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80 |Art Unlimited<br />

GERMAINE KRUIP<br />

Title | Apossibility of an abstraction: Circle Dance, 2012<br />

Media |Performance<br />

Artist |Germaine Kruip, *1970, Castricum, the Netherlands<br />

Lives and works in Amsterdam, the Netherlands, and Brussels, Belgium<br />

Gallery |Approach<br />

The Approach<br />

GB-London E2 9LY |1st Floor, 47Approach Road<br />

Phone +44 2089833878|Fax +44 2089833919<br />

info@theapproach.co.uk |www.theapproach.co.uk<br />

Directors |Emma Robertson, Jake Miller<br />

Artwork Description |InGermaine Kruip’s work the position of the spectator is often under scrutiny.<br />

The performance Apossibility of an abstraction: Circle Dance is performed by a<br />

Derwisj dancer, also known as Whirling Dervish, who traditionally spins round<br />

and round in an ecstatic ritual, in an effort toconnect to ahigher universe. Kruip<br />

strips the performance down to its most minimal essence, so the viewer will<br />

focus on the bare movement of the dancer, dressed in asimple black suit and<br />

white shirt. The ritualistic performance does not illustrate or tell astory; it is<br />

simply meant to displace the performer through the repetition of asimple movement.<br />

Phantom, 2010<br />

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