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Amiga Computing - Commodore Is Awesome

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1<br />

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OCTOBER<br />

1994<br />

KA<br />

OCTOBER<br />

IBM<br />

111<br />

K 1<br />

l e 2<br />

Pita<br />

Use this<br />

manipulx<br />

with 1<br />

-<br />

1<br />

,<br />

1<br />

1MogoollMe Milo al • n/. •••• I M O MOO..<br />

A vast collection vt<br />

totally exclusive, high-quality texture<br />

images for use with all your lavourite<br />

2D and 3D graphic applications<br />

Noisome ,ttr=<br />

Attach sound samples 10<br />

input controls includmg<br />

disk drives. key and mouse<br />

D i a l l i n g C o d e s oVivo•kbench 3 ”2.•.•••<br />

Now you need never forget those elusive<br />

STD codes with this .mart little utility<br />

AticAtac<br />

The chisel. ultimate Spectrum game for<br />

use with your ZX Spectrum emulator<br />

<strong>Is</strong>sue 78 • October • 1994 • E3.99 Overseas price ,01.25 1111 18,95<br />

All you'll ever need to know about<br />

making money with your <strong>Amiga</strong> art<br />

Product reviews<br />

Forge - <strong>Is</strong> this the ultimate<br />

add-on for Imagine?<br />

Picasso & Pablo - Stunning<br />

graphics plus easy Mpeg<br />

War paint - Brilliance and<br />

Personal Paint 6 head to head<br />

Batch Factory Easy<br />

automation across the board<br />

Pyromania • The ultimate<br />

CD-ROM for <strong>Amiga</strong> animation<br />

+<br />

S<br />

Y<br />

S<br />

wl•<br />

Facts not fiction - the<br />

guide to <strong>Amiga</strong> gaminE<br />

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BuyTomr- PAY H6 MONIHS<br />

This must be the ultimate offer!! Order any Indi<br />

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Plugs into the PCMC1A Slot of the <strong>Amiga</strong> 600<br />

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FREE <strong>Amiga</strong> Challenge Software Pack<br />

• imenutional Sports Ohafienge • Paradrold 90<br />

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130Mb ----- —4249.99 250Mb -------- 4_94.99<br />

170Mb ----------4274.99 340Mb £ 3 4 4 . 9 9<br />

You've seen all the reviews on this popular and<br />

affordable second <strong>Amiga</strong> drive_ "Compatible with<br />

all <strong>Amiga</strong>sQuality 9 out of I 0."Bcceptional value<br />

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E48.9<br />

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MICROVITEC MONMDRS<br />

The superb (smear offers a high osety<br />

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I •<br />

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External<br />

Speakers<br />

Included<br />

SHARP .-ci MONITOR TV<br />

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Including<br />

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"The level of software compatibility -<br />

ethat has been achieved is very impressive..„Whatever<br />

your Cl) - ROM needs.<br />

the Zappo Drive can handle it."<br />

<strong>Amiga</strong> Format<br />

"h is rare to come across a product<br />

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PHONE FOR FU LL L •<br />

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Order today and fill in our crecit application<br />

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SX-I EXPAN SI ON E I 9 4<br />

MODULE<br />

.<br />

9 9<br />

A The New Zappo Smart Stor provides games<br />

and data portability never before available to<br />

the <strong>Amiga</strong> 600 and 1200 owner. Simply slip<br />

into the PCMCIA Slot on your <strong>Amiga</strong> and you<br />

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<strong>Amiga</strong>, no problem. simply unplug the Smart<br />

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* Fully configured * Superfast Access<br />

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I 2 Months Warranty<br />

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Smart SStor deserves to do very well<br />

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indeed,<br />

"..-Smart Stor II 0 genuine godsend". Arniga Format July 1994<br />

p<br />

Expansion Options<br />

B<br />

L<br />

ZAPPO FLOPPY ORME £48.99<br />

A<br />

C*POWER<br />

SUPPI-Y £35.99<br />

K •Incit recomend the use of an addition-<br />

K<br />

al power supply if more than 2<br />

E<br />

Y<br />

expansion options are anticipated<br />

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O SX-1 Super Ekmdkt<br />

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NEW<br />

ZAPPO AMIGA 1200<br />

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A mu<br />

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The Zappo Smart Drive simply slots into the Amkga 1201,<br />

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ci CD<br />

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lappo T - Shirt or Zapsa<br />

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1


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Processinp Software<br />

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Panasonic KX- P2I23<br />

1<br />

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KX - P4400 KX Cr<br />

- P4401 1<br />

PO


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.<br />

The 255211tidi guide to limiga gaming<br />

System On-line 9 2<br />

Daze return with the third pert of the <strong>Is</strong>har adventure series, Mr<br />

Blobby's back plus Kixx go budget crazy with games priced at £4.99'<br />

Beat the System 9 6<br />

The first part in a two-part complete guide to Sierra's brilliant<br />

sixth fairy tale episode in the Kings Quest adventure series<br />

Preview: MysterX 1 1 4<br />

Millennium unveil their latest offering that promises to beat up<br />

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Preview: Dreamweb 1 1 8<br />

One of the first games to get a voluntary 18 certificate. Packed full of<br />

violence. sex and bad language, Empire's RPG is going to be massive!<br />

Preview: Litil Divil _ _ 1 2 0<br />

Its been in production for four years, but can Gremlon's devilish<br />

adventure become the world's first proper -<br />

interactive<br />

cSystem a r t Essentials o o n "<br />

1 2 4<br />

Essential <strong>Amiga</strong> software this month includes Grerrifin's Heroquest 2 on<br />

the CO32 and Team t 7's insect shoot-ern-up Apedya<br />

Pinkie<br />

GRIM REMEWS<br />

Universe 1 0 2<br />

Kid Chaos 1 0 6<br />

World Cup 94_ 1 0 8<br />

Bubble in• Squeak 1 1 2<br />

100<br />

n[Asso a Po now<br />

Budget digital video for one of the <strong>Amiga</strong> s best RTG boards<br />

FORGE monimpor<br />

At last, real-time texture generation for ray tracing tans<br />

2FIPPO (0—horn immit<br />

The uttimate C•ROM system tor the Al200<br />

PERSON Pam 5 8<br />

5urno FAH EEO<br />

The very best AGA paint packages under the AC spotlight<br />

Super fast comms and Ilyeng taxes at an affordabie price<br />

DIGITAL 50100 TRIMS<br />

Essential software that will add audio to any animation<br />

Give your CO32 all the muscle of A 1200 in a matter of seconds<br />

Pyaminnig<br />

A spectacular CD offering pig budget effects a! a bargain price<br />

BREA FIERY<br />

Easy automation for aims( any ARexx compatible package<br />

FfAm<br />

oITERARTME<br />

10PUI s i t<br />

Simon Clays tracks down a few point and click alternatives<br />

- 12 1O PEES<br />

- Il[ISH TOURIST OM nit<br />

- OEUPIA DELIGHT<br />

Michael Milne goes boldly into the unknown with Blitz Basic II<br />

Adam Phillips discovers <strong>Amiga</strong> marketing at its very best<br />

Paul Overaa's concise guide to all things assembler<br />

138<br />

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New bidders in the war to take control of <strong>Commodore</strong><br />

Upgrades a-go-go plus more essential software from the States<br />

Can the CO32 survive the onslaught of the killer consoles<br />

GETIA SNEED<br />

Alternative 30<br />

IPHtUre5<br />

A spectacular collection of 19<br />

broadcast quality textures all in<br />

video resolution. Essential software<br />

for both 2D and 3D applications<br />

Marra abilu5<br />

The perfect accompaniment to our texture<br />

collection. Stunning image processing<br />

software that allows any <strong>Amiga</strong><br />

to use our 3D Textures<br />

noi5ome<br />

Add samples to any event whether it be<br />

a mouse dick, key strokes or disk input<br />

output. Complete control to customise<br />

your <strong>Amiga</strong> audio<br />

16 -<br />

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Adam Phillips embarks on a two-pert pro's Opinion special<br />

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Paul Overaa looks at the <strong>Amiga</strong>'s cheap audio alternatives<br />

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Phil South discovers on-line music<br />

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Wipe that smile Of your face with The ad of Amos<br />

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NASSAU, Bahamas, July 19 - Le Meridian, a<br />

graceful resort hotel on fashionable Cable Beach.<br />

hardly seems a spot for a fight. It is a place of manicured<br />

lawns. swaying palms, sandy beaches and<br />

emerald water. Travellers normally come here for<br />

the relaxing pleasure of the tropics and line dining<br />

at the hotels gourmet restaurant.<br />

But suddenly on Friday, amidst the usual gathering<br />

of sun-tanned women in bikinis and men in<br />

shorts, appeared a small army of two dozen<br />

lawyers. mostly men in dark suits bearing overstuffed<br />

briefcases.<br />

They came to do battle over the carcass of<br />

<strong>Commodore</strong> International Ltd. the once mighty<br />

maker of small computers which had its North<br />

American headquarters in West Chester. They<br />

came for the first official meeting of <strong>Commodore</strong>'s<br />

Bahamian committee of creditors.<br />

It is a fight over the company's assets, over the<br />

future Otis technology, over how much of its $145<br />

million debt will be paid and, not surprisingly when<br />

lawyers get together, over legal jurisdiction.<br />

<strong>Commodore</strong>, whose stock was traded on the<br />

New York Stock Exchange until May, was registered<br />

in the Bahamas, and the company initiated its<br />

own liquidation in the Bahamian Supreme Court.<br />

The court-appointed Bahamian liquidators so far<br />

have received at least four proposals to buy<br />

<strong>Commodore</strong>, including one from the management<br />

team, its subsidiary in the UK, the only one of the<br />

company's units still profitable when the firm went<br />

out of business.<br />

The other suitors are Amstrad Plc, a UK<br />

computer firm; Philips Electronics of the<br />

Netherlands, and Samsung Electronics of Korea.<br />

But before there is a sale, lawyers for<br />

<strong>Commodore</strong>'s principal creditors would like to have<br />

the bankruptcy proceedings moved, or at least have<br />

parallel proceedings opened in the US Bankruptcy<br />

Court in New York.<br />

"The biggest problem we are having is that the<br />

Americans don't trust the Bahamians to do the liquidation,"<br />

said Paul L Adderly, the attorney for the<br />

two liquidators.<br />

"What can you do about that?" asked Adderty in<br />

exasperation. 'We are not entirely ignorant of these<br />

matters in the Bahamas."<br />

But lawyers for the main creditors see things differently.<br />

It is not just the competence of the<br />

Bahamians they have called into question, but the<br />

efficacy of Bahamian law.<br />

Under Bahamian law, a creditor's committee has<br />

an advisory role while under US law, the creditors<br />

onus<br />

011 ADAM NiltilP5<br />

fommodoreP5 ameditor5 gather<br />

to do battle<br />

would have more of a say over final disposition of<br />

the assets.<br />

Also. Bahamian law permits the liquidators to go<br />

back and judge, and possibly reverse, management<br />

actions involving assets three months before bankruptcy<br />

was declared. American law permits a year<br />

So tar, the Bahamian court has rejected motions<br />

from the creditors to have the proceedings moved to<br />

New York_<br />

Meanwhile, the creditors are seeking a ruling in<br />

US Bankruptcy Court tn the Southern District of New<br />

York to seize jurisdiction or at least open parallel<br />

proceedings.<br />

The principal opposing creditors are Prudential<br />

Insurance Co. of America and a subsidiary. Pruco<br />

Life Insurance Co. both of Newark, NJ, which are<br />

owed a total of S28 million: Anchor National Life<br />

Insurance Co of Los Angeles. owed $6 million, and<br />

Daewoo Telecom and Daewoo Corp of Korea, owed<br />

$15 million.<br />

The creditors have questions about actions taken<br />

by the <strong>Commodore</strong> management team shortly<br />

before and right after the liquidation filing in the<br />

Bahamas on May 2.<br />

They want to challenge management's transfer of<br />

a <strong>Commodore</strong> unit from one subsidiary to another,<br />

illitatithi AIh atioutions aboloi contidtcf<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

and they have questions about the conduct of<br />

<strong>Commodore</strong>'s former president, Medhi R Ali.<br />

Ali Med to gel Prudential and Daewoo to agree to<br />

allow liquidation proceedings to go unchallenged in<br />

the Bahamas, in return for a vague promise that they<br />

would get 50 cents on every dollar of debt.<br />

According to an affidavit filed in the Bahamian<br />

Supreme Court by Stephen M Richmond, an attorney<br />

representing the creditor's committee. Ali<br />

claimed he had a foreign buyer for the company and<br />

the sale would proceed quickly if there was not a<br />

legal tangle in New York.<br />

Richmond, a gruff Boston-based lawyer, said that<br />

Ali refused to tell him who the potential purchaser<br />

was or what the terms of the sale were.<br />

Ali is no longer associated with <strong>Commodore</strong>.<br />

Reached Monday by telephone at his home in<br />

Ridgefield, Connecticut, and asked for comment, Ali<br />

shouted. 'You're intruding on my home. I'll complain<br />

to your editor. You're an idiot." He then hung up.<br />

The Bahamian court-appointed liquidators are<br />

Franklyn Wilson and McGregor Robertson. two part<br />

ners in the Bahamian offices of Delotte & Touche, a<br />

major accounting firm.<br />

Wilson said on Monday he hoped to complete the<br />

sale of <strong>Commodore</strong>'s assets "very quickly", but he<br />

declined lo be more specific.<br />

Amid all the men In dark suits last week was a<br />

bearded, casually dressed British national, David<br />

Pleasance, managing director Of <strong>Commodore</strong>'s UK<br />

subsidiary and a leader of the management team<br />

trying to buy all of the company.<br />

"We might as well try. We have a good business<br />

in the UK. a very good business," said Pleasance,<br />

who came to the Bahamas to get to know the company's<br />

major creditors.<br />

If the management buyout is successful,<br />

Pleasance said operations would be moved<br />

to England, but that the company would like to<br />

keep research and development facilities in<br />

Norristown.<br />

"These are very good people. " Pleasance said.<br />

"We would like to keep them."<br />

• This text was reprinted with kind permission from<br />

Dan Stets, its writer, and the Philadelphia Inquirer.


NEWS<br />

10<br />

HSI retirement<br />

The Federation Against Software Theft<br />

has announced that its chief executive,<br />

Bob Hay, is retiring after nine years of<br />

service. He leaves to spend time with his<br />

wife who has been seriously ill over the<br />

last several months.<br />

David Svendsen, board chairman of<br />

FAST and managing director of<br />

Microsoft Ltd. added, To many in our<br />

industry, Bob has been the public face ol<br />

FAST and everyone will miss his singleminded<br />

goal of establishing a moral and<br />

legal environment in which to use<br />

software."<br />

Svendsen concluded by saying: -<br />

Under his leadership, Bob has taken<br />

FAST from inception to the most successtul<br />

anti-piracy body in the world.<br />

-<br />

Health (ORM<br />

For those computer users who regularly<br />

spend hours on the keyboard stanng at<br />

a screen, the London Advice Services<br />

have released a tactsheet on health and<br />

safety when operating a computer.<br />

The Computanews pamphlet offers<br />

advice on what the risks are, what the<br />

user needs to do to create a better environment<br />

and what the laws say concerning<br />

&mak:eters responsibility to its staff.<br />

The factsheet costs E3 and is available<br />

from LASA on 071-377 1226.<br />

Ful house<br />

After the somewhat troubled start of the<br />

European Leisure Software Publishers<br />

Association's IELSPA1 ratings system.<br />

the group has announced that all 63<br />

members of the association have given<br />

their full support and adopted the<br />

scheme.<br />

This includes Acclaim, publishers of<br />

the controversial Mortal Kombat. who,<br />

after much publicised deliberation, have<br />

agreed to carry the ELSPA age suitability<br />

ratings.<br />

Moto report<br />

According to research company<br />

Dataquest. US Robotics is now UK market<br />

leader in high speed modems, with a<br />

16.5% share.<br />

"We have gone from 15th in 1990 to<br />

number one in 1993. The figures tell<br />

their own story." commented US<br />

Robotics managing director, Clive<br />

Hudson.<br />

For more details on US Robotics<br />

modems, call Lucy Brown on 0753<br />

811180.<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

new bidder5<br />

5tep<br />

Forward<br />

Alto the surprise announcement last month that various members<br />

from <strong>Commodore</strong> were attempting their own buyout, a<br />

rumour has surfaced that Steve Franklin. former managing<br />

director of <strong>Commodore</strong> UK, is also making a bid for the<br />

company.<br />

Franklin declined to comment on the situation. David<br />

Pleasance, the current UK managing director, thinks "it's highly<br />

unlikely" that the former head is in a position to offer a<br />

substantial bid.<br />

Pleasance's own plans are apparently moving forward and<br />

he hopes that the question of <strong>Commodore</strong>'s future will be<br />

resolved "In the next two to three weeks." He believes that their<br />

offer is the highest and feels confident of a successful result.<br />

According to an article in the Chicago Tribune, both Amstrad<br />

and Philips have lost interest in a buyout, partly down to the<br />

legal delays. Samsung is interested in the intellectual-properly<br />

rights of <strong>Commodore</strong>'s products, but is dismissive with the<br />

computer firm's inventory or other products.<br />

A potential buyer has appeared in the shape of Creative<br />

Equipment International based In Miami. who are in the process<br />

of submitting a bid. 'There is a pent-up demand for the product,"<br />

CEI president Alex Amor commented. I think it can be<br />

very successful if it is brought back to the market:<br />

The legal tanglings over the liquidation though are causing<br />

serious concerns with people close to <strong>Commodore</strong>. -<br />

The urgency arises because we are dealing with an asset which is<br />

perishable," said Franklyn Wilson, a liquidator in Bahamas.<br />

"It is an industry where change is the greatest constant. This<br />

technology needs to be constantly updated to stay current."<br />

Raptor intrea5e5 in<br />

power and 5peed<br />

With the reputation of Raptor's quality and results, makers ol<br />

the graphics work stations, Desk Station. have released two<br />

new models. The Raptor II and the Raptor Plus are seen by<br />

many as the next step for serious graphic artists and television<br />

production.<br />

The Raptor Plus features MIPS RISC R4600/133MHz rendering<br />

engine that the company<br />

claims increases the<br />

rendering performance by 50<br />

per cent over the original<br />

work station.<br />

The Raptor range is available<br />

to buy through Ramiga<br />

International who can be contacted<br />

on 0782 398840.<br />

Raptor Roc Twice<br />

the speed of the<br />

original graphics<br />

work station<br />

Prirnera Pro, Offering the latest in printer technology<br />

Printer paradi5e<br />

Announced at the recent MACWORLD Expo in<br />

Boston, the new PrimeraPro colour printer is a<br />

high spec, low-priced machine that is compatible<br />

with the <strong>Amiga</strong>.<br />

Featuring dye-simulation and wax thermal output<br />

at 600•300 dpi, Fargo - the company behind<br />

the new hardware - claim that the printer is the<br />

first in its kind to offer such a high dpi_<br />

Costing $1895 in the States, the PrimeraPro<br />

can also print on a variety of different surfaces,<br />

from laser paper and transparency film to dyesublimation<br />

media and T-shirt transfer paper.<br />

<strong>Amiga</strong> <strong>Computing</strong> will be reviewing the product<br />

next month and Fargo, the makers of the Primera<br />

Pro, can be contacted on (612) 941 9470.<br />

Competition! One or the many<br />

entries already received<br />

(ompetition boa5t5<br />

hologram priae<br />

In a bid to show PC users and high-priced Oatforms<br />

what the <strong>Amiga</strong> is capable of, the 24 Bit<br />

Club has launched a competition for <strong>Commodore</strong><br />

owners to send in their best 3D work. There are<br />

three categories for entry - science fictionifantasy,<br />

photo realism and organic/abstract.<br />

The winner from each will have their rendered<br />

masterpieces turned into a hologram by Munday<br />

Spacial Imaging, and most entries will find their<br />

way on to a video to be produced by the 24 Bit<br />

Club of the best work they receive.<br />

For more information and an entry form, phone<br />

John Campbell on 041-946 2191.<br />

4


VIPER 68030 TURBO I<br />

For the <strong>Amiga</strong> 1200 computer<br />

Full 030 with MMI.I running at 28MHz<br />

FPU running up to 50M1lz<br />

Industry standard 72pin Simms<br />

RAM upgradable to 8MB<br />

Full Kickstart remapping (FastROM option)<br />

Optional SCSI-II adaptor<br />

68882 Maths Co-processor<br />

On-board battery backed clock<br />

Faster than an <strong>Amiga</strong> 4000/030<br />

Up to a 440% speed improvement<br />

XL 1.76 MB DRIVE<br />

The XL Drive can be used with any <strong>Amiga</strong><br />

Computer, and allows you to store a massive<br />

I_76MB on a high density disk. The drive<br />

also acts as a standard 880K drive and can<br />

read and write A4000 high density disks<br />

XL Drive 1.76MB External £ 8 9 . 9 5<br />

XL Drive I.76MB Internal £ 7 9 . 9 5<br />

XL Drive I.76MB Internal A4000 £89.95<br />

INTERNAL DRIVES<br />

We use the same drive mechanisms as<br />

<strong>Commodore</strong>.<br />

PC88I A500 Internal drive E 4 0<br />

PC882 A2000 Internal drive 4 0<br />

VC883 A600/1200 Internal drive 5 0<br />

All prices Include VAT and are suhlect to change<br />

without notice. Prices correct for month of<br />

publication only. Delivery extra. E OE.<br />

Viper 68030<br />

en<br />

20M1-Iz FRI E 2 5<br />

t ' rp• .•,<br />

33MHz FPU E 6 0<br />

• gi -<br />

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40Mliz E 8 0<br />

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50MHZ I 2 0<br />

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Power Drives<br />

– -<br />

POWER DRIVE<br />

The Power Drive is the most impressive drive<br />

of its kind on the market and now includes<br />

Blitz <strong>Amiga</strong> and Floppy Expander, Floppy<br />

Expander allows you to compress files only on<br />

floppy disks by up to 50%.<br />

SPECIAL OFFER<br />

For an extra ten pounds Cyclone copier can<br />

be purchased with the Power Drive.<br />

Floppy Expander (Purchased separately) t 9 9 5<br />

POWER DRIVE FEATURES<br />

POW r Ai.ii<br />

tck<br />

Anti-click • •<br />

Anti-virus • •<br />

Floppy Evader<br />

Sony mechanism • •<br />

<strong>Is</strong>olation switch • •<br />

2 year guarantee • •<br />

Thrtfport • •<br />

Upgradable to 1.76mR<br />

Cyclone compatible chip •<br />

Built-in backup hardware •<br />

<strong>Amiga</strong> Format Gold<br />

Blitz Compatible<br />

Disk drive modification by Sony<br />

to stop flickering LED<br />

VIPER I<br />

Standard I 5 9<br />

Viper I 2MB (no HUY ••• 2 3 9<br />

Viper I 4MB (no HU) 3 0 9<br />

Viper I 8MB (no FPU) _ I 4 7 9<br />

CO-PROCESSORS<br />

&mu, fikkerin o n vow dish drive won that the drive his WI<br />

lamp inirdifkli by Sony for ICO% rmiga cumpabbyliti<br />

Power <strong>Computing</strong> Ltd<br />

44aA) Stanley Street. Bedford MKi I 7RW<br />

Tel 0234 273000 Fax 0234 352207<br />

•<br />

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•<br />

•<br />


NEWS<br />

IP- <strong>Amiga</strong> de5igner<br />

Od5525 Nag<br />

With the future of <strong>Amiga</strong> in doubt, its original<br />

creator, Jay Miner, passed away on June 20<br />

in California. His litelong kidney problems<br />

finally took his Ide.<br />

Seen as the Father of the <strong>Amiga</strong>. Jay had<br />

a long and accomplished career - he helped<br />

design the Atari VCS games console and<br />

was an integral member of the team that created<br />

the original <strong>Amiga</strong> chipset<br />

His later achievements included the<br />

Atari Lynx. an under-rated handheld that<br />

today, in terms of technological excellence,<br />

outshines its portable counterparts in the<br />

market.<br />

Long may his <strong>Commodore</strong> creations<br />

continue<br />

tommunicator II<br />

Only a few months after the release of the<br />

Communicator, the Netherland-based<br />

company Eureka have announced the<br />

imminent arrival of its sequel - the<br />

Communicator II.<br />

The original hardware allowed the connection<br />

of the CD32 to any <strong>Amiga</strong> and PC. By<br />

using the CD32 as a serial 2-way CD-ROM<br />

drive, multimedia presentations including<br />

WV (through the use of the FMV cartridge),<br />

Photo CO's and audio can be controlled and<br />

created.<br />

The Mark II version improvements include<br />

an extra keyboard plug for A2000/3000, a<br />

serial cable that is now a DB25 serial to<br />

RJ10 plug and a new casing design.<br />

Extra software has also been introduced<br />

from Mediapoint that aids audio and video<br />

control to a variety of PD titles.<br />

The Communicator II costs approximately<br />

E99 and will be reviewed in next months<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

FleHidump upgraded<br />

and improued<br />

Care Electronics, makers of Flexidump 3,<br />

have released an enhanced veision of the<br />

program which the company claims can<br />

remove banding and white lines from all dot<br />

matrix and bubble jet printers. The company<br />

says that ribbon life is extended and print<br />

quality is very consistent.<br />

The new system, called "shingling,* adds<br />

to the recent additions of dithering and<br />

anti-abasing in the latest version. Anyone<br />

with Flexidump 3 that doesn't include the<br />

"shingling" option can upgrade free of<br />

charge.<br />

For those with an earlier version ot<br />

Flexidump an upgrade is available tO<br />

04.95. Care Electronics can be reached<br />

0923 894064.<br />

3<br />

Silica eHtend5 warm*<br />

Silica: Offering a comprehensive warranty scheme<br />

more add-0n5 for<br />

tightwaue<br />

As Lightwave PAL finally reaches the shores of the<br />

UK. the 24Bil Club is releasing the Lightwave<br />

Collection Sets 1 & 2 to aid artists with their work.<br />

Costing E29.95 each, each set contains 10 disks<br />

filled with objects, scenes, fonts and textures and<br />

comes complete with a user guide.<br />

For the E3.95 sampler disk containing various<br />

examples from the collection, contact Gordon<br />

Keenan on 041-946 2191,<br />

Buletin board5<br />

made ea5g<br />

To combat the tedium of BBS login screens, a group of<br />

Sysops (system operators] have decided to create<br />

MAXIink. a networking bulletin board, The idea behind<br />

the scheme is once a user has joined and all their<br />

details have been taken, the data is passed on to all the<br />

other MAXIM BBS.<br />

This in turn provides instant membership to all the<br />

bulletin boards under the MAXiink banner and saves<br />

the user time and money.<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

Lightwave<br />

Collectiorn<br />

A variety<br />

of images<br />

to be used<br />

with the<br />

top- rated<br />

graphics<br />

software<br />

In a bid to provide a better deal for the<br />

customer, Silica have introduced a comprehensive<br />

extended warranty on its products,<br />

including games consoles, with the<br />

launch of "SilicaCare".<br />

The scheme provides repair and<br />

replacement of parts, including major<br />

hardware such as hard drives and monitor<br />

tubes, for a single or whole computer<br />

system.<br />

The warranty can be arranged for up to<br />

five years, tailoring the needs of the individuals.<br />

If you have an <strong>Amiga</strong> computer<br />

system worth up to E1500. for a two year<br />

policy il costs E38 for free repairs, delivery<br />

and courier service.<br />

As high-tech games consoles and<br />

computers become a part ol everyday<br />

homes, more non-technical users want<br />

the assurance of a total service package.<br />

"SilicaCare provides them with the<br />

peace of mind that should anything go<br />

wrong, it will be immediately fixed." stated<br />

Silica's retail controller. Ken Browning.<br />

For more details, phone Silica Systems<br />

on 081-309 1111<br />

Art bq the people for<br />

the people<br />

The Digital Gallery is a new concept being put forward<br />

by PLINECO which allows magazine readers to send<br />

their computer generated artwork in for inclusion on a<br />

four hour video.<br />

Presented as a slideshow. artists - part-time or otherwise<br />

- can submit their work with a E20 fee and have the<br />

opportunity to show off the fruits of their labour to the<br />

public.<br />

There is no age restriction and for further information.<br />

call MECO on 0482 500597.<br />

NM growth<br />

With the continual enlarging of CompuServe's facilities,<br />

this month sees the introduction of the on-line service<br />

UK Professionals Forum, which focuses on the needs of<br />

key professional groups in Britain.<br />

At present, the forum has areas for members of the<br />

legal, medical, engineering, linancial, marketing and<br />

media professions. The various fields are catered<br />

for via the use of message sections and libraries<br />

and CompuServe hope that the new service will<br />

encourage the involvement of the appropriate national<br />

bodies.<br />

To join CompuServe. phone 0800 289378 for more<br />

details.<br />

Heard the late5t?<br />

Have you heard any interesting <strong>Amiga</strong> news recently?<br />

II you've picked up some hot gossip that you<br />

think we could be interested in give Adam Phillips a<br />

call now on 0625 878888.


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leitible<br />

• rapdoor upgrade for the <strong>Amiga</strong> 600. 512K.<br />

INDI PRICE 119.99<br />

2 Mb Smartcard The original and still<br />

A the only fully PCMCIA compatible memory card foi<br />

1 the A600 and Al200. Comes with lifetime guarantee.<br />

Beware of cheap immitations.<br />

INDI PRICE 499.99<br />

4 Mb Smarteard<br />

Same as above but maximum 4Mb.<br />

INDI PRICE LI 55.99<br />

NEw Lam PRICE IDE MINIMAL HMCo DRIVES<br />

I ndi can now offer top quaky 2.5" Internal Hard Ch<br />

-<br />

prices. Ail drives come complete with cable and installation software<br />

,yes f o r t h e<br />

A m i g a 6 0 0<br />

a n d<br />

1 2 0 0<br />

a t<br />

u<br />

e<br />

n b e a t a b<br />

A I 200 Software<br />

l<br />

Ryder Cup Golf<br />

Star Trek 25th<br />

Anniversary<br />

Sorccer Kid<br />

Simon the Sorcerer<br />

Brutal Football<br />

James Pond 3<br />

Kick Off 3<br />

80Mb 25" Internal HIYs 4169.99<br />

120Mb 2-5" Internal HD's £21499<br />

170M1) kiternal HD's i:249.99<br />

ADI Educational Software from L 12.99<br />

9<br />

.<br />

9.<br />

9<br />

9<br />

OPAL VISION PIAINIIOARD<br />

9<br />

The Opal Vision mainboard includes Opal Paint, Opal Au, e. Opal<br />

Presents and Opal Hotkey.<br />

FREE Montage 24<br />

THE BEST SELLIING "REAL TIMe..r.ROFESSIONAL VIDEO Trrl-ING<br />

For p e r i o d from 10 April until 30 June we will be giving away a FREE copy of Montage 24<br />

worth 300 U.S Dollars. Montage 24 features Real Time font scaling. embossing 9and ituclowing.<br />

colour spreads and transparency effects with an effective resolution of I nanosecond. Its many image<br />

processing capabilities include translucency blending, imagecomposiong and beveled boats. Now you<br />

can enitay the benefits of the ultimate in high quality 24 - bit tiding for OpaNision and the <strong>Amiga</strong>.<br />

Lii-;ted Offer I L 3 4 9 . 9 9 includes Montage FREE 24<br />

<strong>Commodore</strong> List Price<br />

h11 £<br />

1 6 . 9<br />

944479T £22.99<br />

L.2<br />

1•34 ,<br />

41-Piti4ir<br />

91 LI 2.99<br />

1.24t9T t9r 1M £19.99<br />

4LISA*<br />

r L 1 9.99<br />

2£<br />

5 1 .<br />

<strong>Amiga</strong> 500 t 500+<br />

600 and 1200<br />

4<br />

I N E O P A L VISION VIDEO PROCESSOR<br />

ir e ve received con rmation • at<br />

Voucher Price<br />

the OpalVision Video Processor with<br />

Roaster Chip arid the Opalvision Video<br />

Suite samples will be with us within<br />

weeks and volume supply will arrive<br />

L659,99 1<br />

early summer.<br />

Video Processor Module V i d e o Suite<br />

L899 .99 i899 .99<br />

0'1111m1=1111<br />

Once again Indi bring you the best deal in town with a full £70 off the fabulous<br />

SPECTACULAR CD32 Voyage Pack Why so generous! It's simple. The more<br />

CD32 we sell the more software you will buy and at Indi Prices who could blame you.<br />

<strong>Amiga</strong> CD32 Comes with2 GREAT GAM:. Microcosm and Chaos Engine and<br />

whilst stocks last Oscar. Diggers and Wing Commander. CD32 will play your<br />

favourite Music CD's<br />

rAVATI L229 •99<br />

4 ; I


--1NEWS<br />

1<br />

H o f _<br />

( : )<br />

r a l<br />

e<br />

w e<br />

' v<br />

e<br />

a<br />

l<br />

l<br />

b<br />

e<br />

e<br />

n<br />

c<br />

l<br />

o<br />

s<br />

e<br />

l<br />

y<br />

w<br />

a<br />

t<br />

c<br />

h<br />

i<br />

n<br />

g<br />

S<br />

o<br />

f<br />

t<br />

-<br />

14<br />

Logik to see when they'd release the<br />

much-awaited PageStream 3.0. the company<br />

slipped a surprise upgrade Out the door.<br />

TypeSmdh, the premier font editor for the <strong>Amiga</strong>.<br />

has been updated to version 2_5.<br />

The biggest improvement in this new version is<br />

the addition of support for TrueType fonts_<br />

TrueType is the standard outline font system on<br />

both the Macintosh and Microsoft Windows, so you<br />

can find the fonts just about everywhere. (On this<br />

side of the pond, you can buy a CD-ROM with over<br />

500 TrueType fonts for only S19.95!)<br />

Although no <strong>Amiga</strong> applications directly support<br />

TrueType typefaces, TypeSmith will let you convert<br />

them to formats that can be used with <strong>Amiga</strong> applications<br />

such as PageStream, WordWodh, Final<br />

Writer, Brilliance, and LightWave 3-D_<br />

TypeSmith 2,5 supports saving and loading fonts<br />

In TrueType, PostScript Type 1, Compugraphic<br />

InteMont (the <strong>Amiga</strong>'s native bitmap font format),<br />

Solt-Logik, and IFF RFF formals. You can create<br />

your own fonts, or automatically trace digitized font<br />

pictures or bilmap fonts.<br />

With previous versions of TypeSmith. converting<br />

large batches of fonts was a tedious operation,<br />

forcing you to select each typeface individually.<br />

TypeSmith 2.5 adds a new Batch Convert ARexx<br />

macro that lets you convert an entire directory of<br />

fonts with the press of a single key. Full<br />

<strong>Amiga</strong>Guide help makes using both new and old<br />

features a snap.<br />

The program retails for $199.95. If you own<br />

TypeSmith 2_0, you can upgrade tor $25 plus shipping<br />

and handling ($5 USA/Canada. $15<br />

International); TypeSmith 1,0 owners pay $65 plus<br />

shipping and handling.<br />

For more information. contact Soft-Logik, 1113F<br />

South Towne Square, St. Louis. MO 63123 USA,<br />

phone (314) 894-8608; fax (314) 694-3280: or<br />

e-mail lech@sloc.com.<br />

new light through new windows<br />

Hot on the heels of the release of the standalone<br />

LightWave 3D 3.5•Ior the <strong>Amiga</strong>. NewTek has<br />

announced LightWave 4.0. Like version 3.5, this<br />

release won't require a Video Toaster board_<br />

But unlike earlier versions, this one doesn't even<br />

require an <strong>Amiga</strong> - it's also available for Windows,<br />

Windows NT, and Sdicon Graphics (SGI) machines,<br />

The $145 upgrade price from version 3,5 allows you<br />

EA titbit<br />

Although nothing's been announced,<br />

Electronic Arts' Orlando Guzman recently<br />

popped up on the CompuServe network asking<br />

what the users there would expect from a<br />

new version of DeluxePaint.<br />

So it appears Electronic Arts is still working<br />

on DeluxePaint V for the <strong>Amiga</strong>. despite<br />

<strong>Commodore</strong>'s situation.<br />

Have a feature you're dying to see in the<br />

next DPaint? Send your electronic mail to<br />

oguz@ea.com and let him know,<br />

lle17171/ T O P & the IPIP1352 of —<br />

the all-new type5mith and iliaLl5<br />

two other important upgrade5<br />

Iain of d<br />

the r) unmounted<br />

j<br />

sm<br />

w<br />

rho Antiga's ultimate font editor enjoys<br />

yet another impressive upgrade<br />

to update to version 4.0 on the platform of your<br />

choice.<br />

LightWave 4.0 will otter the same basic features<br />

set on all platforms, as well as full cross-platform<br />

compatibility. This means that you could, for instance,<br />

create a complex scene on your <strong>Amiga</strong> at home,<br />

save it to disk. and take it to work where you could<br />

render it on a blazing-fast Pentium 90 or SGI system.<br />

Like Axiom, NewTek has stressed its commitment<br />

to future <strong>Amiga</strong> development. The majority of our<br />

user base currently use <strong>Amiga</strong>s, and many users prefer<br />

it for desktop video and graphics applications.<br />

-says NewTek's Tim Jenison_<br />

-<br />

LightWave's H power on their machines, and we<br />

wanted o to have LightWave keep its position as the<br />

professional w standard in 3D graphics."<br />

eLightWave<br />

has been used to create graphics for<br />

many v popular television programs, including Star<br />

Trek: The Next Generation, SeaCtuest DSV. Babylon<br />

e<br />

5, Robocop, Viper, Unsolved Mysteries, and Weird<br />

r<br />

Science.<br />

.<br />

Babylon 5 won an Emmy (the US television equivalent<br />

u<br />

to an Oscar) last year for its LightWaveproduced<br />

s<br />

graphics_<br />

e<br />

r<br />

s<br />

o<br />

n<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

PiHRI<br />

Axiom Software has completely rewritten their 3D<br />

obiect designer program, Pixel 3D, from the<br />

ground up. The new version, Pixel 3D Professional<br />

Version 2 (Axiom calls it PerPro2 for short). has an<br />

improved interface and sports many powerful new<br />

features.<br />

Axiom's president. Scott Thede. promises that.<br />

unlike some US companies, Axiom will continue to<br />

develop products for the <strong>Amiga</strong>. "To be completely<br />

honest," he says, -<br />

we could program a t the <strong>Amiga</strong> for the rest of our lives;<br />

Aafter xall, i it otakes m 'forever' to learn how to program<br />

Sthe thing!" o f t w<br />

a <strong>Amiga</strong> r e 1200 and 4000 owners will be happy to<br />

w<br />

see full<br />

i<br />

AGA<br />

s<br />

support in PixPro2, taking advantage<br />

of the higher resolutions and deeper palettes avail-<br />

h<br />

able on those machines.<br />

w<br />

The program now has full support for both<br />

e<br />

PostScript fonts and PostScript files. Bitmap support<br />

is amazing, with an artificial-intelligence<br />

bitmap-to-3D conversion, simplified bitmap<br />

smoothing, and the ability to link to ASDG's Art<br />

Department Professional to automatically convert<br />

24-bit files.<br />

Creation of 3D objects is simple, with both point<br />

editing and polygon painting techniques available.<br />

Objects can be twisted, stretched, and bevelled.<br />

Complete ARexx support makes batch processing<br />

simple, and object hierarchies simplifies working<br />

with complex 3D structures.<br />

PixPm2 handles loading, saving, and conversion<br />

of 17 file formats, including LightWave<br />

scenes. Imagine hierarchies, AutoDesk 3D Studio<br />

binary and ASCII formats_ and WaveFront.<br />

Axiom says that PixPro2's AutoCAD DXF support<br />

is the most comprehensive available on the<br />

<strong>Amiga</strong>.<br />

A professional program, PixPro2 retails for<br />

$299•95. Upgrades from version 1.0 are $99.99.<br />

For more information, contact Axiom Software.<br />

1526 122nd Street. Burnsville, Minnesota 55337<br />

USA; phone (612) 894-0596: tax (612) 894-1127.


