Brochure - Yuva Bharati
Brochure - Yuva Bharati
Brochure - Yuva Bharati
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Talam: Aadi<br />
This thillana is in praise of Lord Krishna. The dancers bring together<br />
two distinct dance forms--Kuchipudi and Bharatanatyam in performing<br />
this thillana.<br />
Thillana - Hamsanandi<br />
Natyalaya, Kuchipudi School of Dance<br />
Santosh Lakkaraju, Rekha Thangellapalli, and Shalini Bathina<br />
Composer: Madurai R. Muralidharan<br />
Ragam: Hamsanandi<br />
Talam: Adi<br />
This thillana incorporates intricate rhythmic sequences that are an<br />
integral part of Kuchipudi. It praises Lord Muruga who rides a peacock<br />
and who blesses his devotees with eternal happiness.<br />
Thillana - Valachi<br />
Bharatha Kala Kutiram<br />
Kamini iyer, Sravanthi Puranam, Veena Nirmalkumar, Sahaja Lohith,<br />
Vithya Thambiaiyah, Lakshmi Vijendaran<br />
Composer: Smt. Jayashree Varadarajan<br />
Talam: Adi<br />
The thillana is the joyful conclusion to a traditional Bharathanatyam<br />
recital. A combination of nritta, or rhythmic dance, and abhinaya, or<br />
expressional dance, this thillana, set to the raga Valachi, is in praise of<br />
the Navagrahas or nine planets according to Hindu astrology. This<br />
thillana is composed by bay area musician Smt. Jayashree Varadarajan<br />
and is rendered by her student Janani Muralidharan. The orchestral<br />
support has been provided by Sri N. Narayanan on the mridangam,<br />
Smt. Shanthi Narayanan on the violin, and Sowmya Sridharan, a<br />
student of Bharatha Kala Kutiram on the nattuvangam<br />
Enjoy classical Indian music on TV. Details<br />
at<br />
swaralahari.org<br />
View video archives of <strong>Yuva</strong> <strong>Bharati</strong><br />
Concerts at<br />
yuvabharati.org<br />
<strong>Yuva</strong> <strong>Yuva</strong> <strong>Bharati</strong><br />
<strong>Bharati</strong><br />
presents<br />
Kalpana<br />
A thematic program based on self choreographed items.<br />
________________________________________________________<br />
August 09, 2009<br />
Mission City Center For Performing Arts,<br />
Santa Clara, CA<br />
Program<br />
Maha Kali & Pushpanjali<br />
Abhinaya Dance Company<br />
Yatrika Ajaya, Anjana Dasu, Pia Mishra, Megha Ranganathan, Pooja<br />
Sohoni, Sushma Umesh, Kaushika Vayyala, Lakshmi Venkatesan<br />
Composer: Madurai R. Muralidharan<br />
Ragam: Gowla & Saraswati<br />
Talam: Adi<br />
The piece begins with an invocation to the goddess of power--<br />
Shakti and delineates each of the weapons she wields as she rides<br />
into battle on a tiger. She carries in many arms the mace, trident, the<br />
sword, the bow and arrow. Shakti is the cosmic force, dynamic and<br />
ferocious but radiant and gracious, maintaining the world equilibrium.<br />
This invocation is followed by a symbolic offering of flowers-- a<br />
pushpanjali, which demonstrates the exquisite movements and<br />
rhythmic virtuosity of Bharatanatyam.<br />
Varasiddhi Vinayaka<br />
Nrityananda School of Kuchipudi Dance<br />
Teja Kondapalli<br />
Composer: Sripada Pinakapani<br />
Ragam: Malahari<br />
Talam: Adi<br />
This is a varnam in praise of Lord Ganesha. The dancer describes<br />
Ganesha as one who bestows boons and as one who is worshipped by<br />
all gods. In this item lyric is interspersed with intricate swaras<br />
allowing the dancer to showcase nritya and nritta aspects of dance.<br />
Notable aspect of this choreography is that Nritta, the pure dance is<br />
interwoven with poses, symbolizing the various aspects of Ganesha.<br />
This is an experimental choreography as Varnam is not included in<br />
Kuchipudi repertoire. The music is by Saraswati Vidhyarthi Assistant<br />
Professor of Music, Andhra University.
