Susanne Schulz-Falster Catalogue Ten - Schulz-Falster Rare Books
Susanne Schulz-Falster Catalogue Ten - Schulz-Falster Rare Books
Susanne Schulz-Falster Catalogue Ten - Schulz-Falster Rare Books
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The Classics Translated<br />
200 MAFFEI, Scipione. Traduttori Italiani o sia Notizia de’ volgarizzamenti<br />
d’antichi Scrittori Latine, e Greci , che sono in luce.<br />
Aggiunto il Volgarizzamento d’alcune insigni Iscrizioni Greche,<br />
e la notizia del nuovo Museo d’Iscrizioni in Verona. Venezia,<br />
Sebastian Coleti, 1720. £480<br />
8vo, pp. 213, [1] imprint, [2] blank; faint circular stain to margin of<br />
title and Wrst leaf; some signatures lightly browned; contemporary full<br />
vellum.<br />
First and only edition of the Wrst bibliography of Italian translations of classical<br />
literature, with information on the translators and editions. This is followed<br />
by an essay on Greek inscriptions, including the one of the Marmora<br />
Oxoniensia, today in the Ashmolean Museum, and details of the museum<br />
of inscription in Verona. MaVei, (1675–1755), was one of the leading intellectual<br />
Wgures of the late seventeenth and early eighteenth century.<br />
Petzholdt 353 (‘nicht ohne Wert’); RLIN lists copies at the Getty Library,<br />
Harvard, Michigan University and Duke.<br />
201 [MAILLET, M. Benoit de.] Telliamed ou Entretiens d’un<br />
Philosophe indien avec un Missionnaire Francois sur la Diminution<br />
de la Mer, la Formation de la Terre, l’Origine de l’Homme, &c.<br />
Amsterdam, l’Honoré & Fils, 1748. £500<br />
Two volumes, 8vo in 4s, pp. [x], cxix (vere 77), 1 blank, [7] contents, [1]<br />
blank, 80, 77–92, 97–112, 121–208; [ii], 231, [I] blank, [3] addenda &<br />
errata; volume one with irregular pagination, but complete; title vignettes<br />
to both volumes; occasional light spotting and browning; bound in<br />
contemporary mottled calf, spine gilt, head of volume two chipped; a Wne<br />
set with discreet crossed out ownership inscription to titles.<br />
First edition, rare, of this early theory of evolution, published, for fear of<br />
prosecution, posthumously and anonymously with the title forming an<br />
anagram of the author’s name. Written and published before Haller, Linné,<br />
Bonnet and Hutton, this early example of evolutionary speculation is remarkable.<br />
Maillet clearly not only had a deWnite conception of evolutionary<br />
susanne schulz-falster rare books catalogue ten<br />
theory and of the production of existing species by modiWcation of their<br />
predecessors, but he also undoubtedly applied the basic maxim of modern<br />
geological science. The explanation of the structure of the globe is to be<br />
sought in the application of the principles established inductively by the<br />
study of the present course of nature to geological phenomena.<br />
Cioranescu XVIII, 41376.<br />
202 MANFREDINI, Vincenzo. Difesa della Musica Moderna e de’<br />
suoi celebri Esecutori. Bologna, Carlo Trenti, 1788. £500<br />
8vo, pp. 207, 1 imprint; uncut in the original printed pale blue<br />
wrappers; unsympathetic reback, with title strengthened in gutter<br />
margin.<br />
First edition of a fascinating contemporary assessment of eighteenth century<br />
music, written in response to Arteaga’s criticism of the respective values of<br />
ancient and modern music. Manfredini shows a sound knowledge of the<br />
vocal repertoire and the conditions of musical life in eighteenth century Italy.<br />
Manfredini (1737–1799), composer and musical theorist, was for many<br />
years Chapel Master of the Italian Opera Company at St Petersburg, Wrst<br />
for Tsar Peter then for Catherine II. After leaving the court in 1769,<br />
Manfredini continued to compose operas for a time but soon devoted most<br />
of his time to writing and teaching. His writings reveal a man in tune with<br />
Enlightenment thought, grappling with the changing nature of music, the<br />
social status of composers and the role music has to play in public life.<br />
Gregory & Bartlett, <strong>Catalogue</strong> of early <strong>Books</strong> on Music, p. 163.<br />
Promoting the Manufacturing Industry<br />
203 [MANUFACTURING INDUSTRY.] Das Maschinenwesen<br />
und die darüber verbreiteten Vorurtheile. Leipzig, Otto Wigand,<br />
1846. £420<br />
8vo, pp. 40, including subscribers’ list; some marginal foxing; uncut,<br />
with paper spine; from the Donaueschingen library with shelf mark in<br />
mss. to verso of title.<br />
First and only edition of this pamphlet in support of the manufacturing<br />
industry. The express purpose of the publication was to raise public awareness<br />
of the importance of the manufacturing industry, and to counteract its<br />
negative reputation. Parts of it consist of a translation and German adaptation<br />
of Taylor’s Factories and the Factory System. The pamphlet was published<br />
on the occasion of the fourth meeting of German industrialists and<br />
manufacturers in Leipzig, and used by the participants for promotional<br />
purposes, as can be seen by the extensive subscribers’ list, who all ordered<br />
multiple copies for distribution. The Wurttemberg Association of Industrialists<br />
subscribed to 400 copies.<br />
Engelmann supplement, p. 74; not in Holzmann/Bohatta, not found in Kress or<br />
Goldsmiths’, no copy in RLIN or OCLC.