• A professional WORDPROCESSOR with powerful graphics<br />

capabilities and a 50,000 word spell checker. Ideal for a wide<br />

variety of correspondence and official documents.<br />

• A versatile DATABASE which is simple to use and powerful<br />

enough to deal with anything from basic address book<br />

functions to club membership lists and business records.<br />

plIMPRESS<br />

1 1 6 , 0 S O F T W A R E M in<br />

, ON ice w o r k s<br />

o n a l l<br />

A r n s g a s<br />

w i t h<br />

1<br />

Wordprocessor Compose a<br />

letter, c heck your spelling<br />

with the 5 0 , 0 0 0 word<br />

dictionary, mailmerge details<br />

from a database file , a dd<br />

graphics, wrap te xt around<br />

0., load ASCII te xt highlight<br />

with bold, ita lic a nd<br />

uniledine a nd morel<br />

mini Office<br />

THE PERFECT ALL-IN PACKAGE FOR YOUR HOME Oft BUSINESS<br />

\\team<br />

I ) / I<br />

• Incredible GRAPHICS with more than 18 types of graphs<br />

and charts available to brighten up your presentations or make<br />

your month by month financial situation as easy to appreciate<br />

as possible_ You can even make use of eye-catching 3D effects!<br />

yid<br />

!.<br />

k<br />

1<br />

Claphiss: Enter data directly<br />

or load Orom the spreadsheet<br />

or database; produce pie<br />

charts with e xplode d<br />

segments; display bar charts<br />

side by side or sta cke d;<br />

overlay your graphs on an<br />

Imported IFS pscture; add<br />

30 view; add text or lines...<br />

and morel<br />

Europa House, Acilington Park, Macclesfield, Cheshire SKI() 4NP, Tel: 0625 859333<br />

•<br />

• A flexible SPREADSHEET with more than 50 functions,<br />

simplifying the most complex domestic monthly budgets or<br />

commercial cash flow forecasts.<br />

• A supremely friendly DISC MANAGER to make using your<br />

<strong>Amiga</strong> as painless a task as possible.<br />

Database: Build up a<br />

versatile ca rd I nde x<br />

;incorporate up to 5 0 fields<br />

with 7 0 characters each, use<br />

search and replace to modify<br />

data, do powerful multi-field<br />

sorting, perform arithmetic<br />

functions,. a nd morel<br />

-<br />

)<br />

1<br />

1<br />

Disc U tlI I tI e i Avoid thr<br />

contusion of Workbe nch,<br />

create bootable files, format<br />

discs, copy files from disc to<br />

disc, make directories; delete<br />

and re na me file s, ma ke<br />

multiple copies of your discs...<br />

and morel<br />

Spreadsheet: Prepare<br />

budgets or tables, a lte r<br />

column widths, insert or<br />

delete columns, cut and<br />

paste data, lock blocks,<br />

choose from ove r 5 0<br />

functions_ and morel


l o: r1i 0 he CD32 always had one thing going<br />

f<br />

r<br />

o<br />

most profound step forward in technological<br />

history and perhaps even a little cynical<br />

with its 1200 innards with attached CD<br />

i t drive, the console was and still is, albeit with<br />

. an ever dwindling supply. in the shops.<br />

D e Compared to some of the heady spec-listed<br />

s pdelights<br />

of the 300, Jaguar, Sony<br />

i<br />

e<br />

n<br />

o<br />

t<br />

b<br />

e<br />

t PlayStation, Sega Saturn, Nintendo Ultra 64<br />

and so on, the <strong>Commodore</strong> machine is looking<br />

positively Jurassic.<br />

While most of the above machines are not<br />

yet available, there's enough food for thought<br />

there to make one wonder if the soon-to-be<br />

reborn <strong>Commodore</strong> should even bother with<br />

the console market and concentrate their<br />

i<br />

n<br />

g<br />

e<br />

x<br />

a<br />

c<br />

t<br />

l<br />

y<br />

t<br />

h<br />

e<br />

R&D on what they do best - making home<br />

computers.<br />

With the likes of Panasonic. Sony and<br />

Sanyo moving in to the gaming arena flexing<br />

their rather financially well-developed muscle,<br />

a company like <strong>Commodore</strong> which, as we all<br />

know is having a rather difficult time of it at the<br />

moment concerning cash flow. may well be on<br />

a position, even with a new buyer, where they<br />

simply can't compete.<br />

Up until last year, the market-place was<br />

dominated by Nintendo and Sega but with<br />

huge corporate industries swooping in to<br />

clean the market place up, what real hope has<br />

the CO32 got in the grand scheme of things?<br />

While the console is doing well in Britain,<br />

the market here is small fry compared to the<br />

all important US and Japanese sectors where<br />

the real money is made.<br />

Another argument is the kind of software<br />

that is available for the machine. While David<br />

Pleasance of <strong>Commodore</strong> UK may well<br />

• be telling us that there are plenty of CD32specific<br />

titles winging their way to the grey<br />

lunchbox, punters in the meantime are consistently<br />

having to put up with the usual port<br />

overs from the A500 and 1200.<br />

The words FMV ring out in defence but<br />

alas, nothing has appeared across any format<br />

to warrant the splashing out of the extra cash.<br />

Okay, this leaves us with the apparently huge<br />

market for music and video CDs that can be<br />

plugged straight in to your machine.<br />

This may well be the best hope for the<br />

<strong>Commodore</strong> machine but again, is it enough<br />

with a household that usually boasts a video<br />

recorder and stereo system anyway?<br />

For a CD32 with FMV, it'll end up costing<br />

The 111<br />

-<br />

te<br />

am<br />

EDITOR<br />

TECHNICAL EDITOR<br />

MT EDITORS<br />

NEWS EDITOR<br />

PRODUCTION EDITOR<br />

STAFF WRITERS<br />

ADVERTISING MANAGER<br />

AD SALES<br />

AD SALES<br />

AD PRODUCTION<br />

MARKETING MANAGER<br />

PRODUCTION MANAGER<br />

SYSTEMS MANAGER<br />

Paul Ainbel •<br />

Stove White<br />

Tyra LeCIVI<br />

Terry Thiele<br />

Adam<br />

Judith Chapman<br />

Jonathan PhuMods<br />

Simon Clays<br />

Adam Phillips<br />

Tina Hackett<br />

Simon Lees<br />

Jane NormIngton<br />

Sue Housefield<br />

Barbara Hawa<br />

ii<br />

Lucy Diner<br />

Sandra Childs<br />

David Stewart<br />

CIRCULATION DIRECTOR<br />

COMMERCIAL DIRECTOR<br />

DISTRIBUTION<br />

SUBSCRIPTION<br />

EDITORIAL<br />

(on5olp too far?<br />

David Wren<br />

Denise Wright<br />

COMAG 10114 444055<br />

051-3512461<br />

Mee-eer ei the Aosta Boras of CirWatiOrli<br />

54,305<br />

Par-Dec 1993<br />

Publithed by Eurooress Pubkciootta Lid<br />

Europa Horn. Adington Pi*<br />

Matdested 51(10 41P<br />

Tel. 0625 M e n<br />

For 0615 850652<br />

<strong>Amiga</strong> Computi•g<br />

OCTOBER 1994<br />

fidam 85115 what kind<br />

ill future the 1032 (du &Mt<br />

in the h811d5 iif Me laming<br />

multkortwrate tompetitwa..<br />

round E450 plus money for a decent set of<br />

Speakers to gel the most out of the image<br />

and music-playing facilities.<br />

So with all this negative reinforcement,<br />

what can <strong>Commodore</strong> do once it's found a<br />

buyer? Let's say that the most likely option of<br />

a management buyout does go ahead -<br />

there will be very little money for continuing<br />

production lines, let alone sinking cash in to<br />

R&D.<br />

How can the once great company that<br />

used to steal the limelight on the small amateur<br />

dramatics stage of computing face the<br />

full blown, all dancing and singing production<br />

of some of the largest companies on the face<br />

of the planet?<br />

FRUITFUL<br />

By concentrating on what <strong>Commodore</strong> do<br />

best - home computers. Whether sailing on<br />

the sweet breeze of success or drowning in<br />

the choppy seas of the ill-fated DOS attempt,<br />

the <strong>Amiga</strong> range in Europe has continually<br />

been buoyant and fruitful.<br />

Indeed, could the CD32 turn in to another<br />

hopping-on-the-bandwagon disaster where<br />

<strong>Commodore</strong> simply don't have the financial<br />

clout to get their product seen or heard<br />

about,<br />

The CD32 may well hold the market share<br />

In the UK over the Mega CD and PC CD-<br />

ROM but, in real terms, the market-place is<br />

tiny at the moment.<br />

Take your average home computer buyer.<br />

CHAIRMAN Orie ls Megan<br />

MANAGING DIRECTOR I a n Riournie0d<br />

We regret Amp C7npuong cannot aer technical nelp<br />

on a personal bass either by telephone or in writing. Al<br />

reader enqunes should be subnuoted to the address .n<br />

this panel for possible publication<br />

<strong>Amiga</strong> <strong>Computing</strong> s MI independent reihiration ond<br />

<strong>Commodore</strong> &seers Machines Ltd oir not resocosble for<br />

tiny of die miles An EM flue of for ert oldie openos<br />

etPressetl<br />

©1994 Europress Publications Ltd. No material may be<br />

reproduced in whcie or in part without written petrel -<br />

Pon While every care is taken, the publishers Orilla<br />

be held legally reportsibe ke any errors in articles,<br />

listings or advertisements<br />

When they wander down to the nearest<br />

Dixons, they no longer have a choice. With<br />

the Atari ST and Falcon well and truly buried<br />

under a heap of bad management and diabolical<br />

marketing, it has left <strong>Commodore</strong> in a<br />

prime position for tempting the low-price<br />

bracket buyer.<br />

You have a choice, Either cough up over<br />

El .000 for a PC that may be redundant in<br />

three years unless you splash Out more<br />

money on a mother board upgrade, or buy<br />

an inexpensive home computer that can<br />

word process, DTP, play games and has<br />

consistent and impressive software support<br />

- the Al200 and beyond.<br />

With this lack of competition and possibilities<br />

for a potentially huge customer base,<br />

<strong>Commodore</strong> is in an ideal and enviable position<br />

where they already have a strong reputation<br />

for quality. durability and boast excellent<br />

European distribution. With the allimportant<br />

and precious cashf low, this seems<br />

to be the Only logistical path for the company<br />

to follow_<br />

Who can touch them with computers for<br />

under E400? The answer. Not Sony, not<br />

Panasonic, not Hewlett Packard - in fact,<br />

nobody, Give up the console ghost - the<br />

competition just moved Out of the playground<br />

and in to the battle field where only<br />

the cash-loaded, PR-pumped strongest<br />

survive.<br />

e<br />

P<br />

U<br />

For six years Amigo Co tuning has been the lea/mg<br />

B<br />

magazine kw <strong>Amiga</strong> enthusiasts. As a bey member of<br />

the LEuropree<br />

magazine group, Amigo <strong>Computing</strong><br />

promises I to lidorm, educate and entertain us readers<br />

each Cmonth<br />

with the most dedicated coverage of the<br />

<strong>Amiga</strong> available<br />

A<br />

I lout Teabionpeon<br />

(39 91 900, L51.95 (EEC) 111.95 piece)<br />

Ongoing gaeetelty dime debit At 49 IUXeniy,<br />

i<br />

Printed o and bound by 8PC magazines (CarlialW Lid<br />

A roomber of The British Printing Company Lid<br />

N<br />

s


•<br />

a •<br />

•<br />

% •<br />

1.<br />

WORL F<br />

. 'AMIGA COMPUTERS<br />

• •<br />

•CDE<br />

•<br />

a<br />

R •<br />

•<br />

a CD1200 169.95<br />

M<br />

CDI200 Features:<br />

• Supports Mitsumi LL-005s, FX-00 Ids & FX-00 Id CD-ROM<br />

Drives<br />

• Supports both <strong>Amiga</strong> A600 & A 1200<br />

• FIncludes ISO 9660 File Systems<br />

• Includes PlayCD utility for audio CD operations<br />

•<br />

a<br />

•<br />

•<br />

•<br />

a<br />

Tandem CD + IDE Controller for <strong>Amiga</strong><br />

A1500, A2000, A2500, A3000 & A4000<br />

O<br />

NEW PRODUCT<br />

The new Tandem Card is a multifunction controller for the<br />

A1500 to A4000 Computers. The Tandem card supports<br />

Mitsumi CD-ROM and also IDE Hard Drives. A supreme<br />

value, the Tandem Card provides the most economical<br />

CD-ROM Rand mass storage solutions.<br />

Tandem Features:<br />

• All features as above plus supports SyQuest removable media drive.<br />

, presents ,<br />

4 • a<br />

• •<br />

.tle! • • a s l n k i a a , ; , , •<br />

PCMCIA External CD-ROM<br />

Controller for <strong>Amiga</strong> A600 & Al200<br />

NEW PRODUCT<br />

The new CD1200 is a PCMCIA Mitsumi CD-ROM controller<br />

unit for the <strong>Amiga</strong> A600 and Al200 computers.<br />

The CD1200 supports the Mitsumi LU005 CD-ROM<br />

Drive and the Double Speed 0(001 CD-ROM Drive. Both<br />

Drives support extended architecture CDs, including<br />

Photo-CDs and MultiSession Capability. A CD) 200 packaged<br />

with a Mitsumi CD-ROM Drive offers the MOST<br />

economical solution for the <strong>Amiga</strong> A600 and Al200 computers.<br />

• Automatic software installation<br />

• Compatible with Workbench 3.1 CD Files Systems. BABE CDFS.<br />

ASIM CD-ROM File Systems<br />

• Supports MultiSession<br />

• Requires Kickstart 2,04 or above<br />

I<br />

a • •<br />

126 Fore Stmeet., Upper Edvionion,London.N18<br />

2AX:<br />

Tel: 081-345 6000 , 081-34:5 6868,<br />

a* • a •<br />

1,'•',4•<br />

1<br />

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Tandem'<br />

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Mitscapi;Double Speed CD-ROMS169.99 • 09.05.<br />

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COMPUTERS<br />

<strong>Amiga</strong> A600 E 1 9 9 . 0 0<br />

<strong>Amiga</strong> Al200<br />

New Combat Pack<br />

Al200 E329.00<br />

Al200 with 127HD E539.00<br />

Al<br />

£589.00<br />

-Al200<br />

with 340HD E739.00<br />

2<br />

0 <strong>Amiga</strong> Al200<br />

Race 1<br />

0<br />

Al200 n stand alone £ 2 8 5<br />

w<br />

A I 200 1 with 12711D £489.00<br />

i<br />

Al200 Cwith h 200HD £539.00<br />

tAl200<br />

with 340HD £689.00<br />

a s<br />

h<br />

e<br />

2 A4000 Computers<br />

P<br />

0 A4000/030 EC<br />

04Mb<br />

RAM a OHD 11879.00<br />

c<br />

H4Mb<br />

RAM 214HD 11989.00<br />

k<br />

14Mb<br />

RAM 540HD E1279.00<br />

)<br />

A4000/040 LC<br />

6Mb RAM OHL) 111459.00<br />

6Mb RAM 214HD £1620.00<br />

6Mb RAM 54OHD 111869.00<br />

A4000/040 TW<br />

6Mb RAM OHD E 1 8 5 0<br />

6Mb RAM 2I4HD £1980<br />

6Mb RAM 525 SCSI H1)12250<br />

6Mb RAM IGb SCSI HDf2550<br />

RAM for A4000<br />

1Mb 32 Bit 1 3 9 . 9 5<br />

2Mb 32 Bit E 6 9 . 9 5<br />

4Mb 32 Bit E 1 4 9 . 0 0<br />

F<br />

20MHz C.35A00<br />

33MHz 09.00<br />

40MHz 11114.00<br />

50MHz £157.00<br />

Repair service<br />

New service/centre for most <strong>Amiga</strong> computers. We<br />

offer a quotation service of 110 for which we will<br />

examine your computer and report back with an exact<br />

quotation price for the repair. I f the repair is carried<br />

out the (10 is then deducted from your bill_<br />

•<br />

1<br />

'LARD DRIVES<br />

Al 200 7<br />

.5" 65Mb £ 1 3 9<br />

Inte 85Mb £ 1 5 9<br />

rnal I '20Mb £ 1 9 9<br />

I200Mb<br />

D<br />

E<br />

£ 2 3 9<br />

All come with 15" IDE cable & software<br />

A500 & A500+ A1500 A2000<br />

A3000 & A4000 Hard Drive<br />

ALFA DATA IDE Controller for A500 &<br />

A500+ A I 51)0. A2000. A3000 & A4000<br />

with 8 Mb RAM option for standard 2.5"<br />

or 3.5" PC IDE compatible Hard Drives<br />

Controller only E 8 9 . 9 9<br />

40Mb with controller _1179.00<br />

65Mb with controller -..C2.09.00<br />

85Mh with controller _1259.00<br />

120Mb with controller .1279.00<br />

170Mb with controller .1299.00<br />

250Mb with controller .1329.00<br />

340Mb with controller .1379.00<br />

540Mb with controller .1499.00<br />

OKTAGOON 4008 SCSI -2<br />

CONTROLLER FOR A1500,<br />

A2000, A3000 & A4000<br />

HARD DRIVE<br />

Controller only E 9 9<br />

170Mb with controller ..E299A00<br />

340Mb with controller .1399.00<br />

540Mb with controller .1549.00<br />

I.8Gig with controller £1399<br />

MULTIFACE CARD 3<br />

A2000, A3000 & A4000<br />

2 additional serial ports and 1<br />

parallel port E 9 9 . 0 0<br />

1 Multi 1/0 card for <strong>Amiga</strong><br />

How to order<br />

When ordering by telephone please quote your credit card number<br />

followed by the expiry date and also your full name and address. If<br />

paying by cheque please make it payable to Gasteiner Technology.<br />

In any correspondence please quote a phone number and also a<br />

postal code, please allow five working days for cheque clearance.<br />

-MONITORS<br />

- - - - . . -<br />

Microvitec 1438 £279.00<br />

Sharp TV Monitors £169.00<br />

PII:tIN RS<br />

Canon<br />

B.110 E 1 8 4 . 9 9<br />

131200 £ 2 3 9 . 9 9<br />

Hewlett Packard<br />

310 £ 2 4 9<br />

520 1 1 2 4 9<br />

560 £ 4 7 9<br />

4L £ 5 9 9<br />

Citizen<br />

ABC Mono £ 1 4 9<br />

Swift 90 £ 1 3 9<br />

Swift 240 £ 2 2 9<br />

Swift 200 £ 1 8 5<br />

DISK<br />

Amitek 3.5" £ 5 8 . 0 0<br />

Power 3 5" £ 5 2 . 0 0<br />

A500 f 4 5 . 0 0<br />

A2000 f 4 5 . 0 0<br />

EPSO CANNERS<br />

GT 6500 £ 5 9 9 . 0 0<br />

GT 8000 1 1 8 4 9 . 0 0<br />

Feeder f 3 9 9 . 0 0<br />

Image FX £ 9 9 . 0 0<br />

VIP! R030<br />

Viper Stander E159.00<br />

Viper 7<br />

Mb Viper 4Mb £ 2 9 9 . 0 0<br />

Viper £ 28Mb<br />

£ 4 6 0 . 0 0<br />

3 9<br />

.<br />

Delivery 0 0 charges<br />

Small COMUlnables and software items under the Ve it* of E59 please add 1350 P&P_<br />

Other items above £59 please add EIO courier service Offshore and highlands, please caa<br />

for a quotation I n addition. we offer the following express seceicey. Saturday delivery<br />

normal rate plus EIS per box, Morning, next day normal rate plus Ell) per box, EWE<br />

prices subject to change without prior notice. M I trademarks acknowledged<br />


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RANI for A600<br />

I Mb with clock E 3 4 . 9 9<br />

I Mh without clock E23.95<br />

RANITor Al200<br />

Plug straight into Al 200 tnipdoor<br />

Upgradeable FAST RAM I, 2, 4 or<br />

8Mb<br />

Three types of FPU<br />

1 Mb 0 9 . 0 0<br />

2Mb E 1 1 5 . 0 0<br />

4Mb E 1 6 9 . 0 0<br />

8Mb E 3 8 9 . 0 0<br />

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25MHz 0 5 . 0 0<br />

33MHz 0 9 . 0 0<br />

40M Hz E 1 3 9 . 0 0<br />

SIMMS Kir GYP<br />

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4Mb E l 49.(X)<br />

45522.21,91_ RANT<br />

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I Mb E 2 5 . 0 0<br />

PCNICIA CARDS<br />

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EXrANOER<br />

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OPTICAL MOUSE<br />

300DPI Optical Mouse with<br />

Optical mat<br />

E29.95<br />

OPTICACKN,MOUSE<br />

A stylish optical pen mouse<br />

E34.95<br />

200 DPI MOUSE<br />

A good quality 200 dpi mouse<br />

E6.99<br />

TRACKBALL<br />

Stylish three-button trackball<br />

E29.95<br />

EducJtioua<br />

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Colour Wallet for all <strong>Amiga</strong> Computers<br />

NEW from Alfa Data<br />

- Complete with scanning software<br />

265K 18- £339.00<br />

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400 DPI NIOUSE<br />

Alfa Data 400 DPI mouse<br />

03.95<br />

MOUSE/JoYSTItK<br />

-<br />

SWITCH<br />

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E12.95<br />

— SC — ANNE0<br />

- VIP<br />

7<br />

-<br />

Alfa Data 256 scanner for all<br />

<strong>Amiga</strong> computers. Includes Touch<br />

Up software & OCR software<br />

E139.00<br />

Minimum 2mh RAM & Hard Drive<br />

All New 800 DPI hand scanner<br />

for ALL <strong>Amiga</strong> computers.<br />

only 019.00<br />

Power Scanner<br />

Powerscan 4 mono E119.00<br />

Powerscan 3 Mono E99.00<br />

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AN AMIGA CD. CDI 200, (PTV L & CD32 ppmcATtcr<br />

CONTENTS<br />

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OVER 10,000 FILES<br />

500 24 BIT IMAGES<br />

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195 BITMAP FONTS<br />

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ALSO IN HAM8 & HAM F 107 ADOBE FONTS<br />

1308 COLOUR CLIP ART<br />

2139 MONO CLIP ART<br />

R80<br />

POSTSCRIPT FONTS<br />

79 CC FONTS<br />

93 SCALEABLE CLIPS<br />

750 MUSIC MODULES<br />

214 ICONS<br />

2300 SAMPLES<br />

& MUCH MORE<br />

ONLY t 19.95<br />

Network CD<br />

SIMPLE NETWORKING TOOLS FOR AMIGA CD<br />

The Network CD sets up a link between a CDTV or CD32 and any other<br />

<strong>Amiga</strong>. The CD32 or arrv acts as a remote drive for your <strong>Amiga</strong>, allowing<br />

;iress to the vast pool Of data available on Cl) Rom. The CD32 cable also<br />

ilable uses the AUX socket of the CD32 and comes complete with it<br />

.• board pass through. thus still maintaining the ability to connect FMV or<br />

! :111dons. Network Cl) sets up a Workbench environment and disables the<br />

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Pamet t & Sernet<br />

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LIBRARY ON COMPACT DISC<br />

The Official Amos PD Library is dr Largest source of<br />

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Fhe Ls endorsed by Europmss Software, the pubLisliers of<br />

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fi lm 100 sprite banks. 200 Clem Kinks, 800<br />

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Over 550megs of Clip Art for <strong>Amiga</strong>s A complete CD dedicated to Fonts for<br />

and PCs. The most comprehensive the <strong>Amiga</strong> range of computers. Also<br />

collection of Clip Art ever for the PC compatible. The following formats<br />

<strong>Amiga</strong> range of computers. In<br />

s ai<br />

ptotal<br />

over 26,000 tiles. The following<br />

P n na<br />

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Bitmap, Coloured Iff Bitmap, Proclips.<br />

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W a af<br />

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Coloured. Postscript. Prodraw, IFF,<br />

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and GDOS. Adding up to the most<br />

complete CD of Fonts for the <strong>Amiga</strong><br />

ever. In total over 18.000 files in 900<br />

DPaint All ready to use and easily rd<br />

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A double CD pack containing over<br />

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h on<br />

s The contents include Modules. Sonix Scores.<br />

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iw<br />

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Amos CD


De-archluing application5 Workbench 2.0 and abouL<br />

Don't target<br />

d<br />

to inse rt a<br />

blank disk at<br />

the prompt<br />

and below*<br />

i<br />

Always boot from your CoverDisk when dearchiving<br />

applications. The installer programs<br />

can be located via the install icon<br />

with the appropriate name in the<br />

WB_2&3_0nly drawer.<br />

The de-archiving procedure has been<br />

much improved and now combines the<br />

power of the official <strong>Commodore</strong> installer<br />

program with that of Workbench 2.0 and 3.0.<br />

The installer program is designed to be<br />

powerful yet simple for the beginner and<br />

features a user-friendly interface allowing<br />

you to de-archive programs with a minimum<br />

amount of fuss. The installer programs for<br />

Workbench 2 and 3 users can be located via<br />

the icons named:<br />

nq<br />

rievelfprogram sue]<br />

Initsiltrt 4<br />

To run, simply double click on the icon<br />

which will load up the installer program<br />

Using the Installer<br />

Ignore the buttons that appear when the<br />

installer program boots up and simply click<br />

on the Proceed button The program will<br />

then copy the necessary files to RAM<br />

Once this has finished it will inform you<br />

that it is about to format a disk in DR. Click<br />

betstbatos OM kin<br />

Disto14 te• Ima4<br />

I trotose t• lastill<br />

Don't worry about the installer options.<br />

Simply click on the Proceed button<br />

pressing<br />

Pr000011<br />

Always boot from your CoverDisk when de-archiving<br />

applications. The installer programs can be located via<br />

the install icon with the appropriate name in the<br />

WB_1.3_0nly drawer.<br />

Ingetaprogram ntool_1.3<br />

eg:<br />

1<br />

Inst4IlPFNJ.3<br />

1<br />

1<br />

When you load up the 1.3 installer the program will first<br />

prepare itself<br />

1<br />

ready to de-archive the program to a<br />

,<br />

1<br />

.<br />

1 llII:V=.tn;S:trZltrLitrZ r<br />

1 Atte r<br />

inserting e a<br />

blank disk<br />

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prass y to<br />

continue Or<br />

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on Proceed. at which point you will be told<br />

to insert a blank disk ready for formatting.<br />

Once you have clicked on Proceed, the<br />

installer will indicate that it is formatting the<br />

disk in NO. When this has finished, click<br />

on Proceed again to start the de-archiving<br />

procedure. When the application has been<br />

de-archived you will be told where the dearchived<br />

files are. Click once again on<br />

Proceed to finish.<br />

If at any time you are unsure as to<br />

whether you want to continue installing, you<br />

can click on the Abort Install button<br />

Occasionally, utilities may need to add<br />

instructions to your User-Startup file located<br />

in the S directory so that they will function<br />

correctly. If you want to add the instructions,<br />

click on Proceed when prompted.<br />

The Workbench<br />

2.0 and 3.0<br />

installer icon<br />

Any<br />

commands<br />

that need to<br />

be added to<br />

your User-<br />

Startup can<br />

be done with<br />

the pre ss or<br />

a button<br />

--- The Files drawer contains<br />

all the utilities<br />

set up so that you<br />

can use them from<br />

the CoverDisie A<br />

Games drawer is also<br />

provided so that you<br />

can play these immediately.<br />

If you want to<br />

Install the games<br />

make sure you copy<br />

all the necessary files<br />

across as listed in the<br />

CoverDisk pages.<br />

Op-archluing appl1cation5<br />

Ilarkinnch 1.3<br />

blank clisk(s). You will then be asked to insert a disk to<br />

be formatted into DFO and either press y to continue or<br />

n to abort.<br />

Provided you answer y, the disk you insert will be<br />

formatted and the application de-archived.<br />

Installing utilities<br />

You should first run the MakeUtilitiesDisk_l .3 to formal<br />

a blank disk called ACUtilities which will be used to<br />

store any utilities you eventually install.<br />

This disk can be used with future CoverDisk utilities<br />

until it becomes full. The MakeUtihtiesDiskl.3 program<br />

will be a permanent feature of the CoverDisk.<br />

To install any utilities, boot your machine with your<br />

CoverDisk inserted in DFO. Utilities can be installed by<br />

clicking on their install icon found in the appropriate<br />

drawer in the WB_1.3_0nly drawer. You cannot specify<br />

their destination and any additions to the Startup-<br />

Sequence must be done manually.<br />

When installed the utilities are copied to a drawer<br />

called ACUtils on the ACUalrties disk.<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

You can<br />

easily insta ll<br />

documents a nd<br />

creat• new<br />

drawer thanks<br />

to the installer's<br />

user•triendly<br />

interlace<br />

DISK<br />

etting<br />

The Igll:ga Igillgut/17g [Mask 15<br />

&Awed to be d5 51171filP tii U52 d5<br />

00551b12 Follow them 1115tfUrtifil75 and<br />

111101 be Ull and running in no time!<br />

We have now managed to fix the problem<br />

with <strong>Amiga</strong>DOS displaying a "disk<br />

is write protected" requester when a<br />

write-enabled disk is inserted. Just<br />

make sure you insert a blank disk<br />

when the installer programs tell you -<br />

and not - o r after.<br />

Installing utilities<br />

The procedure for installing utilities is much<br />

the same as installing applications, except<br />

that you can boot from your hard drive or<br />

Workbench disk. As utilities don't need to be<br />

de-archived, you are asked to specify a<br />

directory on your hard drive or Workbench<br />

disk where you would like to install them.<br />

If you don't want to install to the default<br />

directory you can change it by clicking on<br />

Change Destination. The Show Drives button<br />

will allow you to select a new device and<br />

directory. You can create a new drawer for<br />

your utility to go in by clicking on the Make<br />

New Drawer button and typing in the name.<br />

You can also make a utilities disk by running<br />

the MakeUtilitiesDisk1.3 program located<br />

in the WIE3_1.3_only drawer and installing<br />

your utilities to here_ At times you may be<br />

asked if you want to install a utility's documentation.<br />

A tick box indicates that the documentation<br />

is selected for inclusion, but you<br />

can click on the box to ignore it or simply<br />

click on the Skip This Part button.<br />

The utility installer programs can be found<br />

in the appropriate program drawer in the<br />

WB 2&3_0nly drawer.<br />

tflott.ltooloI s<br />

littliteloo armor to ram Ow<br />

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COI/ ERDISK<br />

_ o r e<br />

stunning graphical images, whether<br />

20 or 3D, you will know what a<br />

f time-consuming task it is drawing natural<br />

y o ulooking r images such as clouds, rock, water<br />

f a v etc. o<br />

u r i t Thanks to The Soft Alternative, <strong>Amiga</strong><br />

e Computmg has supplied 19 superb, photo-<br />

p<br />

s<br />

m<br />

i<br />

s<br />

a<br />

t<br />

e<br />

realistic images taken from a variety of subjects.<br />

i<br />

Using these images with your favourite<br />

graphic applications, you can breath new life<br />

into your designs, creating realistic maws in<br />

half the lime,<br />

c<br />

e<br />

r<br />

The textures have been compressed in<br />

a Jpeg format so that they can fit onto our<br />

t i CoverDisk. Therefore you will need a<br />

n g suitable Jpeg viewer to view them.<br />

As they are in 24-bit format, non AGA<br />

owners will need to have a 24-bit card to<br />

view them. However, we have also supplied<br />

a superb program called HAMLabPlus on<br />

CoverDisk 2 which you can use to view the<br />

images and change them into a format your<br />

applications can load,<br />

Just follow the instruction given for<br />

HAMLabPlus to see how you can use your<br />

textures.<br />

We have supplied a variety of images<br />

encompassing natural elements, as we<br />

believe these are the most difficult to emulate.<br />

These include clouds, water, rock,<br />

sand, space and landscapes.<br />

The textures are primarily of use to those<br />

interested in 3D rendering, but they work just<br />

as well as backdrops or brushes in Deluxe<br />

Paint, Brilliance, Personal Paint and other<br />

20 applications.<br />

So that we could fit so many of these textures<br />

on the disk, they have been cornpressed<br />

with a greater ratio than that of the<br />

original images. So, if you decide to upgrade<br />

to the full package, you can expect to<br />

receive images of a higher quality than the<br />

ones supplied here.<br />

The image bank<br />

This box demonstrates<br />

all the images supplied<br />

on our CoverDisk. If you<br />

cannot view the images<br />

on your <strong>Amiga</strong>, choose<br />

the ones you wish to use<br />

from here and then load<br />

them into HAMIabPlus to<br />

be converted. This will<br />

save you having to load<br />

each one in order to see<br />

what they look like.<br />

<strong>Amiga</strong> Compultlag<br />

OCTOBER 1994<br />

bonimim momb Ammo .011m•dolohnmemlo ..o.•—•<br />

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55


111:5115<br />

FlEd upgrade<br />

Steve Smith, the creator of Ft Ed given away on<br />

the September issue, has informed us that the program<br />

will not function correctly on the A600 The<br />

Wild, Weird and Wicked pack version of Formula<br />

One Grand Prix_ Therefore, he has kindly offered<br />

an upgraded Fl Ed program for a nominal fee.<br />

For just E5 you will recieve a version of FlEd<br />

that is totally compatible with the aforementioned<br />

A600 pack, and includes new features such as the<br />

ability to change the costume colours of your pit<br />

crew, use a database of real driver's lap times to<br />

calculate the team and dnver performance figures<br />

and the ability to edit the zoom and angles used on<br />

the external views cameras<br />

This will also qualify you as a registered user.<br />

recieving new updates as and when Steve corn-<br />

Metes them_<br />

Please make your cheques or postal orders<br />

payable to Stephen Smith and send them to 34,<br />

Wolsey Drive. Kingston Upon Thames. Surrey,<br />

KT2 50N. Please do not phone or write to Steve<br />

regarding problems with Ft Ed.<br />

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pathneme For e the tillers in the Conlisturntio. a men. l<br />

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COVERDISK<br />

We apologise for the problems readers have been having with the Scroller2<br />

program, but unfortunately duplication caused an error whereby the program<br />

would not work with the addition of Fast RAM,<br />

Fortunately, we now have a bug fix which you will find on Covertlisk 2<br />

entitled Scroller2Fix, Run this program and when told to Insert volume<br />

insert your Scroller2 disk.<br />

After a short while of disk swapping, the process will finish and you will<br />

be able to use your Scroller2 disk without the need to remove your Fast<br />

RAM.<br />

If you have a second drive you can insert your Scroller2 disk into OF1:<br />

and run the Scroller2Fix program from your CoverDisk in DR:. Apologies<br />

for any inconvenience caused.<br />

We would like to make it clear that the original Scroller2 program, as<br />

offered in the CoverDisk Upgrade advert, is totally compatible with Fast<br />

RAM expansions and we will be running our Scroller2 tutorial next<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

• a • a • a • S e l<br />

alOa .<br />

011•11 OOOOO I<br />

Oa sa S D • OOOOO<br />

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1111Mtalflu5<br />

Author: J. E. Hanway<br />

Sualer2<br />

HAIALabPlus has been included so that you<br />

can load, view and change the file format of<br />

the stunning 3D textures from the Soft<br />

Alternative which are free on CoverDisk 1.<br />

This means that you will be able to use<br />

them in your own programs such as Deluxe<br />

Paint, Imagine. ADPro and many other<br />

graphic applications.<br />

The textures are supplied in Jpeg formal<br />

as this format has extremely good compression<br />

ratios, while not sacrificing the original<br />

quality too much,<br />

As graphic applications do not support<br />

Jpeg we will need to use HAMLabPlus to<br />

change the picture format to something that<br />

can be used.<br />

When you first load HAMLabPlus you will<br />

be presented with the copyright information.<br />

Click on the close window gadget to load<br />

the program.<br />

You may get a requester stating that<br />

II-


COVERDISK<br />

Instaling HAMIalflus<br />

To install HAlitabPlus simply double-click on the InstailHANILabPlus<br />

icon. When the installer has loaded, follow the instructions to install<br />

the program to either a floppy disk or hard drive. If you are a 1.3 user<br />

you will need to install the program to your ACUtilities disk.<br />

I<br />

:<br />

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rat] I Li. F<br />

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0<br />

PIASALabPlus<br />

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1 FO_ELIL•1 f 1.51.122d<br />

'<br />

uses A very<br />

1<br />

Fril<br />

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user.triendiy<br />

E<br />

interlace made<br />

pn<br />

fir_L_I misail MEW ow% vomit ol buttons<br />

oi<br />

. oi<br />

i t a l l i t<br />

and gadgets<br />

— •.<br />

Willit& tr-<br />

E<br />

•<br />

L<br />

-F<br />

there • are no input or output filters. OK this<br />

1111 v<br />

requester P<br />

b<br />

1<br />

and the first thing we will do is to<br />

select P•<br />

our filters for future use_<br />

26111 P 1<br />

1<br />

7 From the main display click on the<br />

Configuration •,<br />

T<br />

button. This will display a win-<br />

•1<br />

dow<br />

•<br />

1 showing certain attributes about the<br />

program. = Where it reads Filters: type in the<br />

•<br />

following:<br />

1<br />

,<br />

1<br />

If • you are running from the CoverDisk<br />

•<br />

•<br />

AeigsCompotinufiLestIONLobtivsffitters<br />

II you are running from a disk. HAMLabPlus<br />

If you have ever wanted to attach sound effects to<br />

certain keyboard events you need Noisome.<br />

Noisome effectively allows you to lock sound<br />

samples to certain actions performed on the input<br />

devices of your <strong>Amiga</strong> - the keyboard, mouse and<br />

disk drives.<br />

As well as this it also allows you to decide<br />

exactly how your sound samples are played by<br />

using a totally intuition interface made up of clearly<br />

labelled buttons and gadgets<br />

When you first load Noisome a system requester<br />

will appear telling you that the file S:Noisomeprels<br />

could not be read. This is because we haven't yet<br />

defined a preferences tile for the program, so for<br />

now simply click on the OK gadget. When Noisome<br />

.<br />

1<br />

4<br />

,<br />

6<br />

Author: David Larsson<br />

Workbench 2 and above only<br />

= g 7<br />

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Noleome will allow sour <strong>Amiga</strong> to play selected<br />

sound samples when ceetairt events occur<br />

hbt<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

1<br />

Lei a n o s s<br />

a i<br />

t s i o r<br />

In order to use<br />

m<br />

the<br />

i l<br />

JD<br />

m<br />

textures you<br />

e a<br />

should change the output mode to a<br />

&unable screen mode<br />

has been installed to:<br />

HA111161<br />

,<br />

1 us<br />

This is because when you install<br />

HAMLabPLus the filters are copied into the<br />

same directory as the main program.<br />

Now click on the Scan Filters button, at<br />

which point the input and output filters will<br />

be loaded. Next select Save All and click on<br />

OK in the file requester. The next time you<br />

load HAMLabPlus the filters should load<br />

successfully.<br />

Insert CoverDisk 1 3DTextures - and<br />

click on the Open button on the<br />

HAMLabPlus interface. This will allow you to<br />

load the Jpeg textures. Select a file to load<br />

and click on OK.<br />

Once the picture has loaded it will be<br />

cropped to 512x512 as this is the demo version<br />

of HAMLabPlus - you will need to<br />

re. r<br />

4<br />

—<br />

_<br />

iLseise..e•<br />

1<br />

1<br />

All you need to do la _ molocr an event and<br />

then load an appropriate J sound sample<br />

.<br />

1<br />

•<br />

2<br />

!<br />

_<br />

1<br />

•<br />

,<br />

1<br />

.<br />

4<br />

,<br />

1<br />

0<br />

1<br />

eventually loads up you will be presented with the<br />

main interface, featuring a collection of buttons and<br />

switches Much of the interface is taken up by the<br />

selection window to the left. In here you will find the<br />

functions that you can attach sound effects to.<br />

Visible bell is the actual system alarm, key.<br />

Return (key), Space (bar), left mouse button, right<br />

mouse button, disk inserted and disk removed.<br />

Instaling noisome<br />

To install Noisome simply double-click on the<br />

InstallNolsome icon. When the installer has<br />

loaded follow the instructions to install the program<br />

to either a floppy disk or hard drive.<br />

n11461.4 ----<br />

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if 111 you I want CD good quality textures,<br />

1 WilitalC:.<br />

sm,_.1<br />

export them in 24-bit iFF PLUM -<br />

but watch their size<br />

register if you want the fully working version.<br />

To actually view the file click on the<br />

Display button. You can change the screenmode<br />

in which the file is displayed and<br />

saved by clicking on the Change Output<br />

Mode and selecting a suitable resolution.<br />

The Bit Planes 1, 2, 3, 4 and 5 refer to 2<br />

colours, 4 colours. 8 colours, 16 colours<br />

and 32 colours respectively. You can also<br />

change the type of dithering you require tot-<br />

colours that are not palette supported.<br />

Once you are happy with the screen<br />

mode ol your texture you can save it out as<br />

an IFF using the Save button. It you want<br />

the image saved in 24 bit IFF ILBM or other<br />

formats, click on the Export button. HAM<br />

mode pictures will be very large so watch<br />

your RAM. You can then select the directory<br />

where you would like to save your<br />

decompressed files so that you can use<br />

them in your tavounte graphics application.<br />

Probably the most effective option is the disk<br />

Inserted and disk removed. When a disk is inserted<br />

or removed from the drive a sample of your choice<br />

will be played. So how do you attach a sample to<br />

an option?<br />

Let's imagine that you wanted to attach a sample<br />

called Spring to the disk removed option. Firstly,<br />

select the disk removed option so that it is selected<br />

and then click on the Browse button to the right of<br />

the File gadget.<br />

In the tile requester select your Spnng sample<br />

and then click on Play to the right of the Sound<br />

gadget. You should hear the sample play.<br />

At this point you can effect how the sample plays<br />

by clicking the Filter on and off, changing the volume<br />

and clicking on the Channel button to specify<br />

the channel output.<br />

Once you are happy with your setting you can<br />

then save them as the S:Noisome.prets which<br />

failed to load earlier. From the Preferences menu<br />

select Save.<br />

This will save your current setting to<br />

S:Noisome.prels so that they can be loaded every<br />

time the program is run. If you now click on the<br />

Enable button at the bottom of the main interface<br />

your selections will be activated.<br />

Click on Hide to remove the interlace and now,<br />

whenever you eject a disk you should hear your<br />

sample playing.<br />

II you want Noisome to run automatically<br />

when you boot your <strong>Amiga</strong>_ you should<br />

drag the program via the icon into your VVbStartup<br />

drawer,


Author. Julian Wright<br />

Workbench 2 and above Only<br />

DiallingCodes is a great little utility written in Blitz<br />

Basic 2 that will allow you to trace those elusive UK<br />

STD and WI 'special' codes,<br />

DiallingCodes features an impressive array of features<br />

including knowledge of all 1, 2 & 3 figure<br />

International Dialling Codes (more than 170 countries);<br />

instantaneous display of information; type in code and<br />

get location; type in location and get code: displays<br />

time difference for International Codes: no need to type<br />

In full Town/Country name and Its fully multi-tasking<br />

To run DiallingCodes simply double-click on the<br />

icon and you will be presented with a small window<br />

and a string gadget. You can type the following in the<br />

gadget;<br />

UK SM Dialling Code - Returns the location<br />

UK Town or City -Returns the STD Dialling Code<br />

International Dialling Code - Returns the country and<br />

time difference<br />

Country - Returns the International Dialling Code and<br />

time difference<br />

You are not required to type in the full name of town.<br />

city or country names. If you type in just a few letters<br />

from the location the program will search its entire<br />

database for a match.<br />

II you are looking for a country with a known<br />

A snapshot file for use wrth the ZXSpectrum emulator<br />

given away on last months CoverDisk, AlioAlec<br />

is one of the all time greats written by the enviable<br />

Ultimate when the Spectrum was in its heyday.<br />

By now you should know how to run your snapshot<br />

tiles on the emulator, so let's go straight into<br />

the plot.<br />

You have been trapped in an evil, haunted castle.<br />

Your task is to find the hidden Golden Key of<br />

A.C.G and escape via your only exit, the Main<br />

Doors.<br />

The castle consists of live floors, including the<br />

Stoke sure<br />

you choose<br />

the riohl<br />

cheroots., for<br />

your typo of<br />

game or woo<br />

could *net up<br />

dead rasher<br />

quickly<br />

Author: Ultimate Play The Game<br />

a<br />

u<br />

4<br />

0<br />

,<br />

-<br />

at*<br />

Dialing(odes<br />

Use DlallktsCodes to brass Moss<br />

C061<br />

,<br />

1<br />

a n<br />

d<br />

in an international code you're after.<br />

sa<br />

r r i<br />

sit<br />

io<br />

n s<br />

t<br />

$ T D<br />

International Dialling Code, always type a plus sign (4)<br />

in front of the number so that the program knows it <strong>Is</strong><br />

For more information regarding DiallingCodes,<br />

please read the documentation provided by the author.<br />

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n<br />

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C<br />

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Instaling Dialing(des<br />

To install DiallingCodes simply double-click on the<br />

InstailDiallingCodes icon. When the installer has<br />

loaded, follow the instructions to install the program<br />

to either a floppy disk or hard drive.<br />

Hata(<br />

Atic and the caverns which contain countless<br />

rooms, Within the rooms you may find furniture,<br />

food, drink, objects, ghosts, ghouls and monsters.<br />

Eat and drink sparingly so that you do not deplete<br />

your food supply<br />

. Collect and utilise objects you fi nd to<br />

your best advantage: be wary of slamming doors<br />

and working trapdoors which will try to trap<br />

you, and avoid contact with all the ghosts and<br />

monsters.<br />

Each of the characters - Knight, Surf and Wizard<br />

- are armed with their own specific weapons, individual<br />

movement type and use of one set of secret<br />

passages, unbeknown to the others.<br />

Instaling [that&<br />

To install AticAtac simply double-click on<br />

the InstallAticAtac Icon. When the<br />

Installer has loaded, follow the instructions<br />

to install the program to either a<br />

floppy disk or hard drive. II you are a 1.3<br />

user will need to install AticAlac to the<br />

AcUtilities disk.<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

COVERDISK<br />

•<br />

al• Jo wta. oe<br />

lordrdihoonSor., t i •<br />

emu*, tor ma, woth<br />

ommi<br />

Elc•<br />

—<br />

•<br />

\tures<br />

Fault' j<br />

(ouPr0151i<br />

II you subscnoe to <strong>Amiga</strong> <strong>Computing</strong> and your<br />

.Okik does not work, please return it to:<br />

<strong>Amiga</strong> Cove rDisk_<br />

Europress Dire ct,<br />

FREEPOST,<br />

Ellesmere Port I-65 3 ED<br />

It you bough: your copy from a newsga<br />

and find that your CoverDisk is faulty, ple<br />

at return it to:<br />

PC Wise,<br />

Dowlais Top Busine ss Pa rk,<br />

Dowlais,<br />

Merthyr<br />

CF4<br />

,<br />

13<br />

2<br />

T<br />

Y Rick& (antrols<br />

AbcAtac can be controlled by Kempston<br />

or cursor joystick and keys Remember<br />

that a loystick plugged into the <strong>Amiga</strong>'s<br />

joystick port will act as a Kempston<br />

joystick,<br />

0 L e f t<br />

R i g h t<br />

D o w n<br />

U p<br />

F i r e<br />

Z or Symbol Shift P i c k up/drop<br />

Space or Caps Shift P a u s e<br />

11-


now open la te<br />

night We dne sda y<br />

& Thursda y<br />

till 7 3 Opm<br />

IF 117t<br />

COMPUTER 1 CENTRE<br />

OPEN . 7 DAYS A WEEK<br />

OPEN MON-SAT 9.30AM-5.30PM<br />

SUNDAY OPENING-I 1.00AM-3.00PM<br />

WEDNESDAY & THURSDAY<br />

Late Night Opening 9.30AM-7.30PM<br />

OPEN HALF DAY MOST BANS HOLIDAYS<br />

TELEPHONE LEEDS<br />

24 HOUR MAIL ORDER SERVICE<br />

0532 319444 94 IOUNESI<br />

FAX: 0532 319191<br />

SHOWROOM ADDRESS:<br />

DEPT. AC, UNIT 3, ARMLEY<br />

PARK COURT, OFF CECIL ST,<br />

STANNINGLEY RD, LEEDS,<br />

LSI 2 2AE<br />

HOW TO ORDER<br />

Order by telephone quoting your credit<br />

card Please make cheques payable to the:<br />

"FIRST COMPUTER CENTRE"<br />

In any correspondence please quote a<br />

phone number & post code. Do not forget<br />

to include the delivery tariff & Dept. code.<br />

Allow 5 working daysforchequeclearamce.<br />

•All prices include VAT © 17.5%<br />

•Large showroom with free parking<br />

•Overseas orders taken subject to status<br />

*Educational orders welcome<br />

'Established Multi million pound company<br />

UK MAINLAND<br />

DELIVERY TARIFFS<br />

"Standard Delivery ( 1 . 9 5<br />

"Guaranteed 2 to 3 day (week days)<br />

Delivery ....... . . . . . . . . - L2.95<br />

eGuaranteed Next Day (week days)<br />

Delivery ( 4 . 9 5<br />

First Comm Bulletin Board<br />

Why not place your orders on our new bulletin<br />

board. First Comm is not just a means of ordering, it<br />

also gives you ACCESS to read or download techolcai<br />

support film and advice.<br />

Tel. 0532 3 I 1422<br />

EASY ACCESS FROM 9462. M 1 and the A I<br />

MitiM611 A R M<br />

ARPO LO P<br />

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CD ROM Drives<br />

C O M P U T E<br />

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hoto CO's. Plugs into PCMCIA slot<br />

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• 265 Ms Access tins. • 155KB transfer rate<br />

S ) T e 1<br />

• 200Ms Access time • 330KB transfer rate<br />

TOSHIBA : XM4101<br />

385Ms Access time 5300KB transfer rate<br />

InternaLL 0 5 189.99 3 External1259.99<br />

2 3<br />

1 9 4 4 4<br />

A 1 200 OVERDRIVL i....D-RONI<br />

,S i Prima pica ill a• INAWIFIF • dtt mad Odd COW r Wit A PC LSO Pad<br />

NEC Multispin 2X1 IrItlenal t 167.99<br />

TOSHIBA XM340 I Internal E286.99<br />

Mitsumi F X00 I I 0 Dual Speed-L I 29.99<br />

Tandon IDE CD ROM Controller<br />

for use with Mitsumi only £64.99<br />

GYP A4008 SCSI controller L I 22.99<br />

AMIGA 500 Plus trade in offer<br />

If you spend L300.00<br />

more with us you can trade in an <strong>Amiga</strong> 500 Pi.<br />

tort I BO OG 'Your old <strong>Amiga</strong> must be in workii.v<br />

order complete with PS1.1 and modulator<br />

HARD DRIVES<br />

2.5" Hard Drives<br />

with installation kit<br />

inc. software, cables and instructions<br />

60Mts...:<br />

180M13....*L159.99<br />

240Mb...<br />

11 1<br />

31.259.99 4 , 93.5"<br />

Hard Drives<br />

9 with installation kit<br />

inr_ software, cables and instrucbons<br />

250Mb....*C 1 2 0 184,99 3SOM13....*1239.99<br />

420Mb....<br />

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upgrade kit no HDonly C22 99<br />

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HARD o DRIVE VERSIONS<br />

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Standard - pack Add £60.00 to the<br />

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64Mb £414.99 Standard pack<br />

85Mb £439.99<br />

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127Mb 4479.99<br />

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Combat Hard<br />

240Mb (539.99<br />

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Drive packs<br />

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THE CI-IA IDS PACK!<br />

•CHAOS ENGINE<br />

•N1CK FALDO CHAMPIONSHIP GOLF<br />

•mNBALL FANTASIES<br />

•SYNDICATE<br />

only £29.99 or LI 9.99<br />

with any AM1GAJ<br />

THE FIRST 5 GAME PACK<br />

OMAN LION ZI OOL 2<br />

40ENNIS 0 S 4 P A R<br />

•TOTAL CARNAGE<br />

only L I 9..99<br />

The AMIGA 4000<br />

A40001030, 150Mb H D 4Mb RAM (9 9 9 .9 9<br />

A4000/030,214 M OHO* 4 M b RAM.._11 069.99<br />

A4 0 0 0 1<br />

A4 0 0 1 1 1<br />

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040LC, A40013/40 SCSI Towe r syste ms Lpoa<br />