Jaya Maruthi Kauthuvam<br />
Natyalaya, Kuchipudi School of Dance<br />
Santosh Lakkaraju<br />
Composer: Madurai R. Muralidharan<br />
Ragam: Panthu Varali<br />
Talam: Adi<br />
This piece is in praise of Lord Hanuman and describes the extent of his<br />
strength and power. Hanuman, who is an ardent devotee of<br />
Rama, blesses his devotees with life of happiness and prosperity. He is<br />
the one who can overcome any obstacle that comes along his way. Na<br />
tural phenomena such as ocean, thunder, lightning, and wind obey his<br />
commands. He is the creator, preserver and destroyer of life. By the<br />
mere chant of his Lord Rama's name, he helps his devotees cross the<br />
ocean of life and attain salvation.<br />
Adbhutam<br />
Jayendra Kalakendra<br />
Shreya Iyer, Surajita Elamurugu, Janani Iyer, Neha Palacherla, Sahana<br />
Kribakaran, and Sanya Bhavi Vohra<br />
Composer: Lalgudi G. Jayaraman<br />
Ragam: Ragamalika<br />
Talam: Talamalika<br />
The Sanskrit word "Adbhutam" is used to describe a feeling of awe and<br />
wonder. The beauty of the classical Kalakshetra style of<br />
Bharathanatyam compliments the intricate patterns that flow from<br />
Lalgudi's violin in his original thillanas. The performers orient<br />
themselves in interesting formations while dancing to the ragams<br />
dvijavanthi, hamir kalyani, kanada, and kathana kuthuhalam.<br />
Kanden Kanden<br />
Lasya Dance Company<br />
Chethana Chidambara<br />
Composer: Arunachala Kavi<br />
Ragam: Bageshri<br />
Talam: Adi (Trishra Nadai)<br />
A compostion by Arunachala Kavi in which Hanumantha returning from<br />
Lanka describes the plight of Seetha to Rama.<br />
Excerpts from a Varnam<br />
Nrithyollasa Dance Academy<br />
Bansi Bheda, Sonali Biligiri, Manali Deshpande, Akshaya Ganesh,<br />
Dharini Subramaniam, Shilpa Rajgopal, Sheela Rao, Ramya<br />
Vaidyanathan<br />
Composer: Kalaimamani Smt. Ranganayaki Jayaraman<br />
Ragam: Ragamalika<br />
Talam: Talamalika<br />
Intermission<br />
Baagilanu Teredu<br />
Vishwashanthi Dance academy<br />
Ganesh Vasudeva<br />
Composer: Kanaka Dasa<br />
Talam: kanda Chapu<br />
Kanaka Dasa, an ardent devotee of Krishna, was denied entry to Udupi<br />
Shri Krishna Temple because he was a Shepherd, a lower caste in<br />
Hindu caste system. Saddened by this he sung to God asking to open<br />
the doors of the temple and give him the privilege of seeing the idol. A<br />
window formed on the west wall of the temple and idol turned to face<br />
west which is now called Kanaka’s window.<br />
Oorthava Thandavam<br />
Akshaya Ganesh and Tara and Shankar<br />
Composer: Madurai R. Muralidharan<br />
Ragam: Brindavani<br />
Talam: Adi<br />
Lord Shiva wished to show the rishis their limitations and appeared as<br />
a handsome mendicant with Vishnu as his wife 'Mohini'. This created<br />
chaos in 'Tharukavanam' as the wives of the rishis fell under the spell<br />
of this charming, handsome mendicant while the youthful rishis fell for<br />
the allure of Mohini. The older rishis became very angry and wanted to<br />
destroy the pair. They raised a sacrificial fire ('Homam') from which<br />
appeared a tiger which was directed at the pair. Lord Shiva killed the<br />
tiger, peeled off its skin and tied it around his waist.Then the rishis<br />
produced a poisonous serpent, which Lord Shiva caught and wore<br />
around his neck. The rishis also sent a demon 'Muyalakan' against Lord<br />
Shiva whom he crushed under his feet. Then the rishis sent the<br />
sacrificial fire against him which he put on his left hand. The rishis<br />
having lost the fire, sent the vedic 'mantras' which the Lord wore<br />
around his ankles. At this the rishis conceded defeat and the Lord<br />
revealed himself by dancing the 'Oorthava thandavam' with his matted<br />
hair unfurling in all eight directions and the world reverberating to his<br />
steps. This Oorthava Thandavam padam portrays the beautiful dance<br />
of Shiva and Parvathi.<br />
Thumaka Chalata Ramachandra<br />
Lasya Dance Company<br />
Priya Das<br />
Composer: Tulsidas<br />
Ragam: Misra Kamas<br />
Talam: Tisra Nadai<br />
Devotional song in praise of toddler Lord Rama<br />
Thillana - Dhanashree<br />
Vishwa Shanthi,and Natyala Kuchipudi School of Dance<br />
Sravani Tammiraju, Ambika Gopalan<br />
Composer: Maharaja Swati Tirunal<br />
Ragam: Dhanashree