief friendship came to<br />

a rather abrupt end, when Dusaulx was less than impressed by Rousseau’s<br />

Confessions.<br />

Conlon 1052; Sénélier 2040.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!