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PRIMA Al200 REAL<br />

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PRINTERS<br />

• All our printersare IX spec, come<br />

with ribbon/toner, printer drivers<br />

(if available), paper & cables!!<br />

Canon<br />

Canon BjlOsx L I 81.99<br />

Laser quality output. Large holier<br />

Canon Elj 200 1 2 3 1 . 9 9<br />

3 page a min speed. ISO dpl. smell footprint & SO<br />

page sheetfeeder<br />

Canon BjC600 Colour ...... L532.99<br />

mew bubble jet from Canon<br />

BI I 0 A utosheetfruder £ 4 9 . 9 9<br />

1CITIZEN<br />

ttltbd,r1O dOP, t<br />

Citizen printers have a 2 year guarantee<br />

ABC Colour printer L I 54.99<br />

simple las easy as ABC) to oes 24 pie printer. Comes<br />

as standard with SO sheet Auto Sheet leader.<br />

Tractor feed optionai at /17.99<br />

only I 39.99 if bought without the colour option<br />

Swift 200 Colour 1 1 8 1 . 9 9<br />

Same out put as the 240 but with less facilities<br />

Swift 240 Colour 1 2 1 8 . 9 9<br />

24 pin, 2.40cps draft, 10 fonts, quiet mode, 240cps<br />

Projetill 4 2 I 4.99<br />

new inided printer with built in auto sheet Feeder<br />

Swift Auto Sheet feeder £79.99<br />

MO EPSON<br />

Epson ILX100 Colour - - 4 1 49.99<br />

9 Pin SO column colour<br />

LQ ISO Colour t 2 0 9 . 9 9<br />

14 Pin Draft 116cps, LQ79cps<br />

Wu., 800+ - . 4 2 4 9 . 9 9<br />

40 NO7210 inkjet 360 a 360 dpi (max) 100 sheet<br />

feeder<br />

Sapru.k C olour Z 4 9 9 _99<br />

Colour Inkjet, 360 x 360 dol. 130 a 710 (on special<br />

MHO<br />

I I V 3PACKARD<br />

HP 310 HPortable E W £ 2 2 9 . 9 9<br />

NEWIHP L E520 T mono £ 2 4 9 . 9 9<br />

HP 500 Colour 1 3 4 4 . 9 9<br />

T<br />

LOW PRJCVH P 560 Colour 1479.99<br />

even faster than the old HP550C!!<br />

All HP printers come with a 3 year warranty<br />

LOW STAR<br />

PRICES<br />

Star LC 00 colour L I 19.99<br />

9 pin colour, S fonts, I $O cps draft, 45 cps NIQ<br />

Star L.C24- 100 2 6 . 9 9<br />

Star1C14-30Col 1 99.99<br />

complete with autometk sheet feeder, 192 cps draft<br />

Star- LC24-300 Col £ 2 4 9 . 9 9<br />

14 pin quality, 264 cps draft, $O cps LQ 395 buffer<br />

expandible to 4115, IS tents and quiet mode.<br />

Star Sji44 Colour Thermal<br />

E untung affordable odour prIMar. 3 PPM, lour 'imams colt,<br />

only £339.99<br />

Star SJ48 Autosheet feeder..only £49.99<br />

Universal Printer Stand only £4.99<br />

PRINTER CONSUMABLES<br />

Cit iron Sanft mono ribbon ..... t 4.99<br />

Citizen Swrft Colour ribbon ....... / 1 3 . 9 9<br />

Epson 01300 Colour<br />

Star LC100 mono 4 4 . 9 1<br />

Star LC 10)100 colour_.„<br />

Star LC200 colour 1 1 , 9<br />

Star LC24-30.1200 Colour, .... ________/ 11,99<br />

H. -I ttlt S rx, tot- rttomo 1<br />

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COVERS<br />

9Canon 9 printer cover iplenesspacify<br />

Citiren SwittABC _ _ _ . .<br />

HP 500.SS0,'S10.._<br />

Star 1..0 I OW1013<br />

. . L5,99<br />

Star LC I 0/20<br />

PAPER a p p l y orgy *an aederrd with prwer n•<br />

dorta Corn rev siterwroons<br />

Fanfold (tractorfted)......,•...,-,-500 sheets_14.99<br />

Fanfold (tractor feed).........1000 sheets .18,99<br />

Fanfold (tractor feed) 2 0 0 0 sheets4.11,99<br />

Single she e t 5 0 0 sheets_ sc4.99<br />

Single she e t 1 0 0 0 sheets ..,cg.99<br />

Single she e t 2 0 0 0 she e ts.c 17.99<br />

DI•1Y,f IX 2030 sheets (SA who a i t h a a t winter<br />

Think again if you are considering buying a modem<br />

from anywhere eh*. We are probably the largest<br />

supplier of moderns forth. <strong>Amiga</strong> supported by a<br />

wealth of experience Log into our free BIS modem<br />

Nile for technic a v a i l a b l e 24 hours a day.<br />

Vrodddrr r Ord, I rts<br />

MONITORS<br />

All our monitors are UK spec, All monitors<br />

come complete with a free <strong>Amiga</strong> leads<br />

NEW! Philips 8833 MK2<br />

This famous Stereo, colour monitor is back. Similar<br />

spec to the old <strong>Commodore</strong> 101145.<br />

only £229.99<br />

Tilt and Swivel Stand only 19.99<br />

if you purchase with monk*<br />

,<br />

Microvitec Autoscan 1438<br />

.15tipl, I Sill KHz, all <strong>Amiga</strong> modes,<br />

AGA comp.° audio. tilt A<br />

stand_<br />

now only £289.99<br />

•<br />

F Al200 cable ta 99 • •<br />

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PREMIER e Ink<br />

Cartridge t Refills<br />

Save a torero. in mowing a costs with your inkabutshi•<br />

Compatible with rise NPSO409$0. Desire. Plus, Canon<br />

1111 I ar1C01411 I 30,200i30e b<br />

, many others. Pup range lal<br />

colours available.<br />

319.. S t a r e<br />

SSingle p l refi lls 6 (22m1) , f - L 6 _ 9 9<br />

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127.99<br />

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Canon 131 I 0 !W1 ca 1 rtridge ...., ....._ , E1 B, 9 9<br />

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Epson Stylus mono 0 C a rtridge ..„ E I 7_99<br />

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Epson Stylus BOO+ mono o C a rtridge --4 1 1.99<br />

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Star SJ I 44 mono can rtridge s (3 pa ch) , (2 1 , 9 9<br />

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Miscellaneous<br />

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Printer Switch Boa 1 way _ 1 1 1 9 9<br />

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Printer Switch Boa 3 way 1 7 . 9 9<br />

t Printer Stands (tMivemal). „.. ......<br />

( 3 Metre printer table 1 6 . 9 9<br />

6S<br />

Metre printer cable 1 1 9 9 9<br />

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metre printer cable<br />

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PRIMA ASOO & A600 RAM<br />

1 YEAR WARRANT<br />

-<br />

YE/<br />

A500 512k RAM<br />

expansion (no dock).t 19.99<br />

A500 Plus I Mb RAM<br />

expansion £ 3 4 . 9 9<br />

A600 I Mb RAM expansion<br />

(with clock) £ 3 9 . 9 9<br />

32 BIT RAM (for A4000 etc)<br />

I Mb SIMM £ 3 9 . 9 '<br />

2 Mb SIMM L 9 5 . 9 '<br />

4 Mb SIMM...NEWLOWPRICEL-E139.9'<br />

Mli S1MM..NEW LOW PRiCEt<br />

SPEED<br />

25 Mhz<br />

33 Mhz<br />

40 Mhz<br />

50 Mhz<br />

PLCC<br />

L45_99<br />

£53.99<br />

L I 06.99<br />

N/A<br />

PGA<br />

449.99<br />

£89.99<br />

£129.99<br />

L137.99<br />

I rnb by 819 SIMMS (I Mb).....- E34.95<br />

4 Mb by 9 SIMMS (4 Mb) £144.99<br />

I Mb by 4 DRAMS( I Mb) £ 3 9 . 9 9<br />

I Mb by 4 ZIPS(112 Mb) £ 3 2 . 9 9<br />

256by4ZIPS -....(each)(5.99<br />

256 by4 DRAM (DILs).- (e-ach)L5.99<br />

OKB 1202 Al200 RAM board 034.99<br />

takes 212 bit SWIMu. Has aff• optionad IFPU,<br />

See above for prices<br />

Kickstart 1.3 £ 2 3 . 9 9<br />

Kickstart 2.04 L 2 8 . 9 9<br />

Kickstart 2,05 (for use in A600)<br />

-Fatter<br />

Agnes 8372A £ 2 6 . 9 9<br />

L211.99<br />

Super Denise<br />

571<br />

£ 1 8 . 9 9<br />

-IA<br />

8520A110 controller £ 8 . 9 9<br />

032<br />

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KPRIMA<br />

CO-PRO & RAM<br />

Realne the full potential of your A1100 with<br />

this e trapdoor .. I<br />

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2 MB a & 33 MHz CO PRO<br />

9 , 9 1 1<br />

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0 3 9 . 9 9<br />

1 1 8 4 99<br />

4 MEI r & 33 MHz CO PRO L 2 3 9 . 9 9<br />

0 Me & 33 MHz CO PRO t 3 7 9 .<br />

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FULL 2 YEAR WARRANTY<br />

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trivo n o m ockr p e n .sto gantSr..“.. •<br />

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@Mb t pop to 4 Mb ........ . . . . . .<br />

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lAMIGA<br />

REPAIR<br />

CENTRE<br />

We L offer. FREE quotation on your <strong>Amiga</strong> or any<br />

peripheral 1 (monitors. printers etc). A delivery tariff of<br />

just t 5.00 is charged for return delivery or alternatively<br />

3<br />

you can visit our<br />

.<br />

showroom. We<br />

9<br />

WO also arrange<br />

•tourser pickup<br />

9<br />

at an additional<br />

cost of L 1.0.0<br />

All work is<br />

carried out by<br />

one highty<br />

qualified<br />

eng.ne.ra If,<br />

custom built<br />

premises. We<br />

will also iestall any °ogre cletsofhvare or accessory from<br />

our main advert free of charge UWE.ss otherwise stated.<br />

All repairs are covered by a 90 day warranty.<br />

Tel. 0532 319444<br />

Mi<br />

s<br />

c-<br />

- • s Hardware<br />

The Serial Link (Adaptor to link CD 321AmogaiPC)<br />

only 2 99<br />

PanavssionSX•i tC011' I 200 emulator,...., t I 9.91<br />

XDS Darallyer External Hard drive kit.....„.„L64.91<br />

DKB Mega Chip II (2Mb chip a s .cc<br />

*has 2111. si chip nn wiser, en *INA 11,00,11100<br />

ROCHARD DRIVES fnirri 2 I 4.91(42/4o) 6.1.r•SICOMOD•<br />

•lotaard 01 ma..1•-•••<br />

• • , • • • • • • •<br />

AMIGA • I 100iSiXillOOPSUI__<br />

C39.99<br />

MilIGA I I SR/Modulator- P •<br />

- C D L3/99<br />

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SPECIAL OFFERS!<br />

Deluxe Paint 4 AGA i l . f<br />

Personal Paint 2 9 . 9 9<br />

Technosound Turbo<br />

Wordworth 2 AGA with Print Mgr & Day. To Day<br />

XC opy Pro plus hardware. 2<br />

, Workbench 2.1 software and 2.04 ROM upgrade<br />

, 9 (complete 9 with manuals)<br />

Workbench 2_04 software and 2.04 ROM upgrade<br />

(complete with manuals)<br />

only 149.99<br />

100% RATED! COMPU I 1 elLr<br />

AUGUST 14<br />

N<br />

The amazing new<br />

14 ,9 Talyet -.., raphics tablet ler the<br />

<strong>Amiga</strong> developed with<br />

,<br />

the help of First<br />

Computers. 56% rated<br />

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In ST Format January<br />

Mire! Requires 1.04<br />

r<br />

Valor &berm<br />

Personal Paint 4 only £15.99<br />

when a Opurchased with • Tabby only £59.99<br />

p<br />

h SCANNERS<br />

i Alfa Data Alfa Scan<br />

hand e held scanner with 256 art-peaks and up to BOO<br />

Doi<br />

N<br />

6<br />

only L 1 14.99<br />

O r . L I 39.9 with OCR software<br />

Alfa Data Alfa Colour Scan<br />

II bit scanner with 25614 colours Inc colour ceerecuon<br />

only £329.99<br />

Power Scanner V4 £119.99<br />

'<br />

With the latest version I siw for bright A aura rey oak<br />

performance. Fiesibl”canned image display manipulanen<br />

°pikes. plus Ckan up, embolden. relate A fl a<br />

Colour version only £239.99<br />

EPSON GT6500 Colour Flatbed<br />

only £564.50 phone for details<br />

Art Department Pro Scanner SW1109.99<br />

compatible with E(31011 E5300C, ES600C,<br />

E5800C, GT6000, GT6500 & GT101110<br />

MICE &TRACKERBALLS<br />

Alpha Data Mega Mouse vii% rating. 290<br />

Dp4 LI0.99 or £12.99 for 400 Op version<br />

DATALUX CLEAR MOUSE High<br />

quality dear 2 button. moine• L I 9.99<br />

Zydec Trackball 4 2 9 99<br />

Apiha Data Trackbail £31.99<br />

DISK DRIVES<br />

AM1TEC<br />

I mb 3.5"<br />

drive<br />

Features Anti Click,<br />

Anti Virus, Sony Meth,<br />

1 year warranty<br />

only 458.99<br />

Cumana 3.5" o n l y L56.99<br />

meg external drive. The best name In disc drives<br />

A6001 1200 internal drive £ 4 9 . 9 9<br />

A500 internal drive 1 . 4 9 . 9 9<br />

44000 Inter ts.11 RD drive £ 9 9 . 9 9<br />

GEN LOCKS<br />

Pais0 SNIISIB [video 13, 1141 a<br />

hama ON DEMO NOW!<br />

The Professional answer<br />

hama 292 £ 2 6 9 . 9 9<br />

S.Video. and composite compatibly,<br />

hama 290 £ 6 7 4 . 9 9<br />

S-Video, and composite mixing, plus far more<br />

hama A-CUT Video Editor<br />

LI 85.99<br />

GVP Genlock only aho4.99<br />

features professional SVHS output<br />

Rocgen Plus o n l y £164.99<br />

Includes duel controller overiay and keyhole effects,<br />

extra ROB pass Om Check for compatibility-<br />

Rendale 8802 FMC-only £164.99<br />

Rocgen Rockey o n l y £164.99<br />

For creating sp•cial effects in video<br />

production with genloeka<br />

ROMBO PRODUCTS<br />

VIDI 12 Real Time Cli 4.99<br />

Real time colour digitizing from any video<br />

settee*. Full AGA support<br />

VIDI 24 Real Time £204.99<br />

24 bit quality real time colour digitising Ilium<br />

any video source- Full AGA support<br />

VIDI 12 AGA 459.99<br />

NEW L<br />

PRICE<br />

Full support for AGA chipset. Colour images<br />

captured in less than a second, mono images<br />

in real time with any vid•o source.<br />

Multitasking Ow. cut & paste.<br />

VIDI 12 Sound & Vision AGA<br />

with built in MegamisMaster 498. 99<br />

TAKE 2 435.99<br />

Features include load and save from D. Paint<br />

animations and IFF files. Supports HAM graphics.<br />

Megamix Master 426.99<br />

bit, high spec. sampler. Special effects include<br />

Peio that can be added in real time, fully multitasking<br />

ti, I iNo•<br />

ACCELERATORS<br />

VIPER 68030 TURBO only £1<br />

59.99 68030 accelerator running at 28Mhz<br />

atpandible to Mb 12 Bit RAM (see RAM prices)<br />

Optional SCSI adaptor,<br />

ADDITIONAL RAM FOR<br />

VIPER BOARDS<br />

Jun add the price of the RAM to the Viper<br />

board to get your confi guration price<br />

I Mb SIMM £ 3 9 . 9 9<br />

2 Mb SIMM £ 9 5 . 9 9<br />

4 Mb SIMM...NEWLOWPRICE1.-i139.99<br />

8 Mb SIMMADVLOWPMEt....(269.99<br />

SUPRA 28 ACCELERATOR<br />

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PRIMA ROM SHARERS<br />

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Alternative 3D Textures will add life to both 2D and 3D applications, whether you use<br />

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HARD DISC DRIVES<br />

30mb o n ly £ 1 0 9 .9 9 1 2 0 m b o n ly f 1 8 9 .9 9<br />

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Add 1:29.99 for Al200 fitted with above drives.<br />

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PICASSO II is a graphics card with a difference, offering<br />

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screens quickly and simply. Picasso II comes with<br />

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dard sultme inte rfa ce for ne twork p ocols of<br />

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packages usitig SAN A-I t will work wit a (e , g.<br />

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Emplant is a very special product. It is the only hardware<br />

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incheling 16, 256, 6 5 K a 18.8 niacin colour dispiays<br />

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PABLO ENCODER 1 1 4 9 . 9 5<br />

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s you can see, the vast majority at<br />

my work is 3D with occasional<br />

adventures into two dimensions for<br />

the odd info screen or multimedia job.<br />

Even during these brief excursions into<br />

2D.1 have always done my best to avoid<br />

freehand elements, due to what's best<br />

described as total ineptitude. In fact, even<br />

with my best efforts, stick men invariably end<br />

up unrecognisable.<br />

I'm mentioning this to illustrate the fact<br />

that a lack of physical skills should by no<br />

means be seen as a stumbling block when it<br />

comes to computer an.<br />

Obviously this won't inspire confidence for<br />

those not consumed with a passion for 3D.<br />

However, even in two dimensions there's still<br />

huge scope for what is known as derived art.<br />

In other words importing, manipulating<br />

and oompositing real-world imagery to form<br />

a sometimes surreal mixture of photography,<br />

freehand, ray traced and digitised art.<br />

So, lb you have the imagination and some<br />

existing skills in other areas - such as photography<br />

and videography - you could easily<br />

combine them with your on-screen talents to<br />

enhance an existing business or open up<br />

new opportunities.<br />

OK, if ifs so easy why isn't everybody<br />

doing it. After all, it you don't need any physical<br />

skill it must be a doddle right? Alas no, as<br />

with every swing there follows the ubiquitous<br />

roundabout.<br />

Although the <strong>Amiga</strong> can rescue any<br />

would-be artist from the limitations of the<br />

Hash the mental demands remain the same,<br />

and in tact in many cases the creative pressure<br />

is even higher than those endured by a<br />

traditional artist.<br />

The reason being that every computer<br />

...<br />

artist the world over starts out with r , . 3<br />

roughly the same basic skills - corn- *. 2<br />

monly referred to as the machine Al• m•<br />

. ,<br />

and its software. -<br />

A. o ,<br />

N And because ocomputer<br />

graphics ( - ", f r•<br />

• ' ., ,<br />

rely on such a similar array of tools I. z e l e<br />

- regardless of format - it's<br />

.<br />

much easier to pro- : m o w<br />

.<br />

duce predictable<br />

results. Your job<br />

,<br />

is to develop a<br />

.<br />

style - something<br />

•<br />

which to many<br />

.<br />

freehand artists<br />

comes naturally.<br />

As computer art<br />

is primarily a mental discipline you can survive<br />

with the hand/eye co-ordination of a<br />

house brick, but if you don't have the eye<br />

and inspiration you're quite literally dead in<br />

the water<br />

. Now before the mail bag explores with the<br />

vented spleens of a thousand outraged art<br />

school graduates, it's worth stressing that I<br />

certainly don't consider myself an artist in the<br />

classical sense.<br />

COMMISSIONS<br />

What I. and many others do, is commercial<br />

art, there's a very big difference. I work<br />

on commissions and therefore don't<br />

have to wait for inspiration to strike.<br />

All that's required is to turn a concept<br />

into reality - a process which<br />

can still be pretty painful<br />

While we're on the lofty plain<br />

of art and inspiration, it's perhaps<br />

worth stressing that<br />

artistic pretensions rarely<br />

have a place in commercial<br />

art. If, while negotiating<br />

a job, you come<br />

across as the I am<br />

an arttst,." type<br />

there's a strong<br />

chance your<br />

career will<br />

1<br />

PuI Ilustin guides goo thfflugh the<br />

OCTOBER 1<br />

treelanfing jungle<br />

GRAPHICS<br />

be shod lived. However, that doesn't mean<br />

you should take what you're given and be<br />

glad of rt. In many cases the people commissioning<br />

the work will be blissfully unaware of<br />

the potential and perhaps more importantly<br />

the limitations of your particular field.<br />

For example, jaws often drop at<br />

the sight of relatively<br />

simple chrome<br />

11-


GRAPHICS<br />

Leaks great on its own but add some<br />

tan and ire lust too cluttered<br />

70.<br />

objects resplendent in a sea of reflection.<br />

However, when you point to the Christmas<br />

tree in the comer - complete with a million<br />

individually modelled pine needles - the<br />

response will almost always be; "oh that yes<br />

it's OK I suppose...<br />

- The bottom line is to get involved in the<br />

design stage as soon as possible. As a<br />

result you can guide the client in the best<br />

direction for both parties.<br />

Another point worth mentioning is not to<br />

let the software take over the show, All too<br />

often you see beautiful images wined by the<br />

latest addition to the software.<br />

No matter whether its lens flare, motion<br />

blur, depth of field or any one of the hundreds<br />

of image processing options available<br />

via programs such as ADPro or ImageFX,<br />

always keep your goal clearly defined.<br />

A classic example of overkill at its best is<br />

the Christmas card image in this very article.<br />

Although this doesn't suffer from new-feature-itis<br />

it does illustrate a very easy mistake<br />

to make.<br />

A slightly more spatial version was commissioned<br />

for use on the front cover of an ST<br />

magazine. When the final image appeared on<br />

all it's texture-mapped glory I must admit I<br />

was fairly pleased - I'd even remembered to<br />

leave space for the CoverDisks great<br />

However, when the cover words, flashes<br />

and masthead were added the vast majority<br />

of its appeal was lost. Once all the other<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

The big pitch<br />

OK. its time to bile the bullet and have a<br />

bash, but how do you gel your first job.<br />

Well first you need a portfolio and a place<br />

to send it. Perhaps the best way to achieve<br />

this is to do a couple of free/low cost jobs in<br />

exchange for a reference.<br />

Assuming you're now armed with the<br />

necessary, you can start sending expensive<br />

video tapes or prints through the post<br />

to likely employers. However, beforehand<br />

it's worth doing a fax/mail out with a brief<br />

list of what you offer plus your references<br />

and perhaps an example or two.<br />

Another excellent way of drumming up<br />

business is to blag your way into shows -<br />

preferably trade. That way you've got your<br />

target audience all in one place and better<br />

still they're all vying for a lead on the opposition.<br />

When approaching business types it's<br />

useless to walk up brandishing an <strong>Amiga</strong><br />

floppy. You'll need either a PC or Mac disk<br />

with the images or animation in a form that<br />

they can slap in their machine and look at<br />

immediately.<br />

In most cases Jpeg will be acceptable,<br />

although it might be worth carrying a few<br />

Pcx, Pict or GIF examples just in case.<br />

When it comes to animation. obviously a<br />

video tape is the ideal medium.<br />

However, in some cases animation on<br />

disk may be required. As a result it's worth<br />

learning something about both PC and Mac<br />

animation formats such as File and<br />

Quicklime.<br />

elements arrived it was simply too cluttered -<br />

and the impact I was being paid for went out<br />

the window...<br />

This is a key point of almost all commercial<br />

art work - you're being paid to make an<br />

impact, not to impress your peers. Invariably<br />

you're selling something in one way or<br />

another and it's your job to make the client's<br />

product leap out from the rest. As a result,<br />

As you've probably gathered, the vast<br />

majority of my work revolves around still<br />

images. usually for covers or illustrations<br />

Within articles.<br />

The reason being that they are the<br />

most cost-effective method of freelancing<br />

on a part-time basis. Obviously, with a<br />

full time job it's usually impossible to zip<br />

off across the country with a machine<br />

packed with thousands of frames of animation<br />

- all of which need hands-on<br />

attention during transfer to the client.<br />

Thanks to modems, high density floppies<br />

and high compression formats such<br />

as Jpeg, it's usually quite straightforward<br />

to transfer even the largest individual<br />

Files.<br />

When it comes to file size, I rarely go<br />

illustration tot<br />

articles can also be<br />

a nke little earner<br />

adding intricate detail and clever technicalities<br />

that only a tiny handful of enthusiasts<br />

will appreciate isn't always good business.<br />

At worst they'll confuse the image, and at<br />

best waste your valuable time.<br />

Obviously with the huge diversity of<br />

<strong>Amiga</strong> hardware and software, listing the lot<br />

is out of the question. As a result we'll concentrate<br />

on the elements which you'll need<br />

to do business, rather than those which will<br />

actually generate the end results.<br />

Perhaps the most important of all has to<br />

be a fax modem. Thanks to the lax element<br />

you're provided with the essential ability to<br />

both send and receive ideas and proofs of<br />

work in progress.<br />

It also overcomes two of the major stumbling<br />

blocks when attempting to incorporate<br />

<strong>Amiga</strong> graphics into a business wortd domi•<br />

nated by the PC and Macintosh,<br />

Firstly, the modem element can completely<br />

side-step the problem of transportation.<br />

All too often your latest creation will be just<br />

below 1024 x 1024 with the vast majority<br />

being 1500 x 1500 or above. At this resolution<br />

even American A4 magazines like<br />

<strong>Amiga</strong> <strong>Computing</strong> can still reproduce my<br />

work al an expectable resolution.<br />

Thanks to Jpeg. even your largest creations<br />

will fit on a high density PC floppy<br />

using the best possible compression ratio,<br />

However, there is a word of warning<br />

concerning Jpeg.<br />

Although it is often a life-saver it does<br />

have potential dangers. With the pressures<br />

on storage inherent with 24-bit art,<br />

It's often tempting to work with Jpeg<br />

images as your standard format.<br />

However, even when using minimum<br />

compression the Jpeg format will introduce<br />

unwanted artefacts into the image


Pr-production<br />

Before starting or even agreeing to a lob, give yourself some time to think things through. Its all too easy to agree<br />

straight off and then dive straight in, only to discover half-way through you've gone about it completely the wrong way.<br />

, Once you have a good idea of how to progress, sketch it out in rough and fax it through to the client for confirmation.<br />

If everyone's happy - and only then - it's time to proceed.<br />

If the job revolves around some specific object, make sure you get hold of some photography of the exact item in<br />

question. Better still try to get hold of the item itself! Unbelievable as it may seem, I'll guarantee you'll get even simple<br />

objects hornbly wrong if you rely on memory alone. And if someone is paying hard cash they'll quite rightly expect<br />

perfection.<br />

In fact this raises a key point for any freelancer, II you're not a perfectionist by nature you won't last very long, "That<br />

will do" simply doesn't come in to it. As they say, you're only as good as your last job - and if your livelihood depends<br />

on it, it better be good.<br />

50k too big to fit on a PC floppy But thanks<br />

to the infinite transfer potential of a modem it<br />

wouldn't matter if the file was 5Mb to big.<br />

The only limitation is of course the impact<br />

on your phone bill - assuming you can't convince<br />

the client to dial into your system that<br />

is,<br />

Secondly, thanks to the formal conversion<br />

options offered by the <strong>Amiga</strong>'s huge arsenal<br />

of image processing packages, quite literally<br />

any file type can be delivered direct - again<br />

regardless of file size<br />

Obviously when it comes to mass file<br />

transfer a modem becomes less attractive,<br />

however there are alternatives - see animabon<br />

box out for more info.<br />

ON-LINE<br />

As for getting on-line you can do as much<br />

or as little as you like. Accounts on<br />

CompuServe. CIX plus a Internet address<br />

are all very nice, however it's unlikely they'll<br />

be an essential.<br />

As long as your client has a modem - and<br />

the vast majority of companies do - you can<br />

go direct.<br />

Another must is a good pnnter. In an ideal<br />

world you'd have two. One laser for letters,<br />

flyers, invoices and other administration plus<br />

a dedicated graphics printer with which to<br />

display your wares at their colourful best.<br />

Obviously this isn't an ideal or likely situation,<br />

so I'm afraid it's a question of priorities<br />

combined with cash-flow. If you want the<br />

best possible colour output the Primira is the<br />

only serious choice.<br />

Thanks to a photo realistic add-on it's<br />

almost like producing chromalins via a repro-<br />

data You may well have already<br />

noticed this, often appearing as<br />

smudged area or what appear to be<br />

hairline cracks running through<br />

vignettes within the image.<br />

Initially these are indistinguishable<br />

even under microscopic magnification.<br />

However, if you continue to edit the<br />

image, repeated saving out using the<br />

Jpeg the situation can get dramatically<br />

worse.<br />

Soon more and more errors will<br />

appear and worst still, those which<br />

already exist can be enhanced. As a<br />

result, whenever possible always work<br />

in none compressed 24-bit format during<br />

editing and -then swap to Jpeg for<br />

the final output.<br />

house. But unfortunately the running cost of<br />

a Pnmira is high. and although excellent for<br />

full colour images it isn't as impressive<br />

when it comes to black and white<br />

output.<br />

If you're after a compromise of<br />

acceptable running costs, good<br />

colour proofing and quality<br />

black and white output. it<br />

might be worth looking<br />

at the Howlett<br />

Packard HP 550C.<br />

Although not<br />

laser quality it<br />

is an excellent<br />

corn-<br />

OCTOBER<br />

GRAPHICS<br />

premise. Of course you could always opt for<br />

a colour laser printer - but if you can afford<br />

that sort of expenditure why not, sell up and<br />

move to the Caribbean, you obviously don't<br />

need the cash anyway.<br />

Finally, it's essential that you invest in<br />

some sort of 24-bit display device, Although<br />

Hama is great it simply doesn't match-up to<br />

a true 24-bit display.<br />

Basically the choice is yours but it's worth<br />

ensuring that the board and accompanying<br />

paint package you pick has both an alpha<br />

channel and some form of virtual memory.<br />

The alpha channel is an absolute must<br />

when it comes to blending elements and<br />

Sketch that your ideas before starting<br />

and set yourself a fi nis coal<br />

Getting on board the CD-Sons<br />

•mplesion sia Amigo mnimmtion<br />

IF-


-1<br />

1 )1<br />

,<br />

34<br />

GRAPHICS<br />

touching up finished material. A classic<br />

example of this is the Redzone motorcycle<br />

image which is comprised solely of scanned<br />

images and screen shots all composited<br />

together to form the finished graphic.<br />

Without alpha channel it would be literally<br />

impossible to produce.<br />

As for virtual memory, this becomes<br />

invaluable on larger images_ If you're only<br />

ever likely to work in video resolutions or<br />

smaller it isn't a problem. However, it you<br />

land a commission to produce a cover<br />

image for a magazine, or in fact anything<br />

that demands very high resolution. it's a<br />

must.<br />

As you're probably aware, most 24-bit<br />

boards have a range of pre-set resolutions.<br />

It you can't scroll or select an area larger<br />

than the maximum touching-up, a final can<br />

be a nightmare and sometimes impossible.<br />

When it comes to animation, you'll find<br />

yoursell faced with a whole new collection<br />

of problems and pitfalls, not least of which<br />

is the ability to transfer the end results_<br />

Obviously, if your finances allow, some-<br />

What gaol need,<br />

what theifil want<br />

Above all else make sure you get a very<br />

clear brief of what is required. In addition,<br />

ensure you're sent a copy of the<br />

agreement on paper beforehand.<br />

Perhaps equally important is to get a<br />

rough idea of how they want the end<br />

result to look, end make sure all the elements<br />

they're likely to add later are<br />

Included.<br />

In addition, keep in close contact with<br />

the client with regular updates on your<br />

progress and their requirements. No<br />

matter what, do not stray from the brief.<br />

It's all too easy to gel carried away and<br />

do what you think is best - remember<br />

the customer is always right, even when<br />

they're horribly wrong!<br />

Once the ball is rolling the most important<br />

commercial element is time, they'll<br />

be working on a deadline and you'll be<br />

expected to deliver as and when<br />

promised.<br />

Its no use griping about hard drive<br />

failures or whatever else, if you miss<br />

deadlines you're a liability and nothing<br />

more - no matter how impressive the<br />

end results.<br />

The client will also expect the job to be<br />

complete and ready to run as soon as it<br />

arrives. As a consequence it's well worth<br />

finding out what aspect ratio and resolution<br />

would be the ideal.<br />

the art guy or gal at the sharp end<br />

can simply flow your creation directly<br />

into a waiting template you'll score<br />

brownie points by the bucket load. if you<br />

keep the workers happy more jobs will<br />

follow and the management will keep<br />

Paying.<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

[a5h flow<br />

1<br />

Actually getting paid is perhaps one of the<br />

tnckiest elements of freelancing. It's not<br />

that most companies won't pay, it's simply<br />

that the money is better accruing interest<br />

in their account than yours. As a result<br />

they'll try to delay payment until the last<br />

possible moment_<br />

However, when dealing with a new<br />

client it's essential that you demand at<br />

least partial payment before starting the<br />

job. Usually it's wise to ask for between<br />

one third and half the total cost_<br />

In certain cases they'll refuse using the<br />

it's not company policy line.<br />

- D e p e n d i n g<br />

"%VS Min sc<br />

rQ "Sidd-Ikr<br />

tot Mite Ives.<br />

thing like the PAR - or pers,Thi cinimation<br />

recorder - is the ideal solution. allowing you<br />

to transfer near D1 digital video direct to the<br />

recording system of the clients choice either<br />

via composite. S-VHS or component output.<br />

ACCESS<br />

However, if you don't have direct access<br />

to single-frame recording equipment its<br />

worth enquiring tithe client has access to<br />

such facilities. If so, you could take your<br />

on your desperation, either walk away or<br />

demand a contract beforehand and a guaranteed<br />

date for payment in full.<br />

If you are forced in to a contractual<br />

agreement. make sure it's clear that you're<br />

to be paid on completion - and not on publication.<br />

If you don't they may simply trash<br />

your hard work at the last minute and refuse<br />

to cough up<br />

Once you're familiar with a company its<br />

sometimes good PR to drop the partial payment<br />

policy and loin the unwashed masses<br />

in the 30-days-to-pay department. However<br />

if you do, keep a close eye on the wall planner<br />

- not to mention the bank manager.<br />

OK. we discussed how to get paid, but<br />

what still remains is how much. When negotiating<br />

a price it's always a good idea to<br />

Hard time5<br />

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osupport<br />

is simply<br />

p e sse ntia l<br />

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machine to them and download h your tiles<br />

via a direct serial connection a - using<br />

cernms software. A slow but . often cheaper<br />

t<br />

alternative.<br />

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If neither you nor they have r a still frame<br />

facility it might be worth rcontacting<br />

a<br />

bureau facility such as Alternative n Image -<br />

h<br />

0533 440041_<br />

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They can put your animation n to tape for<br />

you and also produce 35ml transparencies<br />

n<br />

and prints at reasonable cost. w If the PAR<br />

e<br />

i<br />

s<br />

Part and parcel of being a freelancer is finding yourself twiddling your thumbs on occasions;<br />

As a result it's essential you try and add as many strings to your bow as possible.<br />

It times are hard take anything that's going, it's much better to be humble than bankrupt -<br />

packing shelves, occasional bar work, anything just to tide you over until the next lob cornea;<br />

along.<br />

Another good idea is to get yourself a wall planner and attempt to get the work in early and<br />

spread the load a little. When one job is in progress it's downtime for all the others, and if you<br />

don't plan properly you'll at best end up with nothing to do, or at worst miss a deadline.<br />

Once you're au fad with the finer points of a particular subject or software package, why not<br />

attempt a little freelance journalism. After all, you're selling your skills on screen, why not do<br />

the same in print and how two do's are always nice little earners.<br />

If you have incorporated photography. videography and perhaps even music into your work<br />

you could sell your memoirs to a whole host of magazines - even this one.<br />

Although much of the above has revolved around corporate work, it's also worth approaching<br />

local user groups, whether they be computer. video or photographic. At worst you'll pick<br />

up a few nickel and dime jobs to tide you over while also making a lot of what could become<br />

lucrative contacts.


, or<br />

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open with the classic "well what's your<br />

budget."<br />

That way the balls firmly in their court,<br />

and better still you could be amazed how<br />

much some people are willing to pay. If the<br />

offer is laughable come back with an<br />

inflated counter otter around the figure you<br />

were onginally alter and see how it goes<br />

Basically common sense is the order of<br />

the day, but don't make the mistake of<br />

undervaluing yourself. If possible work out<br />

a standard hourly rate - plus expenses -<br />

and stay with it<br />

Remember, not many people can do<br />

this son of work, so slick to your guns, If<br />

you're up to the mark you'll gel what you<br />

deserve, either from them or someone<br />

else. Good luck._<br />

system is something you plan to aspire too<br />

rather than invest in immediately there is an<br />

alternative Although not broadcast quality.<br />

a combination of DCTV and Clarissa offers<br />

an excellent and affordable alternative.<br />

Better still, it also works very well as a<br />

method of proofing your animations, either<br />

for your own benefit or as a demo 4)1 work in<br />

progress for your client.<br />

Thanks to the composite output of the<br />

DCTV, all you need is to plug the Output<br />

directly into any home VCR and you have<br />

an instant demo to pop in the post. And better<br />

still, because Clarissa produces such<br />

smooth playback you're unlikely to undermine<br />

client confidence<br />

EXPLOSION<br />

However, having mentioned the videographic<br />

uses of animation it's worth stressing<br />

there's another market that could prove<br />

profitable to the animator. Thanks to the<br />

explosion of CD-Rom there's also a<br />

huge market for intros and other graphic<br />

interludes.<br />

In addition, there's a growing market for<br />

on-line education. Due to the expense and<br />

effort involved in producing and updating<br />

manuals and other traditional learning<br />

- ' milmon:<br />

<strong>Amiga</strong> <strong>Computing</strong> 11<br />

,i "The best arcade<br />

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Hito :C OR M M I TOON M illikipZI 1 4 1 1 1<br />

Due to the eHoense and efort iouolued in oroduting<br />

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material, mat malls UP tuning tfl graphics,<br />

material, many companies are turning to<br />

graphics_ For example, many engineering<br />

companies are now using computer ani•<br />

mation to illustrate how to install hardware<br />

- whether it be for the benefit of their engineers<br />

or the end user.<br />

Thanks to five seconds animation, the<br />

need for a whole chapter of expensive text<br />

is removed All the user has to do is watch<br />

the anim spool from a hard disk or floppy<br />

and the mystery is removed.<br />

Chips always go in the right way, nuts<br />

and bolts slide into the appropriate place<br />

and expensive tech support is slashed<br />

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<strong>Amiga</strong> <strong>Computing</strong><br />

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GRAPHICS<br />

ablo is designed to unite the two<br />

ends of the spectrum by bringing<br />

video capabilities to the Picasso II<br />

RIG graphics card. The Picasso II has a 16<br />

pin expansion plug near the back plate of the<br />

board and it is to here that Pablo connects.<br />

Once you have removed the standard<br />

back plate from the Picasso and replaced it<br />

with the one in the Pablo box that has two<br />

extra holes for the Composite and Y/C outputs,<br />

it is a simple matter to screw Pablo to<br />

the Picasso board using the supplied mounts<br />

and screws,<br />

Pablo certainly comes well-equipped with<br />

connections to the outside world. In addition<br />

to the standard RCA jack cable for composite<br />

signals and Y/C cable, there are adaptors for<br />

BNC and SCART connections.<br />

There are also live disks containing updated<br />

system software for Picasso allowing for<br />

the new video connection, and a copy of the<br />

excellent MainActor animabon software along<br />

with some example animations.<br />

The software installation uses<br />

<strong>Commodore</strong>'s Installer and is painless, but<br />

there are two problems with it.<br />

Firstly. it doesn't check what revision of the<br />

system software you are currently using,<br />

overwriting the newer versions I had downloaded<br />

the previous evening.<br />

Also, while installing MainActor there are<br />

points when it wants the next disk but it<br />

doesn't tell you what it wants, merely puts up<br />

a "Proceed/Abort Install" message leaving<br />

you guessing what it is waiting for,<br />

Informed Picasso users will no doubt be<br />

aware of the PicassoMode software available<br />

for Picasso. It allows the customisation of<br />

screenmodes to the user's desires,<br />

To use it, rather than having the standard<br />

38kHz or 57kHz tooltype. you put CUSTOM<br />

in the village.library icon. This then makes<br />

Picasso look for a file in the directory<br />

DEVS:Village corresponding to settings you<br />

have made in PicassoMode. Pablo comes<br />

or<br />

Pablo, Picasso<br />

and their ally.<br />

Main Actor<br />

produce some<br />

effective<br />

results<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

In order for Pablo to create a signal that can be viewed on a television screen or recorded<br />

to videotape, it has to be at the correct horizontal scan rate and vertical refresh rate,<br />

For a PAL signal, these settings have to be around 15kHz and 50Hz respectively.<br />

Unlike Opalvision, however, Pablo's output cannot be genlocked unless you have a TBC<br />

or Time-Base Corrector.<br />

This is because Pablo's output doesn't really count as "computer video out" but as a<br />

separate video signal, just like that from a video camera or recorder, and it thus-needs to<br />

have the stabilising influence of a TBC to make sure it syncs with other video equipment.<br />

In the past there has always been a gap between graphics cards intended for video<br />

work and ones to aid productivity. Video cards worked only with graphics programs written<br />

especially to take advantage of their 24-bit abilities, but they were about as much<br />

use to Workbench-based programs as a bicycle is to a fish,<br />

On the other hand, the productivity cards, or RIG cards as people like to call them,<br />

only worked at high scan rates unsuitable for video work.<br />

pft-<br />

-<br />

4<br />

-<br />

rF'i<br />

of<br />

with various monitor modes for PicassoMode rushed out, especially as the blurb o-<br />

that allow you to use a combination of video Pablo's box distinctly states that Pablo car<br />

resolutions with monitor resolutions, for be used in resolutions up to 768 x 576.<br />

instance, 158,38kHz.<br />

And as this is the case. I can't recommerel<br />

Then all non-<strong>Amiga</strong> resolutions, like 1024 x Pablo for video professionals at the momert<br />

768. are routed to your monitor, but ones like In fact, unless this essential problem is<br />

640 x 512 are sent out of Pablo's video outputs.<br />

This brings up a serious failing in Pablo. Immediately corrected, I don't see VillaTronic seling very many Pablo boards.<br />

It doesn't come with any overscan settings. The bright spark on the horizon is<br />

In fact the highest resolution it goes up to for MainActor, which comes free with Pablo.<br />

video is actually 640 x 512 and it is not possi- was fully reviewed in last month's issue ot<br />

ble to create a 768 x 576 screenmode with <strong>Amiga</strong> <strong>Computing</strong>, but if you missed that<br />

PicassoMode,<br />

issue (where were you?) stand by for the low<br />

OVER SCAN<br />

down.<br />

MainActor is a piece of software for the<br />

I have spoken to Blittersoll. the UK distrib- creation of animations. Its use isn't solely<br />

utor for Picasso, about this and they say that restricted to Picasso as it can be used to<br />

Village Tronic are rewriting the screen drivers make normal ANIM-type animations, along<br />

to deal with overscan.<br />

with foreign formats like FLCs and FL's.<br />

This strikes me as a product that has been It can also be used as a conversion tool to<br />

[entre of attention<br />

allow you to take animations created on a<br />

PC and transfer them to a native <strong>Amiga</strong> format<br />

or vice versa.<br />

MainActor does have a special format


on<br />

can<br />

tend<br />

tent<br />

n is<br />

lage<br />

is<br />

0. It<br />

e of<br />

that<br />

low<br />

he<br />

itely<br />

d to<br />

ong<br />

DI to<br />

in a<br />

for-<br />

mat<br />

rd-<br />

ily.<br />

3C<br />

; a<br />

to<br />

nt.<br />

eo<br />

Mich<br />

m<br />

,<br />

art<br />

Bright light d<br />

115 Pablo meet5 Pit<br />

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a new fare iii lido<br />

11550,<br />

graohk5 will Mafia<br />

Frank fiord PHP1d1115 all<br />

One more i thing. Once I had connected up my Pablo and gone back to using my monitor.<br />

'With Pablo's output hooked up to my S-VHS video deck. I noticed that normal <strong>Amiga</strong><br />

screens were of the ususal brightness on my NEC 4FG.<br />

However, before I had connected Pablo my Picasso screens were of the same brightmess.<br />

Now they were a lot darker and I spent a while fiddling with my brightness control.<br />

wondering it Pablo was worth all this hassle considering it didn't even output to the resolutions<br />

I desired.<br />

Then, turning in desperation to the manual, I discovered that there were three lumpers<br />

te scriphon of the installation process made no mention of them, I had paid them no twirler<br />

n attention. Well, referring to the last-but-one page in the manual I ascertained that removing<br />

tthese<br />

three jumpers would result in a much brighter image through Picasso, but it warned<br />

hme<br />

to have both the Pablo and Picasso outputs active to prevent overloading.<br />

e Since I always intended to have both WC and monitor output, I would have set these<br />

Pjumpers<br />

accordingly at the time of installation had I but known,<br />

a<br />

b<br />

on the MainActor screen or on their own<br />

l<br />

o<br />

awe<br />

sow niel<br />

M<br />

We l k e nills<br />

ulmtnin ILOPUM<br />

67212<br />

screen.<br />

Up to live animations can be loaded at<br />

S<br />

. .<br />

L<br />

I .<br />

.<br />

h _<br />

1<br />

a 1<br />

1<br />

d 0<br />

1<br />

n •<br />

4<br />

o 1<br />

1<br />

t 1<br />

•••11EimiN, r<br />

sL t — m ri<br />

niessens NO I<br />

Ininkline U .<br />

_ ninnSeeln N m e l i n<br />

Lap. Om••• • _ I<br />

on,n C . I 1<br />

vim. .1.ft ci.••••••<br />

inleinEd<br />

2••••••••• _4 Need<br />

linelnmo<br />

1<br />

any time, and if you don have enough ram<br />

to hold an animation in memory. MainActor<br />

does a very respectable lob of playing it<br />

back directly from your hard disk.<br />

The manual states that the version of<br />

MainActor that comes with Pablo is the full<br />

version. but you still get the annoying<br />

requesters saying "Pay the tee"' until you<br />

return your registration card. and Village<br />

1<br />

i 1<br />

1<br />

7<br />

cHitting<br />

the Te st buttons ta ke s you to a n inte r.<br />

,<br />

active _ lest card screen<br />

e<br />

. where settings can he<br />

adjusted using the ke yboa rd<br />

d<br />

1<br />

Tronic then send you back your keyfile to<br />

personalise your copy.<br />

This is a good idea in principle but I recommend<br />

that animators gel their Pablos<br />

tspecifically<br />

for Picasso . owners in the shape<br />

of h the mundanely-named 'Picasso" format,<br />

Animations !<br />

e<br />

in this format can be 24-bit. 16-bit<br />

on<br />

m<br />

6-bit, with MainActor automatically dither-<br />

w<br />

ing 24-bit frames to 16-bit if desired.<br />

File sizes aren't overlarge considering the<br />

h<br />

amount of data that must be contained in<br />

each<br />

e<br />

frame for full 24-bit animation, and each<br />

frame<br />

n<br />

can have a different timecode. letting<br />

you I set pauses within an animation without<br />

whaving<br />

to increase the framecount<br />

long before they need to do any work, as it<br />

seems to take Village Tronic an absolute<br />

age to send out the keyfile in question<br />

(well in excess of the normal 28 days for<br />

delivery in at least one circumstance I am<br />

aware of).<br />

If you realty can't wait or you want a full<br />

copy of MainActor right now and will settle<br />

for a black border around your animations,<br />

then go right ahead and buy one, you won't<br />

be disappointed in the quality of the video<br />

a MainActor also has the ability to add sound output.<br />

to s any animation in the form of IFF samples A last, and somewhat disquieting obser-<br />

iand<br />

can display animations in a window<br />

n<br />

s<br />

t<br />

a<br />

l<br />

l<br />

i<br />

n<br />

g<br />

m<br />

y<br />

b<br />

o<br />

a<br />

vation, however, the warranty for Pablo is<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

