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Brochure - Yuva Bharati

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Condamore, Daksha Divakar, Nisha Kumar, Ritika Kumar,<br />

Niharika Jain<br />

The Chhandam Youth Dance Company represents the Chhandam<br />

School of Kathak Dance, the largest Classical Indian Dance institution<br />

with branches in 6 Bay Area locations, Los Angeles, Boston, Kolkata<br />

and Mumbai. CYDC was established in 2002 to provide young dancers<br />

with access to professional training and performance opportunities in<br />

Kathak dance by Pandit Chitresh Das. Youth Company members<br />

undergo a rigorous training program in dance technique, the intricate<br />

rhythmic system of North Indian classical dance and music, as well as<br />

the dance theory, history, philosophy and etiquette associated with the<br />

Kathak tradition and Indian culture. The CYDC has performed at<br />

the San Francisco Ethnic Dance Festival, Chicago International Kathak<br />

Festival, Youth Fest at ODC Theatre, and recently at Davies Symphony<br />

Hall with the San Francisco Symphony and San Francisco Ballet.<br />

Principal member of Chitresh Das Dance Company, Charlotte Moraga,<br />

is the assistant to Pandit Das, and Director of Youth Company. For<br />

more information: www.kathak.org<br />

Dancers: Sonali Toppur, Jasmine Balsara, Rachna Gulati, Ritika<br />

Pai, Aahana Sahai, Aditi Amlani, Monica Chitre,Ria Parab, Divya<br />

Goel, Sneha Patkar, Neha Bhansali, Anushka Shah, Athena<br />

Nair, Mayuka Sarukkai, Kritika Sharma, Shruti Pai, Leela<br />

Amladi, Diti Kohli, Richa Patwardhan, Simran Arora, Aditi<br />

Maheshwari, Gauri Bhatnagar.<br />

Tarangini School of Kathak Dance was established by Smt.<br />

Anuradha Nag in 1992 in San Jose, California. It is an<br />

institution of learning that promotes interest in and the<br />

preservation of the rich heritage of Kathak dance. Over the last<br />

18 years she has been grooming hundreds of students in this<br />

age old tradition. Anuradha Nag had her initial training from<br />

Nataraj Parimal Krishna and later from veteran gurus-the<br />

legendary Padmavibushan Pandit Birju Maharaj and his<br />

foremost disciple Pandit Vijai Shankar. Before making USA her<br />

home she was a recommended artiste for the Sangeet Natak<br />

Akademi in India as well as the Indian Council of Cultural<br />

Relations. She was awarded the title of Sringar Mani by the<br />

Sur Singar Samsad, Mumbai. Tarangini students get in depth<br />

training in all aspects of Kathak. Students have performed in<br />

various cultural shows including the Ethnic dance festival and<br />

also as part of Pandit Birju Maharaj’s troupe. Dancers: Shilpi<br />

Verma, Alpana Kaulgud, Richa Sharma, Elora Majumdar,<br />

<strong>Yuva</strong> <strong>Bharati</strong><br />

www.yuvabharati.org<br />

presents<br />

Kathak Festival<br />

By<br />

Shalini Saxena Dance Academy, Tarangini School of<br />

Kathak Dance and Chhandam Youth Dance Company<br />

April 3, 2010 , 4:00 pm<br />

at Albert Schultz and Janet Theater, Palo Alto, CA<br />

Program<br />

Chhandam Youth Dance Company<br />

Rangmanch, literally meaning colorful stage, is in raga Bairagi. The<br />

dancers use hastaks or mudras to portray aspects of puja while<br />

invoking the three dieties, Brahma, Vishnu, and Maheshwara.<br />

Composed by Pandit Chitresh Das.<br />

Tarangini School of Kathak Dance<br />

Shilpi Verma and Alpana Kaulgud will begin their recital with<br />

Saraswati Vandana in praise of the Goddess of learning.<br />

Choreography - Smt Anuradha Nag Music - Pandit Vijai Shankar<br />

Shalini Saxena Dance Academy<br />

Sakal Ban- Bandish<br />

The theme of the dance performances of Shalini Saxena’s school will<br />

be based on Bahaar or springtime. The dancers create beauty, set the<br />

mood, and delight the audience with very melodious and vibrant music<br />

especially composed for the dance academy. The artists begin by<br />

celebrating this wondrous season where they explore the nuances of<br />

Bahaar in dance form. The graceful peacocks, the deer, and birds<br />

enjoy the onset of rain and thunder.<br />

Chhandam Youth Dance Company<br />

Kathak Yoga, an innovation within tradiiton developed by Pandit<br />

Chitresh Das requires the dancer to become one with the traditional<br />

elements in Classical Indian Dance and Music: taal, laya, theka or<br />

nagma, tutkar, and tihai. The ultimate meditation in motion, Kathak<br />

Yoga, is being hailed as an "eye-opening" and "ground-breaking"<br />

phenomenon in Kathak. Students will be singing nagma in raga<br />

Kalashri. Performed by Sonali Toppur, Ritika Pai, Rachna Gulati,<br />

Jasmine Balsara, Monica Chitre, Aditi Amlani, Sneha Patkar


Shalini Saxena Dance Academy<br />

Tum Umar Ghumar Kar Chalte Ho<br />

This musical piece is a beautiful combination of pure and expressional<br />

dance forms. It is characterized by rhythmic footwork, breathtaking<br />

pirouettes, and short pieces of Kathak that are complete in<br />

themselves. The dancers express their joy at the arrival of this<br />

charming season of Spring.<br />

Tarangini School of Kathak<br />

