Art|Unlimited
Art|Unlimited
Art|Unlimited
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116 |Art Unlimited<br />
MICHAEL SAILSTORFER<br />
Title | If IShould Die in aCar Crash, It Was Meant to Be aSculpture, 2011<br />
Media |Fiberglass, iron, rubber rope, cable, spotlight; dimensions variable<br />
Artist |Michael Sailstorfer, *1979, Velden, Germany<br />
Lives and works inBerlin, Germany<br />
Gallery |König<br />
Johann König<br />
DE -10963 Berlin |Dessauer Strasse 6-7<br />
Phone +49 30 26103080 |Fax +49 30261030811<br />
info@johannkoenig.de |www.johannkoenig.de<br />
Directors |Johann König, Erika Weiss<br />
Artwork Description |Poised to be crashed, afiberglass sculpture awaiting its death, Michael Sailstorfer’s<br />
shell ofaPorsche embodies the sentiments so often expressed since<br />
Roland Barthes’s ‘Death of the Author.’ But Sailstorfer puts the personal back<br />
into the creation, the biography of afilm star is here aligned with his own, if only<br />
through the work’s nonsensical title. This fake 550 Spyder, aPorsche ‘kit car’<br />
without the mechanics, or the wheels, is acar going nowhere.<br />
It’s certainly not the first time Sailstorfer has used the car asamedium: among<br />
others, his Drumkit is built from adismantled German police vehicle, and his<br />
Time Is Not aMotorway is atire that runs itself naked, eroding eventually all of<br />
its rubber against the wall. But If IShould Die inaCar Crash, It Was Meant to Be<br />
aSculpture functions at acompletely different level. Itcould be seen, rather, as<br />
akin tohis re-make of areadymade sign, adefunct radio sign from the former<br />
East Berlin. The Porsche here, stripped bare, ascends into anallusion awaiting<br />
what the viewer brings to it.<br />
If IShould Die inaCar Crash,<br />
It Was Meant to Be aSculpture,<br />
2011<br />
Exhibition view, CRASH, Zeppelin<br />
Museum, Friedrichshafen, 2011