GRAPHICS<br />

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11111111<br />

See wha t happens it you don't pa y a tte ntion<br />

only six months. It it takes Village 'Ironic six<br />

months to come up with drivers that work in<br />

overseen and then you discover a problem<br />

with your Pablo that wasn't apparent using<br />

the old drivers. will Village Tronic replace<br />

your board?<br />

sys•m Ess[nunts 1<br />

RED .Essential BLACK . Recommended<br />

M L_<br />

Ell<br />

required required<br />

II Zorro Video gear Hard drive<br />

The bottom line<br />

Product: Pablo<br />

Supplier: Blittersolt<br />

Tel: 0908 220196<br />

Price: E150<br />

Ease of use<br />

Implementation<br />

Value for money<br />

Overall<br />

9<br />

2<br />

9<br />


VISA IS NOT CHARGED<br />

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GRAPHICS<br />

he army of <strong>Amiga</strong> users who dabble<br />

in 3D, be rt as a hobby or a way<br />

to pay the bills, have always known<br />

that getting just the right texture can be the<br />

difference between a decent image and a<br />

good one<br />

They've also known the frustration of rendering<br />

for hours just to try out a small<br />

change, a process which can test any users<br />

sanity.<br />

With Apex Sotlware's Forge. a dedicated<br />

texture previewer and visualiser, all that is set<br />

to change. Forge is bundled with the<br />

Essence II procedural textures for Imagine<br />

3D, and the image maps it produces can be<br />

used with any package.<br />

At heart it is a simple program with a<br />

down-to-earth workaday 'ob. but in productivity<br />

terms Forge is about the best thing since<br />

the maths co-processor.<br />

Opening on a clean, no nonsense interface,<br />

Forge offers a quarter screen preview<br />

window of the textures being worked on, a<br />

variety of controls for lighting and shading<br />

preferences, and a lull set of sliders to control<br />

texture attributes.<br />

The preview window can be set to display<br />

one side of a cube (front, side, or lop), or one<br />

of three views of a sphere so that the user<br />

can form a better idea of how the finished<br />

item will appear.<br />

In addition, one can also tell Forge to display<br />

and render a spherical map, cylindrical<br />

map, or a planar repeating map. In other<br />

words, the program can automatically calculate<br />

the way an image is stretched when<br />

wrapped around a sphere or cylinder, and will<br />

compensate so that when the map is rendered<br />

it fits snugly around its parent object.<br />

The repeating maps, designed to tile without<br />

the seams showing. are less useful, and<br />

the program sometimes produces results<br />

which don't tile well at all.<br />

As Essence textures are what is known as<br />

-<br />

pthan<br />

barnaps to create images), Forge has to<br />

ruse<br />

an aspect ratio of at least 2:1. sometimes<br />

omore,<br />

to create a map that will tile properly,<br />

c<br />

and at these ratios some of the textures<br />

ebegin<br />

to look a bit stretched.<br />

It is also easy to produce an image which<br />

d<br />

tiles seamlessly in one direction but not<br />

u<br />

another — something I found with the default<br />

r<br />

flagstones texture.<br />

a<br />

A few minutes of fiddling can usually sort<br />

l<br />

the tiling problem out though, and because<br />

- using an image map rather than a procedural<br />

( texture saves a lot of rendering time, perse-<br />

tverance<br />

is well rewarded.<br />

h Imagine's textures, augmented by<br />

eEssence<br />

II, result in superb quality images,<br />

y<br />

u<br />

Essence II isn't new, but it is still the best collection of<br />

s<br />

procedural textures you're hkely to find outside a Silicon<br />

e<br />

Graphics workstation.<br />

c Essence II version 3.0, the version supplied with<br />

o<br />

m speed (the authors claim ten per cent), and there are<br />

p now a set of 68040 optimised textures for users of the<br />

l faster processor.<br />

e In total, Essence comprises of dozens of textures and<br />

x literally hundreds of attribute files (surfaces to you<br />

m<br />

a<br />

t<br />

h<br />

s<br />

r<br />

Forge, has been improved slightly in terms of rendering<br />

Lightwave users) which use one or more textures to<br />

3b' tenturolitspoitetooniwit<br />

tan hp 51011121 than<br />

a 517d1<br />

.<br />

1<br />

Oil<br />

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the P55RDEP<br />

el Forge<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

Stevie Ifennpdg tP5t5 Forge<br />

and di5To11e15 a 58lt-ftPe wag<br />

to 5OPP., t<br />

t<br />

n kfi llic<br />

ittitits<br />

%<br />

but the program can be slowed almost to a<br />

haft by the maths involved in the textures, let<br />

alone any complicated objects in the scene.<br />

If you have enough memory (4Mb RAM<br />

should be considered a minimum), it is possible<br />

to use Forge to create 24-bit image maps<br />

and use them rather than the original texture.<br />

In this way, the Essence textures can be<br />

used, in bilmap form at least, with any package<br />

and at a much improved speed.<br />

Unfortunately, Forge really only works with<br />

produce everything from rain to spaceship hulls and gas<br />

planets. In use they can be very slow at times, parliculady<br />

those which make heavy use of bump mapping. but<br />

the results can be stunning, and no Imagine image need<br />

ever look the same again once you have a copy of<br />

Essence.<br />

Forge makes the perfect partner to Essence in that<br />

users now have the opportunity to use textures within<br />

Imagine or to quickly render a bitmap and use that<br />

instead. This results in a superb coupling of speed and<br />

flexibility.<br />

vfik4<br />

1th<br />

the two volumes of Essence II textures supplied<br />

with the package. It will recognise<br />

Imagine 3.0 textures and attempt to load<br />

them, but the rendered results are rather<br />

grotty to say the least.<br />

Essence II contains enough textures that<br />

this isn't a big blow, but had the program the<br />

ability to load all Imagine textures it would<br />

have been more useful.<br />

All this talk of rendering and creating<br />

image maps is great if you own a package<br />

other than Imagine and you're dying to get<br />

your hands on those Essence textures, but<br />

Imagine users themselves will probably be<br />

as interested in Forge's preview facility.<br />

The quarter screen preview window displays<br />

a dithered 16 colour hi-res interlace<br />

image (256 colors are supported for users of<br />

AGA, Picasso. OpalVision, or EGS displays)<br />

which is updated in real time as the user<br />

messes around with texture settings, and this<br />

is invaluable.<br />

Hall a dozen passes are made before the<br />

window completely updates, with more detail


se<br />

ad<br />

ler<br />

tat<br />

he<br />

ild<br />

pet<br />

<strong>Is</strong><br />

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Ce<br />

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iis<br />

ail<br />

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it<br />

-<br />

1<br />

1<br />

1<br />

1<br />

0<br />

-<br />

•<br />

itendetir•g options incluce<br />

numb*, of frames, six<br />

levets of anti-sassing, Sour<br />

output formate, and an<br />

estimate of time required<br />

addect every lime However, for large global<br />

changes, such as changing the size of the<br />

flagstones in our earlier example, the first<br />

couple of passes will show enough detail that<br />

the user can more Or less choose the correct<br />

setting in real time.<br />

As this method replaces the traditional<br />

change one tiny value then wait three min•<br />

utes for a quick render, Forge could justify its<br />

asking price (to Imagine users) on this score<br />

alone.<br />

FEATURES<br />

Previews are aided by a number of features<br />

which, though unglamorous, are very<br />

useful. The preview window itself is controlled<br />

either by its re-sizing gadget or by the low of<br />

buttons found below rt.<br />

Of these, there are two to double or halve<br />

the size of the window, ReSpect to force the<br />

window to adopt the same aspect ratio as the<br />

finished image, MaxSpect to show the whole<br />

Image in its largest size (dependant on<br />

nis son of texture would take an ago to<br />

lender in lmagine. but Forge wilt preview<br />

changes to it in seconds<br />

Nultplate<br />

and pitted<br />

textures coo,<br />

tese of Essence,<br />

spherical map rendered by<br />

Forge. fi nal image by liontwave. Phew!<br />

aspect ratio), -and MaxSize to boost the window<br />

to its biggest possible size_<br />

Below these buttons, a box shows the size<br />

of the current preview window compared to<br />

the whale image, and users can drag this box<br />

to any pan of the image.<br />

In addition, there are slider controls for<br />

zooming in and altenng light intensities, and<br />

as light direction can be set from the dropdown<br />

menus it should be possible to accurately<br />

preview a texture in almost any<br />

conditions.<br />

Animation previews can also be created<br />

and the final animation rendered from within<br />

Forge, thanks to a couple of clever teatures,<br />

Setting start and end frames is as easy as<br />

clicking on the buttons in the middle of the<br />

Forge screen, and changes can be made<br />

either to both at once or just one of them.<br />

Creating a raindrops animation using the<br />

Essence II raindrops texture is then a simple<br />

matter of loading the texture, setting its builtin-time<br />

variable to one second on the last<br />

frame, then rendering 25 frames in<br />

sequence.<br />

The preview itself comes in the form of a<br />

storyboard view, which can force the normal<br />

window to show up to 25 shrunken images at<br />

once. When this view is selected, a small preview<br />

box appears below the window, and<br />

clicking in it starts the animation,<br />

Nothing could be simpler, and though it<br />

can be tricky to see arty changes in the tiny<br />

anim box, this is still many times better than<br />

The preview, here shows a spherical<br />

map in the process of being<br />

comp/oiled for use in another package<br />

Jargon buyter<br />

GRAPHICS<br />

texture - a generic term for any process or image applied to a<br />

surface with the intention of altering its appearance.<br />

procedural texture - a texture fin fact a small program) which<br />

has a number of built in variables the user can set to achieve<br />

limitless variety in the finished appearance.<br />

Procedural textures produce very clean 3D effects, but<br />

because of the maths involved they can be very slow to render.<br />

Their prime advantages are memory efficiency and flexibility.<br />

Image map - a texture lormed by taking an existing image and<br />

••mapping - it onto the target object. Image maps render very<br />

quickly. but are fairly inflexible and use precious memory.<br />

Forge can be used to create image maps from any Essence II<br />

procedural texture, thus speeding up rendering while retaining a<br />

degree of flexibility,<br />

tiling - the practice of taking a small image map and tiling or<br />

repeating it across a large surface This process saves memory<br />

because the image map is kept as small as possible, but is only<br />

suitable for images which follow a pattern of sorts.<br />

spherical reap - a map designed specifically to wrap around a<br />

sphere, thus avoiding the usual squashing effect around the<br />

poles. A good example of this would be the strangely shaped<br />

planet Earth maps often found in atlases. Forge can automatically<br />

take care of pole squashing when creating spherical maps.<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

attempting the same job in Imagine.<br />

Forge will make a good guess at the time<br />

each frame is going to take to render, so if<br />

you are generating a series of large images<br />

for use as a sequential image map, the program<br />

will even tell you when it would be a<br />

good idea to nip off for a cuppa_ <strong>Is</strong>n't that<br />

nice?<br />

Without a doubt, Forge is well worth buying<br />

and virtually unmissable for Imagine owners.<br />

The speed and ease with which one can<br />

experiment not only boosts productivity but<br />

encourages whacky combinations of textures<br />

(up to nine can be used at once) and prods<br />

the user on towards creating now looks.<br />

laghtwave and Real 3D owners won't have<br />

quite as much use for Forge, but even these<br />

users would be crazy not to give it a quick<br />

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SYSTEM ROD - E L AESSEFITIALSI. M Recommended<br />

Mbl<br />

RAM<br />

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Hard drive<br />

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above<br />

co-procesOOt<br />

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K<br />

2.04<br />

i<br />

The bottom c line<br />

Product: Forge/Essence k II v3.0<br />

Supplier: Meridian s Distribution<br />

Price: t E79<br />

Phone: 081-543 e 3500<br />

r<br />

Ease of use<br />

t<br />

Implementation<br />

9<br />

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Value for money<br />

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Overall 9


White Knight Technolo<br />

THE PROFESSIONAL 0 9 9 2 - 714539<br />

AMIGA SPECIALISTS F<br />

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r 40MHz ECO30 & 50MHz FPU E 325<br />

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Al200 + 85 MB Hard Drive E 445<br />

Al200 + 127 MB Hard Drive E 489<br />

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ALL PrUCES INCLUDE VAT<br />

AMIG4 4000<br />

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The LC-040 has an MMU but no FPU<br />

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t ALL ANuGA 4000 MODFLLS ARE IN<br />

l VERY SHORT SUPPLY • PLEASE<br />

i CALL FOR PR= AND AVA1.81.<br />

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CD32 COMPATIBLE CD-ROM<br />

DRIVE FOR THE AMIGA 1200<br />

THE "OVERDRIVE CD" RUNS 90%+ OF CD32<br />

SOFTWARE, DISPLAYS PHOTO CD's AND<br />

ALSO PLAYS AUDIO CD's (Fits PCMCIA Slot)<br />

ONIv E195<br />

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250Mb - E 289<br />

340Mb - 329<br />

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290 MB SCSI 3.5" E 279<br />

340 MB SCSI 3.5" E 319<br />

545 MB SCSI2 3.5" E 449<br />

1.0 GB SDSI2 3.5• E 689<br />

2.1 GB SCSI2 3.5' E1179<br />

9 GB SCSI2 5.25' E3849<br />

A4000 IDE<br />

340 MB IDE 3.5' t 219<br />

420 MB IDE 3.5" C 249<br />

540 MB IDE 3.5" E 319<br />

1.0 GB IDE 3.5" E 649<br />

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RAM A2000 & 4000 E 129<br />

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Drives are supplied with 1 FREE Cartridge<br />

SYQUEST COWLS AL.S0 AVAILABL<br />

MAGNETO OPTICAL DRIVES<br />

FUJITSU 128MB SCSI INTERNAL E 659<br />

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BOX OF 5 128MB MO DISKS E 149<br />

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DAT TAPE BACKUP<br />

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Speed, Multi-Session (Tray Load) E 219<br />

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Speed, Multi-Session (Tray Load) E 279<br />

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LIGHTWAVE 3D (UK PAL V3 5) E 449<br />

REAL 30 V2 N e w Price E 339<br />

ART DEPT. PRO. V2.5<br />

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E 149<br />

BARS i 81 PIPES PRO V2.5 E 215<br />

MEDIA R POINT V 3 . 2 8 E 229<br />

TVPAINT I 2 (Picasso/ Retina 'Harlequin EGS1 E 179<br />

L<br />

CALA MULTIMEDIA 210 (AGA) E 145<br />

SCALA MULTIMEDIA 300 (AGA) E 299<br />

.CALA L MM 300 4- ECHO 100 E 389<br />

SCALA I ECHO 100 Edit Controller E 139<br />

PRO A CONTROL (For ADPRO) E 65<br />

ASIM N CD-ROM FILESYSTEM (V2) E 55<br />

GIGAMEM C<br />

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QUARTERBACK E<br />

TOOLS DELUXE E 79<br />

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other Profescional Software Available On Reciiir<br />

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o<br />

C MONITORS<br />

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e<br />

Input (0.38 dot pitch, Stereo) E 239<br />

il MICROVITEC a 1 4 " CUB-SCAN 1438 14"<br />

(Multi-sync, 028 dot pitch, No Sound) E 295<br />

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R(Multi-sync, E G 0.31dot B pitch, Digital Memory) E1175<br />

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Y 9 / CPU's & FPU's<br />

C 68881 20MHz PGA E 29 68882 25MHz PGA E 49<br />

&68882<br />

33MHz PGA E 89 68882 50MHz PGA E 119<br />

882 25MHz PLCC - For A4000/030 etc. E 69<br />

'882 33MHz PLCC For A4000/030 etc. E 89<br />

,;882 40MHz PLCC For A4000/030 etc, E 119<br />

68040 25MHz - For Upgrading A4000-LC040 E 165<br />

R8030 25MHz with MMU (PGA Style) E 59<br />

'•030 33MHz with MMU (PGA Style) E 99<br />

.030 50MHz with MMU (PGA Style) E 129<br />

VIDEO PRC_JI;<br />

DIGITAL<br />

B ROAD CASTI .<br />

This Zorro III card performs the major functions of a<br />

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-Video<br />

edit suite (CCIR601 720 x 576 resolution) It<br />

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provides REAL-TIME.<br />

Non<br />

FULL MOTION JPEG (50<br />

fields / second) Capture & Compression, direct to<br />

-hard<br />

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Lsubsequently i n e a r played , back in REAL-TIME. at 50<br />

Dfields/sec i gin upto i tbroadcast<br />

quality - direct to video<br />

atape letc.<br />

The board has full LTC and VITC<br />

timecoding, both read & write (on all connectors<br />

Composite, Y/C and YUV). It also interfaces with<br />

the AD516 Studio 16, 8 track stereo audio card frop-<br />

Sundze Industdes to enable simultaneous audio<br />

and video editing. It requires an <strong>Amiga</strong> 4000 or<br />

4000T with full 68040 processor, a large SCSI-2<br />

hard drive, and a fast SCSI-2 hard drive controller.<br />

Typical System ; (Approx£10,000 Inc VAT)<br />

<strong>Amiga</strong> 4000-030 (2 +8Mb. 1.0Gb HD)<br />

Digital Bmadcastcr 32 (Zorn) III Card)<br />

Medianes Producer (Editing Software I<br />

Warp Engine 28MHz 040 with SCSI-11<br />

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Sunrize AD5116 / Studio 16 (Audio Card)<br />

Cub-Scan 1438 Monitor (For <strong>Amiga</strong>)<br />

Sharp 14" TV/<br />

Image Monitor Procosing Software (ADPRO)<br />

( System F o Configuration r<br />

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FOR FURTHER DETAILS, PLEASE CALL<br />

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GI L PILL, TBC card with<br />

transcocling PAL/SECAM/NTSC etc. E 685<br />

FRAMEBUFFER RAM for GVP TBC+ E 195<br />

COMB FILTER for GVP TBC+ E 59<br />

GVP SPECTRUM EGS<br />

24-Bit Zono II i III EGS Retargettable Graphics Card.<br />

SPECTRUM With 2Mb VRAM E 345<br />

611P 6-Loch External Composite &<br />

S-VHS / H18 unit. S/VV Controlled E 265<br />

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With 4Mb Vramiciouble buffered E 1149<br />

Y/C Real-time 1118 digitiser card E 349<br />

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"RDA Z3 24Bil Zorro III card, 1Mb E 469<br />

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RETINA DISPLAY CARD 2Mb E 375<br />

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PICASSO RTG Card With 2Mb VRAM<br />

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Upgrade (A2000) E 409 (A3000/4000) E 419<br />

Many Other Professional Video Products<br />

Also Available - Please Call For Detail<br />

EDIT CONTROLLERi<br />

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WALTHAM CROSS,<br />

HFrITS. EN8 71-1C1


REVIEW<br />

right for once.<br />

4 3 ommodore A CD-ROM seemed drive that to have 1200 got ownit<br />

ers could slip in to their <strong>Amiga</strong>s and run<br />

0032 software and applications. Then, the<br />

immediate outburst of enthusiasm began to<br />

give way to nagging doubts and, worse<br />

still, negative comments from the head of<br />

<strong>Commodore</strong> UK, David Pleasance.<br />

While the CD1200 drive boasts the same<br />

planar chip that can be found inside the<br />

CO32, there was no option to install MPeg<br />

Secondly, the trapdoor connector on the<br />

1200 is used to house <strong>Commodore</strong>'s CD-<br />

ROM instead of the PCMCIA port, which<br />

means that no matter how hard you try,<br />

there's no room in the future for upgrades<br />

via the use of memory expansions and<br />

accelerator cards.<br />

The eagerness for the golden child of<br />

peripherals has subdued somewhat with<br />

the list of cons. Enter the independent<br />

developers — this month sees the release<br />

of the Zappo CD-ROM drive.<br />

Available well before the official<br />

<strong>Commodore</strong> version. the machine stands<br />

an extremely attractive chance ot hammering<br />

the official version into the ground. <strong>Is</strong><br />

the Akiko chip important enough to make<br />

1200 owner's itchy fingers wait any longer?<br />

The Zappo CD-ROM drive seems to<br />

have everything going tor it. Once brought<br />

out of its box displaying a relatively eyepleasing<br />

design, making you feel like your<br />

money has been well spent. it's immediately<br />

noticeable, scanning the albeit brief<br />

Instructions, that the drive plugs straight<br />

into the PCMCIA port. This means that the<br />

trapdoor connector is free to do with what<br />

you will.<br />

The drive itself is a double-speed<br />

Mitsumi FX001D that offers a transfer rate<br />

of nearly 300K, making it an equal match to<br />

the Sony drives found inside the CD32 and<br />

CD1200. Instead of the toilet seat pull-up<br />

lids of the latter, the Zappo has a front<br />

loading, retractable tray.<br />

The hardware recognises the IS09660<br />

and was able to read a Mac CD, where as<br />

a standard PC drive couldn't. Impressive<br />

indeed.<br />

Provided in the packaging <strong>Is</strong> the connector<br />

cable, external power pack for the CD<br />

Music to gout' par5... and Pim<br />

Also provided as part of the software are two handy<br />

utilities to acid extra value for money to the package.<br />

The Photo CD displayer allows the use of Kodak pictures<br />

that can be downloaded into the <strong>Amiga</strong> and<br />

then saved out in to the hard drive or on to floppy.<br />

The audio player is very similar to the CO32's.<br />

Slap in a disk and then select which track you want<br />

to play. The usual array of shuffle. pre-program and<br />

other features are present to provide an all-round<br />

and highly useful piece of software. The only real<br />

downside is that the player can be a little unresponsive<br />

at times, but it's nothing to hinder a potential<br />

purchase decision.<br />

Another handy option, due to the way in which the<br />

sound leads are set up, allows the user to leave<br />

The fiaopo 111-11fifil<br />

driue looks 5et to<br />

steal the Illiggr5<br />

thunder. (an it surreed<br />

without the Mika (hip?<br />

NMI Phi1105 fellimil5<br />

Jumping<br />

Al<br />

the<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

_<br />

•<br />

-<br />

•<br />

4<br />

1<br />

1<br />

1<br />

.<br />

1<br />

C 1<br />

— O t) i o l<br />

E L : CA Lill Liq 1<br />

1 )<br />

L'-a Lin •al<br />

El<br />

c<br />

i 5<br />

1c)<br />

1<br />

0<br />

-<br />

1 t<br />

1<br />

unit itself and a floppy disk worth its weight<br />

in gold. To launch yourself straight in to the<br />

delights of CD-based software, after connecting<br />

the drive simply slide the floppy in<br />

and turn the computer on<br />

By keeping the left-hand mouse button<br />

tracks playing while busying oneself with<br />

Wordsworth or ADpro. This is possibie due to the<br />

<strong>Amiga</strong> audio signals and the 16-bit CD sound being<br />

fed via two phono leads (not provided) In to the<br />

Zappo drive.<br />

Take one of them away and, with some CD games,<br />

you'll end up with only half the sound effects —<br />

Chaos Engine plays the intro sound directly off the<br />

CD but the games sound effects from the <strong>Amiga</strong><br />

itself.<br />

A headphone with volume control mounted on the<br />

front of the hardware has also been provided to aid<br />

your aural delight, and to keep everyone else around<br />

you going mad with the constant throbbing beat of<br />

Chaos Engine,<br />

Whistle while you<br />

work - Ice.7' for<br />

word processing,<br />

Belinda Carlisle for<br />

graphics, Prodigy<br />

for dash top publish.<br />

moo. Whatever your<br />

musical tastes, the<br />

CD player offers<br />

comphehensise lea.<br />

tines and a user<br />

friendly interface<br />

down_ the disk will automatically load in the<br />

CD boot utility which tells your <strong>Amiga</strong> tc<br />

recognise the drive_<br />

Once done. a menu appears with three<br />

differing options for the user to select from<br />

Either boot from the CD ( vital for all CD3'<br />

titles). rekick the machine with a custom<br />

built Workbench 3.1 emulator that allow!<br />

your <strong>Amiga</strong> to recognise the drive, or boo<br />

your machine up as usual.<br />

PURPOSE<br />

The main purpose of the drive, othe<br />

than the playing of audio CD's and taking g<br />

look at Photo CD's, is to play CD32 titles.<br />

Using a software emulation utility insteat<br />

of an actual planar chip. a maprity of CD3;<br />

programs work on the Zappo drive.<br />

Microcosm, Chaos Engine and Ultimato<br />

Body Blows are lust some of the titles a<br />

respectable working order, but the likes a<br />

Sabre Team and Impossible Missio,<br />

2025 are not compatible. While buyirs


CD32 software for the Zappo may be akin<br />

to playing Russian roulette with favourable<br />

Odds, if you're gagging for the latest titles<br />

the Planar emulator works well, providing a<br />

high speed equivalent to that of a CO32.<br />

If unsure about a particular game. try<br />

and buy from a independent retailer who'll<br />

usually be more happy about bringing the<br />

Idle back it ills not compatible. Only time<br />

will tell if the emulation software will keep<br />

up with the hopeful increasing amount of<br />

Akiko chip-specific titles,<br />

At El 99.95, the Zappo CD-ROM drive<br />

offers good value for money and a mainly<br />

hit and sometimes miss ratio when it<br />

comes to the back catalogue of CD32<br />

gaming titles.<br />

The question burning on every <strong>Amiga</strong><br />

owner's lips though is whether it's worth<br />

Ultimate Body fl ows<br />

Microcosm Sabre room<br />

fit t119.95, the a000 f0-60E1 drioe<br />

ofers good ualue for anq aod<br />

a mainlir hit and sometimes m155 ratio when it<br />

COM25 tO the bark [atalogue of (OR<br />

gaming titles.<br />

waiting for the official <strong>Commodore</strong> beast or<br />

simply to hang loyalties out to dry and take<br />

the plunge now.<br />

Rumour has it that the official<br />

<strong>Commodore</strong> CD1200 will be released for<br />

under C200• putting it in direct line of fire<br />

with the indie machine. The main advan-<br />

(I UP UP<br />

Impossible M ission<br />

Even though the likes of Microcosm use the CO32's Melo chip extensively, the software<br />

emulator accompanying the Zappo CD drive gives the player the full, unhindered<br />

game. Likewise, Ultimate Body Blows from the CD32 version with the allimportant<br />

extra ioypad buttons can be played via your Al 200.<br />

For reasons beyond the bounds of this particualr individuals understanding, both<br />

Sabre Team and Impossible Mission 2025 are non-starters. Booting up Sabre Team<br />

simply gives you the loading music and nothing else while IM 2025 plays the intro<br />

animation and proceeds to freeze up. My advice - try and check before you buy.<br />

r01 (C) ARCHOS 1994 - PAIMENNIMOrrousel vlelt<br />

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Wil Om<br />

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theq?<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

Hard driue in5tall<br />

For hard drive owners, the installation<br />

of the software couldn't be more simple.<br />

Boot in Workbench and doubleclick<br />

on the disk, Press on the install<br />

icon and the package proceeds to<br />

install itself in all the relevant directories,<br />

including the start-up sequence.<br />

Once done, copy the Photo CD displayer<br />

and the audio CD player across<br />

to the desired directory and you're<br />

ready to roll, By following the same<br />

process as floppy users, keep the lefthand<br />

mouse button pressed down and<br />

the CO Boot program will appear,<br />

awaiting your command.<br />

tage that the Zappo hardware has over<br />

<strong>Commodore</strong>'s is the use of the PCMCIA<br />

slot, but who's to say that on the release<br />

of the official drive, some enterprising<br />

independent won't have developed a<br />

handy expansion device that allows both<br />

the CD<br />

-plugged<br />

into the trapdoor port together.<br />

ROM The CD1200 will also boast the official<br />

aKickstart n 3.1 on board instead of the<br />

d Zappo•s software emulator. As far as<br />

aFull cMotion<br />

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c<br />

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don't<br />

l<br />

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decision.<br />

e r a<br />

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t o r<br />

has is that it will run all non-Mpeg CD32<br />

c<br />

games - there'll be no dicing with the cash<br />

a<br />

at the local software emporium.<br />

r The inevitable answer to any question<br />

dconcerning<br />

a fair sized portion of one's<br />

s earnings is to take your time.<br />

t If you have to have a drive, then go for<br />

o the Zappo straight away but if, like most of<br />

bus,<br />

it can wait a while. the CD1200 sounds<br />

elike<br />

a promising addition to the<br />

<strong>Commodore</strong> range.<br />

The bottom line<br />

Product: Zappo CD-ROM drive<br />

Supplier: indi Direct Mail<br />

Phone: 0543 419999<br />

Price: E199_95<br />

Ease of use 8<br />

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trall5 of deTtruutioIi<br />

star<br />

etter<br />

It seems to me that most investigations<br />

of computer misuse revolve round<br />

pornography. Well. I have come across<br />

a disc that might change that. I haven't<br />

tested any of the things that are men-<br />

tioned within this disc - how to create a bomb and how<br />

to make your own LSD - but the tact that this sort of<br />

information is available to the younger members of the<br />

computing fraternity is a concerning and worrying<br />

thought.<br />

As to what should be done, I will leave that up to you,<br />

but I do urge you to inform other magazines of the availability<br />

ol this information and to see what can be done.<br />

S Madetey, Cheshire<br />

Unfortunately. while there is a huge problem with<br />

Elven the run around<br />

It takes me a long time to get mad about<br />

things, but as I write this letter I am well<br />

mad!<br />

Recently I decided to sell my existing system<br />

and upgrade, and after a great deal of<br />

thought went for an A4000.<br />

The shop ordered it and phoned to say it<br />

had been delivered, so off I went to pick up<br />

my new speed machine. In the shop he set<br />

it up to try it out, it was great, well for five<br />

minutes that is until it died.<br />

So off it went and a new one arrived in<br />

two days, and it worked line. I took it home<br />

and for one whole week fine, but then it also<br />

died. I phoned the shop who told me they<br />

could get another but did not know when as<br />

everybody was out of stock.<br />

However, as it had NEXT DAY on-site<br />

warranty why not phone Wang. So I did and<br />

they phoned back to ask the problem, said<br />

they were out of parts and it would be a<br />

couple of days before they could get back to<br />

me.<br />

One week later (hvo weeks old) I phoned<br />

them back to see where they were, they<br />

said they were still waiting for the parts from<br />

<strong>Commodore</strong> and gave me the phone num-<br />

What's all this I hear about <strong>Commodore</strong> Australia<br />

and <strong>Commodore</strong> America having both gone bust? If<br />

these two companies have folded will it only be a<br />

measure of time before the one in the UK meets a<br />

similar fate? Okay, so a couple of <strong>Amiga</strong> mags<br />

have tried to reassure their readers that these problems<br />

will be sorted out in the near future, but will the<br />

company still be run along the same guidelines<br />

When (u11) it is sorted?<br />

1 r the worst in that <strong>Commodore</strong> are doomed to go<br />

1 under and if this happens then there will be nobody<br />

1 to continue producing this machine, leading to<br />

I developers and software companies leaving it alone<br />

L<br />

to dieo<br />

a Do you honestly believe that <strong>Commodore</strong> can<br />

m<br />

c<br />

o<br />

n<br />

s<br />

illegal or irresponsible material surfacing on computer<br />

screens across the planet, there is actually<br />

very little that anyone can do about it.<br />

The information you draw our attention to has<br />

already appeared on a PC CD-ROM via a magazine<br />

which also included pornography as well.<br />

As the information super highway and other<br />

forms of communication grow at an alarming rate, it<br />

will unfortunately become more and more difficult to<br />

monitor what is going on in the telephone lines and<br />

BBS' round the world.<br />

It may sound depressing but at present, with the<br />

methods of detection available, we will just have to<br />

put up with it while keeping a watch on any material<br />

that may come our way. Spot anything dodgy and<br />

report it to the crime unit at ELSPA on 0386 830642.<br />

ber When I phoned them they said they<br />

would phone Wang and sort it out, and then<br />

phone me back.<br />

One week later (three weeks old) I<br />

phoned <strong>Commodore</strong> who said they had<br />

phoned Wang who were out of parts and<br />

had not phoned me back because there<br />

was no point.<br />

Four days Later I took it back to the shop<br />

who said they would sort it out They<br />

phoned Wang. <strong>Commodore</strong>, their suppliers<br />

and got the same run around as I did.<br />

Alter one week (five weeks old) of constant<br />

badgering and hours on the phone<br />

there was a new machine on its way But<br />

after yel another week (six weeks old) they<br />

phoned me back to say there wasn't one on<br />

its way. They then gave me my money back<br />

Gone under,<br />

down under?<br />

right themselves again? Your assurances (if genuine)<br />

would be most grateful.<br />

Dowd O'Cortner, Dinnington, S.Yorks<br />

Obviously with the demise of the parent<br />

company, not to mention a major subsidiary,<br />

it's pretty tough talking about a silver lining<br />

and still keeping a straight lace.<br />

However, unbelievable as II may seem there's<br />

a glimmer of hope. Even though the CBM US<br />

have successfully turned a silk purse into a<br />

sows ear both the English and German divisions<br />

are still very much going concerns.<br />

But perhaps more importantly they remain<br />

attractive buys for would<br />

-you're<br />

no doubt aware, a whole host of big<br />

be i n v •••••• e s t o r s .<br />

A s<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

LETTERS<br />

with the message that after I had spent<br />

E1000 on a computer, every one concerned<br />

did not care that it didn't work and couldn't<br />

give a damn.<br />

So now I am left with a Multisync monitor,<br />

extra drives, a small fortune in software, a<br />

whopper phone bill, lost wages from the<br />

time of wod< and no computer.<br />

I am feeling very bitter towards: Not<br />

Wang who cannot repair without parts from<br />

<strong>Commodore</strong>; not the suppliers who cannot<br />

supply without the machines from<br />

<strong>Commodore</strong>; but COMMODORE who could<br />

not care less about their customers once<br />

they have sold them a computer.<br />

The thing that gets me is that the <strong>Amiga</strong><br />

is a great computer and it's what I want. I<br />

don't want a PC, MAC, ACORN or an ST. I<br />

wanted an <strong>Amiga</strong> but am left with no faith in<br />

<strong>Commodore</strong>_<br />

J McKenny, Bradford<br />

Unfortunately this is an all too familiar<br />

story. It's not that the A4000 is particularly<br />

prone to failure, it's simply another<br />

example of why <strong>Commodore</strong> went under.<br />

In fact the story stands as a testament<br />

to the demise of CBM. Although the<br />

demand for machines has always been<br />

high, <strong>Commodore</strong>'s inability to deliver is<br />

exactly why they went into liquidation,<br />

Basically it's a classic tale of over<br />

expansion and a subsequent cash-flow<br />

names have been involved in negotiations. but<br />

at present Samsung still appear to be the hot<br />

favourites - see this month's news for more<br />

details. However there's yet another twist in the<br />

tale, with <strong>Commodore</strong>'s European management<br />

team also entering the arena.<br />

Obviously this doesn't exactly inspire confidence<br />

given their past record, but It must be<br />

stressed that in the past big decisions came<br />

from across the pond.<br />

If <strong>Commodore</strong> do buy themselves out I'm<br />

sure they'll be a lot more astute. Basically, my<br />

advice is to sit back for a few months and let<br />

the dust settle. The technology is still strong,<br />

the demand is there, all that's required is an<br />

Injection acumen.


50<br />

I<br />

LETTERS<br />

disaster. This was due to dubious marketing<br />

- the A500+ followed almost immediately<br />

by the A600 and so on - all of which<br />

cost vast amounts of cash.<br />

Unfortunately when demand rocketed<br />

with the release of the 41200 and 44000,<br />

<strong>Commodore</strong> were forced back to the creditors<br />

for additional cash in order to menu•<br />

facture the machines the market was<br />

screaming for.<br />

Not surprisingly they refused, demanding<br />

payment of the money already borrowed.<br />

At the moment <strong>Commodore</strong> as we<br />

know it is effectively dead, caught in a classic<br />

example of how cash-flow can kill the<br />

golden goose.<br />

I only hope that when <strong>Commodore</strong> finally<br />

returns from the corporate wilderness they<br />

will have teamed their lesson.<br />

Boot-up hang up5<br />

Firstly my congratulations on your<br />

excellent magazine. Being a comparative<br />

newcomer to the <strong>Amiga</strong>.<br />

I've run into a couple of minor<br />

problems I hope you can help me<br />

with.<br />

I've recently installed a new<br />

hard drive on my A1500, and<br />

despite following the installation procedure<br />

religiously, I get a requester for<br />

"Volume work" each time I boot from<br />

cold. On warm reboot there is no problem.<br />

It's a minor annoyance. but I obviously need to<br />

update the startup-sequence in some way.<br />

My second problem has existed since I<br />

installed a GVP 040 accelerator. The machine<br />

hangs on the boot-up - hot or cold - after my<br />

company name appears.<br />

I've looked at the startup-sequence, but I'm<br />

not clever enough to see what could be the<br />

causing the problem I hope you can proffer a<br />

few words of advice.<br />

N Condron. MUSiC Motion. Brighton<br />

Well you've certainly come to the right<br />

I have in the last couple of months purchased an <strong>Amiga</strong><br />

500+, Its the first computer I have ever owned and to date<br />

have mainly used il for games I have been offered a<br />

40MB IDE hard drive which has led me to wonder about<br />

the <strong>Amiga</strong> as a sequencer.<br />

In the past I have used dedicated Modules such as the<br />

Korg Ml, but now I'm wondering how good the internal<br />

sounds on the <strong>Amiga</strong> can be? So, I'm writing to you for<br />

advice.<br />

What I would like is a sequencer program that runs highquality<br />

internal sounds from an external Midi keyboard. I've<br />

been playing round with the OctaMed program, and<br />

though this software is restricting and 1MB sounds leave<br />

little to be desired, it got me thinking.<br />

If I had 40MB, could I get sounds that equal Modules<br />

like the Korg Ml? I need a program that has effects like<br />

reverb and chorus and the ability to pan internal sounds<br />

across the stereo field, as well as having at least 16 tracks<br />

with full edit.<br />

I buy your magazine every month and a few weeks ago<br />

a friend gave me the CoverDisk from an issue back in '93<br />

On it was Bars&Pipes which is the closest to the program<br />

I'm trying to find, yet I could find no way of running internal<br />

sounds from an external source, nor could I pan the<br />

Got<br />

something to say<br />

through the pages of AC?<br />

Ezra Surf is our mailman,<br />

dedicated to reading your letters<br />

and selecting the most interesting<br />

for publication, Drop him a line at:<br />

Ezra Surfs Postbag <strong>Amiga</strong> <strong>Computing</strong><br />

Adlington Park. Macclesfield 51(10 414IP<br />

Please don't enclose saes as Ezra Just<br />

hasn't got enough paper to reply<br />

personally. He might also have to<br />

shorten your letters, so don't<br />

be offended if you end up<br />

getting the chop.<br />

Sound5<br />

great<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

place with the first question as we have<br />

our very own cold boot problem on one of<br />

our 43000.<br />

In our case the problem appears to be<br />

the initialisation time of the drive. The 3000<br />

in question runs an 040 which attempts to<br />

boot the machine very quickly.<br />

Unfortunately the hard drive in the<br />

machine is a fairly slow replacement with<br />

can only manage a 17 millisecond access<br />

time. As a result, when the machine boots<br />

the 040 boots-up before the drive is up to<br />

speed. it therefore asks for a boot disk to<br />

be installed.<br />

But as in your case, once warm rebooted<br />

the problem disappears. It might also<br />

be worth checking out the boot priority of<br />

drive in relation to any others on your systern<br />

- assuming you have a second hard<br />

drive.<br />

We decided long ago that it added<br />

character and as it never caused a<br />

problem il should be left alone -<br />

If it ain't completely broke don't<br />

make things any worse - an<br />

old computing adage.<br />

Messing about with your<br />

startup-sequence isn't a very<br />

likely cure as your machine<br />

simply isn't getting that far<br />

Into the boot sequence. So my<br />

advice would be to stick with<br />

the Vulcan death grip once a day<br />

lust like we do.<br />

As for your second point there is<br />

a solution. Firstly ensure the view command<br />

you use is before !Preis in the startup-sequence.<br />

Secondly ensure that the view command<br />

is running as a background task.<br />

Fortunately there's a few methods to<br />

achieve this. You can either use runback<br />

or Brun - both of which are small utilities<br />

widely available in the PD.<br />

However, if you can't be bothered sifting<br />

through the PO there is an <strong>Amiga</strong>Dos alternative.<br />

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,<br />

Workbendi magi(<br />

Al', As a user of Magic WB (of which I<br />

A<br />

..•-• keen to create some Workbench and<br />

l<br />

window , images that users can load into<br />

WSPattem<br />

,<br />

in the Preis directory.<br />

As I understand it, only a maximum of eight<br />

,<br />

colours can be altered, even if you use a 256<br />

.<br />

Workbench. So how can I create images in<br />

DPaint<br />

,<br />

if I don't know what colours are being<br />

used? •<br />

•<br />

h<br />

J. Redman, Brighton<br />

a<br />

v<br />

r _<br />

e 4 '•".V — the facility for Al200 owners to<br />

..<br />

h k edit all the colours in the<br />

Workbench ),<br />

a<br />

palette, from two to 256<br />

colours. C<br />

d<br />

oMy<br />

suggestion would be that you try and<br />

n<br />

get m hold of some screen grabbing program<br />

o<br />

which m will allow you to grab an image of<br />

the p<br />

o<br />

Workbench screen, colours and all,<br />

r<br />

d<br />

You can then load the image into DPaint<br />

and o<br />

o<br />

save the palette Out so that you can<br />

apply b it to any patterns you create.<br />

r<br />

l There are two very good screen grab-<br />

e<br />

bers e for the <strong>Amiga</strong> and these are<br />

s<br />

Ouickgrab m (which we use to grab pictures<br />

for<br />

h<br />

s the magazine) and Screenk Both of<br />

these o<br />

) programs are available in PD listing.<br />

so u<br />

I<br />

check the adverts for more information.<br />

l<br />

aGuickerab<br />

Wti<br />

d<br />

m<br />

hgaup<br />

D ire ctory I dhS: i t . 3 1<br />

v<br />

a Base File na me rdulckdrob — I<br />

e<br />

v<br />

r Grab Notices! !control it remand a I<br />

e<br />

y /Way be fore gra bbing (se conds) fi n<br />

o<br />

Show sssss ge whe n gra bbing' _ _ J<br />

f<br />

f<br />

Hide Q u i t<br />

e<br />

rQuickgrab<br />

will allow you to grab a screen from<br />

your Workbench, therefore allowing you access<br />

e<br />

to the palette<br />

d<br />

-<br />

1<br />

1<br />

A<br />

t<br />

p<br />

r<br />

e<br />

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n<br />

t<br />

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a<br />

m<br />

w<br />

r<br />

i<br />

t<br />

<strong>Amiga</strong>Guide or<br />

filultioiew<br />

ware that will allow <strong>Amiga</strong> owners to<br />

change the look of their Workbench win-<br />

dows. The program is nearly finished so I have<br />

started to write the documentation<br />

As I own an Al200 I have decided to use the<br />

<strong>Amiga</strong>Guide format with Multiview. However, I<br />

realise that Workbench 2.0 doesn't support<br />

Multiview, so I am now using the official<br />

<strong>Amiga</strong>Guide program which both Workbench 2.0<br />

and 3.0 users can use.<br />

Unfortunately, every time I load the file into<br />

<strong>Amiga</strong>Guide it crashes my machine.<br />

M. Clarke, Newcastle<br />

Yet another mlited bag<br />

of WWII& ILIbilig5<br />

1<br />

-<br />

0<br />

for a 5oeedg roomy<br />

1<br />

7<br />

1<br />

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e<br />

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h<br />

e<br />

51,1fgefil75 Mile in time<br />

Window PHP105100<br />

Along with a group of friends, I am<br />

creating a disk•based magazine<br />

• for graphic artists, 3D and 20. As<br />

we know very little about <strong>Amiga</strong>DOS we<br />

decided to use the <strong>Amiga</strong> Competing<br />

CoverDisk contents in Order to create an<br />

auto-booting disk.<br />

Another reason for using your<br />

CoverDisks is that they use a very useful<br />

Shell window al the bottom of the screen<br />

which we needed to include<br />

It is the Shell window where our problems<br />

arise. When this window appears it does so<br />

at full screen size, that is 640x256. which is<br />

Obviously no good at all<br />

I understand it is the Winsize command<br />

that allows you to alter the dimensions of a<br />

window, but for some reason it oust does not<br />

want to work. We are using A600s and each<br />

have 1Meg HAM expansions. <strong>Is</strong> there any<br />

reason why this isn't working?<br />

M. Wave!!, Bristol<br />

The first problem you've got is<br />

Workbench 2.0. The Winsize<br />

command was originally written<br />

for Workbench 1.3 and was not<br />

modified to be used with Workbench 2.0.<br />

So how do we do it?<br />

The trick here is to install the disk you<br />

In my experience, and contrary to<br />

the associated documentation,<br />

<strong>Amiga</strong>Guide is not totally compatible<br />

with <strong>Amiga</strong>Guide style tags.<br />

When I received my <strong>Amiga</strong>Guide package a<br />

Sample.guide was provided which shows the<br />

different tags and their effects. This works<br />

fine in Multiview but looks awful in<br />

<strong>Amiga</strong>Guide in which none of the tag effects<br />

show up.<br />

If you have any text formatting tags such<br />

as la(b) or 4<br />

41i) they do tend to have a damaging effect. The<br />

y0Wordwrap o u command also falls to work in<br />

s<strong>Amiga</strong>Guide h o u and text tends to flood of the<br />

lright d edge which you need to scroll.<br />

Another error occurs In Multiview when a<br />

r e<br />

word or series of words that have style tags<br />

m o<br />

have to be word wrapped. For some reason<br />

v e<br />

the information is simply split across two<br />

t h<br />

lines and whatever the letter was where the<br />

e m<br />

,<br />

a<br />

s<br />

AMIGA L;OMPUTI NG ADVICE SERVICE<br />

split occurred disappears, My advice would be to<br />

stick with the standard ASCII document until<br />

<strong>Amiga</strong>Guide is improved.<br />

Wrest, Sire.<br />

ilmaramt<br />

Indommor<br />

ad b riatrib u o rmrib trkillu t<br />

Swe<br />

lel<br />

e s a<br />

re rrq dhrirtro rtle o lwwko ro m4 ,<br />

ial ,,<br />

wr<br />

Oririmdull p a .<br />

Lloodrtromolkedoricrmoo!.• a k t . w • w ,<br />

eo_UsdortO e w s w a<br />

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lauo l . r a r a u<br />

Z11-61•61114 o l u m l o n<br />

utarrork. e u v I l o w<br />

n<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

bluitiview works almost bug-tree but AmlgaGulde<br />

searn• to be Fraught wIth problems<br />

TECHNICAL<br />

are using with a 1.3 bootblock. If you<br />

know anyone with an A500 you should<br />

be able to get hold of the 1.3 Install command.<br />

You may even find it in the C<br />

directory of our CoverDisks as well. The<br />

Winsize command seems to clash with<br />

2.0 bootblocks.<br />

Once you have access to it. you<br />

should rename the install command<br />

Instaill.3 and copy it to your C directory.<br />

Whenever you next format a disk that<br />

you want to use the Winsize command<br />

with, type in the following in your<br />

Workbench Shell:<br />

instaLL1.3 df0:<br />

This will create a 1.3 bootblock on the<br />

disk In df0: which will allow you to run


54<br />

TECHNICAL<br />

the Winsize command successfully. Don't<br />

worry, your disk will maintain compatibility<br />

with Workbench 2.0 and above.<br />

Which 510t5<br />

Workbench won't wait<br />

I have an Al200, 120Mb hard drive<br />

with an 9Mb fast RAM (Blizzard<br />

••••-- 1200) expansion in the trap door. I<br />

bought this powerful set-up so that it would<br />

allow me to use my HP 550c printer for dabbling<br />

in DTP.<br />

I really would like one of the new CD-ROMS<br />

that attach via the PCMCIA slot. Would the<br />

trapdoor expansion interfere with the PCMCIA<br />

slot? I called Inch Direct and they said no. Silica<br />

say it would.<br />

A. Stephen. Beitshili<br />

•<br />

r RAM you may have problems<br />

f ."" because the extra memory resides in<br />

, the same address location as the PCMCIA<br />

I<br />

slot memory. We have been currently test-<br />

f<br />

ing the Zappo CD-ROM with a 4Mb upgrade<br />

and have had no clashes with RAM expan-<br />

y<br />

sions or accelerators.<br />

o<br />

<strong>Commodore</strong>'s official 1200 CD drive<br />

u should be out in about two months but this<br />

o<br />

will plug into the trap door expansion, mak-<br />

wing<br />

accelerators and RAM boards totally<br />

n redundant (that's <strong>Commodore</strong> for you).<br />

m My advice is to take a long look at the<br />

oZama°<br />

as it is by far the best option so far -<br />

rjust<br />

remember that you will be limited to<br />

e only 4Mb expansion. For more information<br />

t<br />

contact Indi Direct Mail on 0543 419999.<br />

h<br />

a<br />

n Beach for the 5til25<br />

4<br />

M<br />

• I sympathise with K. Leemer (<strong>Is</strong>sue<br />

77) with respect to Beneath a Steel<br />

b<br />

----- Sky on the Al200. However, rather<br />

o<br />

than throw the game disks around the room<br />

f<br />

II<br />

problems. The DONOTWAIT command is a sys-<br />

, , ..,<br />

tem command that tells Workbench to ignore the<br />

i. W <strong>Amiga</strong> a message appears shortly after program once executed and carry on with any<br />

