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Susanne Schulz-Falster Catalogue Ten - Schulz-Falster Rare Books

Susanne Schulz-Falster Catalogue Ten - Schulz-Falster Rare Books

Susanne Schulz-Falster Catalogue Ten - Schulz-Falster Rare Books

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the rule of grand duke Leopold (1765–1790). A lengthy preface which is<br />

attributed to Vicenzo Mugnai outlines the history of Tuscan tariVs and customs,<br />

quoting from Hume and Muratori, and stresses greater equality in<br />

the new tax codes, where old privileges have been abolished. The tax on<br />

commodities is divided into separate categories, direct tariVs collected by<br />

the Exchequer, customs, special taxes and tariVs due to other public accounts,<br />

and local taxes. The extensive taxation tables give a fascinating insight<br />

into the great variety of merchandise, which was produced in<br />

Tuscany, imported and exported.<br />

Goldsmiths’–Kress 12205; NUC and RLIN add a further copy at the Library of<br />

Congress and the National Library of Medicine.<br />

The First Swedish Printers’ Manual<br />

303 TÄUBEL, Christian Gottlob. Boktryckarekonstens Practiska<br />

Handbok för Nybegynnare. Götheborg, Samuel Norberg,<br />

1823. £750<br />

Two parts in one volume, 8vo, lithograph frontispiece, pp. iv, 209, [3]<br />

blank, 169, [3], with 1 folding engraved plate; some light spotting and<br />

foxing; entirely uncut and partly unopened in the original blue<br />

wrappers, small section of spine covering missing, a very good copy.<br />

First edition, rare, of the Wrst Swedish printers’ manual, in fact the Swedish<br />

translation of Täubel’s Praktisches Handbuch der Buchdruckerkunst für<br />

Anfänger, Wrst published in 1791, and here adapted to Swedish practice.<br />

Part I gives a brief history of European printing, and covers format, composition,<br />

including the setting of music, correction, and press work. The<br />

second volume is taken up by an alphabetical dictionary of printing terms,<br />

with detailed practical information. This is followed by an orthographical<br />

dictionary, some information on grammar, common abbreviations, and a<br />

Swedish glossary. The work concludes with the ceremonial for receiving<br />

new members into the guild of printers.<br />

See Bigmore & Wyman, III 2 and Gaskell et al, G 11 for German edition; not in<br />

Jackson Burke; uncommon.<br />

304 TAYLOR, Samuel. Sistema universale e completo di stenograWa,<br />

o sià maniera di scrivere in compendio applicabile a tutti<br />

gli’idiomi fondato sopra semplici e facili principi. Adattato alla<br />

lingua Italiana da Emilio Amanti. Paris, E. Amanti, 1809. £200<br />

8vo, engraved frontispiece and engraved title, pp. xxxix, [i], blank, 118,<br />

with 8 engraved plates; uncut in contemporary calf-backed marbled<br />

boards, gilt-lettered spine label; corners worn, else a good copy.<br />

First edition in Italian, uncommon, of Taylor’s inXuential introduction to<br />

shorthand. Amanti adaptation was the Wrst of a number of Italian<br />

modiWcations of the original system.<br />

NUC (NN, NcU, McSW).<br />

Textile Industry in France<br />

susanne schulz-falster rare books catalogue ten<br />

305 [TEXTILE INDUSTRY – FRANCE.] Collection of 25 titles<br />

pertaining to the discussions concerning the production of coloured<br />

and colour printed fabrics in France, and the prohibition of their<br />

export and the import of foreign cloth, during the period 1686–<br />

1789. £1800<br />

Twenty-Wve separate works, 4to and folio, including broadsides,<br />

disbound and loosely collected in a protective folder.<br />

An interesting collection of partly original Paris editions, partly provincial<br />

editions, of regulations pertaining to the production and commerce of<br />

French cloth, i.e. cotton, silk and wool, both colour-dyed and colourprinted,<br />

and the limitations applicable to the importation of foreign cloth,<br />

which conXicted with the interest of the French East India Company. This<br />

collection is of particular interest, as the textile industry was the dominant<br />

industry before the nineteenth century, and ‘modern’ production methods<br />

and technical advances were Wrst introduced in this industry. The production<br />

of cloth was the subject of an important debate in the 18th century<br />

which divided France in two opposing camps and in which some of the<br />

most illustrious 18th century economists participated. This collection illustrates<br />

part of the debate between Colbert’s protectionism, mercantilism and<br />

free trade (Morellet).<br />

Full listing available on request.<br />

306 [THAMES TUNNEL.] Descrizione della Strada che per di<br />

Sotto al Tamigi conduce da Rotherhithe a Wapping in Londra.<br />

Modena, Giovanni Zecchi, 1828. £600<br />

8vo, pp. [ii], 8, with one large folding engraved plate bound at end,<br />

showing four scenes; engraved title vignette; stitched as issued in the<br />

original printed wrappers; imprint scored through, with hole resulting<br />

from ink erosion; some spotting throughout, corners frayed.

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