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The Torrents Of Spring

The Torrents Of Spring

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‘Isn’t it the truth? Isn’t it the truth?’ Maria Nikolaevna pronounced<br />

insistently.<br />

‘Come, look me in the face and tell me I was wrong!’<br />

Sanin did not know what to do with his eyes. ‘Well, if you like; it’s the<br />

truth, if you absolutely insist upon it,’ he said at last.<br />

Maria Nikolaevna shook her head. ‘Quite so, quite so. Well, and did<br />

you ask yourself, you who can swim, what could be the reason of such a<br />

strange … step on the part of a woman, not poor … and not a fool … and<br />

not ugly? All that does not interest you, perhaps, but no matter. I’ll tell<br />

you the reason not this minute, but directly the entr’acte is over. I am in<br />

continual uneasiness for fear some one should come in… .’<br />

Maria Nikolaevna had hardly uttered this last word when the outer<br />

door actually was half opened, and into the box was thrust a head – red,<br />

oily, perspiring, still young, but toothless; with sleek long hair, a pendent<br />

nose, huge ears like a bat’s, with gold spectacles on inquisitive dull eyes,<br />

and a pince-nez over the spectacles. <strong>The</strong> head looked round, saw Maria<br />

Nikolaevna, gave a nasty grin, nodded… . A scraggy neck craned in after<br />

it… .<br />

Maria Nikolaevna shook her handkerchief at it. ‘I’m not at home! Ich<br />

bin nicht zu Hause, Herr P… .! Ich bin nicht zu Hause… . Ksh-sk! ksh-sh-sh!’<br />

<strong>The</strong> head was disconcerted, gave a forced laugh, said with a sort of<br />

sob, in imitation of Liszt, at whose feet he had once reverently grovelled,<br />

‘Sehr gut, sehr gut!’ and vanished.<br />

‘What is that object?’ inquired Sanin.<br />

‘Oh, a Wiesbaden critic. A literary man or a flunkey, as you like. He is<br />

in the pay of a local speculator here, and so is bound to praise everything<br />

and be ecstatic over every one, though for his part he is soaked through<br />

and through with the nastiest venom, to which he does not dare to give<br />

vent. I am afraid he’s an awful scandalmonger; he’ll run at once to tell<br />

every one I’m in the theatre. Well, what does it matter?’<br />

<strong>The</strong> orchestra played through a waltz, the curtain floated up again… .<br />

<strong>The</strong> grimacing and whimpering began again on the stage.<br />

‘Well,’ began Maria Nikolaevna, sinking again on to the sofa. ‘Since<br />

you are here and obliged to sit with me, instead of enjoying the society of<br />

your betrothed – don’t turn away your eyes and get cross – I understand<br />

you, and have promised already to let you go to the other end of the<br />

earth – but now hear my confession. Do you care to know what I like<br />

more than anything?’<br />

‘Freedom,’ hazarded Sanin.<br />

Maria Nikolaevna laid her hand on his hand.<br />

114

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