WWorkbench hB<br />

loads informing me that the application other tasks.<br />

Shas ty<br />

not quit and should it wait some more.<br />

Phon4 ItIn .5 (Teel)<br />

a This ri<br />

is really annoying me as I am fairly proud of<br />

I<br />

tmy us<br />

Workbench. I own an Al200.<br />

54441<br />

C. Burns, Devon<br />

p<br />

14114 I<br />

i<br />

11-141, • 54 2114 11<br />

Y._<br />

d t<br />

If Only all ACAS letters were this simple.<br />

r t1<br />

'<br />

DONOT1111<br />

a h3<br />

1 have in your WBStartup drawer and select<br />

w a\<br />

1<br />

Information from the Icons menu option.<br />

e In t the Information window click on New to cre-<br />

8<br />

r<br />

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new Tool Type and then type in:<br />

Nov I<br />

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Save this down and you should have no more while o loading programs in the WBStartup drawer<br />

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to <strong>Amiga</strong> tomputurp Huse Semite. Europa<br />

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and waste a very good game in the<br />

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process, bow about trying this handy tip? t<br />

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The problem lies with the AGA screen i on<br />

A. Hutchinson. Northumberland<br />

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the Al200. In order to play the game without n<br />

u<br />

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an AGA screen follow these instructions: e<br />

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, I would have thought that to dis-<br />

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1. Boot the Al200. holding down both<br />

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s mouse<br />

able the AGA screen mode you<br />

buttons to enable the set-up screen. t<br />

would have had to select<br />

a<br />

a Enhanced screen mode, but you say this<br />

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2, Select Boot with no startup-sequence. k works so I'll take your word for it_<br />

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Unfortunately. I couldn't test your solu-<br />

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c<br />

3. Move to the root directory of Beneath a tion as it takes about ten years to actually<br />

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Steel Sky on your hard drive by typing:<br />

Install the thing. Thanks anyway.<br />

n<br />

3<br />

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b<br />

i<br />

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s<br />

When the A600 first came out rdecided to Ounothe that included<br />

.a•<br />

y<br />

a hard drive. Admitting my lack of foresight. o I bought an A600 with only<br />

a 20Mb hard drive. A 20Mb hard drive was totally sufficient at first, but<br />

u<br />

since that time I have become more proficient with my <strong>Amiga</strong> and its software<br />

and now find I am senously running out of room.<br />

I have tried LHA to compress data but find it so annoying having to decompress<br />

it again for just one picture. or sound sample. Besides forking Out for an<br />

only time it can prove dangerous is when the user fails to follow the<br />

instructions correctly.<br />

In certain circumstances, Disk Expander has been known to More<br />

storage by 50% which is quite amazing.<br />

Unfortunately. I couldn't locate exactly who it is that is distributing<br />

PowerPacker Professional these days, but DiskExoander is available from<br />

Power <strong>Computing</strong> on 0243 273000 for only 135.<br />

new and bigger hard drive, is there any other option I can consider?<br />

D. Johns. Rhyll<br />

lir I can understand your dilemma, a 20Mb hard drive is simply not<br />

ll ,.. enough, especially as Workbench and its associated files can eat<br />

up a hell of a lot of that space.<br />

' There are solutions, however. It would be wise for you to consider a<br />

o Dislixpander<br />

,UnPack<br />

1Pack<br />

Lbcat<br />

1ExNext<br />

Device<br />

dft lo<br />

w&<br />

1 I m i<br />

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1<br />

POIKE<br />

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HBlock<br />

Table •<br />

m<br />

N MK418 O<br />

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V N I<br />

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Devices 1 MCompressors<br />

e<br />

I<br />

At OM* Expander can<br />

Moralise y our hard<br />

rinse storage<br />

capacity by up to<br />

ger drive in the future - nothing less than 55Mb - but there are proms<br />

that will increase your storage capacity without the need to spend<br />

• ge sums of money.<br />

k The best packing and de-packing programs are PowerPacker 2.0 and<br />

: Disk Expander. PowerPacker will simply crunch files and auto-expand<br />

them when they are run.<br />

Disk Expander will crunch entire hard drives using some very fast and<br />

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<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBEH 1994<br />

It<br />

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Moose one of these trolls useful<br />

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Ideal for new users wanting<br />

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nmiga =•<br />

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<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

SUBSCRIPTIONS<br />

guide 1 r ur firniga!<br />

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Mastering<br />

Rmiga Beginners<br />

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4 0<br />

GRAPHICS<br />

s far as 2D design goes, Deluxe<br />

Paint from Electronic Arts had, up<br />

until recently, held the crown, but<br />

with the advent of Brilliance from Digital<br />

Creations all that changed. Now. Brilliance<br />

has been upgraded and looks set to leave<br />

DPaint even further behind.<br />

Brilliance 2.0 not only features a superb<br />

and fully illustrated manual but also two versions<br />

of the software, Brilliance - which is a<br />

register version allowing you to paint in 2, 4,<br />

8, 16, 32, 64, 128 and 256 colours - and<br />

TrueBrilliance - the same program which is<br />

specially written to handle HAM screen<br />

modes easily and quickly.<br />

DeluxePaint tried to combine both these<br />

attributes in one package but the result was a<br />

program which worked tine in register mode<br />

but tripped and slipped in HAM. Taking a<br />

n the continuing battle for the ulti-<br />

Cloanto have returned into the fray<br />

with Personal Paint 6.0. beefing against the<br />

now ageing Deluxe Paint 4 and the crown<br />

holder Brilliance 2_0.<br />

From the outside, Personal Paint looks<br />

identical to its forerunner 4.0 featuring the<br />

now customary, and much appreciated,<br />

<strong>Commodore</strong> installer, making installation a<br />

breeze.<br />

And to all intents and purposes version 6.0<br />

looks identical when loaded. However, a<br />

quick flip through the menu and the differences<br />

become instantly recognisable_<br />

Probably the most mayor additions are the<br />

new animation facilities. Animation has had a<br />

long-time association with Deluxe Paint and<br />

Brilliance but only now have Cloento included<br />

it with their paint package Unfortunately. the<br />

Thom is worry little<br />

demonstration art.<br />

work supplied but<br />

what there is of il<br />

is very high quality<br />

This is an oxen*,<br />

of Persona, Paint<br />

6.0 3 coMur 'sump-<br />

ping abilities. The<br />

fluidity looks great<br />

mien with only 16<br />

colours<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

1<br />

step back to the manual. Digital Creations<br />

have provided tutorials for the beginner and a<br />

quickstart section for those used to DPaint.<br />

Also provided is a very thorough reference<br />

section which provides examples from almost<br />

all the tools available. When compared to the<br />

DPaint manual it is slightly less informative,<br />

but Brilliance is such an easy program to use<br />

there isn't much call for hefty explanation.<br />

SUPERIORITY<br />

Users ot the previous Brilliance package<br />

will already have been convinced of its superiority<br />

over DPaint and Personal Paint, but for<br />

those users still working with these packages<br />

a lair amount of convincing is going to be<br />

needed, especially as DPaint has become<br />

the default art package for <strong>Amiga</strong> artists.<br />

Unlike DPaint and Personal Paint,<br />

Brilliance takes a new approach to the pulldown<br />

menu style of option selection and<br />

offers a variety of panels which are stacked<br />

at the bottom of the screen.<br />

Combine these with the hotkey definitions<br />

which can be assigned to panels via the keypad<br />

and you've got a powerful and flexible<br />

design interface which is quick to access and<br />

totally programmable.<br />

The program offers all the tools and<br />

options available in DPaint and more. Digital<br />

Creations have definitely thought long and<br />

hard about Brilliance and seems to have perfected<br />

what so many other companies have<br />

failed - a paint package that superceeds<br />

DPaint in all respects.<br />

Tool wise, Brilliance is literally overflowing<br />

with familiar, and some not-so-familiar,<br />

drawing methods that make image creation a<br />

animation is severely lacking in flexibility and<br />

design. A very useful storyboard window has<br />

been added, allowing the user total control<br />

over how his or her animation runs, but there<br />

is nothing that rivals DPaint's Move requester<br />

or Brilliance's tweening ability.<br />

Any animation techniques must be applied<br />

by hand. There are some very useful additions,<br />

like new compression ratios which can<br />

reduce the size of an animation dramatically<br />

and the ability to create animations with varying<br />

palettes and frame by frame timing which<br />

have been neglected by DPaint and<br />

Brilliance.<br />

Multi-palette animations are extremely<br />

uselul and can be viewed externally by using<br />

View V3.6 or ViewTek which are available<br />

from most reputable PD libraries.<br />

Personal Paint 6.0 also features a very<br />

usetul virtual memory option in which inactive<br />

image data can be stored for later retrieval.<br />

The size of the virtual memory is totally definable<br />

but is automatically defined by the<br />

Pure<br />

breeze. In fact. this <strong>Is</strong> certainly one 0 M3<br />

most attractive areas of Brilliance es as<br />

friendliness<br />

Animation, stenciling and grader',<br />

have also been included in Brilliance<br />

have been much improved over D<br />

Unlike DPaint, Brilliance has the atoll,<br />

tween brushes - that is to take a s<br />

Image and end image and then fill in the<br />

essary images in-between.<br />

Certainly, two of the most anno<br />

problems y in DPaint are the single Undo<br />

All the features associated with Deluxe<br />

Paint are availabie, and plenty more<br />

nal<br />

besides.. Tha magnify is •strernely versatile<br />

the OPII5<br />

Although the image processing effects are<br />

many and provide °tic client results, they are<br />

peinfulty slow even on accelerated <strong>Amiga</strong>,<br />

program when there is a memory shortage.<br />

When a memory shortage occurs,<br />

Personal Paint 6.0 will 'clean up' the virtual<br />

memory, leaving only the most recently used<br />

item - the less used material being stored<br />

on disk. When images within the VM need to


Steue White test !MOS the 113te5t 11P151<br />

-<br />

011<br />

fifillidllie to find out what all the 1115515 about<br />

toolbox fill and draw modes. The latter fails to<br />

hi or draw underneath the area occupied by<br />

the toolbar, when ills present. Imagine drawing<br />

a circle that disappears underneath the<br />

toolbar. When the toolbar is removed any<br />

image under it is erased.<br />

DPaint also supplies only a single undo<br />

Option and il the toolbar is enabled after a<br />

mistake. the undo facility has no effect.<br />

ATTRIBUTES<br />

Brilliance to the rescue. Not only does<br />

&Nance perform all drawing functions under<br />

the tool panels but also has a definable<br />

amount of undo& restricted only by availabte<br />

memory These attributes, and many more.<br />

can be edited in the Brilliance icons Tool<br />

Types. You can even select the default pathnames<br />

for pictures, animations and brushes<br />

etc - something severley lacking in DPaint<br />

Interface aside. Brilliance is also a damn<br />

be displayed, they are done so automatically.<br />

Cloanto have now added support for<br />

Retargetable Graphics boards such as<br />

Picasso. Retina. Rainbow. EGS and Talon,<br />

which allows users of these boards total<br />

access to all Personal Paint 6.0 features in<br />

an environment where the board is used to<br />

full potential.<br />

ADDITIONS<br />

As well as these new additions, Personal<br />

Paint 6.0 still features its plethora of image<br />

processing functions as well as a few new<br />

additions including transparency.<br />

As far as image processing in a 2D art<br />

package goes. Personal Paint 6,0 still holds<br />

the crown. The down side of these image<br />

effects is that they are painfully slow, even on<br />

a Al200 with 4Mb Fast RAM and an 030<br />

accelerator with FPU.<br />

Still one of the most powerful attributes of<br />

this program is its colour remapping ability<br />

which is rivalled by none other. A great<br />

sight faster than DPaint and Personal Paint<br />

and can perform some operations faster on a<br />

68000 than DPaint can on a 68020.<br />

True Brilliance. the HAM version makes<br />

working in HAM (Hold And Modify) a pleasure,<br />

something that DPaint tiled desperately<br />

to manage but failed so miserably.<br />

For Brilliance upgraders the differences<br />

between the previous version are mostly<br />

invisible. The drawing routines have been rewritten<br />

and are now a lot faster as a result at<br />

customer feedback.<br />

New animation formats have also been<br />

supported and apart from the standard<br />

ANIM5 format, also include Op-5, Op-8<br />

(Word), Op-8 (Long) and single frames.<br />

Most of these formats are not fully supported<br />

yet, but when they are Brilliance will be at<br />

the front of the queue as far as compatibility<br />

goes.<br />

4:e<br />

tat<br />

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h Ian the lateSt 11051011 of Peagl7d1 Faint —<br />

example picture is supplied with Personal<br />

Paint 6.0 and shows about six high quality<br />

Images, obviously with different palettes,<br />

combined into one with only a slight degradation<br />

of quality.<br />

Not so wondrous you may think, but when<br />

you consider that this image is Only 16<br />

colours you can't fail to be impressed. h<br />

.<br />

:67<br />

The animatiton<br />

rocitmostor features<br />

from* thumbnifi lo<br />

allowing you foto,<br />

control over how<br />

your animation is<br />

created. No tweets.<br />

tog or move<br />

regoesters. though<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

Ease of use 9<br />

Implementation 9<br />

Value for money<br />

9<br />

Overall 9<br />

Ease of use 7<br />

Implementation<br />

7<br />

Value for money<br />

8<br />

Overall 7<br />

GRAPHICS1_<br />

Verdict 1<br />

r i l l i a n c e L , 1<br />

is the most competent 20 paokage<br />

able for the <strong>Amiga</strong>, and Electronic Arts<br />

will have to provide something very spee-<br />

* cial with DPaint c 5 if they are to claim back<br />

ertainly There is n o d o u b t t h a t B r i l l i a n c e their crown.<br />

I have been using DPaint ever since<br />

the first version but since using Brilliance,'<br />

It has been removed from my hard drive,<br />

and is unlikely to ever reappear.<br />

I . „<br />

A R D<br />

The bottom line<br />

Product.' Brilliance 2.0<br />

Supplier.' Meridian<br />

Price: £84.95<br />

Tel.' 081-543 3500<br />

po Verdict 1<br />

1<br />

11<br />

As far as users of Personal Paint 4.0 are<br />

,concerned. V6.0 is a welcome upgrade,<br />

especially with the addition of animation.<br />

However. Cloanto still have to go quite a<br />

distance before they rival animation tea-<br />

!tures as seen in Deluxe Paint 4 and<br />

'Brilliance 2,0.<br />

, As far as value for money is concerned,<br />

Personal Paint 6.0 is still very good b<br />

'Cloanto ul must seriously consider animal<br />

'aids and perspective before their no<br />

:release. If they can maintain the pace<br />

they could be onto a winner.<br />

The bottom line<br />

Product: Personal Paint 6,0<br />

Supplier Ramiga International Ltd<br />

Price: E69.95<br />

Tel: 0690 770304


4.<br />

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Al200 ks Race & Chase s E279.99<br />

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Digita Wordworth. Digita Print<br />

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<strong>Amiga</strong> CD32 E 2 7 9 . 9 9<br />

2Mb RAM. Dual Speed CD ROM.<br />

Multi session, plays music CD's.<br />

256000 colours on screen, includes<br />

2 games Oscar and Diggers.<br />

<strong>Amiga</strong> 4000 030 £ 9 9 9 . 0 0<br />

Includes A4000, 030 processor,<br />

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=15<br />

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• 200dpi resolution<br />

• 2 Microswitched buttons<br />

• Opto/Mechanical mechanism<br />

• Switchable between <strong>Amiga</strong>/ST<br />

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ayes<br />

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• 880K formatted capacity<br />

• Double sided. Double density<br />

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Plugs straight into A600 trap door<br />

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• 40MHz 68030 accelerator<br />

• Makes your <strong>Amiga</strong> 1200 run<br />

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• Allows up to 32Mb RAM<br />

• Optional FPU<br />

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1.99<br />

IC<br />

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.99<br />

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99<br />

if<br />

I only seems like a short while ago<br />

that a 2400 baud modem was a<br />

pretty fast thing, and you<br />

know, after you had one for a while you<br />

began to wonder how you ever managed<br />

without it.<br />

Then 4800 baud modems came out and<br />

you began to wonder about your concept of<br />

speed. These were very shortly followed<br />

by 9600 and 14400 baud modems.<br />

and in what seemed like a quarter of the<br />

time.<br />

So sure enough we find ourselves in the<br />

present looking down both barrels of a<br />

28800 baud modem. Who'd have thought<br />

it And not Only is it double the speed of the<br />

modems we are all using, but it's only<br />

E285.53, rather than the E600 you used to<br />

have to pay for a 14400 when they first<br />

came out.<br />

The pace of technology is a baffling<br />

thing, and it seems a bit worrying to buy<br />

anything like this in this day and age when<br />

it's becoming alarmingly apparent that<br />

almost everything we buy for our <strong>Amiga</strong> is<br />

almost out of date before we wrestle it out<br />

of the box.<br />

IDENTITY<br />

You'd be forgiven for mistaking the 288<br />

for a regular 14400 modem just by<br />

looking at it, as it's enclosed in the<br />

self-same brushed aluminium case with<br />

black ends. But it's a very different beast<br />

inside,<br />

What you are in fact looking at is a 28800<br />

baud modern (I still get a kick out of saying<br />

that) which runs at 28800 baud for data,<br />

14400 for fax (although I've yet to encounter<br />

a fax which runs faster than 4600 or 9600)<br />

and MNP modes 2 to 5 plus mode 10.<br />

What this means in plain English is that<br />

as far as data transfer is concerned, this<br />

thing sends stuff before you press the send<br />

button - it's that fast<br />

The MNP part relates to Miracom<br />

Neworking Protocol and is a form of data<br />

error correction and compression which<br />

allows for faster and more reliable operating<br />

speeds.<br />

MNP 2-4 is what is also known as LAPM<br />

or V42 and this is an error correction<br />

method, which means that checksums are<br />

sent and received by modem and remote<br />

host to ensure what is sent is complete and<br />

not corrupted by line noise.<br />

In the days before this standard we spent<br />

more time on-line saying "please re-send,<br />

line noise: and comms was leSs like an<br />

uoer<br />

filodem<br />

Phil Smith talfe5 a ID(lif at Me af<br />

the new Supra Ilfa5t modem5, t<br />

lurking in at a bh5tering 08,811S baud<br />

Information Highway and more like a tatty<br />

CB club.<br />

Then MNP 5 came along and not only<br />

were you error corrected but you had a 2:1<br />

compression going too. so everything was<br />

Hog, bonus<br />

So is it the bees nose? Well. it's a very fast piece of kit, and up to Supra's usual high standards of MINlecture.<br />

Obviously it's too new to speculate about ROM problems similar to those which dogged the 14400<br />

for so long. Only time will tell on that score,<br />

I did hear that ROMs in this case are actually EEPROMs, which can be re-programmed by software<br />

upgrade files. You do get the usual nicely printed and pretty rationally written manuals which tell you the<br />

technical stuff, but also point out all that you really need to know,<br />

So is it a bargain the size of a hippo's bum? You betcha, And it I hadn't just shelled out for a 14400<br />

only about 10 months ago I'd be on the blower to First Computer Centre (0532 319444) right now to<br />

order one.<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

1<br />

taster. MNP 10 is a new protocol which<br />

allows for cellular connection, and is a<br />

much tougher error correction formal for<br />

those nasty buzzy things that men in<br />

suits have growing out of their ears in<br />

trains. (Cell phones, not hairs, you big<br />

dummy.)<br />

Another exciting thing (in among all the<br />

other things to get happy about in this great<br />

new cevice) is that it can initiate and adapt<br />

to rate changes.<br />

SPEEDS<br />

Not impressed? Okay how about the<br />

fact it can change operating speeds<br />

mid call. Yes, it can change gear on<br />

the fly, and that's worth a yelp of glee if<br />

nothing is.<br />

There are copious other benefits, but<br />

unfortunately not much <strong>Amiga</strong> software<br />

exists to take advantage of them.<br />

For future reference (and for the benefit of<br />

anyone who'd like to support these features,'<br />

it can distinguish between fax and<br />

voice calls, using a process called Adaptive<br />

Answer.<br />

A nice bonus for those of us who are<br />

always getting our ears cleaned out by having<br />

a fax screech down the phone at us.


At SoftWood we have oil<br />

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C


GRAPHICS<br />

ber legs. The an<br />

There wk be a great deal of you out there who, having tired of The boundaries placed by<br />

lesser paint packages. would like to move into the heady realms of 24-bit.<br />

. to your o f workstation.<br />

The problem? Achieving this standard of work requites large financial investment in the t The h e business end of things. in the shape of the stylus, is connected to the tablet via a<br />

shape of a dedicated graphics tablet.<br />

t a b l<br />

cable. Ergonomically. the stylus feels very natural and extremely comfortable<br />

in the hand, with the front end squared oil with a rest to accommodate<br />

The cheaper solution has always been to use a stylus that fits directly into the e t<br />

your forefinger. In addition, a small metal strip sits above tt•s<br />

mouse port. Unfortunately, this would-be mouse emulation has<br />

d e fi<br />

rest with the sole purpose of providing a means of earthing the<br />

always struggled to generate any real feel or accuracy.<br />

n i t e<br />

pen, thus minimising the magnetic distortion that can occur<br />

However, Tabby could be the answer to all <strong>Amiga</strong><br />

l y<br />

Another advantage of Tabby is that because it fits into the senal<br />

artists dread. Its a graphics tablet that offers the<br />

m a port and uses a driver system which installs, you can use a standard<br />

precision of a senal device with the ability to diversify<br />

k e<br />

mouse in conjunction.<br />

through a range of packages.<br />

Having said this, when Tabby first emerged from Its<br />

s<br />

I found Tabby to be a very economical way of achieving<br />

box I was more than apprehensive about the working area<br />

w<br />

impressive results using a system that encourages a natural ease<br />

that the user is given — 128mm by 96mm.<br />

o<br />

and should bring the best out of any pixel artist. In fact, this<br />

could be the Tabby that finally caught the mouse, and got the<br />

But, despite the apparent lack of spate Tabby works<br />

r<br />

cream<br />

surprisingly well. The stylus responds incredibly well, and<br />

k<br />

sits very securely in The hand,<br />

l i<br />

Supplier First Computer Centre<br />

Far from feeling cramped, the tablet performs perfectly and<br />

Phone: 0 5 3 2 319444<br />

g h<br />

Pare<br />

gives the user confidence to attempt even the most intricate of<br />

t e<br />

Ergorlomxs:<br />

tasks,<br />

-<br />

7<br />

r ,<br />

14 Speed: 7<br />

In the looks department, Tabby is very well groomed. The<br />

Overall: 8<br />

whole tablet tilts at a shallow angle. and sits snugly on four rub-<br />

a<br />

9.<br />

Alternative input<br />

n<br />

95<br />

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Looking to update 5IIMS rif your elli5ting oeriphera15— l<br />

l Alfaaptic optical<br />

ur 1115t fano' trying out 501112thing a little different? y<br />

a<br />

MOLI5P<br />

Simon 14345 guide5 you round the mooetrap5n<br />

c<br />

h<br />

o This is for the benefit of our PC counterparts to a large extent, but there are <strong>Amiga</strong> appli-<br />

One ot the biggest problems <strong>Amiga</strong> owners are going to face using the contemporary opto- rcations<br />

out there that can utilise This feature. The acid test came when we decided to try<br />

mechanical mouse is blockage. This normally occurs when the internal plastic rollers<br />

out on DPaint. What a let down.<br />

become contaminated with dust and fluff.<br />

After feeling fairly comfortable on desktop operations, it came as some<br />

The net result is a complete headache with the mouse sticking or moving erratically. One<br />

surprise to find out that the optical mouse stuttered and stammered around the drawing<br />

solution is nothing more than a good clean out, the other is to lake rollers Out of the equa-<br />

window and struggled intensely to produce anything like a smooth arc or circle, despite its<br />

tion totally, and go optical.<br />

300dpi.<br />

An optical mouse reads dot information from a special mouse mat, instead of using<br />

As a small companson we decided to try out the Gasteiner 400dpi immediately after-<br />

rollers. However, while you won't have many problems with dirt, the movement on optical<br />

wards. The ditterence was striking and made my mind up which I would choose.<br />

mice has been criticised for lack of feeling, and they have the notorious<br />

whatever the problems with clogging.<br />

of losing their whereabouts when moved too quickly. But what about<br />

If you do work in an extremely dusty environment. or are<br />

the Alta optical mouse?<br />

just dead set on an optical mouse, then the Alta is worth<br />

Well, on the catwalk (shouldn't that be mousewalkll of<br />

a look at, but it would also be advisable to examine the Nashka<br />

ergonomics its not the most graceful looking animal. It has a<br />

range.<br />

bulky look that gives the user expectations of a sturdy mouse. (<br />

The reality is that Alfa is really quite light and feels fairly Insub-<br />

Supplier Golde n Image<br />

stantial.<br />

Phone: OB1•365 1102<br />

The Alfa also comes with a handy little holder so you can attach<br />

Price: £ 2 9 .0 0<br />

it to the side of your monitor. This seems more of a gimmick than a<br />

Erg000ms: 4<br />

Speed: 5<br />

practicality but who's going to really moan; after all it's a freebie.<br />

Overall: 3<br />

It also lacks the grace that the Gasleiner dpi400 has, and feels fairly uncomtortable<br />

when used. Buttonwise. you've got three, rather than the standard two buttoned<br />

mouse.<br />

<strong>Amiga</strong> C omputing<br />

OCTOBER 1994


AlfaPpo Optical Pen MOHR<br />

Along with clogging problems, the other dilemma some<br />

users find is mouse control. After all, when using an art<br />

package. attempting to draw accurately wiih a mouse<br />

isn't as natural as using pencil shaped. With this in<br />

mind, Alfa Data have released the AlfaPen<br />

optical pen mouse.<br />

The optical pen employs a<br />

similar system to the standard<br />

optical mouse. It reads its position<br />

via an infra-red beam which,<br />

using a horizontal and vertical grid,<br />

converts the information into your<br />

screen position. Like its optical counterpart.<br />

the AlfaPen uses a three button<br />

approach when in use. Located at what<br />

well call the nib end, the largest of the three<br />

buttons acts as the left mouse button.<br />

Behind the largest of these buttons sit two other<br />

smaler buttons. The button on the nght hand side acts<br />

in the same capacity as the right mouse button, while<br />

the left button gives you that extra dimension when<br />

using applications that allow its use.<br />

AlfaPen doesn't feel too bad in the hand - it's light<br />

and not at all cumbersome when you use it. However,<br />

when you attempt to use the buttons, implementation is<br />

not so easy.<br />

The buttons are very closely grouped, and even the<br />

most coordinated and dextrous of you will struggle to<br />

use this arrangement proficiently.<br />

The <strong>Amiga</strong> was one of the first home computers to use<br />

the now commonplace means of interaction between the<br />

user and the computer - the mouse.<br />

Previously, movement had been carried out via the<br />

cursor keys, a system that made the relatively simple<br />

mouse seem light years ahead technologically.<br />

But, since the implementation of the mechanical<br />

rodent, what further progress has actually been<br />

made? Well, not much really, aside from cosmetic things<br />

like lead length, free game and novelty mice teeth<br />

painted on to the side of your<br />

handset<br />

Perhaps the greatest single<br />

step forward was the<br />

improvement of dpi 'dots<br />

per inch) speed, which governs<br />

how much horizontal<br />

and vertical information the<br />

<strong>Amiga</strong> can pick up per inch<br />

of space.<br />

This always costs that little<br />

extra, with most people using the mouse<br />

for standard practices feeling it an unnecessary<br />

luxury. Well, Gastemer's 400 rip mouse knocks all of<br />

that into touch. Its El5 price tag makes it just about the<br />

cheapest 400 dpi mouse on the marital But, as a cus-<br />

li I gave the All aPen the benefit of the doubt I'd say<br />

that its use coul be described as a little like using<br />

chopsticks - totally alien at first, but<br />

the more you use them the more<br />

accomplished you become.<br />

Unfortunately, the AllaPen suffers<br />

similar problems to its companion.<br />

Again. DPaint became the benchmark<br />

test, and while AlfaPen<br />

feels more natural to draw with,<br />

the arcs drawn had no particular<br />

accuracy and felt jerky.<br />

AllaPen also suffered when moved<br />

around the mat too suddenly. Despite its 300 dpi.<br />

it struggled to locate itself<br />

Also, when you're using the AffaPen you have a tendency<br />

to angle the pen back. like it was a real pen.<br />

Unfortunately ifs not, and the net result is a loss of contact<br />

to the mat.<br />

Ultimately, however much you might feel you<br />

need an optical pen, when you get one up and<br />

running you might just feel that you've wasted your<br />

money.<br />

SUPPlier Goiden Image<br />

Phone<br />

. Pnce, E34.00<br />

08Ergoneenocs•<br />

5<br />

Speed: 6<br />

1.3Own*<br />

5<br />

65<br />

1<br />

1<br />

0<br />

2<br />

Gasteiner 100 doi MOOR<br />

tomer, what is the price you pay for this economy?<br />

Simple, none. Gasteinef s 400 Odes across the mat<br />

with a grace that leaves other rodents and cavys<br />

floundering in the straw.<br />

It tracks across the screen with such ease that you<br />

hardly need flick your wrtst, and the space necessary to<br />

operate it is negligible.<br />

On the ergonomics front again the Gasteiner 400 dpi<br />

is a treat. Its small body is much sturdier than you'd<br />

believe its price would command, and Os in the palm of<br />

the hand very comfortably<br />

. Control is finite and the micro-switches respond<br />

with the slightest muscle spasm from your<br />

forefingers.<br />

A slight niggle might be that some<br />

users would find it too sensitive,<br />

but for my cash the Gasteiner 400 dpi is<br />

excellent tool to use alongside any<br />

or art package.<br />

Suppler: Gastoiner<br />

Phone. 081-345 6000<br />

Price. E14.99<br />

Ergonomics. 8<br />

Speed, 8<br />

Overall<br />

. 9<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

GRAPHICS<br />

Ea5tpiner EMI DPI mOU5P<br />

Although the <strong>Commodore</strong> mouse has come<br />

on leaps and bounds thanks to the A600.<br />

Al200 and A4000, there's still plenty of room<br />

for improvement.<br />

This is more than apparent if you plan to<br />

use your mouse in conjunction with an art<br />

package for anything in the artistic vein,<br />

Many at the mice available to the user can<br />

set you back anything up to the region of £20<br />

for something that exists mthin the 280-290<br />

dpi range.<br />

Certainly Silica's Nashka. which is a<br />

sturdy all rounder, and the squared oil<br />

Contriver mouse slot nicely into this bracket,<br />

With this in mind. Gasteiner launched a<br />

280 dpi mouse that retails at the bargain<br />

price of E6.99. Okay, it uses membrane<br />

switches as opposed to micro•switches to coordinate<br />

its buttons, but it does have many<br />

saving graces.<br />

For one, it's damn goad value for money -<br />

who could moan at this price? If anything, it<br />

could put you off because it's too cheap.<br />

Well, I assure you there's nothing to be<br />

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Gasleiners budget rodent feels extremely<br />

comfortable to the touch and fits the<br />

ergonomics of the hand very well. It feels<br />

very sturdy and your fingers reach the Iwo<br />

buttons with ease.<br />

The other aspect to consider with this<br />

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a simple design it looks robust and the two<br />

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of the main body very effectively.<br />

On the down-side, opto-mechanical<br />

design means the occasional cleaning of the<br />

bal and roller, but again, that's only a short<br />

and very temporary inconvenience.<br />

Overall, Gasteiner have produced a<br />

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can live alongside its rodent counterparts<br />

when it comes to accuracy and overall<br />

performance.<br />

Supplier: Gasteiner<br />

Phone: 081-345 6000<br />

Price: £6.99<br />

Ergonornecs: 6<br />

Speed 5<br />

Overall: 6


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l


1<br />

s discussed in the first tutorial, the<br />

screen is the basic drawing board<br />

for all your visible operations within<br />

the workbench environment. But, instead of<br />

using the workbench screen, I am going to<br />

show you how to use your own screen by<br />

taking you through the steps of writing a<br />

basic picture displayer_ (O00000h)!<br />

As you are probably familiar with_ the<br />

<strong>Amiga</strong> is capable of displaying pictures or<br />

information in many different modes. Such<br />

modes include Lores, Hires. Interlace and<br />

even HAM. I can't explain all these modes<br />

in this article, so I will just use the two most<br />

commonly known modes: Lores and Hires.<br />

• Lores: This is the lowest display mode<br />

for Me <strong>Amiga</strong> to use and is the preferred<br />

drawing mode of most graphic artists. In<br />

Lores mode the <strong>Amiga</strong> can display 256<br />

tines from top to bottom, with each line consisting<br />

of 320 dots. In this mode the standard<br />

<strong>Amiga</strong> 500 can display a maximum of<br />

32 true colours, where as the <strong>Amiga</strong> 1200<br />

can display 256 true colours.<br />

• Hires: As the name suggests, this display<br />

mode is a higher resolution than the<br />

Lores mode (but not the highest resolution<br />

possible). In Hires mode the <strong>Amiga</strong> still only<br />

displays 256 lines from top to bottom, but<br />

each lone now consists of 640 dots from left<br />

to nght.<br />

Unfortunately, in Hires mode the <strong>Amiga</strong><br />

500 can Only display a maximum of 16 true<br />

colours, but the <strong>Amiga</strong> 1200 can still display<br />

its full quote of 256 true colours.<br />

Let's kick off the programming by opening<br />

a standard screen in Lores and than<br />

Hires:<br />

IS<br />

S<br />

;We are still using ia the WB system.<br />

t<br />

te<br />

e<br />

.Here is our screen<br />

Moseetit<br />

Wait for a mouse press<br />

WET& StoseScrom 0<br />

Ind<br />

• is<br />

.Close our screen in a system friendly<br />

manner,<br />

That's it! Not much to opening a simple<br />

screen, is there!<br />

If you have been reading your manual,<br />

you would have realised that to open a simple<br />

Lores screen which has dimensions of<br />

320'256 pixels, you only need to use the<br />

shortened version of the 'Screen'<br />

command.<br />

This version assumes that you want<br />

Lores, so all you need to do is to tell it how<br />

many bitplanes you want (the number of bitplanes<br />

dictates how many colours can be<br />

used by using the following maths:<br />

2A8itplanes = Number of colours, ie 2 bitpianes<br />

= 1'22 = 4). The first value represents<br />

the screens id number.<br />

•<br />

1215 d<br />

Mita<br />

Following in the 51<br />

.<br />

05 o f<br />

t h e<br />

f k 5 t<br />

tutorial, fillitdEl 1111117e take5 goy<br />

through op17111fi Limy<br />

. o w n<br />

5 1 f e etreating l l quiff Mil (17e171151<br />

a n d<br />

Well this is all fine for a Ores screen but a<br />

Hires screen such as the WB screen<br />

requires some extra thought. We need to<br />

use the extended form of 'Screen', so<br />

replace the previous 'Screen' command<br />

with the following:<br />

Sento DA40,60,256,2,S1000,14 Sccete,1,2<br />

If you check your manual you can see that<br />

the first two values after the screen id num-<br />

ber is the X,Y position. These values are<br />

relative to the top left-hand corner of the<br />

screen (ie. 0.0 is positioned in the top lefthand<br />

corner).<br />

The next two values are the width and<br />

height of the screen in pixels as explained<br />

above. After that follows the number of bitplanes<br />

and then the screenmcde value.<br />

This value is related to a chart in your<br />

Blitz User Magazine No.1 on page eight,<br />

which shows that a value of $8000 gives us<br />

1<br />

Choose a picture ,<br />

Wow' An ;Fir<br />

pictum<br />

requestor.<br />

SePect<br />

picture a nd<br />

toad it up<br />

la<br />

< TI<br />

R > BittzLtbs<br />

e xa mple s2<br />

0:ur<br />

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< 1 > matmatt<br />

a g a<br />

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C r i n t e r S t u f f<br />

FILE:<br />

MT<br />

rli5C 'D R I VES M U M " •rir 'C AN C EL<br />

<strong>Amiga</strong> C•mputing<br />

OCTOBER 1994<br />

PROGRAMMING<br />

the<br />

a Hires display. After that follows the name<br />

of our screen and then the drawing pen<br />

number and background pen number which<br />

represent the two colours used to draw the<br />

screens display.<br />

Try experimenting by opening some<br />

screens of different sizes and resolutions<br />

with varying number of bitplanes.<br />

Remember:<br />

<strong>Amiga</strong> 500 = max 32 cols = 5 bitplanes max<br />

<strong>Amiga</strong> 1200 = max 256 cols = 8 bitplanes<br />

RiaX<br />

Now lets go one step further and add a picture.<br />

This example relies on you having a<br />

picture somewhere which you can use.<br />

Please make sure that it is either a Hires<br />

picture or a Loros picture only:<br />

VeStartup<br />

flatLen file64<br />

,Max length for filename.<br />

Nato DaSt121<br />

:Max length for filepath,<br />

:Open a basic screen.<br />

:Start of main loop.<br />

scree10,2<br />

aistit<br />

ittlittRe que stWa ne se picture<br />

..<br />

;Ask .0for 4 1a 4picture. 1 1 1 1<br />

111<br />

1Pl<br />

e ;If it exists then analyze it.<br />

fs<br />

CLEiieScretil 0<br />

i s<br />

ts<br />

:Close old screen<br />

(f<br />

I l<br />

Suter.<br />

T0,0,0,1LOIN1dth,ILBAStight,ILINDepthdLORNemil<br />

h<br />

eNem<br />

screen<br />

n LoeScreen 0,N,U<br />

I<br />

L•Load<br />

picture<br />

O<br />

Shodalette 0<br />

S<br />

I<br />

;Show palette.<br />

n<br />

f<br />

PouseSsit<br />

o<br />

i.Wait<br />

for mouse button.<br />

S<br />

I<br />

t<br />

s<br />

e<br />

E<br />

n<br />

11---


II PROGRAMMING<br />

;Repeat forever.<br />

to:<br />

Foric<br />

In this example all we have done is set up a<br />

few variables, opened a default screen,<br />

repeatedly asked for a picture to show and<br />

then wait for the mouse button before looping<br />

around again.<br />

Notice that we use the ILBM commands<br />

to find out the picture size, depth and viewmode<br />

It you have the latest copy of Blitz 2 featured<br />

on Blitz User Magazine No. 6 then<br />

you can change the line:<br />

If Etilte (fS) then I de inio I S Else End<br />

If EvistsI filvfe the Then End Etse if 11.1013nfa<br />

ISvfalse then End<br />

This is because you have the new version<br />

of ILBMInto which returns True as it is a<br />

picture. If you haven't got the new version<br />

then see the subscriptions box on how to<br />

get it!<br />

All we need to do is add a few menu<br />

options and we'll have a good picture displayer,<br />

But, first a few basics about menus:<br />

• Each menu is split into sections, a title.<br />

an option and a sub-option.<br />

The title is as the name suggests, the<br />

name of a particular menu. In each menu is<br />

a selection of options which the user can<br />

choose from and some options also act as<br />

titles to sub-options. This is what a typical<br />

menu structure could look like:<br />

Menu T i t l e<br />

Option 1 - Sub-option 1<br />

Option 2 - Sub-option 2<br />

Option 3<br />

• Each set of titles, options and suboptions<br />

in Blitz 2 are assigned a unique id<br />

number lust like screens and windows. This<br />

makes the grouping of menus as easy as<br />

pie.<br />

Setting up a menu is lust like defining a<br />

variable in Blitz 2. There are three commands:<br />

MenuTitle. MenuItem and SubItem.<br />

Each of these allow the declaring of each<br />

part of a menu and gives you the power to<br />

group these with the unique menu id numbers,<br />

thus allowing you to. create several<br />

sets of menus for different parts of your program.<br />

One thing to remember about menus<br />

is that they need to be attached to a win-<br />

i. cr,,kker<br />

••<br />

grinkF<br />

c 9<br />

ts Fai 9<br />

u 9<br />

Poen: riz 9 1<br />

FILE1<br />

rak<br />

-<br />

r<br />

a<br />

n<br />

T<br />

O<br />

S<br />

9<br />

A new<br />

Mita 11521<br />

magaaine<br />

on a di5k<br />

To receive your first tree<br />

copy, send a blank disk<br />

with a stamped self<br />

addressed envelope to<br />

. Blitz User Disk<br />

Magazine<br />

Michael Milne<br />

39 The Drive<br />

Earley<br />

Reading<br />

Berkshire<br />

RG6 lEG<br />

Now we can<br />

attach • screen<br />

and a dd seines<br />

nnenus to it.<br />

From here use<br />

can also Pond up<br />

a picture using a<br />

nisesuuaster<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

dow because of the way the workbench<br />

sets them up (Sorry. that's the way it is<br />

But don't despair, we can set up a<br />

dummy window, which can't be seen by the<br />

user. All we do is define our menu, set up<br />

our screen as before but add a window<br />

without a title and without borders. This<br />

makes for an invisible window!<br />

So let's get on with the last part of this<br />

issues tutorial:<br />

;Our file vars:<br />

"Pr<br />

ObStertme<br />

RolLen oeS060<br />

Milan fiSh64<br />

ev.L.0<br />

;A long variable to get the user input.<br />

dentilitte 0 , 0 , 'Proje e r<br />

;The menu titled -<br />

Project.'<br />

MenOtes 0 d<br />

o<br />

0,0,'In<br />

;The menu item "Load.'<br />

ed<br />

i<br />

I. p i<br />

NenmItem<br />

c t<br />

u r e<br />

;The menu item "Quit."<br />

;Our default screen.<br />

Stresh 0,2,"ust pens'<br />

viriclow 0<br />

•<br />

Our invisible 0,10window<br />

for the menus.<br />

, Mgr Actimete<br />

120,<br />

246,<br />

;Activate our window.<br />

1800<br />

,*•, Seidenu 0<br />

1,?<br />

.Add our menu<br />

;Start of our loop.<br />

:<strong>Is</strong> it our menu?<br />

tamest<br />

;Wait for user interaction<br />

ItAl14141<br />

0<br />

Has the user used a menu?<br />

;<strong>Is</strong> it the load option?<br />

11 if iximitx0<br />

If Itemhs1=0<br />

CIoseVindne<br />

%<br />

%<br />

l<br />

a<br />

d<br />

few te ile xue itil<br />

•<br />

Chinse •<br />

;Ask for a plc.<br />

p i c t p s " A<br />

i a t , fl i )<br />

If thie thEfS) Then ILBSInfo I S Etse End<br />

:Get IFF into.<br />

•<br />

riet:<br />

rim<br />

pterrail 1 r<br />

rc<br />

-<br />

D<br />

-<br />

R<br />

o<br />

a<br />

r<br />

It you .eer<br />

, certain a n y command, simply place the covens<br />

hover e it l and press Use Help key<br />

p<br />

r e g<br />

a;Close r d old window.<br />

i n g<br />

t<br />

Ctosescreo 0<br />

h<br />

•<br />

a;Close<br />

old screen<br />

m<br />

e<br />

n<br />

s INSidth,ISORStidht,11.811110thALIMsi<br />

d<br />

e m 0,0,10,1111M idth,ELIM M eimit<br />

11:IS 1adScreen - 0 , t$ , 0<br />

EVen10,<br />

us',I11<br />

;Load the picture and palette.<br />

d<br />

:Show palette,<br />

Shomeatette 0<br />

Astihste<br />

;Activate window for menu.<br />

;Add menu.<br />

;Close screen<br />

;Bye Bye.<br />

Setilenu<br />

;User wishes to Quit.<br />

;Close window<br />

.<br />

End if<br />

LI<br />

clasetti<br />

CtoteScreen 0<br />

End If<br />

End II<br />

End if<br />

Forever<br />

Try loading a few pictures into this prc<br />

gram. See how it loads the picture onto It<br />

screen when it executes the LoadScree<br />

command but doesn't show the palette un<br />

the ShowPalette command.<br />

Watching how the program executes is<br />

good way to finding out the right order<br />

write a series of commands to achieve pe<br />

fection.<br />

Well that's it for this month. In ne<br />

month's issue we'll lump into the world<br />

gadgets as well as looking deeper into II<br />

screen. window, events and menus. !<br />

until next time, keep practising,<br />

1


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MUSIC<br />

have access to some fantastic<br />

tools, including world-class 3D<br />

programs. single-frame controllers, directto-disk<br />

video boards and some of the best<br />

real-lime paint and animation software<br />

around.<br />

But, when your video masterpiece is finished,<br />

what about its soundtrack? You<br />

could utilise the excellent Sunrize 16-bit<br />

sampling card, but that comes at a professional<br />

price which is a bit expensive if you<br />

just want to enhance your 24-bit remake of<br />

BladeRunner with a friend's dark jungle<br />

MOD files, or add some sound samples<br />

direct from your <strong>Amiga</strong>.<br />

Digital Sound Track (DST), by Merlin's<br />

Software, is an American program which<br />

claims to answer the video animator's<br />

prayers, allowing IFF samples.<br />

SoundTracker, NoiseTracker and<br />

ProTracker MOD files to be synchronized to<br />

your timecode-locked SMPTE video.<br />

CONTROL<br />

DST even allows a Picture-in-Picture<br />

(PiP) preview video display when GVP's IV-<br />

24 or an OpalVisien video module is used.<br />

DST works with a wide range of professional<br />

VIRs and single frame controllers -<br />

most of which aren't easily available outside<br />

the USA so I won't list them here - though<br />

strangely DST can't control the popular<br />

Nucleus Personal SFC.<br />

Fortunately, support for DPS's Personal<br />

Animation Recorder has just been added.<br />

so I tested DST with a PAR card hooked up<br />

to the video input of an IV-24 - a system<br />

which alone would set you back over<br />

E5000. It seems you need to be pretty serious<br />

about your animation to be able to<br />

make full use of DST.<br />

For all its claimed power, I was surprised<br />

to find that DST's manual is a skinny 12page<br />

AS affair which doesn't mention the<br />

PAR at all. Instead, the manual concentrates<br />

on the use of single frame controllers.<br />

The actual PAR information is contained<br />

in a ReadMe file which also covers DST's<br />

Script Recording feature. I found the<br />

Scripts are written using OSTs script recording facility. which<br />

is easy to use but lacks the power to produce a totally satisfactory<br />

result.<br />

By selecting 'Begin Script Recording' a frame can be<br />

selected tram an animation and a sound tagged to it. Each<br />

sound has to be added in the order that it will be played, or an<br />

error message appears.<br />

When the script recording is finished you then can go into<br />

"record" or lest script" mode, and all the sounds will play back<br />

in time with the animation - at least that's the theory.<br />

This is where a major problem arises. There appears to be<br />

no synchronisation lock between the PAR's frame counter and<br />

DST's limecode clock, which means that scripted sounds may<br />

well play back in completely the wrong plaace.<br />

DST has a 'Change Time Delay' option to allow manual tun.<br />

mg to the PAR's constant playback speed but, as this requires<br />

frequent resets, editing the soundtrack to any degree of accuracy<br />

quickly becomes an exercise in total frustration.<br />

If you need to edit your script, to offset the unreliable synchronisation<br />

tor example, the only way to do it is with an exter•<br />

nal text editor or wordprocessor. By editing scripts you can<br />

171u5k ran add meaning to<br />

a uideo. Cary Whitely<br />

PLIMP5 LIP the uolume<br />

and put5 5oundtrark5 to<br />

Sound<br />

tagging<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

17i5 dniffidtign5<br />

time<br />

DST provid•s one main screen, with tort sound 'slots% con.<br />

ReadMe more helpful than the manual.<br />

though I guess the PAR info will eventually<br />

find its way into the documentation proper.<br />

Installing DST is a hit and miss affair, as<br />

it uses its own custom installer instead of<br />

the standard <strong>Commodore</strong> one. While<br />

installing the PAR version of the software,<br />

it also decided to install the OpalVision<br />

ARexx programs because it detected the<br />

OpalVisionlibrary on my hard disk.<br />

Giving the user full control over the installation<br />

would be a better option to<br />

avoid such problems. Eventually, after<br />

some manual installation, I got DST<br />

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build up some fairly complex soundtracks - including setting<br />