Tarana in Kalavati Composed by Pandit Birju Maharaj<br />

Performers Aashna Sinha, Shivalee Talati and Ashna Thaker will be<br />

presenting the pure dance form of Kathak through a musical<br />

composition called Tarana. A Tarana has no lyric. In place of lyric are<br />

bols, which are syllables like Dim, Derena, Tanum etc. Taranas are<br />

usually fast paced and contain different pure dance items containing<br />

small compositions of bols with graceful body movements, intricate<br />

footwork along with fast pirouettes which showcase the dancer’s skill<br />

and precision. It is set to a rhythmic cycle of 12 beats known as Ektal<br />

and is based on Raga (mood) Kalavati.<br />

Intermission<br />

Tarangini School of Kathak Dance<br />

Thumri composed by Pandit Birju Maharaj<br />

Alpana and Shilpi will perform a thumri composed by late Bindadin<br />

Maharaj. Radha express anguish at Krishna’s ched-chad. She<br />

describes the various ways he torments her and implores him to listen<br />

to her pleas. This thumri was adopted in the movie Devdas, illustrating<br />

the beauty & flexibility of the kathak repertoire. “Kahe Ched Chede<br />

Mohe Garva Lagayi” music by Pt. Birju Maharajji, composition by late<br />

Bindandin Maharajji. Dance choreography by Anuradha Nag.<br />

Shalini Saxena Dance Academy<br />

Tarana in Raag Bahaar. A tarana is a vocal style in Indian music in<br />

which random syllables composed of taal, raag, and nadh are used in a<br />

very fast rendition. This style was invented by the famous poet or<br />

musician Amir Khusro. This performance demonstrates rhythms which<br />

are layered with rapid percussive footwork interwoven with graceful<br />

movements and ending with crisp poses. This particular piece exhibits<br />

the energy which emanates from this exhilarating and challenging<br />

dance form.<br />

Chhandam Youth Dance Company<br />

Kaliya Damon, a traditional gat bhao, in which Krishna battles the<br />

serpent demon Kaliya and emerges victorious, is being performed as<br />

Kathak Yoga by junior members of the CYDC. The dancer sings,<br />

dances, and recites simultaneously while portraying abhinaya<br />

through the different characters in this ancient classic.<br />

Composed by Pandit Chitresh Das.<br />

Tarangini School of Kathak Dance<br />

Khoj in Teental or 16 beats<br />

Composed by Taufiq Qureshi and Debashis Sarkar<br />

“ Khoj” the literal meaning is “to search”. The theme is based on the<br />

predicament of the Gopis(female friends) after Lord Krishna( the<br />

Almighty) leaves Vrindavan. Anuradha has tried to portray the pain in<br />

their minds from the realization that they are not going to see, feel the<br />

touch, or encounter their most beloved person anymore - they are left<br />

with nothing but the beautiful memories. With the onset of monsoon<br />

the sorrow of separation becomes overwhelming as all the memories<br />

come flooding in. Yet, in these moments of deep sadness, they rejoice<br />

in the dance they had done together with “Him". They embrace the<br />

eternal peace of acceptance – as they cherish their many different<br />

relationships with Lord Krishna – some as mothers, others as lovers<br />

and devotees – the reality of his absence is fulfilled by the memories<br />

of his eternal presence. They dance in ecstasy as if they have become<br />

one with Him. The dance piece blends in all the traditional aspects of<br />

Kathak covering both pure dance aspect through a Tirana, a musical<br />

piece which is replaced by rhythmic syllables and comprising of<br />

complex footwork, graceful and lyrical movements of the Lucknow<br />

gharana along with swift pirouettes and also bring in the mimetic<br />

aspects of the dance style through an expressional song. Performers<br />

are Richa Sharma, Elora Majumdar, Shilpi Verma and Alpana Kaulgud<br />

Chhandam Youth Dance Company<br />

Tarana in Raga Maulkauns composed by Pt Chitresh Das<br />

This tarana is performed by the entire CYDC, ages 8-18 and highlights<br />

the four aspects of Kathak: tayare (preparedness with strong<br />

technical ability), laykari (understanding of rhythm and ability to<br />

improvise -- upaj is a very important part of Kathak) , khubsurti and<br />

nazakut (beauty and nuances of the dance).<br />

Participating Schools and Artistic Directors<br />

Shalini Saxena hailing from a family steeped in the rich traditions of<br />

music and dance, received her initial training in Kathak from Pandit<br />

Lachu Maharaj, uncle of the distinguished Pandit Birju Maharaj. In the<br />

Bay Area, Shalini Saxena has been successfully operating Shalini<br />

Saxena Dance Academy for twenty years, passing on the tradition of<br />

classical Kathak to students of all ages. She has been invited to serve<br />

as a judge in internationally well known dance competitions sponsored<br />

by CCF and Sony Televesision. Last month, she was awarded for<br />

Outstanding Contribution to Arts and Humanities by the Indo-American<br />

Chamber of Commerce. Her students have participated in numerous<br />

local community shows and won several trophies in competitions.<br />

Dancers: Manya Condamore, Sapna Saxena, Shreya

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