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ReadMe file, making editing a tough lob.<br />

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SOUND<br />

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Paraiasion, realising this fact, were first to<br />

announce the development of such a unit. The<br />

SX-1. as it was later named, has been eagerly<br />

awaited ever since.<br />

Contrary to popular belief, the CO32 is not<br />

an Al200 with a CD-ROM drive attached.<br />

Therefore providing the CO32 with the sort of<br />

expansion capabilities found on the Al200 is<br />

not totally straight forward.<br />

While it would appear that the CO32's<br />

designers have allowed for as much communication<br />

as possible through the consoles<br />

expansion port, all the outgoing and incoming<br />

signals need to be translated and manipulated<br />

before being ol any use. to man or machine,<br />

This has meant that the designers of the<br />

SX-1 have had to develop circuitry to mimic<br />

that which interfaces the guts of the <strong>Amiga</strong><br />

with the outside world.<br />

Paravision's SX-1 is a "Plug in and Go"<br />

expansion. Unless you are installing a hard<br />

drive there is no messing about with installation<br />

software.<br />

Once connected you can hook up to a suitable<br />

monitor, an Al200-compatible floppy<br />

drive, a printer, a modem or even another<br />

computer. In fact you can fit almost anything<br />

that can be attached to an Al200.<br />

The parallel, floppy and RGB connectors<br />

are standard <strong>Amiga</strong> ports and will work tine<br />

with the vast majority of existing <strong>Amiga</strong> peripherals<br />

and devices which connect<br />

to these interfaces<br />

You may also fi t<br />

an external IDE<br />

drive, but it must<br />

have its own<br />

power suppty<br />

While the serial<br />

port is not the<br />

standard Annuli<br />

D825 connector,<br />

the 9<br />

-style<br />

connector<br />

pin is more than<br />

I<br />

edecomte<br />

B<br />

A<br />

S<br />

A<br />

Y<br />

You can fi t a<br />

VAIN module in the<br />

slot provided and you can<br />

also squeeze a 2.5 inch ODE hard<br />

drive underneath the circuit board<br />

There is little to compare the SX•1 with, Several threeline<br />

serial links have been produced for the CD32 and<br />

these have enabled <strong>Amiga</strong> owners (and no doubt a few<br />

PC users) to transfer files from the 6032 onto their<br />

<strong>Amiga</strong>.<br />

Such add-ons, while functional, are not exactly breathtakingly<br />

fast and offer nothing but a simple serial connection.<br />

Some people seem to think that the SX-1 will turn<br />

their CO32 into an Al200.<br />

This is not the case. It gives your 6032 many of the<br />

Al 200's charactenstics but fails to achieve the impossible,<br />

which is turn it into an Al200. Think of it as an additional<br />

model in the <strong>Amiga</strong> computer range and you<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

theti d<br />

Your first stumbling block will be the serial<br />

port. Rather than use the more expensive and<br />

hard-to-come-by 25-pin D connectors,<br />

Paravision have opted for the more common<br />

IBM AT style 9-pin D connector.<br />

Before you gel too concerned, the <strong>Amiga</strong>'s<br />

1RS232 serial port only uses nine of the 25<br />

pins and 9 to 25-pin adapters are quite easy to<br />

come by. Around the outside ot the unit you<br />

will also find a disable switch, a hard drive<br />

connector, an AT keyboard socket and an<br />

audio input.<br />

DISABLING<br />

For the sake of compatibility with some<br />

CO32 software titles a disable switch has<br />

been added_ This disables the hard drive. hoppy<br />

drive, serial port and parallel port, removing<br />

the need to disconnect the SX-1 should you<br />

come across any incompatibilities.<br />

It is possible to connect an external IDE<br />

hard drive, with its own power source, to the<br />

hard drive connector at the rear of the<br />

machine. The only problem I found with this<br />

was that the Appendix concerning the external<br />

hard drive, which was supposed to detail the<br />

pin configurations, was missing.<br />

This should be resolved but if it is important<br />

to you then check with your supplier before<br />

should not be disappointed.<br />

Any Al200-compatible software should work fine on<br />

the CD32 fitted with the SX-1. I certainly could not find<br />

any problems on this front, despite constant attempts to<br />

catch it out. Even programs written in Amos worked fine.<br />

Amos is packed with hardware-hitting routines and short<br />

cuts - the fact that it worked on the CD32 would suggest<br />

that many other OS unfriendly programs should run_<br />

The AT-101 keyboard adapter was, I felt sure, bound<br />

to throw a few wobblies but it happily handled all that I<br />

threw at it. The inclusion of this option was an incredibly<br />

shrewd move and Paravision should be applauded for it.<br />

While the serial port <strong>Is</strong> not the standard Ammo<br />

0E125 connector, the 9-pm IBM AT WIMP<br />

connector is more dim<br />

adeepalle<br />

purchasing. The CD32's Aux port will<br />

an A4000 keyboard, or even an A2000<br />

with the correct adapter, but there is one<br />

snag - they are expensive.<br />

<strong>Amiga</strong> keyboards. unless picked up s<br />

hand, can cost as much as £90. The Ind<br />

of an IBM AT-101 keyboard adapter s<br />

prove a real godsend. because you can<br />

up a suitable keyboard for as little as E25.<br />

IBM AT-101 keyboards are not at all<br />

patible with the <strong>Amiga</strong>'s keyboard. but the<br />

1 has an inbuilt translator that makes the<br />

keyboard act like an <strong>Amiga</strong> one<br />

Not all PC keyboards are AT-101 compall<br />

ble. such as the XT keyboards. so you mil<br />

need to exercise a little caution when burl<br />

one.<br />

You may also tind that your AT-101 key<br />

board lacks a right ALT key. Should this Ix<br />

the case, there is a jumper setting on the S)0<br />

1 's motherboard that allows the right CTFI<br />

button to be used instead.<br />

As well as being able to mix both CD an<br />

<strong>Amiga</strong> audio. you will find that the SX-1<br />

allow you to mix a third audio stream, via th<br />

6-pin Mini-Din socket.<br />

If you are a closet Kareke nut then this lel<br />

ture may be of interest you. For those el<br />

want a bit more umph, you can remove It<br />

unit's cover and add a 2.5 inch IDE hard drii<br />

or some extra memory<br />

The IDE drive can be secured to the undf<br />

side of the circuit board and the cable<br />

attached to the standard 44-pin (2mm) co<br />

nector The single 72-pin SIMM socket<br />

accept either a 1, 2, 4 or 8 megabyte Slit<br />

module (rated at 800s or faster).<br />

Jumper settings allow you to configure t<br />

memory size accordingly but you will exp(<br />

ence certain limitations if you have an<br />

card fitted. Due to the nature of the WV a<br />

figuration you will only be able to use 1, 2 o


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1 an FMV module you will find that the SX-1 The addition of an FMU<br />

provides lull FMV passthrough, allowing<br />

- the FMVIMpeg board to be used with the card, a digitiaer or 5amoler,<br />

SX- 1 0<br />

which draw their rower from the<br />

Last but not least is the onboard real-time<br />

dock. 1 This is an <strong>Amiga</strong>Dos-compatible clock ME, could be a5king too much,<br />

which is powered by a long life CR2032<br />

replaceable 1 lithium battery. Something that cau5ing the machine to<br />

many Al200 do not possess.<br />

-<br />

crash<br />

So does all this turn your CO32 into a<br />

usable <strong>Amiga</strong> computer? Well effectively it<br />

does. e To prove this I spent hours down loading<br />

files from CD-ROM discs onto floppies.<br />

running o floppy-based software, printing off<br />

rim files, playing the odd game and parneting<br />

It up uto<br />

an A4000 in order to chuck files all<br />

over the place. l<br />

SUPPORT<br />

o I even hooked up a modem and used the<br />

CD32 o to log Onto a couple of boards. What<br />

you cannot do is add a faster processor. an<br />

FPU echip<br />

or a SCSI controller. Whether it is<br />

possible to provide support for these remains<br />

to be 1 seen, but no announcements have<br />

been made as yet.<br />

If I you are to experience any hardware<br />

compatibility problems with the SX-1 then<br />

you fwill<br />

probably find the cause to be power<br />

related. The CO32's power supply is a bit<br />

whimpy i in the amperage department.<br />

It works perfectly well with the CD32 but<br />

m may not like too many peripherals drawing<br />

from it. Much depends on how greedy your<br />

i hardware is, but you will find that you should<br />

be able to connect both a 2.5 inch. hard drive<br />

g<br />

a<br />

f<br />

i<br />

n<br />

d<br />

r<br />

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and an 3.5 inch external floppy drive (despite<br />

the instructions advising that you will only be<br />

able to use one or the other).<br />

The addition of an FMV card, a digitizer or<br />

sampler, which draw their power from the<br />

CD32, could be asking too much, causing the<br />

machine to crash.<br />

I actually connected art external floppy,<br />

along with the Vidi digitizer and the separate<br />

Vidi RGB splitter. Older Vidi models are notoriously<br />

greedy when it comes to power consumption<br />

(newer ones are much better) and<br />

this combination proved too much for the<br />

CD32's PSU<br />

Instructions are rather brief and do not<br />

contain any diagrams. While this may not be<br />

necessary for most of the features, diagrams<br />

do tend to break up the text making it more<br />

digestible.<br />

The placing of the RGB socket was also a<br />

little odd. I found that the adapter on my CBM<br />

1960's monitor lead sat tightly on top of the<br />

CD32's power plug. It did not prevent it from<br />

working but it was still slightly annoying.<br />

Actually the whole design was a little disappointing.<br />

A much neater solution would<br />

have been to have a unit that sal underneath<br />

the CD32, with one long row of connectors<br />

along the back d<br />

r<br />

i : o g 1<br />

4 I<br />

INJ i n d 0 1 1 e M l a , t i m a m v4<br />

1•4 k mamas<br />

V<br />

I<br />

-<br />

-<br />

"<br />

Running fl oppy-<br />

baud comes is<br />

ito probiern. This<br />

one was written<br />

in AMOS and<br />

proved that the<br />

CO32'SX-1 could<br />

handle hardware-<br />

hitting software<br />

AN manner of<br />

chipert and<br />

picture fl ies<br />

are there tot<br />

the taking<br />

invest in a few CD-ROM<br />

discs and you will have<br />

access to almost every<br />

possible piece of<br />

software that hes been<br />

released into the Public<br />

Domain<br />

If you own an<br />

44000 key'<br />

board you can<br />

plug it<br />

straight onto<br />

the CO2.<br />

AUX port.<br />

Failing this,<br />

the SX- I will<br />

take certain<br />

PC keyboards<br />

<strong>Amiga</strong> C omputing<br />

OCTOBER 1994<br />

HARDWARE<br />

Sysinte checks owl the perforrnance of<br />

the CO32 and SX-/ combination_ The<br />

addition of a Fast RAPA SIAM module<br />

increases performance considerably<br />

I. Ma We MI ilt•rn laik a no<br />

T i E2<br />

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1FW. 1<br />

• • *<br />

<strong>Is</strong>m i i r Jn<br />

r I R V<br />

!nrw :<br />

a<br />

The bottom line<br />

Product: SX-1<br />

Supplier: Indi, Calculus<br />

and all good dealers<br />

Price: f 195.55<br />

Ease of use 9<br />

Implementation 7<br />

Value for money 9<br />

Overall 9


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CALLERS NELCOMIS


Mailing with fire<br />

ne of the biggest dilemmas for any<br />

animator is how to make their creations<br />

believable. in many cases the<br />

obvious solution is to incorporate a sequence<br />

of stills from the real-world as part of the overall<br />

animation.<br />

As a result, things like TV screens and windows<br />

can come to life with your favourite soap<br />

and scenery. Seemingly the perfect solution.<br />

However, what if you need a little more than a<br />

simple sequence mapped onto a flat plain.<br />

For example how do you add explosions to<br />

blazing ships or flickering flames to a candle -<br />

without spending thousands on expensive<br />

pyrotechnics and studio facilities.<br />

The answer. The pyromania CD-ROM from<br />

VCE inc. Thanks to this California outfit, the<br />

nightmare of making a believable big bang is<br />

finally over.<br />

Although many of the more advanced <strong>Amiga</strong><br />

animation systems attempt to emulate explosions<br />

and other pyrotechnics. they've never<br />

really been on a par with the real thing.<br />

As a result, thisnew CD-ROM will be a godsend<br />

for anyone looking for the kind of FX usually<br />

exclusive to big Hollywood productions.<br />

Over the last 16 years VCE, or Visual<br />

Concept Engineenng, has been a leading fight<br />

- pun intended - in the production of visual<br />

effects for films such as Return of the Jedi.<br />

Robocop, Beetlejuice, Addams Family and<br />

Cliffhanger.<br />

Fortunately they've now decided to lavish<br />

their wealth of experience on a new CD-ROM<br />

which boasts 1162 individual PICT files, all<br />

scanned from 35mm film stock at a resolution<br />

of 640 x 480 at 72 DPI.<br />

Not surprisingly, the aforementioned files are<br />

split into a variety of events including eight<br />

explosions, live fire wipes, five flame<br />

sequences and a single film burn sequence.<br />

Consequently. pretty much every pyrotechnic<br />

eventuality can be catered for by using individual<br />

sequences or compositing a series of<br />

events together. Now as the videographers will<br />

Fire wipe<br />

Although the vast majority of the CD is dedicated<br />

to explosions and other spectacular<br />

pyrotechnics, there's also a series of dedicated<br />

wipes that have been pre-processed<br />

using an alpha channel, thereby enabling<br />

the user to apply flaming transitions<br />

between static images.<br />

The end result is a wall or circle of flame<br />

which glides across the screen burning<br />

away the current image, leaving the<br />

replacement in its wake Without seeing the<br />

effect in action it's difficult to appreciate how<br />

impressive it actually is. But rest assured.<br />

even the most dramatic Scala transition<br />

looks weak in comparison<br />

Paul fill557 5E45 hi5 Ilmiga ablaee with the<br />

tliateupiq animator mu5t &me In their rfillPrtion<br />

tie well aware, 640 x 480 is a little short on lull<br />

video resolution. However, thanks to the excellent<br />

quality of the images, scaling up to full<br />

video size doesn't really present a problem.<br />

However, in the vast majority of cases the<br />

actual effect will only occupy a relatively small<br />

area on the screen. As a result, for many of the<br />

applications the files may in tact need scaling<br />

down - in order to accommodate system<br />

requirements.<br />

As you've probably guessed via the reference<br />

to the PICT file format, the actual CD is<br />

primarily aimed at the PC and Macintosh market.<br />

Thanks to the use of a standard IS09660<br />

CD format though, the files are equally at home<br />

on the <strong>Amiga</strong> as they are on the PC or Mac.<br />

I must admit there is one minor problem, this<br />

being the lack of an animated preview of the<br />

various sequences.<br />

COMPILING<br />

On both the Mac and PC. small anim previews<br />

are provided for each event. However, if<br />

you're willing to invest a little time compiling<br />

your own it isn<br />

- As you can see from the composite space<br />

t ship explosion, all the Pyromania images have<br />

exactly<br />

been shot on a black background to aid compo-<br />

a<br />

sition. It must be stressed that the images have<br />

not been pre-processed<br />

m a s<br />

In other words, the black areas of the screen<br />

s<br />

are<br />

i<br />

not<br />

v<br />

restricted<br />

e<br />

to colour zero. As a result it's<br />

p r o<br />

left up to the user to process the images to suit<br />

b<br />

their<br />

l<br />

particular<br />

e<br />

needs.<br />

m<br />

Basically,<br />

.<br />

some form of image processing<br />

is essential, with either ADPro or ImageFX<br />

being the obvious choice for both colour<br />

correct and composition of the effects into your<br />

animations.<br />

If you're serious about your animation the<br />

CD is an absolute must. To my knowledge<br />

there's no other product available that can<br />

match the explosive power of this impressive<br />

product.<br />

Be warned though. there's still a fair amount<br />

of work to do in your favourite image processor<br />

it you want the very best from the images on<br />

otter. A dream come true for serious animators.<br />

The bottom line<br />

Product: Pyromania<br />

Supplier: VCE inc<br />

Price: $199<br />

Tel: 0101 818 367 9187<br />

ai•<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

GRAPHICS<br />

fie


WE MUST BE MAD !!!<br />

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CHEQUES, P/O'S TO:-<br />

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VISA


ou're tired, hungry, weather beaten<br />

and ever so slightly lost. The<br />

tourist information office sits in a<br />

glow of warm sunlight as you make your<br />

way towards it. Entering, you are confronted<br />

by row upon row of pamphlets, maps<br />

and advertising booklets.<br />

A friendly smile beams at you from<br />

behind the counter and asks li<br />

lt you. cSeveral a n minutes h e llater, p you leave the<br />

premises with half a dozen maps, five hotel<br />

brochures and a clump of local attractions'<br />

pamphlets after grabbing blindly at the<br />

shelves. For some strange reason, you<br />

don't feel any the wiser.<br />

Imagine this in a foreign country and the<br />

already hassled individual turns in to a<br />

panic stricken holiday maker with two kids<br />

and wife waiting in the car, all on the mutinous<br />

verge of Sealinking it back home<br />

sharpish.<br />

In North Wales, the tourist board has<br />

decided to take an important step closer to<br />

customer satisfaction by introducing the<br />

country's first multimedia, computer-based<br />

information bureau to help visitors with<br />

accommodation, attractions and many other<br />

slices of the locale's culture.<br />

ATTRACTIONS<br />

With the simple press of a button to highlight<br />

the area you wish to explore, the visitor<br />

and locals alike are able to obtain an<br />

overview of a particular region's attractions<br />

at the lime. Photographs and the soon-tobe<br />

installed full-motion video aid the holidaymaker<br />

in choosing what they will do with<br />

their well-earned vacation.<br />

The idea was thought up by Peter<br />

Simunovic, a Croatian who moved to Britain<br />

eight years ago. While working for the<br />

Clwyd County Council, Peter was already<br />

heavily involved with <strong>Commodore</strong> machines<br />

having owned a Vic-20, C64 and 500.<br />

He saw the opportunity to use the <strong>Amiga</strong><br />

as the perfect platform for the continually<br />

updated delivery of valuable information for<br />

tourists. "I would like to see <strong>Commodore</strong><br />

growing out of the game situation and getting<br />

more Into corporate affairs because the<br />

Touch the<br />

colour.coded<br />

buttons to<br />

operate the<br />

system<br />

Grass,<br />

Please ga ve l butter<br />

IMO Opening limes<br />

Ldnilssien r<br />

1 C ha rge s<br />

5hPPO<br />

le ta lion -<br />

Photographs<br />

and details on<br />

attractions a nd<br />

-<br />

are on otter with<br />

-<br />

and multimedia<br />

li• o t hthe e r press features of a<br />

button<br />

-<br />

.<br />

1<br />

machine has so much potential. Businesses<br />

don't know about the <strong>Amiga</strong> - they have<br />

been surprised by what the machine can<br />

do."<br />

After putting together a proposal, he<br />

managed to convince the County Council to<br />

give a development grant. The demonstrations<br />

began and, after impressing the<br />

Welsh Office, Peter says that he -<br />

got decision aalmost<br />

instantly,'<br />

The impressed investors awarded a full<br />

grant of C15,000 for the project lobe developed<br />

and installed in the Denbigh library<br />

In stepped Ramiga International, headed<br />

by managing director Bill Owen. to help<br />

bring the brainchild to life. By using an<br />

<strong>Amiga</strong> 40001040 combined with the<br />

Personal Paint Animator that captures individual<br />

frames in real time, the Piccolo 24-bit<br />

display board, an Mocig board for handling<br />

There are big plans for the future. Ramiga and Peter Simunovic are<br />

planning a visit to Orlando in America to talk to a chain of hotels<br />

about the possible inclusion of the system in their complexes,<br />

The technology would remain the same: "The concept is the<br />

same from tourism to large hospitals or creating an information<br />

system for business. Everything is the same. only the data<br />

changes," commented Simunovic.<br />

Ultimately, Peter has high hopes for <strong>Commodore</strong>'s machines.<br />

"We want to install a CO32 in every hotel room and can deliver an<br />

entertainment box in one.<br />

"On holiday, your home is your bedroom and you have a single<br />

machine that plays music, video, games and information. There is<br />

still a long way to go though."<br />

And that's another article too...<br />

,<br />

,<br />

,<br />

-<br />

-<br />

-<br />

-<br />

-<br />

'<br />

rillGRAPHICS<br />

5kk of thase holiday blueg let the fimiga<br />

take gm NI the hand. &am Phillip5 lefillit5.<br />

From left to right -<br />

Bill Owen,<br />

Peter Sima novic<br />

and <strong>Commodore</strong> 's<br />

marketing<br />

manager,<br />

Jonathan<br />

Anderson<br />

[oohing<br />

Forward<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

full motion video, SCSI2 board and a<br />

Philips compact disc cutter for creating custom<br />

CDs, the basic tools for creating the<br />

interactive tourist guide were in place,<br />

While some of the above features were<br />

not implemented at the official unveiling at<br />

Denbigh library, the results of Ramiga's<br />

labour are attractive and easy to use.<br />

Implementing a Scala-based system and<br />

a hard drive with over 62 megs of information,<br />

the user simply has to press the<br />

colour-coded buttons to the side of the<br />

screen to choose their desired topic.<br />

TOPICS<br />

The lull rundown includes attractions,<br />

eating out, events, general into and highly<br />

useful emergency numbers. By pressing on<br />

"places to stay", you'll be prompted to<br />

select what board rating you can afford and,<br />

once done, be presented with a series of<br />

hotels in your price bracket.<br />

Choose one and, along with information<br />

on location, fees and other details, the<br />

actual rooms, reception and other areas<br />

may be viewed with accompanying text.<br />

At present, only two of North Wales' eight<br />

counties have been entered - Clwyd and<br />

Gwynedd - but the intention is to have a<br />

fully comprehensive breakdown of the<br />

entire country.<br />

While the system is 4000-based at the<br />

moment, the aim is to produce seven terminals<br />

connected to each other via modems<br />

for ease of updates.<br />

Instead of the 4000, CD32's at each point<br />

using the CO32x expansion unit from Index<br />

Information - the company responsible for<br />

the recent London Transport Museum's<br />

facelift - and a hard drive will run the whole<br />

system<br />

Coupled with FMV, the Wales Tourist<br />

Board can hopefully look forward to a<br />

rewarding pilot run.


UTILITIES<br />

MI tell reel<br />

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1<br />

:kr il<br />

dab In<br />

an<br />

•••••••<br />

•10<br />

*N.. Mb<br />

he trouble with ARexx and the<br />

majority of programs which support<br />

it is that hardly anyone can be<br />

bothered to learn enough ARexx to write<br />

their own scripts and macros.<br />

Sorry, but there it is. ARexx is about as<br />

interesting as a bus timetable and the programmers,<br />

thinking they had provided an<br />

easy enough language for the average<br />

user, were forced to go away and make it<br />

even easier.<br />

Since ADPro was blessed with the<br />

superb ProControl and ProPage got its<br />

Genies, ARexx macros have gradually<br />

become more common, but there has never<br />

been an all-round macro control centre.<br />

Batch Factory hopes to be the answer by<br />

supporting as many of the best applications<br />

as possible.<br />

In a package containing 304 scripts covering<br />

11 applications, the macro-starved<br />

user will find an ARexx elastoplast for many<br />

common or garden ailments.<br />

SCRIPTS<br />

ADPro users can choose from 68 scripts.<br />

most of which can be used on single or<br />

multiple files, ProPage users can add to<br />

their already long list of Genies, and even<br />

good old <strong>Amiga</strong>DOS gets ten scripts ,of its<br />

own.<br />

When loaded, Batch Factory has the<br />

appearance of a directory manager. Two<br />

large windows are used to display the current<br />

directory and the files selected for processing.<br />

and only a single row of buttons<br />

breaks up what is an otherwise uninspiring<br />

screen,<br />

Minimalism is carried over to the menus,<br />

which offer only a few options and can<br />

leave you wondering where the meat and<br />

veg is located.<br />

Choose to select a script. however, and<br />

the poor impression quickly changes- A file<br />

requester, slower than the average snail but<br />

still usable, offers access to an Aladdin's<br />

cave of macros of all shapes and sizes.<br />

The most obvious use tor a program<br />

such as this is for work with ADPro, so<br />

that's where I started.<br />

The 68 scripts dedicated to ADPro cover<br />

80<br />

- - SITVINF Her le' 1 W<br />

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1The worters<br />

adi5tage<br />

Stole Kennedy automates just<br />

abaut euergthing 111 sight with the<br />

latest helping hand gatth Fattorq<br />

Support<br />

Below is a list of the packages supported by Batch Factory and<br />

the number of scripts supplied for each. If PageStream 3.0 is<br />

notable by its absence, don't worry.<br />

Batch Factory will support it through an update as soon as<br />

the DTP heavyweight appears. As PS3 has already enjoyed the<br />

gestation period of an elephant, we can only hope it pops out of<br />

SoftLogik's incubators soon.<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

Creating loops<br />

is • snip with<br />

the dedicated<br />

loop Inittea<br />

*knees( fi le<br />

requester,<br />

maybe. but<br />

there are plenty<br />

A0Pro<br />

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the usual sort of tasks, such as rendering<br />

animations from a sequence of images.<br />

plus a variety of common image processing<br />

tasks.<br />

Unlike ProControl, ADPro's dedicated<br />

batch front-end. Batch Factory cannot create<br />

a script as you go along by choosing<br />

loaders. operators, and savers, but the<br />

ADP 6 8 scripts<br />

Ami gamDOS, 1 0 scripts<br />

Image FX 8 2 scripts<br />

Cygnus Ed 2 scripts<br />

Final Writer 4 scripts<br />

Image Master RT 7 5 scripts<br />

Morph Plus 6 scripts<br />

Opal Paint 3 6 scripts<br />

P.A.R 1 5 scripts<br />

ProPage 6 scripts<br />

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program has a multiple script facility so ther<br />

images can be put through sever*<br />

processes one after the other, which is<br />

almost as good<br />

Covering all the most popular operators<br />

such as twirl, rotate, scale, and so on, the<br />

macro list is comprehensive enough to<br />

meet most requirements. though it still cant!<br />

touch ProControl or Muliframe as an<br />

ADPro add-on,<br />

The bad news is that it you take a look at<br />

the support panel you'll notice that some<br />

applications are decidedly better served<br />

than others,<br />

Batch Factory's macros are heavily<br />

biased towards the image processors and<br />

Opal Paint, and while these packages are<br />

treated to dozens of useful scripts, the others<br />

can look a little sad, particularly Final<br />

Writer with its paltry lour and Cygnus Ed<br />

(CED) with only two.<br />

MACROS<br />

Of course, macros can be written and<br />

stored in Batch Factory's directory for use<br />

with any ARexx-compatible package, but in<br />

this case the only added attraction of Batch<br />

Factory is that it can process several<br />

scripts in sequence.<br />

The asking price of $59_95 is therefore a<br />

little less justifiable it you don't use one of<br />

the packages on which Batch Factory lavishes<br />

most of its attention.<br />

Again, if the thought of writing your<br />

own macros prompts you to wash your<br />

socks or fix that wobbly table leg<br />

you've been meaning to gel around to for<br />

the last year or so. take a very close look at<br />

just how many macros you get for your


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There are few ARexx front-end utilities on the market, a fact which lends Batch<br />

Facton/ much of its appeal. but those that do exist are much better, if more specialised.<br />

%Control. for example, is dedicated to ADPro batch processing and does the<br />

iob beautifully. Its simple and elegant inledace is much more attractive than Balch<br />

Factory's. and ProControl has the invaluable advantage of building scripts from<br />

scratch using point and click input from the user,<br />

In a straight light for the ADPro market, Batch Factory would go down in the first.<br />

stagger on through the second. and take a ten count in the third at the latest.<br />

Multiframe is a slightly different proposition in that it can be used to preview the<br />

effects of a script, a huge aid when rendering something like a 24-bit ripple pattern.<br />

As a batch processor it's fine, but many users will want something simpler for<br />

straightforward jobs. Unfortunately for Batch Factory, ProControl will scoop up most<br />

of These people in a trice.<br />

her<br />

mullah. In use, Batch Factory is very easy<br />

to use, and the manual is only really<br />

needed when the program <strong>Is</strong> first installed.<br />

So long as ARexx is running<br />

(the RexxMast program is usually run<br />

from Workbench's startup-sequence),<br />

Batch Factory will launch the required<br />

program, be it Image FX or ProPage,<br />

and carry out its assigned task without<br />

fuss.<br />

MASTERING<br />

Some tasks will require user input in the<br />

form of a new filename or a specified saved<br />

files directory, but all the tricky stuff drifts by<br />

while you make a cup of tea and give your<br />

latest issue of <strong>Amiga</strong> <strong>Computing</strong> the thorough<br />

reading it deserves. As with other<br />

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Mutiframe, you can master this program<br />

armed only with a working knowledge of the<br />

mouse.<br />

Besides the scripting functions, Batch<br />

Factory has a couple of very useful extra<br />

buttons, namely the reverse and loop buttons.<br />

Once the program knows the first and<br />

last files in the list to be reversed, the<br />

reverse feature inverts the order of the<br />

images and adds them to the list for<br />

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Alien is the <strong>Amiga</strong>'s script-based language for communication between different programs<br />

and has been supplied as standard since Workbench 2.0 was released.<br />

An ARexx script is written as a text file in an editor such as ED or a word processor, then<br />

saved to disk for use by any program which supports the standard (most do nowadays).<br />

When a script is executed It runs in the background and can be used to do just about anything.<br />

so long as the application it is aiding has enough of its own ARexx functions built in.<br />

ADPro and ProPage are good examples of programs which can be completely controlled from<br />

ARexx.<br />

The script sends and receives commands from its parent program and can loop over and<br />

over again to carry out mundane tasks. such as renaming all the files in a particular directory<br />

or creating an animation from hundreds of single images.<br />

Batch Factory has over 300 scripts (or macros) and can run any that the user creates, thus<br />

taking the drudgery out of many tasks.<br />

Polullitramo: groat<br />

program, but a bit<br />

OTT just Mr batch<br />

procassing<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

I I<br />

W<br />

o<br />

r<br />

k<br />

b<br />

e<br />

n<br />

c<br />

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processing. This can be very handy when<br />

creating large animations and saves<br />

rendering the same sequence twice<br />

just to get, say, a morph to reverse its<br />

course.<br />

Loop is a simple button which<br />

again prompts for a first and last file before<br />

taking the selected files and adding them<br />

(in their original order) to the end of the file<br />

list.<br />

DPaint users will probably be thinking "so<br />

what?", but though looping and ping-pongwig<br />

are easy with 32-colour DPaint anims,<br />

irs not so easy with 24-bit images and not<br />

as widely supported in higher level<br />

packages.<br />

APPEAL<br />

These final two features give Batch<br />

Factory more appeal, but overall the package<br />

will only sell to those who use the packages<br />

it supports most or to those who<br />

aready program in ARexx.<br />

Without the facility to build new scripts<br />

from within the program, Batch Factory falls<br />

down in the novice stakes and robs itself of<br />

a much larger audience.<br />

l_<br />

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UTILITIES<br />

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Hard drive<br />

5 Mb<br />

RAM<br />

The bottom line<br />

Product: Batch Factory<br />

Price: $59,95<br />

Supplier: Visual Inspirations<br />

Tel: (0101)813 6410 (voice or fax)<br />

Ease of use 8<br />

Implementation-- 6<br />

Value for money 6<br />

Overall 7<br />

8


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Through the 5ouare<br />

wind<br />

Paul &prod tarkles the Mitt stage of his eliamole<br />

utility by addOg some window opening (ode...<br />

the modern way (Release 2<br />

0 his onwards) month and we are in order opening for things windows to<br />

make sense, some system routine changes<br />

need to be discussed,<br />

In order to create the enhancements<br />

which came with Release 2, many established<br />

system procedures, like window<br />

opening, required extra data items to be<br />

specified.<br />

The new <strong>Commodore</strong> approach to this is<br />

based on the use of arrays that contain<br />

pairs of items consisting of an identifying<br />

label and a corresponding 'rear parameter<br />

value.<br />

Since these lists provide a way of tagging<br />

additional parameters Onto existing 0/S<br />

structures, they have been called tag lists<br />

and are based on system structures known<br />

as Tagitems.<br />

If you look in the Utility/lagiteml header<br />

you'll find that these entities are actually<br />

defined as above:<br />

16n1S<br />

—<br />

ragra<br />

ting<br />

M a s<br />

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te te e e mn<br />

Stitittalt<br />

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RANA<br />

LABEL<br />

The STRUCTURE, ULONG and LABEL<br />

Items are some general system macros<br />

designed to allow the assembly language<br />

included to be written using C style<br />

structures.<br />

You don't need to know how they work,<br />

just remember that each tag item consists of<br />

a pair of long word values - the fast long<br />

word provides a 32-bit idenfity, the second a<br />

corresponding 32-bit parameter value<br />

Tag identity values are, in the main, context<br />

specific and in the intuiliorti header file<br />

for example you'll fi nd defi nitions of a great<br />

many Intuition-related tag identities.<br />

WA_Left, WA_Top, MA_Width and<br />

WA Height for instance are used to speedy<br />

window position and size information.<br />

A number of general tag item values have<br />

move T g r r o U :<br />

neoel •I • 1, 1 i t t ' . I an y a version m yg i loiin o or<br />

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OK, •o an intuition win-<br />

dow like this may not<br />

look like much, but In<br />

producing it we've cov-<br />

ered a lot of important<br />

groundwork!<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

-OCTOBER<br />

1994<br />

• TAG_IGNORE<br />

• TAG SKIP<br />

• TAG END<br />

TUTORIAL<br />

II<br />

-<br />

also been defined and can be found, along<br />

wiIh the Tagltem structure itself, in the uhlity/tagitern_i<br />

system include file. Here are<br />

some example entries:<br />

Indicates that the associated<br />

data item should<br />

be ignored.<br />

Skip this and the next<br />

ti..Data Tagitems.<br />

Signals the end of an<br />

array (the ti_Data field<br />

is unused).<br />

You'll see how tag list data is defined and<br />

used as we sketch out this month's code,<br />

but before that I need to explain exactly<br />

what we shall be doing.<br />

Last month I dealt with the code which.<br />

among other things. opened the Intuition<br />

library Now you might think that once this<br />

library has been opened we would simply<br />

have to use a suitable library function to<br />

open a window in the Workbench screen.<br />

Sorry, no such luck!<br />

To prevent a user or application from<br />

closing the Workbench before we can open<br />

a window, a locking routine' must be used<br />

to force the Workbench screen to remain<br />

open,<br />

An 'unlocking' function is also available<br />

and the idea is that we sandwich the window<br />

opening code somewhere between the locking<br />

and unlocking code.<br />

The locking/unlocking routines. called<br />

LockPubScreen() and UnlockPubScreen(),<br />

can be used on any public screens and are<br />

handled just like any other library functions.<br />

The required parameters are set up. the


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library base is placed in register a6, and the<br />

appropriate indirect sub-routine call is made.<br />

On return, the results (if any) are checked to<br />

see that they are valid.<br />

One way of locking the Workbench<br />

screen is to set up a static name definition<br />

using a dc.b directive, along with a variable<br />

to store the returned Workbench pointer.<br />

For example:<br />

vorkbefich_noot d c . 4 lorkbe tcb<br />

. worebench_p<br />

,11VAL<br />

d s . l<br />

and then use this type of bare bones<br />

library call arrangement:<br />

LockScreen Lee lorkbe e ch_ a le e , e 0<br />

pointer to screen name<br />

CALMS<br />

LociPaScreen,_Intuitiowlese<br />

mowed dOolorkbe nce j<br />

returned painter<br />

rts<br />

The basic code for unlocking the screen is<br />

even simpler<br />

OnteScreen •owee.w OVI I I I , 0 0 scre e n neee nOt:<br />

needed<br />

wovel.1 vorkbe nce _ p, e i<br />

outfit to We e k<br />

CALM Ontoce PubScre te ,<br />

Intuitionnese<br />

ris<br />

We need to tell Intuition which screen we<br />

want our window to open in and this. along<br />

Error handling and program (lowdown<br />

with various other parameters, is something<br />

that we specify in a tag list.<br />

For clarity, the standard <strong>Commodore</strong> tag<br />

identity names should also be used, but to<br />

avoid requiring the use of the official<br />

include files I'll be setting up these items<br />

within the source code itself.<br />

The following EQUates do just that and<br />

produce results identical to those found in<br />

the offi cial intuilion/intuition.i and<br />

uhlity/tagiterni include files:<br />

116_004E IOU<br />

VA_BASE EOU<br />

VA_Left EQU<br />

VA_Top EQU<br />

MA_Widti<br />

NA_MeighlEAU<br />

VA_Titie<br />

Pubicreen<br />

illkAre gba r<br />

At the moment we've got just four addlial operations to Worm. Screen<br />

'locking and unlocking, and window opening and closing. There will be many<br />

, more in the final program and, as with library opening, many of these operalions<br />

may conceivably fail_<br />

Iplified<br />

version of something which, in my C programs, I call 'dynamic<br />

Fresource<br />

allocation'.<br />

o The idea is to code all allocation and opening operations as separate sub-<br />

r routines that try to carry out their intended job and then either fail and return<br />

t<br />

an error code, or succeed and push the address of a corresponding de-allocation<br />

routine onto a function pointer stack.<br />

h<br />

Under normal anon-error) termination conditions, program closedown<br />

i<br />

occurs by reading any existing pointers from the function pointer stack and<br />

s<br />

executing the corresponding de-allocation routines.<br />

e<br />

If during any of the allocation attempts an error occurs, the same stack<br />

x<br />

emptying routine gets called,but only those pointers that have been placed<br />

a'<br />

onto the slack prior to the occurrence of the error will be retrieved and<br />

mexecuted<br />

p Hence, one de-allocation loop handles both error and non-error condition<br />

l closedown perfectly safely.<br />

e This may seem like an unnecessary complicated way of doing things but<br />

pit's<br />

not been used to make things difficult for you Far from it, because this<br />

r technique makes systematic program closedown a piece of cake - just look<br />

ohow<br />

easy the de<br />

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and e we * ?Wine if it Wits<br />

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<strong>Amiga</strong> <strong>Computing</strong><br />

i<br />

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OCTOBER 1994<br />

$8000M63<br />

idajin(401<br />

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WA_Lelt, WA_Top, WA_Width,<br />

WA_Height and WA_Title are used to provide<br />

details of the size and title of the window<br />

(provided in the corresponding data<br />

fields).<br />

WA_DragBar, as the name suggests,<br />

asks Intuition to place a drag bar on the<br />

window if the data item field is set to<br />

TRUE and WA PubScreen is used to<br />

supply the address of the screen being<br />

used.<br />

Most tag identities and values can be<br />

set up as static definitions consisting of<br />

identity+value pairs, so for the most part<br />

we can decide what values are needed<br />

before assembling the program!<br />

The data part of the WA_PubS<br />

however, a pointer to the public<br />

cannot be set up in this way since<br />

value comes back at run time from<br />

LockPubScreen() function. Because<br />

this you'll see that I've given tow<br />

WA_PubScreen data field a separalte<br />

label.<br />

The WorkBench address has to<br />

stored anyway (it's needed in order<br />

release the public screen lock) so rye<br />

chosen to store it directly in the tag WI<br />

data.<br />

Once the screen is locked a window<br />

can be opened and in this month's code<br />

am creating a 640x200 pixel window wilt<br />

a drag bar which opens at the top left<br />

screen location of (0.0).<br />

Here are the lag list storage definitions<br />

being used:<br />

taps dc.i M A_ PubScre e n<br />

woribenct_p d s . l I<br />

dc.l be _ Le ft, 0<br />

dc.0. VA_ Top, 0<br />

ft.!. WA_ Oi4 t h , 6<br />

0fled<br />

we je ight, 2 0 0<br />

4dc.t<br />

VA_ Ore se e r, TR U E<br />

ds.1 OA_ Tit io , o lo d o o _ n o o t<br />

dc.I TAGJONEAULL<br />

Prior to the OpenWidowTagList() call,<br />

register at will be loaded with the start<br />

of the tag list using code which in its<br />

simplest form looks something like<br />

this:<br />

opeallintiov L o e w e fAULL,a0<br />

tee<br />

tagsol<br />

stort o f t o o L ist<br />

CALLSYS<br />

OpeneindomIebAist,_Intuftionliese<br />

We pull the function pointer off the stack and providing that it is non-zero,<br />

execute the function. Just five instructions are needed, so the 680x0 chip is<br />

pretty good for these type of operations - do note though that a data<br />

register (rve arbitranly chosen dO) has to be used within the loop because<br />

you cannot use the 680x0's move instruction to load an address register<br />

directly.<br />

You'll notice in the source code on disk that I've set up a null address right<br />

at the top of the function pointer stack - this is specifically to allow this zero<br />

address test to be used to indicate when all items have been removed and<br />

used.<br />

There is another important benefit with this stack-based approach as well.<br />

The de-allocation/closedown routines automatically get executed in the<br />

reverse order to that used in the initial allocation/opening stages of the<br />

program.<br />

This provides a nice safe way of de-allocating things and avoids having to<br />

use loads of 'spaghetti code' jumps and branches to provide error pathways<br />

when operations fail.<br />

Listing 1 shows the code arrangements for the lockinglunlocking routines<br />

and listing 2 shows the window routines. (Note: these lisings referred to are<br />

on the Cover Disk along with the extended version of the code.) Notice incidentally<br />

that I'm using an error label that starts with a period in both sets of<br />

routines.<br />

This is Devpac's way of signifying a local label (a label that gets tagged<br />

onto the last used normal label to allow effective re-use ol commonly used<br />

labels like loop, error and so on),<br />

I've also changed a couple of loop names from last month's code to provide<br />

other local label illustrations. Note however, that with some<br />

other assemblers you may need to remove the penods and add a terminal $<br />

sign to the labels to get the same effect (if in doubt, check your assembler<br />

manual).<br />

1


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115 Summer has drifted to its (011(IU5IO17 and -<br />

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James JON151111 flOPS suumaing far quaky PO<br />

heck out the latest and greatest<br />

from the world of PD. Whether<br />

you need the latest utility or want<br />

to indulge in the delights of demos, from<br />

Bork to Grand Prix Racing. the Public<br />

Domain has a lot to offer__<br />

H05 2.0<br />

Programmed by: Ben Sutter<br />

Available from Your Choice PD<br />

There's a fair chance you'll have seen an<br />

RDS somewhere before. A Random Dot<br />

Stereogram is a strange type of picture that<br />

<strong>Is</strong> supposed to appear as 3D when viewed in<br />

the correct way,<br />

Well now there's a program for your<br />

<strong>Amiga</strong> that allows you to create your own,<br />

and also a text file which explains exactly<br />

how they work_<br />

If you, like many others, have come<br />

across these strange pictures before, you'll<br />

either be able to see them or you won't. If<br />

you can't then I'm sure you'll agree they can<br />

become extremely frustrating and soon you'll<br />

convince yourself Mal they don't exist.<br />

Maybe you should get hold of this offering<br />

and lock yourself in your room until you can.<br />

Believe me, it can take a while, but it's definitely<br />

worth it.<br />

This program allows you take any normal<br />

IFF picture (like the ones created in Deluxe<br />

Paint) and transform it into one of these<br />

magical wonders. The good news is that it<br />

works, and it works quite welt<br />

However, ADS is quite fussy in that it only<br />

works with some pictures. Generally I found<br />

Racing Maniacs is the<br />

name, Ra cing<br />

Maniacs is tho game,<br />

High speed driving<br />

with a differ<br />

-<br />

one<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

-<br />

OCTOBER le 1994<br />

Can you see a 30 Image?<br />

that black and white or greyscales produced<br />

the best stereograms, so don't go feeding in<br />

some hi-res AGA still as it simply will not<br />

work. The is the only obvious drawback to<br />

the software itself. which otherwise does a<br />

good job.<br />

The program is menu driven, simple to<br />

use, and you should have no problems getting<br />

it running. In five minutes you can create<br />

your own 30 masterpieces and save them as<br />

standard picture files If you own a printer<br />

then there's no stopping you. Great fun,<br />

Racing Mania3<br />

Programmed by: Paul Gaze<br />

Contact: Paul Gaze<br />

Racing Maniacs is a fast game. It's even<br />

faster on an Al200. In fact, it's so fast you'll<br />

probably have difficulty playing it at first.<br />

Racing Maniacs is (as you've probably<br />

guessed from the title) a racing game in the<br />

style of Formula One Grand Prix, and is quite<br />

enjoyable.<br />

Two versions of the game are included on<br />

the disk: one for AGA machines and another<br />

for the opposite. Obviously it's enhanced for<br />

the Al 200 and runs like a dream.<br />

The graphics are in a 3D style and certainly<br />

nothing to boast about - basic green,<br />

grey and blue polygons that represent the<br />

"11111111.1 1 1<br />

I I I I I I 11 I I I I I I I I I I I I I I it r<br />

4<br />

Big timeRA<br />

Programmed by: Axis<br />

Available from: Freestyle PD<br />

There's a lot of AGA demos float.around al the moment, and hero s<br />

another to add to the collection This are<br />

is spread over two disks and features<br />

some impressive graphics and effects<br />

including the usual plasma clouds. hi-res<br />

stills_ and also some original effects -<br />

some of which are quite excellent.<br />

The demo opens with an impressrve<br />

display of a mountain range, and uses<br />

some careful animation and pixelisaficet<br />

to add to the atmosphere.<br />

One thing I realised after watching tin<br />

particular demo was the lack of any tone<br />

of spinning objects that normally full<br />

the demo world, and this in itself is<br />

promising.<br />

Big Time AGA definitely makes full use<br />

of the AGA chipset, with 256 colour<br />

pictures and backdrops of a stunning<br />

quality.<br />

There's also a thumping tune by Bork<br />

pumping away in the background which<br />

lasts throughout the demo and is surprisingly<br />

clear.<br />

obvious. The playability on the other hand<br />

where this game wins hands down.<br />

There are a few different options of<br />

gameplay such as head•to-head, tournament<br />

and different tracks to choose from<br />

but essentially the style of play is the same<br />

You control a car and race around venous<br />

tracks against your opponent. with all<br />

the usual features of damage, bonuses and<br />

- as an added feature - weapons to attack<br />

your opponents vehicle with during the race<br />

You are supplied with four mines for each<br />

track, the purpose being to destroy your<br />

opponent and claim victory. This adds a little<br />

more excitement to the game, especially<br />

when racing against your friends.<br />

The best way to describe Racing<br />

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lily<br />

,<br />

Maniacs would be to look no further than the<br />

n title itself, which summarises the game<br />

perfectly.<br />

While Racing Maniacs cannot compete<br />

with the likes of F1G1<br />

3due<br />

to lacking in that essential "I want more"<br />

. factor, a nit d is still ia good s laugh and offers some<br />

fexciting a i features. r t y Check it out.<br />

l i m i t e<br />

d Punter5<br />

Programmed by: G Smith and R Horn<br />

Available from: Sanity Soft<br />

Anyone for a bit of gambling? Supplied on<br />

an enormous four disks, Punters is a collection<br />

of various gambling-related games just<br />

perfect lo entertain yourself with on a rainy<br />

day.<br />

There are five different games in total and<br />

UP to lour people can take part at any one<br />

A<br />

time. There's also provision for single play-<br />

1ers, although it's not nearly as much fun.<br />

Choose from a quick bash at the fruit<br />

• machine, a day at the races, a round of<br />

Yahtzee. Othello or maybe just a game of<br />

Blackjack. Whichever you choose. there are<br />

ART of thy<br />

MONTH, 1<br />

1<br />

tons of options and features to keep you<br />

going.<br />

Although not exactly stunning in the<br />

graphics or sound department, most of the<br />

games are of an average quality and offer<br />

similar features to their real-life counterparts.<br />

Nothing special however.<br />

The only major drawback I can see is the<br />

disk swapping. The entire compilation is<br />

provided on tour disks but linked together<br />

into one main system, whereby you choose<br />

and then insert the required disk.<br />

This can become a bit tiresome, although<br />

it is possible to install the game on hard disk<br />

which is a relief for some. Maybe it would<br />

have been a better idea to supply the<br />

games on separate disks (after all, they are<br />

essentially separate games) to avoid<br />

r • 01en5 - Snefial 511de5<br />

Available from: Kevin Howell<br />

As tar as slide shows go. there are good ones and<br />

there are bad ones. This collection of shots from the<br />

film -<br />

Ali the latter category.<br />

ens Provided on two disks, the first major drawback to<br />

- become apparent is the requirement of an external disk<br />

S<br />

drive in order for it to run correctly. This prevents anyone<br />

without an external from viewing the slides and<br />

p e<br />

could easily have been avoided with a simple disk<br />

c i<br />

swap.<br />

a<br />

Don't<br />

l<br />

worry though, as you're not missing much. A<br />

Ebunch<br />

of poorly digitised, dark and gloomy pictures<br />

dfrom<br />

the film, these might just appeal to the greatest<br />

iFans<br />

of the -<br />

tAlien"<br />

To add to the insult, the soundtrack is nothing spe-<br />

ificial<br />

and l mso s this hardly grips the viewer with any particu-<br />

o.<br />

lar interest.<br />

n<br />

There are hundreds of slide shows for the <strong>Amiga</strong>,<br />

some offering excellent graphics. thumping sound'<br />

"<br />

u<br />

n<br />

f<br />

o<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

P D and S H A R E W A R E<br />

(ailing all PO librarie5....<br />

and individuals with anything remotely<br />

worth my while having a peek at. It you<br />

want something released as PD. or<br />

you're a library with stacks of hot new<br />

stuff that you haven't seen reviewed yet,<br />

why not drop me a line with a copy, full<br />

documentation and everything clearly<br />

labelled? I promise I'll at least look at<br />

your work.<br />

Tina Hackett. PD Submissions.<br />

<strong>Amiga</strong> <strong>Computing</strong>, Europa<br />

House, Adiongton Park,<br />

Macclesfield. Sk10 4NP.<br />

booting through the menu system and<br />

tedious disk swapping.<br />

If you're a particular fan of this sort of<br />

entertainment, then Punters is for you. It's<br />

nothing special but does offer a good selection<br />

of quality games to keep you occupied<br />

even on the dullest of days.<br />

OiskManager<br />

Programmed by: Andrew Woods<br />

Available from KEW=Il Software<br />

Disk No U1100<br />

As the title suggests. DiskManager is a disk<br />

cataloguing program that allows you to<br />

obtain and store information about the<br />

MOM Imed<br />

!ir k r ! IS<br />

— 111WOW t oTed. r WWII M<br />

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dot<br />

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tt=44<br />

—10211-1<br />

Starr data about your disk collection<br />

wlth sta ta rde ga r.<br />

Sogourney W ifeentares in this<br />

rather poor quality sdide show.<br />

tracks and greater compatibility Many of them are just<br />

one disk in size, and heal this particular offering hands<br />

own<br />

Do yourself a favour and order two slide shows of a<br />

higher standard for ihe same price.


Po and SHAREWARE<br />

simple aspects of your floppy disks.<br />

Basically, you insert the disk you wish to use<br />

and then select the option you require from a<br />

menu.<br />

You can use DiskManager to build up<br />

your own database of all your floppy disks,<br />

holding information such as the files con•<br />

tamed, the file system. space left, bad sectors<br />

and much more<br />

Simply by scanning the required disk,<br />

DishManager will display all the necessary<br />

information and store it where you like.<br />

Also included are some of the basic DOS<br />

commands related to files, such as delete.<br />

rename, etc. This is extremely useful for file<br />

management and although not giving as<br />

much control over your disks than, for<br />

example, Directory Opus or Sid v2. is still a<br />

worthy feature.<br />

Included is the ability to search through<br />

either your whole database or just a particular<br />

disk for specific file names, directories<br />

and hies of a certain size. This is ideal for<br />

locating a particular file and its whereabouts<br />

in your disk collection.<br />

Although DiskManager does offer an<br />

enormous selection of facilities. I didn't find<br />

the actual program very appealing, mainly<br />

due to the fact that the bulk at the features<br />

offered are available using other utilities.<br />

Commercial programs such as Directory<br />

Opus, Quarterback Tools and even<br />

Workbench and <strong>Amiga</strong>DOS are generally<br />

tar superior and also offer greatly used features<br />

that DiskManager sadly doesn't.<br />

Magic Workbench [Ktra5<br />

Available from: Kewell Software<br />

Disk No. U1096<br />

A while ago now. Magic WB was released<br />

in the Public Domain. It immediately shot<br />

up the charts as more and more <strong>Amiga</strong><br />

owners saw it as a way of transforming<br />

their Workbench into a completely new and<br />

= I J 4<br />

4<br />

elett Cettd4t 114..lete liTatirae e e P r rir I .1 h1;<br />

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Programmed by: Gerard Fitzpatrick<br />

Contact: Gerard Fitzpatrick<br />

The public domain is huge. However, most of<br />

the software available tends to be either some<br />

form of game or demo and we see little in the<br />

way of informative and educational work.<br />

Obviously there are such titles, but just a<br />

minority compared to the games world.<br />

First Aid Essentials is definitely one of<br />

those in the minority and because it's so different,<br />

it is likely to be the only one of its kind.<br />

As you may have already guessed, First<br />

Aid Essentials is a guide to first aid and what<br />

steps or precautions can be taken.<br />

Working from a large database. FAI offers<br />

information to the user on all different aspects<br />

of the human body — injuries, illnesses etc. It's<br />

simply a case of selecting the category from a<br />

menu screen to access the information neces- Meek out thsi human Akisiertan with First Aid Essontials.<br />

sary. For example, if you wished to obtain<br />

information on food poisoning, select "poisons", then "food-poisoning" and bingo, the information is displayed before<br />

you under three headings of symptoms, treatment and causes of illness.<br />

From this database you should be able to find most of the information required. Using First Aid Essentials is just like<br />

looking in an electronic book and could prove extremely handy in an emergency Although this disk will appeal to just a<br />

small handful of people, it is a very professional and informative piece of software, and while not being the most interesting<br />

of PD titles available, I thoroughly recommend it.<br />

Even if it sits at the back of your collection for an age, the fact that it could come in handy ono day is by far enough<br />

reason to own<br />

w,<br />

Vat<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

original piece of software.<br />

In fact. they were wrong. All Magic WB<br />

consists of is replacement backdrops and<br />

icons, and essentially does not alter the<br />

software at all. However, it gave<br />

Workbench a new and more attractive look<br />

and many <strong>Amiga</strong> owners opted for its more<br />

professional style<br />

There was just one main problem concerned<br />

with Magic WB. Now the<br />

Workbench backdrop and icons were of a<br />

similar theme, any other icons (of utilities<br />

or games etc) unfortunately looked out of<br />

place with their old style blue and grey<br />

design, ruining the effect that Magic WB<br />

creates.<br />

Although it is impossible to solve this<br />

problem completely (short of designing<br />

your own icons) the author of Magic WB<br />

has done his best to prevent it, and has<br />

now released a whole disk full of replacement<br />

icons and backdrops) for most of the<br />

popular <strong>Amiga</strong>DOS<br />

Included on this disk are icons for the<br />

likes of DPaint, ADPro, Directory Opus,<br />

Disksalv. and loads more. There are also<br />

alternative icons for some of the earlier<br />

Magic WB offerings and some new ideas<br />

such as icons for certain types of files, for<br />

example graphics or sound.<br />

If you weren't satisfied with the selection<br />

of backdrops with the first release, then<br />

have a browse through the drawer of<br />

replacements, some of which are quite<br />

interesting.<br />

If you have Magic WB installed on your<br />

<strong>Amiga</strong>, then this disk is an invaluable<br />

upgrade and should definitely be considered.<br />

You may not use all the hies offered<br />

on the extras disk, maybe just a few, but<br />

even if only for the choice or a little alter-<br />

ation this disk is worth getting hold of.<br />

Your Workbench should be left looking<br />

even better than it did before!<br />

laq 'lour hand5<br />

on me<br />

Paul Gaze<br />

9 Larch Close. kingsworthy,<br />

Winchester, Hampshire S023 7NE.<br />

Tel: 0962 882819<br />

Your Choice PD Library<br />

39 Lambton Road, Choriton cum<br />

Hardy, Manchester M21 OZJ.<br />

Tel: 061-881 8994<br />

Kevin Howell<br />

54 Collin Road, Brislington,<br />

Bristol BS4 3S0<br />

Freestyle PD<br />

Tel: 0922 404023<br />

Sanity Soft<br />

217 Albert Road, AMIN%<br />

Birmingham 56 WA.<br />

Tel; 021-327 8574<br />

Kew=11 Software<br />

PO Box 672. South Croydon,<br />

Surrey CR2 9•1S<br />

Tel: 081-657 1617<br />

Gerard Fitzpatrick<br />

9 Glenhill Rd, Finglas, Dublin 11, Eire.


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CD<br />

The biggest game<br />

of 1<br />

94?<br />

Millennium, the Cambridge-based<br />

software house responsible for<br />

such hits as Brutal Sports Football,<br />

Diggers and the James Pond series<br />

of games, claim to have bagged<br />

the biggest games licence of 1994.<br />

The game is Mr Blobby and it<br />

will feature 60 levels of madness,<br />

mayhem and some darned fine<br />

gameplay to match. By the time<br />

Christmas comes around, you<br />

won't be able to move without<br />

bumping into Noel Edmonds' pink<br />

and yellow creation.<br />

Noel's House Party is watched<br />

by 13 million viewers and Blobby<br />

has even appeared on the front<br />

pages of the New York Daily News<br />

and the Washington Post.<br />

Noel Edmonds, so confident of<br />

Blobby's forthcoming success has<br />

already launched a number of<br />

Theme Parks in the UK which are<br />

attracting up to 10.000 visitors<br />

daily<br />

By the time the game arrives, a<br />

second hit single will be clambering<br />

up the charts and there will be<br />

over 260 Mr Blobby licensed gifts<br />

and products on the market for<br />

you to buy.<br />

I'm still unsure, simply because I<br />

can't stand Mr Blobby, but we shall<br />

see when the game arrives on all<br />

<strong>Amiga</strong> formats this Christmas.<br />

Budgets under<br />

a bluey!<br />

The Birmingham-based software house US Gold has just announced the launch of 15<br />

titles on their Kixx budget label<br />

The titles include 3D Pool, Action Fighter, Bionic Commando, Blasteroads, Carrier<br />

Command, E-Motion, Indiana Jones & The Last Crusade, International Soccer<br />

Challenge, MicroProse Soccer, Out Run, Rick Dangerous, Rick Dangerous 2,<br />

Streetfighter, Stunt Car Racer and last, but by no means least, World Class<br />

Leaderbord.<br />

All the titles are priced at £4.99, so there is no excuse for not running down the<br />

shops to buy a couple of new games. All the products should be in the shops by the<br />

time you read this.<br />

Going for goal!<br />

The World Cup is now over and I bet you've been as surprised as System at<br />

the amount of football games sitting on the shop shelves. You'll not have<br />

been able to afford all of them, but Empire have come up with what is<br />

surely the best-ever football compilation pack.<br />

Empire World Cup Year '94 contains Sensible Soccer, Goal, Championship<br />

Manager '93 (plus it's '94 data disk) and Striker. For football aficionados this<br />

is surely a compilation sent from heaven, but I suppose the majority of<br />

games players have got at least one out of the four games.<br />

If you haven't got any of these games then this is your lucky day, because<br />

Empire World Cup Year '94 costs only £25.99 which works out at about<br />

£6.50 per game.


Happy Daze are here again<br />

Daze, after the tremendous success of Stardust, ore<br />

back on the <strong>Amiga</strong> with two brand new releases to<br />

keep you entertained during the autumn months.<br />

Thefirst is the German-designed football management<br />

simulation entitled On The Ball: World<br />

Cup Edition Developed by Ascon, you begin the<br />

game as manager of a national soccer team, facing<br />

the first few qualifying rounds of the world's<br />

greatest sporting spectacular with the desire to go<br />

all the way and win the trophy,<br />

On The Ball features unique TV style coverage<br />

of each match with exciting action replays from<br />

various different vantage points around the stadium.<br />

A running commentary is also provided to<br />

add to the atmosphere.<br />

The graphics are actual animations and not<br />

jerky computer generated images. On The Ball has<br />

apparently sold loads of copies in Germany and<br />

now Daze are hoping that it will do the same here<br />

in Great Britain.<br />

On The Ball looks like a breath of fresh air in<br />

the world of computer football management simulations<br />

and should be out in the shops by the time<br />

The third part in the 'tha t series of adventures.<br />

avated by top French developers Slimarils, should be<br />

on your loca i shop shelves now<br />

On the Ba ll is a bra nd new footba ll management<br />

simulation which features amazing match a nim•tions<br />

as we ll as unique TV sty& coverage<br />

you read this Daze's second offering is the third<br />

part in the epic <strong>Is</strong>har series of RPG/adventure games<br />

The games have become extremely popular over the<br />

last two years, mainly due to Silmarils' efforts in the<br />

graphics department.<br />

This time the French software house<br />

have included animated film sequences, quantum<br />

leap time travel, teleportation, character manipulation,<br />

detailed maps and even more spectacular<br />

locations.<br />

The evil wizard, who you thought you'd killed at<br />

the end of the second <strong>Is</strong>har game, is back! Time is<br />

the main element in this third and maybe final game<br />

in the series. To kill the evil wizard Shandar, you<br />

must travel back in time and make your way<br />

through a series of time gates.<br />

<strong>Is</strong>har 3 has a scheduled release date of September<br />

and will cost you a mere 132.99. An Al200 enhanced<br />

version will arrive at around the same time, but at<br />

the slightly higher price of E34.99.<br />

Streets ahead<br />

Street Fighter 2, the world's greatest beat-'em-up (allegedly) is going<br />

to feature in its own monthly comic. The Japanese -<br />

Mange will feature all sthe tcharacters y l e from s the t top-selling r i p computer game, as<br />

they take part in the ultimate Street Fighting tournament, set among<br />

the criminal underworld on the <strong>Is</strong>land of Shad.<br />

Street Fighter 2 is the first new title from Manga Publishing, the<br />

newly-formed comics division of Manga Entertainment, producers of<br />

the best-selling Managa video line. it promises to combine all the<br />

action and excitement of one of the world's most popular video<br />

games.<br />

The comic strip is written and drawn by Masaomi Kanzaki, one of<br />

the top artists in Japan, whose other work includes the popular<br />

Manga video, Xenon.<br />

Each issue will feature a 32-page full colour story, plus a pull-out<br />

poster featuring characters from the game. The first issue spotlights<br />

the hero Ryu.<br />

As an additional bonus, a free pack of Super Street Fighter 2 stickers<br />

from Merlin Entertainemt will be given away with the first issue. The<br />

comic will go on sale for a measly 95p.<br />

Y5TE<br />

echnologg<br />

TImurIlsIcui.kuvir-<br />

dm," 11111 System is kire to kimp<br />

you aware dot else is lipppolip<br />

throughout as Misty.<br />

• A home VR unit is finally on its way<br />

and could even be in UK stores in<br />

time for Christmas. US firm Forte<br />

Technologies is making plans to launch<br />

its standalone unit beating rivals such<br />

as Sega and Atari to the market.<br />

Called the Will. it is due to be<br />

launched worldwide in November and<br />

is expected to cost around the 1650<br />

mark.<br />

Its fully PC-compatible, weighs less<br />

than two pounds. supports a standard<br />

VGA video card and slots into the back<br />

of a PC. Several top titles will be available<br />

by the time of the launch. including<br />

Doom by Id Software.<br />

• The Jaguar is arriving on these shores<br />

in greater quantities. thus SDI. have<br />

reduced their RRP to just £229. Jaguar<br />

games from SDI. include Crescent<br />

Galaxy. Dino Dudes. Walden. Tempest<br />

2000, Brutal Sports and the PC smash.<br />

hit Wollenstein 3D.<br />

• With the 300 planned to hit the UK<br />

high-street stores, news has been<br />

leaked about a new 300 compatible<br />

machine code-named the Bulldog.<br />

Scheduled for release at Christmas next<br />

year. the machine is said to boast some<br />

impressive specifications.<br />

• Nintendo Ultra 64 (the new name for<br />

Project Reality) was just one of the<br />

machines on show at this year's<br />

Summer CES in Chicago. Also on show<br />

at the CES. which boasts the largest<br />

gathering of video game companies to<br />

ever assemble under one roof, was the<br />

300 and the CD drive for Atari's 64-bit<br />

Jaguar.<br />

• There is a Super Street Fighter 2<br />

motion picture being filmed in<br />

Bangkok as you read this. The film is<br />

under the direction of Steven de Souza<br />

and is expected to be completed in<br />

time for a stateside Christmas release.<br />

Jean-Claude Van Damme stars as<br />

Guile while Raul Julia plays the evil M<br />

Bison, but perhaps the biggest news of<br />

all is that Aussie actress and top popstrel<br />

Kylie Minogue will play the part<br />

of Chun-ti.


ct<br />

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ISTEM<br />

212(tionG<br />

Arcade Pool can now be added to the list of<br />

Team 17 budget successes.<br />

The game may have very nice graphics, but<br />

ol<br />

it's in the playability department where it<br />

excels.<br />

There are so many different game styles<br />

o<br />

Highly original it might not be, but fans of<br />

wthe previous games and platform lovers will<br />

be absolutely besotted with the third instalment.<br />

For sheer enjoyment and lastability,<br />

you'd have to go far to find a better platform<br />

lBenefactor<br />

is the best thing Psygnosis has<br />

released in a long time. It feels like a montage<br />

of Flashback and Psygnosis' very own<br />

genocidal pets, the Lemmings. Both the<br />

graphics and sound have been implemented<br />

very well The variety of both location and<br />

I do like this game and the weirdest bit is,<br />

I've never been a fan of shootem-ups! They<br />

usually bore me to bits, but Banshee has that<br />

elusive quality that drags you in. Each level<br />

demands new challenges which a<br />

,<br />

e g e n -<br />

Casting aside all previous platform games,<br />

Quik is really a perfectly funky little game.<br />

Admittedly, my first reaction to a platform<br />

game about rabbits wa5 not printable in a<br />

family publication, but I was won over by the<br />

Welty<br />

Arcade Pool<br />

James Pond 3<br />

Benefactor<br />

Banshee<br />

that you'd be hard pressed to become bored<br />

with this piece,<br />

For just under a tenner it is an amazing<br />

bargain, especially when you consider that it<br />

has actually been in development longer than<br />

most full-price games.<br />

game than Millennium's tasty third fishy<br />

adventure. If you're yearning for some fast,<br />

frenetic platform jumping fun, then I suggest<br />

you splash your cash on James Pond 3, You<br />

will not regret it!<br />

puzzle aspect of Benefactor make it an<br />

engrossing challenge.<br />

Benefactor is the type of title that will<br />

keep the most dextrous platform freaks and<br />

puzzle lovers alike twiddling well into the<br />

wee hours.<br />

Qick The Thunder Rabbit<br />

King's Quest 6<br />

Adventure fans will be delighted tnat Sierra<br />

have finally decided to release the<br />

sixth adventure in the King's Quest series<br />

onto the <strong>Amiga</strong>. As far as adventure<br />

games go, they don't get much better than<br />

this.<br />

Out of touch with the<br />

latest <strong>Amiga</strong> games<br />

scene? These elite<br />

selections from the last<br />

few months should put you<br />

back on the right track<br />

uinely tough, and the learning curve is just<br />

right. This is an intense and extremely satisfying<br />

game that should tempt any games fan<br />

with an ounce of adrenaline in their veins.<br />

The Harvey Keitel of shoot-'em-ups.<br />

sheer professionalism of it all. It's probably<br />

more suited to younger players, due to it's<br />

simplicity and cuddly approach, but despite<br />

every aspect of it screaming "cliche" it comes<br />

across as a very fun game,<br />

With it's brilliant graphics, a fairytale of a<br />

plot, superb playability and a level of addiction<br />

that will keep you coming back for<br />

more and more, King's Quest 6 is an<br />

adventuer that should have a place in everyone's<br />

games collection,<br />

The 5core5<br />

on the donr5<br />

System has a different sawing system thou<br />

of our competitors, so bettre yet Nog=<br />

mill the mag, glance at the words Mow t<br />

• fled let exactly how it worts.<br />

I'm sure many of you are now familiar with our new<br />

scoring system, but for those reading <strong>Amiga</strong><br />

<strong>Computing</strong> for the first time and those who might<br />

have forgotten exactly how it works. here is our<br />

guide to the System scoring, err system.<br />

In our opinion, review scores have lost their context<br />

as a percentage; some products receiving scores<br />

which were only a few percentage short of being the<br />

"perfect" game, when in truth they were only<br />

marginally above average.<br />

Ott, so the scores might seem unnaturally low at<br />

first, but that's only because other scoring systems<br />

tend to be on the high side and perhaps not as comprehensive<br />

or honest as they could be.<br />

In the long run you'll receive a more concise and<br />

reader-orientated review that's geared towards the<br />

consumer.<br />

0-20 This is given to the lowest of the low<br />

31.40 Just below the average, perhaps<br />

let down by a few indiscretions.<br />

41•55 Games of this score are roughly average<br />

with SO being a perfectly average sc<br />

56-66 This is an above average game<br />

and is worth buying. For this reason<br />

it would be awarded the BRONZE<br />

award.<br />

Definitely<br />

ost the definitive<br />

of its T h i s type of game<br />

would t h e GOLD award.<br />

90-100 The<br />

21-30 An all-round poor game that<br />

may have a single saving grace<br />

67-77 A game of high quality that<br />

you as a reviewer would have no<br />

reservation in recommending.<br />

Anything of this ilk would be<br />

aided the SILVER award.<br />

in 7, • le.<br />

)04 %No<br />

(101.,D<br />

%m 44R I)<br />

malt title


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Hsu<br />

beat the<br />

"<br />

The first art id a two art lets salmi to<br />

11<br />

Sierra's with ma 'cal tal ale adventure.<br />

T<br />

Paul Maher guides ou through the trials mid<br />

trindatioos of trying to become ling.<br />

he start of your adventure and the first<br />

thing you have to do is pick up a ring. Your<br />

next job will be to move the plank After<br />

you have moved the plank you will see a<br />

ril<br />

box, open it up and pick up the coin. Now,<br />

walk to the crossroads and from there walk right up to<br />

the castle.<br />

At the castle you will meet a guard. Talk to him and<br />

show him the ring. You will now meet with Vizier.<br />

After this you will have to walk to the village and<br />

In the swamp and things are starting to get voty spooky<br />

indeed Nothing to go on as yet, but you'll be back here later.<br />

The sta rt of Prince<br />

Alexander's quest to<br />

become King and fi nd<br />

his lost love, and you<br />

can he lp via this<br />

wonderful guide<br />

3 enter the book shop. When<br />

you are in the shop talk to<br />

the shop owner to get the<br />

ferry references_<br />

Collect the boring<br />

book and then go to<br />

the love poem shelf<br />

and read a love<br />

poem. A page should<br />

fall to the ground<br />

and you can pick it<br />

up. Before leaving the shop, click on the spell<br />

book on the counter. Upon leaving the shop<br />

walk north to the village, look at the beauty in<br />

the garden and then go west. Ignore the boy who<br />

is swimming and go to the ferryman Knock on the<br />

Pick up one of the ice berg lettuces because it'll come<br />

in very handy for later on in the adventure<br />

At exclamation point you bump into a bookworm who<br />

has /ost his dangling participle Ouch, sound, painful!<br />

ingls<br />

ferryman's door to talk to the ferryman then go on<br />

the ferry. Keep talking to the ferryman until he<br />

repeats himself.<br />

When he does this take the rabbits foot and exit<br />

the ferry. Now walk back to the village and go to the<br />

Alexander wanders around the catacombs<br />

looking for the beast. That g i n the wall<br />

looks as though he's already met him Gulpi<br />

book shop. Walk inside and talk to Jolla the down.<br />

Show the ring to Jollo and then leave the shop.<br />

Make your next stop at the pawn shop and pick up<br />

a mint. Talk to the shop keeper who will produce a<br />

map. Show the ring to the pawn shop owner and<br />

trade it for the map. Observe the next animation and<br />

then show your coin to the pawn shop owner. After<br />

showing your coin to the pawn shop owner, take the<br />

nightingale and leave.<br />

MAGIC MAP<br />

Once outside leave the village and return to see<br />

another animation. You will now find a bin. Get<br />

some invisible ink from the bin, then go to the beach.<br />

Use the magic map and from it select the <strong>Is</strong>le of the


T1,<br />

k up<br />

ice a<br />

and<br />

and<br />

kfter<br />

! the<br />

see<br />

Get<br />

.ach.<br />

the<br />

Use your windup<br />

nightingale on the red/<br />

nightingale arid you<br />

will fi nd that the bird<br />

wail take love poems to<br />

Quest 6<br />

your Princess<br />

Sacred Mountain<br />

On the mountain pick up a flower and a feather,<br />

then using the magic map once more select the <strong>Is</strong>le<br />

of Wonder.<br />

On the <strong>Is</strong>le of Wonder you will meet up with a<br />

number of gnomes. You must use the flower on the<br />

smell gnome, the wind-up nightingale on the sound<br />

gnome, the mint on the taste gnome, the rabbits<br />

foot on the touch gnome and use the invisible ink on<br />

Prince Alexander in front of the see gnome.<br />

Next you should get the sentence from the water.<br />

You will meet an oyster, whereby read the boring<br />

book to the oyster and when it opens its mouth take<br />

the pearl,<br />

When you have done this head east to exclamation<br />

point. When you reach exclamation point try to<br />

take a pile of books and you will be asked to get a<br />

dangling particle for the exchange of the books.<br />

Walk back to the beach, then north through the<br />

swamp to the garden and pick up an iceburg lettuce,<br />

before heading back to the beach. Use the magic<br />

map again and go to the <strong>Is</strong>le of Beast.<br />

Once on the <strong>Is</strong>le of Beast walk north to the boiling<br />

pond. Use the iceburg lettuce to cool the pond<br />

where there should be a hunters lamp in a tree -<br />

collect it. Next you should head north ignoring the<br />

gardener on the way and you should find a brick -<br />

take it and walk back to the beach. This is where you<br />

meet the dangling particle.<br />

Talk to the dangling particle and read it the sentence.<br />

Now use the map to go back to the <strong>Is</strong>le of<br />

Wonder. When you land on the beach walk to exclamation<br />

point again. Try to take some books and<br />

when the bookworm appears use the dangling particle<br />

on it in exchange for a rare book. Open the rare<br />

book in the inventory.<br />

Click on the dangling thread to distract the spider<br />

and while the spider is distracted get the scrap of<br />

paper. When this is completed walk back to the<br />

beach and use the map to get back to the <strong>Is</strong>le of<br />

Crown.<br />

From the beach, head for the crossroads, When<br />

you find a nightingale use the wind-up nightingale<br />

to befriend it. When you have done that, walk into<br />

the village and read the proclamation.<br />

Then enter the pawn shop. Use the wind-up<br />

nightingale on the shopkeeper and then select a<br />

flute from the counter. Exchange the pearl to get<br />

the ring back and then exit,<br />

Go into the book shop and talk to Jolla Swap the<br />

rare book with the shopkeeper for the spell book.<br />

Open the spell book in the inventory for the ingredients,<br />

exit the shop and walk to the crossroads.<br />

INVENTORY<br />

Use the ring on the nightingale and then pick up<br />

the ribbon. Click on the ribbon in the inventory to<br />

get a hair strand and then walk to the beach. Use<br />

the magic map to go to the <strong>Is</strong>le of Wonder. Once on<br />

the beach, go to the garden.<br />

In the garden there is a teacup on the chair. Take<br />

it and also pick up the rotten tomato. There<br />

is a hole in a wall. Look at the hole and then click on<br />

it_ Use the flute to make the wallflowers dance.<br />

While the flowers dance, click on the hole-in-thewall.<br />

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on the swamp.<br />

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on the log. Walk to the beach and use the map to<br />

go back to the <strong>Is</strong>le of the Crown<br />

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let you in, so change direction and<br />

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Millennium's new cutesy platform star must<br />

save the dinosaurs by collecting Ow spotty<br />

eggs, remembering to deposit Owm in his<br />

superb Pinkie pod for sa fe ty<br />

FLASHBACK<br />

There have been so many platformers similar to<br />

Pinkie that I could possibly list them all.<br />

Titles like Zool 2 and Bubba 'n' Stix stand out in<br />

the mind because they've only just come and gone,<br />

but if I had to compare Pinkie to anything. I would<br />

have to delve into Millennium's back catalogue. The<br />

NNW 1114<br />

Zool, Chuck Rock, Bub & Bob, and James Pond have<br />

appeared on the <strong>Amiga</strong>, but where are today's stars'?<br />

Zoo! has gone back to the Nth DiMenSiOn, Chuck has rocked oft Bub & Bob are somewhere<br />

over the rainbow and James Pond has flipped out!<br />

0 n The the lack past of some decent of characters the workt's is best slightly game worrying, characters but like I think a solution to rectify this<br />

problem has been found. Millennium, a company already successful with the James Pond series<br />

of adventures, have invented a brand new platform character and Pinkie is his name.<br />

With his home base set on the Planet Purpie, Pinkie is small in stature, owns a big heart, a<br />

bouncy walk, a huge appetite and perhaps the cheesiest grin you've ever seen in your life.<br />

The actual game is a blend of hot and frenzied platform action, plus a good healthy dose of<br />

ponies have been chucked in there for good measure. Millennium are hoping that Pinkie will<br />

do the business for them and hopefully become as big as his platform contemporaries.<br />

Pinkie<br />

Yet another cutesy platformer<br />

l<br />

different<br />

but<br />

than<br />

i<br />

the<br />

s<br />

rest? Jonathan Maddock is tickled pink as<br />

t h i s<br />

ohe enters n the e surreal egg-collecting world of Millennium's<br />

a<br />

latest platform offering<br />

l i t t l e<br />

b i t<br />

GRAPHICS<br />

On his quest Pinkie must try to collect as many<br />

flowers as possible while a voiding his enemies<br />

James Pond series of games have delighted garners<br />

the world over with their brilliant mix of platform<br />

action and teasing set of puzzles. The best out of the<br />

series was, undoubtedly the last one Millennium<br />

released.<br />

James Pond 3 had better quality graphics than its<br />

predecessors and overall was a much more rounded<br />

and complete game, mainly due to its unmatched<br />

levels of gameplay and addiction<br />

INTRODUCTION<br />

The visuals in Millennium's platformer are<br />

superb and Pinkie really does look like a cartoon.<br />

This is partly down to the traditional<br />

animation pastel colour palette which really<br />

brings all the game characters to life<br />

Not surprisingly, Millennium have got plans<br />

to take their pink star from the monitor<br />

screen and place him on the TV screen in his<br />

own animated cartoon.<br />

The main character jumps and prances<br />

around the screen<br />

and is very well<br />

animated, pluc<br />

there are so many<br />

nice animated<br />

touches that it's<br />

obvious a lot of<br />

time and trouble<br />

has been spent on creating Pinkie.<br />

a 4 . 1 1 . 1 1 1<br />

The backgrounds differ from level to level<br />

and range from snowy wastes to alien worlds<br />

(complete with pulsating backdrops). The<br />

graphics arPso good that Pinkie literally looks<br />

like a breath of fresh air in the otherwise dull<br />

and stale world of platformers.<br />

A<br />

15%<br />


IN<br />

• Lidi4LLLL<br />

1k as<br />

<strong>Is</strong><br />

er are<br />

a caitional<br />

really<br />

t plans<br />

anitor<br />

, in his<br />

rances<br />

:o level<br />

worlds<br />

sl The<br />

ly looks<br />

,<br />

'<br />

s<br />

e<br />

d<br />

u<br />

l<br />

l<br />

STONYUNIE<br />

Pinkie makes plenty of happy jaunts to other planets in the<br />

solar system with the intent of exploring and meeting other<br />

beings. Pinkie's first mission in this, his debut game, is to<br />

save the alien dinosaurs from extinction<br />

This is done by collecting the eggs and keeping them safe<br />

in his Pinkie pod. The eggs are yellow with blue spots and<br />

are extremely fragile. When the eggs hatch a fully formed<br />

CII•O<br />

S.<br />

3.<br />

C .<br />

C<br />

rCIO<br />

2<br />

Ia.<br />

La<br />

n<br />

111<br />

r<br />

•<br />

MB<br />

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2211<br />

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OPINION<br />

Pinkie is a cracking little platform* It looks beautifu<br />

with its pastel coloured graphics, it has a nice and<br />

cheesy poptastic soundtrack and even the gameplay<br />

differs from its competitors as it's heavily puzzlebased_<br />

The animation of the characters, including the<br />

baby dinosaur pops out. The eggs have been placed, unfortunately<br />

for Pinkie, in the most precarious of places<br />

throughout the galaxy.<br />

If the hero of the game drop5 an egg it is likely to shatter.<br />

Once this happens, the baby dinosaur immediately extends<br />

its legs out until they reach the floor and then runs away.<br />

These highly mobile eggs cause Pinkie all manner of problems.<br />

If Pinkie does manage to collect all the eggs and save<br />

the dinosaur race, he will be handsomely rewarded by the<br />

King of the Pinkies.<br />

Pinkie's p o d has m ore<br />

gadgets than th e<br />

Satenobile and ta n b i-<br />

used to reach parts of<br />

the game that iholue<br />

wouldn't normaOly by<br />

able t o nPacht<br />

Plopprng o f f his pod. Pin kie<br />

hnds o n e o f the h ig h ly<br />

important d in o sa u rs eggs<br />

hero, is very accomplished and well presented<br />

The end-of-level guardians are especially worth<br />

checking out, due to the sheer gargantuan size of<br />

them_<br />

Pinkie, as a concept, isn't anything different and<br />

doesn't contain any new surprises, but as a game on<br />

its own works remarkably well. I don't think I've seen<br />

a platformer cuter than this one and I imagine Pinkie,<br />

GOLD<br />

AWARD<br />

+511gTra<br />

Mil PI Licio s o<br />

tnict-<br />

SOUND<br />

The music in Pinkie is pure<br />

unadulterated pop and so it<br />

should be. The games score will<br />

go down in the history books as<br />

just another cheesy platform<br />

tune, but Millennium have taken<br />

the concept of game music a step<br />

further,<br />

The Cambridge-based company<br />

approached Station 2 Station, a<br />

music marketing company<br />

responsible for getting Mr Blobby<br />

to number two in the charts last<br />

Christmas and for working with<br />

top pop stars like Right Said Fred,<br />

to see whether licensing Pinkie to<br />

music would be a good idea.<br />

The brief was not to produce a<br />

single from the game music,<br />

instead Millennium asked Station<br />

2 Station to produce an original<br />

interpretation of a game "score'.<br />

Station 2 Station finished up<br />

with a 30-track single entitled<br />

"Play•lt" and it features the vocal<br />

talents of Kelly Smith AKA Little<br />

Sister. CO32 owners will have the<br />

pleasure of having all 30 mixes of<br />

the same single and you, as the<br />

listener, will be able to make up<br />

your own favourite mix.<br />

Al200 owners will just have to<br />

buy the single on its own when it<br />

hits the charts!<br />

The sound effects, before I forget,<br />

are just standard noises and<br />

aren't worth shouting about, but<br />

they do the job adequately<br />

enough.<br />

80%<br />

as a character, w1;1 be a huge success. The game is<br />

obviously going to appeal to the 11-16 age group,<br />

mainly because that's exactly who the game was<br />

designed for. Older garners might want to take a<br />

look, but may prefer something with a little more<br />

substance.<br />

Pinkie is a harmless little platformer that won't<br />

hurt anybody.<br />

MOW 1184


102<br />

INTRODUCTION'<br />

n the past, many companies have<br />

attempted to create involving and<br />

stylish graphic adventures, with<br />

varying degrees of success. These days it takes something a little<br />

bit special to make heads turn. but Derby-based Core Design<br />

have an impressive track record with games such as Chuck Rock<br />

and Heimdall proving especially successful.<br />

Core are confident that Universe will make a major impact on an<br />

already crowded marketplace.<br />

Innovative graphic and sound systems have been developed, but the<br />

game aims to be more than just a pretty face. There are also a couple of<br />

arcade sequences, despite the fact that in the past otherwise excellent<br />

games like Operation Stealth have been spoiled by over-tricky arcade<br />

sections.<br />

However, the emphasis has clearly been on creating a challenging and<br />

atmospheric adventure that can be easily controlled via an uncomplicated<br />

system of user-friendly icons.<br />

Situlur 1114<br />

STORYLINE<br />

Boris is just a normal kid living in a typical suburban neighbourhood.<br />

His dad probably works for a merchant banking firm in<br />

the town centre, and his mum does part time work at a local<br />

estate agents.<br />

Boris has a sister called Jenny, who is about five years<br />

younger than him and likes Neighbours, Just Seventeen and<br />

Take That,<br />

Boris is quite keen on computing, and he's just<br />

invested in a brand spanking new 35-bit Excellence Engine<br />

which knocks the socks off his best mate's 986PC XDAT VHS<br />

thingy.<br />

One winter's day, Boris is happily tinkering away in his bed•<br />

room when his mother, concerned that her beloved son is<br />

devoting too much time to an expensive piece of silicon and<br />

plastic, decides to send him on an errand - taking some mail to<br />

his Uncle George's house.<br />

Boris grudgingly toddles his way through the centre of<br />

Ashby-de-la-Zouch on his despite the recent snowfall,<br />

dodging Christmas shoppers wherever possible and colliding<br />

with them wherever not.<br />

Along the way he ponders some fundamental questions of<br />

life, such as "What's in the envelope?", "Why does dropped<br />

toast always land buttered side down?' and "Who created<br />

Eamon Holmes?' Eventually, having answered two of these<br />

questions, he reaches Uncle George's house.<br />

Uncle George is slightly wacky and eccentric, and among all<br />

manner of junk in his house, Boris finds a bizarre machine.<br />

Foolishly, he begins messing and promptly gets zapped into<br />

another dimension.<br />

Some might say it serves him right, but regardless of whether<br />

it does or not it is your task to return Boris to his home, Having<br />

the opportunity to save the universe along the way is really an<br />

added bonus,<br />

Much was expected of this<br />

graphical adventure from the<br />

creators of Curse of<br />

Enchantia. nave Cusick finds<br />

out if it lives up to its billing<br />

•<br />

A spinning asteroid<br />

passes silently by<br />

before shooting<br />

off into the eternal<br />

night, 'teeing you<br />

gaping at the<br />

outstanding<br />

graphics<br />

Hrtel._ Silas of 1 ; 4 1 0<br />

a whole town on what looks like a<br />

hug ast<br />

,<br />

-<br />

Universe<br />

in the beginning there was Boris, and he stood all<br />

alone on an asteroid in a strange dirnerwoon<br />

k<br />

fr. fr.<br />

,<br />

( I O U )D ' 4<br />

AWARD<br />

I


GRAPHICS<br />

tt's hard not to be impressed by the beautiful moody backdrops which were<br />

lovingly crafted by top-quality artists and then scanned into the computer.<br />

There is some very effective use of colour and in places the scenery is<br />

nothing short of spectacular. Take a look at the screenshots and you'll<br />

appreciate just how stunning the effect can be.<br />

Core says that Universe features a revolutionary new graphics system<br />

which allows up to 256 colours on screen, even on an A500. The desire to<br />

see new locations in all their graphical splendour is probably one of the reasons<br />

that Universe holds the attention so well.<br />

Our hero Boris has quite a range of moves available to him, and the animation<br />

throughout is extremely lifelike and smooth He shrinks as he moves<br />

further away from the front of the screen, but lases little detail in doing so.<br />

The intelligently designed Icon panel means Universe<br />

<strong>Is</strong> easy to get into but strangely addictive<br />

FLASHBACK<br />

The game which really started<br />

the trend for point-and-click<br />

adventures was the ageing<br />

Monkey <strong>Is</strong>land, but to be honest<br />

I reckon Universe has a<br />

more effective control system<br />

and is streets ahead in terms<br />

of presentation.<br />

Monkey <strong>Is</strong>land 2 was a<br />

great game but some of the<br />

puzzles could be a little<br />

strange and the game was<br />

supplied on a huge number of<br />

disks which meant plenty of<br />

swapping.<br />

A fairer comparison might<br />

be Beneath A Steel Sky, a far<br />

more recent release with a<br />

similar science-fiction setting.<br />

In this you play Robert Foster,<br />

who finds himself in Union<br />

City. You must discover why<br />

you are there and what you<br />

must do now that you are.<br />

It features a unique Virtual<br />

Theatre system developed by<br />

programmers Revolution<br />

Software, meaning that other<br />

people in the game go about<br />

their day-to-day business normally,<br />

so there is a feeling that<br />

you are part of a real living<br />

world.<br />

rt locks like the nain console for the<br />

I'm a 3eniusl<br />

Blimey you can't leave a car anywhere these days without<br />

a band of hootigans appearing on the scene<br />

mo.I ma, 4 •••,<br />

4•4 ,knnied rem<br />

This luxurious<br />

kitchen prove s to<br />

be something 00 a<br />

deathtrap unless<br />

you can make a<br />

quick escape<br />

*<br />

W<br />

W<br />

-<br />

A pe rple xe d e ons gazes<br />

longingly up at the tight<br />

spitting from an out<br />

, reach window<br />

of•<br />

Hang on a minute . wa sn't he<br />

in "The Never Ending Story"?<br />

M/4 : e . i I I ; 1 a<br />

wouldn't mind a ve hicle<br />

like tha t one, e xce pt tha t<br />

the insurance premiums<br />

could be worryingly high<br />

i<br />

t<br />

1<br />

DelottrillS4 ' 101 _.<br />

_.,


(<br />

A space hermit reveals all via the<br />

simple conversation system<br />

0<br />

4<br />

X<br />

OPINION<br />

years •so we were travellins<br />

aboard a space liner, when we hit an<br />

asteroid storrt, and we had to eject to<br />

1<br />

-<br />

.<br />

t<br />

i<br />

c<br />

a<br />

p<br />

e<br />

E<br />

e<br />

l<br />

k<br />

i<br />

Welcome to<br />

l<br />

Wheetworld.<br />

l<br />

which appears to<br />

be to Universe<br />

e<br />

what Mos Fisk"<br />

d<br />

was to Sta r Wars<br />

A<br />

n<br />

d<br />

w<br />

e<br />

h<br />

a<br />

v<br />

e<br />

b<br />

e<br />

e<br />

n<br />

vv.M.<br />

V P 1 ..<br />

t426-<br />

85<br />

11<br />

A golde n oldie<br />

springs<br />

making a<br />

pleasant<br />

change from<br />

point-anddirk<br />

frolics<br />

Without doubt, Universe is one of the games of the year so far. It has class in copious<br />

amounts and is presented outstandingly well.<br />

The combined icon /• and text control system is intuitive and friendly, making this<br />

a simple game to get to grips with and allowing for maximum user enjoyment.<br />

While it would appear that Universe is smaller than, for instance, Beneath a<br />

Steel Sky, with regards to the number of disks, there is certainly plenty of depth<br />

and challenge.<br />

Some of the puzzles encountered are completely mystifying, until suddenly the<br />

solution dawns on you and you wonder why on earth you didn't realise what to<br />

do a little earlier on.<br />

As with all good adventure games, there will probably be times when you turn<br />

the computer off in frustration, only to return later when inspiration strikes,<br />

Our universe is thought to be somewhere between 10 and 20 billion years old. At<br />

present the most distant detected galaxies are thought to be around 10 billion<br />

light years away, but scientists believe that the universe is expanding constantly.<br />

The speed at which galaxies are moving away from us is thought to be<br />

between 30 and 60 miles per second for every million parsecs between them and<br />

the earth.<br />

Apparently though, Boris is no longer in our universe - he's in an anti-universe<br />

called Paralela_ Because of this, although Boris does indeed have to save the universe,<br />

there is a spark of originality in that it's not actually our universe he's<br />

saving.<br />

From the brief extracts from the Encyclopaedia Paralela supplied with the<br />

game. Paralela is very different from our universe, All of this suggests that either<br />

Uncle George was one of the greatest scientists who ever lived, or that he was a<br />

crazed fool meddling with forces far beyond his control.<br />

is this WheefworOct or.,<br />

seedier part of Stockport on<br />

a Saturday night?<br />

SOUND<br />

INHI<br />

In its early stages, Universe boasts<br />

the sort of ambient in-game soundtrack<br />

that the Orb would be proud<br />

of. The effect of this is to conjure up<br />

a marvellous all-pervasive atmo<br />

sphere of supreme calmness and<br />

cosmic loneliness, enhancing the<br />

gaming experience no end,<br />

The title theme is suitably 'moos<br />

ing and sets the scene quite nicely<br />

It has a familiar-sounding air about<br />

it without sounding predictable or<br />

unoriginal.<br />

In fact, throughout the game the<br />

music is of a very high standard. If<br />

you do find yourself reaching for<br />

the volume control, it will most<br />

likely be to turn it up.<br />

Core says that during play the<br />

music adapts to the mood of the<br />

game in a manner similar only to<br />

the LucasArts IMuse system, making<br />

it something of a novelty on the<br />

<strong>Amiga</strong>.<br />

There aren't really many sound<br />

effects, but they're not missed due<br />

to the presence of such a feast of<br />

sonic delight<br />

Ors<br />

whereupon you will play the game for hours until you next become badly stuck.<br />

The difficulty level makes success all the more satisfying.<br />

The smattering of humour which is liberally sprinkled throughout the game<br />

adds considerably to the experience_ While Universe is not a comedy adventure in<br />

the mould of Leisure Suit Larry or even the Monkey <strong>Is</strong>land games, it is good to see<br />

that it does not take itself too seriously.<br />

Also, adventure purists will be happy that the occasional arcade sections are<br />

surprisingly well implemented. Another nice touch is that in a bar on Wheelworld,<br />

the arcade machines feature extremely good versions of timeless classics.<br />

It is a shame that Universe is not hard drive installable since this would have<br />

made playing it an even more pleasurable experience, but to be fair the designers<br />

have tried to eliminate disk swapping wherever possible and loading times are<br />

kept to a bare minimum,<br />

Universe is the type of adventure game that will be enjoyed by even those normally<br />

disinterested in the genre, and must be highly recommended,


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INTRODUCTION<br />

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) "W i n g all my reviewer's cynicism to one side though, I<br />

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The Education of Henry Adams<br />

ADDITIONAL INFO<br />

rhe story of Kid Chaos relies on<br />

the futuristic image that man<br />

will be able to travel backwards<br />

and forwards in time (i.e. scientists<br />

from the 21s<br />

-back<br />

to the stone age to kidnap<br />

t Kid Chaos).<br />

century Many theories have been<br />

tpushed r a forward v e on the subject,<br />

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making it a topic rich in<br />

opportunity to stretch the<br />

imagination.<br />

With many explorations into<br />

space having been made, things<br />

that didn't even seem vague<br />

possibilities are now reality.<br />

Those born at the turn of the<br />

century would have merely<br />

laughed at the thought of sending<br />

one man and his dog into<br />

space, but then in 1957 toe first<br />

dog was sent orbiting around<br />

the Earth to determine the<br />

effect of weightlessness on<br />

animals.<br />

And only a few years later we<br />

witnessed the first man landing<br />

on the moon. So, what may<br />

seem bizarre or impossible to us<br />

now may well become a distinct<br />

possibility in the future_<br />

In the meantime though, people<br />

can only speculate, and<br />

images of time travel can still<br />

conjure the imagination without<br />

the restrictions of reality.<br />

Tina Hackett follows<br />

the travels of one<br />

prehistoric space kid<br />

courtesy of Ocean's<br />

new platformer<br />

l Chaos. Kid<br />

C._<br />

It probably makes a pleasant change but I'm actually<br />

stuck for words. The graphics really are breathtaking and<br />

Its hard to sum them up well enough to do them justice.<br />

Layers upon layers of parallax scrolling have been used<br />

to create a terrific sense of realism and depth, and<br />

updates at the most terrific rate to keep up with the<br />

action<br />

Consoles can disappear up their own cartridge holes<br />

because as far as I'm concerned this looks as good,<br />

if not better, than some supposedly superior console<br />

platformers<br />

There are many different settings, from Secret Gardens<br />

to Toxic Wastelands, and each one looks superb, picking<br />

up on a bright, cartoon like feel.<br />

85%<br />

Smash as<br />

much of<br />

the<br />

stenery as<br />

possible<br />

Pig•headed Kid Chaos fi nds his way<br />

around the foal( Wasteland<br />

Mindless violence towards bennms -<br />

makes a refreshing shangi


STORYLINE<br />

Hmm, a bit dodgy this one but<br />

here goes. Kid Chaos, a cave-kid,<br />

was kidnapped by evil scientists<br />

from the future and transported<br />

back to the 21st Century,<br />

They experimented on him<br />

and forced him to wear modern<br />

clothes - this being the most<br />

contrived excuse for his dubious<br />

choice in clothing I've ever<br />

heard.<br />

The kid, having somewhat of<br />

an aversion to being experimented<br />

on and having to wear<br />

blue slacks, decides to escape.<br />

However, the exits are<br />

blocked by force fields but the<br />

kid overhears the scientists talk-<br />

ing - in true blockbuster movie<br />

fashion - and hurrah, by smashing<br />

enough scenery this breaks<br />

the sources of the force field<br />

and unblocks the exits.<br />

He escapes and now it's your<br />

job to guide him home_<br />

d Chaos bakhes the computers to<br />

poems - I know the feeling<br />

,<br />

CPI<br />

tz<br />

- E<br />

ii<br />

U.<br />

V.<br />

F.<br />

-<br />

a<br />

-<br />

Alt kmds of obstacles<br />

block the way. Conveyer<br />

belts make manoeuvring<br />

diffi cult<br />

FLASHBACK<br />

Take your pick really. There are<br />

enough platformers to look back<br />

on and compare. Well. I'll start<br />

with Zool, the game which sets<br />

the standards tor other <strong>Amiga</strong><br />

platiomers to follow.<br />

It's a hard act to match but<br />

Kid Chaos does come pretty<br />

close, although Zool plays a little<br />

faster than Kid Chaos and looks<br />

slightly prettier as well.<br />

Unlike most olatformers<br />

though. Kid Chaos is not cute. In<br />

fact this is where it derives a<br />

great deal of its appeal. Instead<br />

of rescuing sweet fluffy bunnies<br />

you actually get to beat them<br />

out of the way with a club.<br />

And instead of having to play<br />

an annoyingly cute sprite you<br />

get to play a Billy Idol look-a-like<br />

with an attitude for smashing<br />

the place up with a baseball bat.<br />

The amount of de far t makes for a<br />

visually superb game<br />

Yet again brilliant. The fast dance track works well with the style of the<br />

game and it even becomes realistically muffled when the character disappears<br />

under water,<br />

Sound effects such as when Kid Chaos smashes the scenery works well<br />

and gives a great feeling of a real smash-'em-up fest!<br />

-•••-•<br />

1ZYS<br />

.<br />

TqMs<br />

t<br />

112<br />

11<br />

/11<br />

An enctof-leval shoot-'etn-up against the clock<br />

• 17%<br />

Platformers have acquired somewhat of a<br />

reputation of late for unoriginality and<br />

it's great to see a game that really does<br />

break the mould.<br />

Kid Chaos thankfully lacks any cutesy<br />

a<br />

n The idca behind them is a sort of •<br />

' . d shoot-'em-up scenario and armed with a<br />

f tgun<br />

you have to clear the screen of vari-<br />

ahous<br />

objects. On one level you even get to<br />

c e<br />

blast cute teddy bears. See, no sympathy<br />

t<br />

for small, furry creatures and it's great! .<br />

e<br />

The gameplay, although following the<br />

on<br />

basic principles of platformers, adds a<br />

r c<br />

novel twist in destroying the scenery and<br />

s l cute animals.<br />

. i Although it may not be politically cor-<br />

I frect,<br />

it means you get to keep your lunch<br />

t -down<br />

rather than these sickeningly sweet<br />

' lofferings<br />

we get these days.<br />

s I eAnd<br />

just because it's a platformer<br />

f'.<br />

vdoesn't<br />

mean life is going to be easy. Far<br />

a<br />

from it in fact. It'll take some tricky joy-'<br />

e<br />

b<br />

stick manoeuvring in some places, which<br />

l<br />

may prove irritating for some but this is<br />

ug<br />

also an advantage in that the game will<br />

l a<br />

last and last, making it well worth the i<br />

om<br />

asking price_<br />

ui'lla._<br />

e -4111611111111t-, A l i<br />

s s<br />

t -<br />

o w<br />

War Itit<br />

po


football games<br />

released this<br />

Summer to tie in with the Wo • . we<br />

0<br />

all looked forward to some i mitt.<br />

new<br />

ith<br />

games.<br />

the many<br />

but so far there's not been<br />

one that's really astounding.<br />

So with US Gold releasing this offering, the<br />

official World Cup license, it's bound to be good.<br />

Or is it?<br />

SONO<br />

Yes, it does have some and at first it<br />

sounds quite convincing but after a<br />

while it does start to sound rather a<br />

like being in a train toilet while<br />

whining through a tunnel. Sorry, but<br />

that is the most apt description I can<br />

use to describe it.<br />

It does change slightly when you<br />

take a shot at goal but somehow it<br />

just doesn't seem to create much<br />

atmosphere.<br />

GRAPHICS<br />

swit.5. ze 0.04<br />

r<br />

VYorld lCup<br />

o<br />

What a sorry sight this is Well, first off, we have these enormous<br />

green borders around the screen, reducing the actual<br />

game to almost half the screen. Why this has happened is anyone's<br />

guess, but it looks dreadful and makes it very distracting.<br />

And then we have the actual sprite size which give the<br />

impression of "Oh, we couldn't quite make our minds up<br />

whether we wanted small or large sprites, so we've opted for<br />

some that aren't really either.' They're too small to show any<br />

animation and too big to play as well as the tiny Sensible Soccer<br />

sprite.<br />

Animated sequences have been used to show the referee and<br />

the crowd cheering after a goal, but they don't look particularly<br />

effective and slow the proceedings down to a snairs pace.<br />

, 108 id.. INN<br />

Tina 'striker' Hackett takes a peek<br />

at the latest footy game to hit the<br />

shelves courtesy of US Gold.<br />

32<br />

1<br />

li<br />

o<br />

Nice, fi ddly team<br />

selection. Customne the<br />

Note the ridiculous<br />

green borders. They<br />

are actually much<br />

worse on screen!<br />

29%<br />

game to include teams<br />

that didn't qualify.<br />

Co<br />

A. R4rnati.i<br />

Brazil<br />

Russia<br />

17arnp,econ<br />

The animations.. such as the crowd.<br />

slow the whole thing down<br />

mSprite graphics look terrible and seem 'bitty'<br />

b


FLASHBACK<br />

Many football games are available now to choose from and this<br />

lust isn't worth forking out your cash for.<br />

It does have a good range of options but these are available in<br />

other games anyway, One different option is to change the 'Glue<br />

factor' - how close the ball stays to your feet when tackling -<br />

..vhich works well.<br />

The others though, such as Game speed, weather, and the feature<br />

to customise the World Cup match, have all been included in<br />

other games which are a darn sight more playable than this<br />

tedious effort.<br />

Save your money for Goal or Sensible Soccer. They may be old<br />

but they certainly show these new games a thing or two. Or if<br />

you really do want a new footy game then I'd still wait...the computer<br />

footy games season ain't over yet!<br />

Penalty practice - and the goalie has passed<br />

out with the a trocious gra phics!<br />

As if all this wasn't bad enough, the game is full of bugs. it crashes and is glitchy<br />

- the graphics flicker terribly when two players cross over. The whole thing looks<br />

rushed Out in time for the World Cup.<br />

There was some hope with all the options available but this was let down by<br />

the most ridiculous option screens I've ever seen. They've insisted on using the<br />

official dog mascot at every opportunity - just in case we should forget that this<br />

is the official merchandise_ This all leads to total confusion as you try to differentiate<br />

between one dog picture and another.<br />

Incidentally, once you've changed all the variables to suit your game style they<br />

don't make that Much of a difference anyway. There's even the option to change<br />

Throw-ins are<br />

quit. awkward<br />

+EYZI'<br />

Mot<br />

SIMULATION<br />

To get the idea of how World<br />

Cup USA really plays, simply<br />

imagine standing in a train toilet<br />

while going through a tunnel<br />

(for the sound effects), squinting<br />

to see only half the action and<br />

playing with a Space Hopper<br />

rather than a ball. That will be<br />

pretty close.<br />

Seriously, it doesn't get much<br />

better than this and it is about<br />

as far away from the real thing<br />

as you can get.<br />

Set-pieces are taken using a<br />

method of setting an arc of dots<br />

to direct the ball in the required<br />

direction. Unfortunately this<br />

isn't very effective and is fiddly<br />

to do.<br />

Goalkeepers are too easy to<br />

beat and the player simply takes<br />

his shot and stands there.<br />

There's no following it through<br />

in case there's a rebound which<br />

he could redirect into the goal -<br />

incredibly irritating.<br />

A one or two button joystick<br />

can be used and even though<br />

the moves should be quite simple<br />

to carry Out, the controls feel<br />

unresponsive and clumsy.<br />

The useiess Strip Editor, more<br />

tun tha n the actual game<br />

82%<br />

the colour of the teams socks. <strong>Is</strong> this meant to be serious? Does anyone really care<br />

what colour socks they have?<br />

I mean anyone with a modicum of common sense would surely have realised<br />

and said, "Hey, why don't we concentrate on things that really matter, like<br />

gameplay?"<br />

This is what counts after all. Somehow you don't feel in control of the game<br />

and there are no impressive moves to carry out.<br />

Most of all, the game is incredibly boring! Even the most appalling football<br />

games manage to conjure some excitement especially in two-player mode. But<br />

not so in this case. You find yourself wishing for the final whistle and the game<br />

does nothing to evoke the competitive spirit.<br />

This really is the spit in the referees whistle - avoid - unless of course you<br />

really are a glutton for punishment.<br />

Wily I I /


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Again it is in keeping with the platformer style using lively,<br />

jaunty tunes which fit in with the pace.<br />

Sound effects are in abundance and are of a very high<br />

standard. In fact there seems to be a different sound for<br />

every action. From enemies sneezing at you to rippling<br />

water, they all sound realistic and work well. Background<br />

sounds have even been thought out, like birds tweeting.<br />

At first I thought the character's sampled phrases (such as<br />

"Wait here<br />

- they a simply n d reinforce what is happening in the game.<br />

' C o<br />

m e<br />

o n<br />

" )<br />

w o<br />

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g<br />

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b<br />

INTRODUCTION<br />

70%<br />

Find pots around<br />

the leves to reach<br />

tugher platforms<br />

• • ,<br />

Bubble!<br />

OPINION<br />

STORYLINE<br />

Now this is a weird one!<br />

Apparently a character called<br />

Squeak just happens to drop<br />

through a Black Hole and asks<br />

you (Bubble) to become hero of<br />

the universe.<br />

The land of Grool, Squeak's<br />

home, is under a reign of terror<br />

of the evil Kat of Nine Tails who<br />

has enslaved all the Grooleans<br />

arid stolen their tails.<br />

Squeak managed to escape<br />

and now needs your help to free<br />

the Grooleans.<br />

Gone are the days when<br />

Bubble and Squeak was<br />

merely the dreaded choice<br />

on the School dinner menu<br />

sbecause now it's a tasty<br />

new platformer from<br />

Audingenic. Tina Hackett<br />

investigates what's cookinl<br />

The underwater<br />

efforts look and<br />

sound brilliant<br />

vv<br />

i /0 into the trap of being dull and not very challenging<br />

.'<br />

s o itsalwaysnicetoplaythosethatinvolvea good<br />

I<br />

puzzle element too.<br />

t<br />

Bubble and Squeak does take a fair bit of working out and it's<br />

not a game you can just whiz through.<br />

i<br />

The puzzles require you to work out how to get the two characters around the<br />

levels by using the objects<br />

s<br />

and character's abilities - for example, jumping onto<br />

Squeak's back to reach q higher levels or operating the lifts wdh the switches located<br />

on different platforms. u<br />

This works extremely i well and leaves us with a very enjoyable and addictive<br />

game.<br />

t<br />

It may actually be e a little too cute for some but this doesn't mean it is an easy<br />

game. Ignore the misleading c cutesy factors and it is a taxing but very playable title.<br />

The password system o is a more than welcome feature (although fiddly to operate)<br />

because In some places, if you make a small mistake like falling off a platform, there<br />

m<br />

seems to be no way out other than starting from scratch again.<br />

m<br />

o<br />

n<br />

f<br />

1


ane'<br />

tiled<br />

hop<br />

asks<br />

•<br />

o<br />

o.ak's<br />

f!rror<br />

who<br />

!ans<br />

ape<br />

free<br />

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cc<br />

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fall<br />

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it's<br />

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nto<br />

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tive<br />

2asy<br />

le.<br />

ate)<br />

iere<br />

Send him in a spin to fl y otter gaps<br />

and Squeak5t0rotts<br />

are bre wing and the<br />

liSIntening spectacular but our<br />

fearless hero still &awes on, even<br />

against deadly Rattlesnakes,<br />

Poblisher: Audisoeme<br />

Developer<br />

licks: 2<br />

Price: 125.99<br />

1enre: Reformer<br />

Centrel system: 'Weill<br />

howls: A500/1601/11200/940OO<br />

Recommend: GROO duds<br />

Although it looks nothing new and is the usual platformer type thing with cute sprites and bright,<br />

cheerful graphics, it does work exceptionally well and is of a very high standard.<br />

The backdrops are detailed, the levels set out well and the special effects such as the lightning and<br />

the character becoming darker underwater look brilliant.<br />

On the bonus level, you take charge of an underwater submarine and this is where the graphics<br />

really do excel. Using psychedelic, kaleidoscopic patterns to convey the rippling water, the scenery<br />

becomes part of the puzzle as you make your way through seaweed and foreground and background<br />

obstacles.<br />

The characters have been nicely animated and add some humorous touches. For example, if Bubble<br />

is left standing he will yawn or Squeak will tap his feet.<br />

75%<br />

Rubble Gum<br />

machines give<br />

Squeak spe cia l<br />

powers<br />

The game has many objectives which keep things very interesting. There are frve<br />

worlds on the planet Grool and each one has at least five different levels. You also<br />

get to progress onto shoot-'em-up levels and bonus games.<br />

On some levels the water will rise and cut off some of the lower levels. If either<br />

characters become submerged they will lose a life. This keeps things frantic and the<br />

pace exciting.<br />

Gumball machines also play a big part believe it or not, and buying the Bubble<br />

Gum for Bubble results in giving him special powers to fly or move as fast, or jump<br />

as high as Squeak.<br />

Plenty of attention to detail has been paid, especially in creating themed settings<br />

and imaginative sprites, such as the Stardust Caverns with it's Red Crawlers and<br />

Baseball Ducks who will hit any fire you hit back at them.<br />

This <strong>Is</strong> a very polished game, with a great deal of attention paid to every aspect,<br />

providing varied gameplay and detailed graphics. The game has been very nicely put<br />

together and although it is another platformer, it is of a high quality and has<br />

enough puzzles in it to keep it challenging. a<br />

RVS' ;1 _ 1 : :<br />

W<br />

-<br />

GRAPHICS<br />

FLASHBACK<br />

There are many games in this puzzler/platformer genre but perhaps the closest<br />

to Bubble and Squeak is Core Design's Bubba 'N' Stix which involves a similar<br />

sort of gameplay.<br />

In this case you have to use a stick character to get around the levels,<br />

whereas now it is an alien. Both have an exceptionally high standard of<br />

graphics and have many, logical puzzles to solve.<br />

This is more than just another platformer and has many more aspects to<br />

the gameplay than usual.<br />

acinktr 1114


iolence sells. Don't take<br />

my word for it, take a look<br />

at the facts. Street Fighter<br />

2, Mortal Kombat and<br />

Body Blows have all been<br />

amazing successes across<br />

their own various formats.<br />

The majority of these beat-'em-ups<br />

are jam-packed full of nothing more<br />

than 'cartoon" violence. I mean have<br />

you ever been in or seen a brawl where<br />

Qom<br />

system g<br />

This is a trim stars. NMI Axe, Wows !nisi& id Um<br />

martial arts mid, is about to bum big news.<br />

Matta' Maddock Imo pLi 1 takes a Ma at<br />

114 M isr 1111<br />

forthcoming but -<br />

1<br />

10 -op<br />

adrava<br />

llalla.<br />

one of the fighters has leapt 20ft in the<br />

air and fired lighting out of the tips of his<br />

fingers?<br />

No, of course you haven't because,<br />

and here's a thing, computer games<br />

aren't real! That's not to say that there<br />

isn't a person out there who has spent<br />

twenty years training in martial arts,<br />

almost as much time studying ancient<br />

Chinese legend and is now ready to<br />

become the portal for the ancient and<br />

The finishe d<br />

drawings of the<br />

enernoes that will<br />

appear in Master<br />

Axe: rhe Genesis<br />

of itlysterit<br />

banished five guardians of the earth.<br />

Sounds weird, but it's totally true. Neil<br />

Axe is his name and he's about to star in<br />

his very own beat-'ern-up entitled<br />

MysterX - but his story goes much deeper<br />

than that.<br />

Born in the year of the snake in Bucks,<br />

Neil Axe (real name) was first taught<br />

karate by his father at the age of five He<br />

spent seven years learning karate-based<br />

self defence, before using the next couple<br />

of years to widen his skills in two<br />

other forms of karate. Wado Ryu and<br />

Shotokan.<br />

After dabbling in boxing, Akido<br />

and Judo, Neil moved to New<br />

Zealand where a five year<br />

gap in his martial arts<br />

training was<br />

mainly with bouncing<br />

work in night-clubs.<br />

On Neil's return<br />

to Britain, more<br />

study in several martial<br />

arts resulted in<br />

Neil's rise to the top of<br />

his chosen profession<br />

and eventually became<br />

known as Master Axe - but<br />

his story doesn't stop there.<br />

Oriental legend has it that there are<br />

five guardians of the earth: Quazar,<br />

Stone, Storm, Aqua and Fire, All were<br />

banished from this plane 9000 years ago<br />

by man, who felt that he no longer<br />

needed their advke,<br />

Since then, chaos has ruled the earth<br />

and without the guardians it seems set to<br />

continue. The guardians need to find a<br />

human host through which to project<br />

themselves into this world once more, but<br />

the host is a rare being and must possess<br />

a number of special skills.<br />

The skills required are those of the<br />

fabled Manimal Warriors: Bull, Dragon,<br />

Crane, Leopard, Mantis, Monkey.<br />

Phoenix, Snake and Tiger. It will take<br />

many years to select the host, as a test is<br />

required for the chosen one<br />

In 11988 Neil Axe led a team of four<br />

men (Roger. Michael, Julian and Mr Axe<br />

himself) across the United States, sparring<br />

in various towns and cycling around 4000<br />

miles from New York to San Diego,<br />

This, as Neil believes, was the<br />

test The guardians had<br />

appeared to Neil in<br />

dreams before the<br />

trip, but it wasn't<br />

until he finished<br />

his cycling guest<br />

(which incidentally<br />

raised funds<br />

for the Great<br />

Ormond Street<br />

-lospital) that he<br />

inally realised it.<br />

Look I know it<br />

sounds far out, but Neil<br />

states very clearly that the five<br />

guardians wish to make their voices heard<br />

through him and that he is the chosen<br />

one<br />

Ridicule the story if you wish, but by all<br />

accounts Mr Axe is not one of those people<br />

that you'd want to mess with, but I<br />

swear that the above story is true.<br />

The full official and impressive title of<br />

Millennium's bea•'em-up is Master Axe<br />

The Genesis of MysterX, but it isn't a<br />

straightforward out and out beat-'ern-up,<br />

Chris Elliot, the head honcho behind<br />

the creation of the game, explains just<br />

how MysterX will work.<br />

The beat-'em-up will be split<br />

into four distinct parts: The<br />

Academy, Coast to Coast<br />

Trial by Combat and Spirit<br />

Struggle. Each part will test<br />

the player on a slightly<br />

different level, as well as<br />

portraying varying types<br />

of atmosphere"<br />

The Academy<br />

part is essentially<br />

a trainer level to<br />

enable the player<br />

to get friendly with<br />

the controls and practice<br />

all the moves needed to complete<br />

the quest. Spirit Struggle is a


)re, but<br />

possess<br />

of the<br />

lragon.<br />

Dnkey.<br />

II take<br />

II test 3<br />

)f four<br />

vir Axe<br />

pairing<br />

d 4000<br />

vas the<br />

ts had<br />

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- Axe:<br />

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y<br />

plemy<br />

etially<br />

el to<br />

s<br />

layer<br />

with<br />

prac-<br />

is a<br />

The preliminary sketches for Master Axe's opponents include a cop who Neil. Roger,<br />

Michael and Julian ran into while cycling across the United States of America<br />

two-player section, whereby the competitors<br />

control the dark and light (dark<br />

representing evil, light representing<br />

good) side of one of the four characters<br />

on the spooky spirit plane.<br />

Trial by Combat is another two-player<br />

level and is a tournament mode based on<br />

Neil and his cornrade's adventures in<br />

places like Las Vegas, Los Angeles and<br />

Maui,<br />

SPRITES<br />

Coast by Coast, which was destined at<br />

one time to become the first game in a<br />

MysterX series, is a one-player game featuring<br />

the previously mentioned cycle<br />

trek across the USA.<br />

As well as Neil, Roger, Michael and<br />

Julian, one of which you'll be able to<br />

control, there are to be eight computer<br />

opponents who pop up during various<br />

stages.<br />

The game is only in it's beginning<br />

stages and has a predicted release date<br />

of November - therefore only the Neil<br />

Axe sprites and a handful of backgrounds<br />

are fully complete - but already<br />

it's looking rather good.<br />

Neil himself is more than pleased with<br />

Neil Axe in front of the<br />

ster<br />

the backgrounds. -<br />

I've looking at just about every other beats'em-up<br />

p ethere n t is," says Master Axe 'and all<br />

mright. oI'm nbiased. t h<br />

s<br />

"I don't like special moves and I think<br />

that from a martial arts viewpoint, which<br />

n o<br />

some of them try to emulate, the move-<br />

w<br />

ment is ridiculous. Apart from that<br />

though, there is a tendency to treat the<br />

backgrounds as an afterthought. 'A pier<br />

somewhere', 'a city street anywhere', that<br />

kind of thing_ What Chris and Millennium<br />

have done though is just superb.<br />

- The A500/600 versions of Mys<br />

be -released<br />

first, with the enhanced<br />

Al200 terX and wCO32 i l versions l following soon<br />

after. The A5001600 version may have<br />

slightly less moves than it's more powerful<br />

counterparts.<br />

MysterX is going to be that little bit<br />

different from the norm. It's not a license,<br />

it's based on a real story and a real<br />

person.<br />

Neil Axe will be punching and kicking<br />

his way on to the <strong>Amiga</strong> very soon and<br />

with plans for his own Hollywood movie<br />

and countless merchandising deals, the<br />

computer game is only the tip of the<br />

iceberg<br />

O At the this Neil stage sprite has been completed amd<br />

, in it tmoves h o exactly like Master Axe<br />

d o v o i n p<br />

m o n t ,<br />

0<br />

o<br />

l<br />

In look<br />

n<br />

the at training how much centre detail and has Just been have. put<br />

y<br />

into Me background<br />

spectacutat view of<br />

Mount Rushmore<br />

N$><br />

O The Neil 5 prlfr whose realistic<br />

fit otittng manoeuvres have been<br />

brought to the small screen<br />

O The just back one of streets the amaamg of New York,<br />

backgrounds in MysterX<br />

5


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El know about or have seen almost<br />

every single <strong>Amiga</strong> game.<br />

Although I know at least one<br />

game a month will shine like a twinkling<br />

star, I also know that the others<br />

won't make the grade. Only a few<br />

games now genuinely excite me,<br />

Theme Park is one product I'm<br />

eagerly looking forward to, the same<br />

goes for Oceans IFX and Inferno, but<br />

there is one piece of software I saw a<br />

year ago which excited me more than<br />

anything I have seen in a long time.<br />

Dreamweb, developed by Creative<br />

Reality and published by Empire, is now<br />

only a month away from release and<br />

about to make Reservoir Dogs look like<br />

Play School.<br />

It's an overhead view role-play<br />

adventure game and on its menu is bad<br />

language for starters, violence as the<br />

1111r tour years in the making and it comet complete<br />

with sex, bad language and violence. Jonathan<br />

Maddock desperatey searches tor something to get<br />

those" E i t nearly clean, hot really clean_<br />

18<br />

ktilte<br />

Cal) non<br />

main course with a small side order of sex<br />

for good measure, A banquet fit for a<br />

Kingl<br />

Before some of you start writing to<br />

Points of View about the state of violent<br />

games and todaYs disaffected youth,<br />

system g<br />

Reality bites!<br />

Creative Reality was formed about four years ago and consists of just two people -<br />

Neil Dodwell (odes while Dave Dew produces all the graphics. The duo have worked<br />

on almost every machine and completed about 15 products between them_<br />

Before Dreamweb, Neil and Dave created the wonderful Myth for System 3. The<br />

two were also responsible for several older Spectrum games including Nemesis the<br />

Warlock and Slaine from 2000AD, plus they've done various conversions onto the<br />

consoles.<br />

Both developers have never had any formal training and never had a 'proper"<br />

, The two work well as a team and their best work is always something that the<br />

ve collaborated on.<br />

• The Dreamweb concept was first conceived sometime in 1989. Creative Reality,<br />

, e so many developers, got bored with linear platform games and then got the<br />

ea to do a role-play adventure. The name 'Dreamweb' was what first started the<br />

: ole project because Creative Reality thought that it was a powerful film-like<br />

_ me.<br />

The game has been through many ideas and story lines and it's taken just over<br />

._ .<br />

Ryan, on a visit<br />

to Louis, his<br />

dodgy druggy<br />

friend, gets<br />

himself mugged<br />

for his trainers<br />

The start of<br />

Ryan's<br />

adventure and<br />

time for him to<br />

too/ up and go<br />

and kill his<br />

first victim<br />

Dreamweb has an adult theme and thus<br />

is going to be aimed at the same audience<br />

who have seen films like Blade<br />

Runner and Akira.<br />

Empire are even going to give the<br />

game a voluntary 19 certificate, so<br />

angered parents need not worry - not<br />

that they should anyway because their<br />

kids need only watch the News at Ten to<br />

get their daily dose of violence.<br />

The Dreamweb is an endless dwelling<br />

of thought. Its core is occupied by seven<br />

In Dream web<br />

there is an<br />

element of<br />

surprise and<br />

Ryan, by not<br />

looking over his<br />

shoulder has,<br />

unfortunately,<br />

lust been blown<br />

away. Game<br />

over, man<br />

Dream<br />

four years to complete. This in computer game terms is a hell of a long time, but<br />

Empire have let the lads have complete freedom to do what they want and firmly<br />

believe that Dreamweb is worth waiting for.<br />

In the future, Creative Reality are hoping to do more games using the<br />

Dreamweb adventure engine. The duo are planning to use CD technology more<br />

and more as it is ideally suited to games like Dreamweb.


not<br />

.heir<br />

•n to<br />

Bing<br />

?wen<br />

rer<br />

gas,<br />

bely,<br />

btown<br />

te<br />

but<br />

mly<br />

the<br />

ore<br />

controlling powers who influence the<br />

trt oug ht and actions of their hosts on<br />

Earth, The Dreamweb is watched over by<br />

tie keepers. When any of the seven people<br />

on Earth die, their controlling power<br />

tbes too.<br />

A new power emerges which may be<br />

good or evil. The overall feeling of the<br />

D<br />

, dreams on Earth. If the Dreamweb tends<br />

Ttowards<br />

evil, dreams become night-<br />

a<br />

mares.<br />

The evil hosts come into conflict with<br />

m<br />

w<br />

the good hosts and a battle for status<br />

ensues for centuries, The battle swayed<br />

e<br />

both sides, but evil has finally destroyed<br />

b<br />

all the good hosts and it now controls all<br />

ithe<br />

dreams. The keepers decided that it<br />

s was time to appoint a person on Earth to<br />

ract<br />

for them and restore the balance.<br />

e<br />

fHOSTS<br />

l You play Ryan, the only person close<br />

eenough<br />

to all seven hosts to destroy<br />

c'sem<br />

before they reach entropy. When<br />

t<br />

Ryan kills a host their soul is consumed<br />

into his body, sending the hero of the<br />

e<br />

adventure into the Drearnweb.<br />

d<br />

Only when all seven hosts are dead<br />

i<br />

will the Dreamweb's balance be finally<br />

n restored. This concludes Dreamweb's<br />

pmind-expanding<br />

epic storyline!<br />

e The game revolves around intricate<br />

oobject<br />

manipulation and Creative Reality<br />

pare<br />

proud of the fact that every object<br />

lcan<br />

be examined in minute detail.<br />

eObjects<br />

can hold many other smaller<br />

'objects<br />

which can also be used (i.e.<br />

s<br />

cigarette packet hold cigarettes and so<br />

on).<br />

The objects can be picked up and<br />

dropped anywhere in the game, unlike<br />

web<br />

most adventures which don't let you<br />

drop them. The game keeps track of all<br />

The guardians of the Dreamweb<br />

summon Ryan to assassina<br />

te t h e<br />

seven evtt beings to try and restore<br />

the balance between good and bad<br />

this manipulation using complex data<br />

structures.<br />

Dreamweb is a graphically huge<br />

adventure and as with the programming,<br />

it was all done by one person. There are<br />

over 4000 frames of animation alone,<br />

each frame hand-drawn by Dave Dew.<br />

The graphics are heavily stylised and give<br />

more than a nod and a wink to the visuals<br />

seen in Ridley Scott's Blade Runner.<br />

Dave didn't use any clever techniques<br />

such as digitising - everything was drawn<br />

with his own fair hand. Most of the<br />

graphics were produced using Creative<br />

Reality's own adventure editor, but some<br />

of the larger sprites and backgrounds<br />

were created on Deluxe Paint.<br />

rve seen a 99% complete version of<br />

Dreamweb and all Creative Reality need<br />

to do is add the ever-changing atmospheric<br />

soundtrack, but I can't really fail<br />

to be impressed_<br />

I know this is a preview and not a<br />

review, but Empire have got a winner on<br />

their hands and I will have the wonderful<br />

pleasure of reviewing it for you next<br />

month. Just dreamy!<br />

Creative<br />

Reality<br />

consist of<br />

lust two.<br />

Neil<br />

codes, w<br />

hiI<br />

Dave Dew<br />

handles the<br />

graphics for<br />

Empire's<br />

imminent<br />

adventure<br />

Outside of Sparky's bar and there is a babbling drunk standing<br />

in the rain. Go inside to gain some froportant information<br />

First assassinetion of the day and you have to shoot a rock star<br />

while he's indulging himself in a bit of hot sex_ What a vvay to got<br />

Another evil target has been hunted down and the is<br />

about to be put to rest with a bullet in the head<br />

Imor<br />

,


1111 •tte itt 1114<br />

10_0_10<br />

system g<br />

MomI dm pits if hdl, %Romanian MAIM erns<br />

some horwi out of the top of his INC ralis his Mild<br />

sod takes a 1111 it Gromho's forthcoming 1:1132-sep<br />

calm utrawspiiii<br />

ot•<br />

Mutt ha, found one of tiro doors othorh le a d to one of the ga me r 50 or to pure . rooms<br />

The begirtrung of the<br />

game. A guarcharp on the<br />

bridge has been added,<br />

but graplucaify not much<br />

has changed from the<br />

first initiai sketch<br />

vet the last few years the term<br />

"interactive cartoon" has<br />

slowly translated into "unplayable<br />

game.<br />

fault of the - Tdevelopers h i s who have been<br />

putting itoo s much emphasis on the<br />

graphics t and h sound e and forgetting<br />

about what really counts, the<br />

playability.<br />

The first interactive cartoons on the<br />

<strong>Amiga</strong> were the Dragon's Lair and<br />

Space Ace series of games. Technically,<br />

these software products were outstanding<br />

and caused many garners' jaws to<br />

drop.<br />

The down side, due to massive<br />

amounts of data involved, was that the<br />

games came on far too many disks<br />

which meant you were sentenced to a<br />

life in swapping hell.<br />

The Sullivan Bluth Studios, famous<br />

for motion pictures such as Freddy<br />

F.R.0.7, All Dogs Go To Heaven and<br />

more recently Thumbelina, handled all<br />

Litif Theft had,<br />

unfortunately, found<br />

one of the many traps<br />

in the game and r don't<br />

think he looks too<br />

happy about it either<br />

0 0<br />

the animation and did a really good job<br />

with the products, but they were<br />

all sadly lacking in the playability<br />

department.<br />

3.5" disks are now becoming slowly<br />

defunct and it looks like the computer<br />

industry is quickly moving towards the<br />

CD format. The CD is able to hold huge<br />

amounts of data and some machines<br />

like the CD32 even have built-in FMV<br />

(Full Motion Video) modules, enabling<br />

the user to watch current movies on<br />

CD.<br />

This means games like Space Ace will<br />

now become more commonplace and<br />

with the data storage problem sorted,<br />

prominence can now be, at last, put on<br />

gameplay.<br />

The Irish division of Gremlin Graphics<br />

have been working on a game to fully<br />

test the CD32's capabilities in the interactive<br />

cartoon department. Its called<br />

Litil Divil and has taken four years to<br />

complete. Litil Divirs story begins in the


There are several items on sale in the shop and all of them are needed<br />

to complete the game. Collect the gold and they will be yours<br />

derworld and this is where the sands<br />

trickle eternally through the<br />

Nt t e same as yesterday and will<br />

ur undoubtedly be the same as the day<br />

gafter<br />

l Time crawls along and only once is<br />

athe<br />

monotony broken. This occurs<br />

s once a year by a meeting of the<br />

Grand Council in the Chamber of the<br />

s<br />

Ancients.<br />

o<br />

This occasion is where Mutt, the hero<br />

f<br />

i<br />

n<br />

f<br />

i<br />

n<br />

i<br />

t<br />

y<br />

.<br />

T<br />

h<br />

u<br />

s<br />

of Litil Divil, currently resides. The<br />

t Council must decide who will be chosen<br />

oto<br />

go forward into the Overworld,<br />

mthrough<br />

the labyrinth of Chaos, and<br />

obring<br />

back the Mystic Pizza of Plenty.<br />

r Every year, one of the Divils is selected,<br />

r but as yet none have ever returned<br />

ofrom<br />

their quests.<br />

Each Distil in turn must reach into the<br />

w<br />

sacred pot and pull out a straw. The<br />

i<br />

one with the shortest must go and find<br />

s<br />

the pizza. When it comes to Mutt's<br />

turn, he surprisingly gets stuck with the<br />

short straw,<br />

After much celebrating from the<br />

other Divils and congratulations<br />

received from the Grand Councillor,<br />

Mutt is shoved towards the entrance to<br />

the Labyrinth.<br />

Despite the terrible inscriptions outside,<br />

Mutt makes a start on his treacherous<br />

journey - this is where you take<br />

control of Litil Distil,<br />

There are two distinct styles of game<br />

contained within Gremlin's arcade<br />

adventure. The first and main one is a<br />

3D maze which Mutt must explore,<br />

looking for doors which lead to the second<br />

style of game.<br />

Through theses door are puzzles<br />

or quest rooms and these must be<br />

successfully negotiated before<br />

Mutt is able to progress further into the<br />

maze,<br />

The puzzles range from dealing with<br />

huge spiders to playing a fishy game of<br />

•<br />

"Simon says" with a wicked mermaid<br />

Some of the puzzles are relatively<br />

straightforward, while some will have<br />

you racking your brains - but nothing<br />

that you won't be able to finally get<br />

past.<br />

The 3D maze is littered with traps of<br />

all shapes and sizes. Each one, if<br />

sprung, takes some health-force away<br />

from Mutt. To restore this rapidly<br />

decreasing energy bar, Mutt can pick<br />

up loads of food which can be found<br />

dotted around the levels.<br />

The most outstanding features of<br />

Litil Distil are the graphics. Apart from<br />

Microcosm, Gremlins adventure is the<br />

best-looking game yet to appear on the<br />

CD32. The sprites and characters look<br />

set to rival anything that Sullivan Bluth<br />

have done or Disney themselves for<br />

that matter.<br />

The backgrounds are exquisite and<br />

even though they are highly detailed.<br />

they don't detract anything away from<br />

the character sprites. The animation is<br />

top-notch stuff and it's no wonder that<br />

Gremlin Ireland have taken so long<br />

over Litil Distil,<br />

Animation isn't the quickest thing<br />

to do in the world and the creators<br />

have taken care of every little<br />

detail, including drawing every<br />

single wall in the 3D maze individ•<br />

ually.<br />

Although the graphics are<br />

undoubtedly the game's best feature,<br />

Litil Distil does have a whole host of<br />

others, like the fact that it<br />

is riddled with<br />

humour all<br />

the w a y<br />

through the<br />

adventure.<br />

The top quality gags look as<br />

though they've been nicked from an<br />

episode of Bugs Bunny, Mutt gets<br />

stabbed by spikes, falls down holes and<br />

fire shoots out of the floor and burns<br />

our hapless hero, but he still gives that<br />

shake of his cartoon head, jumps up<br />

and gets on with his perilous quest -<br />

that is until his life-force runs Out and<br />

one of the oilmelr rooms and Mutt must make his way<br />

across the swamp by hopping on the stepping stones<br />

: le<br />

you lose a life. The whole game is<br />

topped off with a full cinematic CD<br />

score, giving Lib! Distil just the right<br />

amount of atmosphere in all the right<br />

places. To go along with the various<br />

comedy moments, there is a full corn•<br />

pliment of -<br />

wacky sound effects.<br />

- As mentioned before, Litil Distil has<br />

cbeen a four r t oyears<br />

in the making and<br />

o<br />

from<br />

n<br />

what<br />

-<br />

I've seen it's going to be<br />

well worth waiting for, With it's gor-<br />

s t y l e<br />

geous graphics, superb soundtrack<br />

and the fact that it's playable, these<br />

make the perfect ingredients for a<br />

classic game.<br />

Gremlin's spectacular CD32 game<br />

looks like it will become the first<br />

product to actually be called an<br />

"interactive cartoon<br />

- this awill n entice d more software publish-<br />

h<br />

ers<br />

o<br />

to<br />

p<br />

use<br />

e f<br />

the<br />

u l<br />

CD32<br />

l<br />

to it's full<br />

ycapacity.


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Some older gamesplayers reading this might remember the first time Apidya raised its competing. Maybe that's just me<br />

shoot-'em-up head. It was heralded, at the time, as one of the best and most original being completely rubbish at<br />

horizontally-saolling blasters you could get for your <strong>Amiga</strong> s h o o t - ' e m - u o s i For just over a<br />

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Doc Martens and brought out a range of classic games including the shoot- plain too much because it will<br />

Gremlin's sequel to the classic 3D isometric adventure,<br />

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press and the general public. This CD32 version of the<br />

game isn't that much different from the original Hero , 4<br />

Quest 2 The only noticable change is a brand spanking<br />

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wander around the fabled land of Rhia.<br />

You can either use a mouse or the CD32 joypad for controlling<br />

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will take to complete<br />

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The 3D isometric graphics are spot on, the CD sound is a major improvement over the<br />

sonics heard in the computer version, plus it's still highly playable and incredibly<br />

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with it. Hero<br />

Publisher: Grarlia Q u e s t 2 will last you<br />

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'em-up benchmark, Project X. k e e p you entertained for quite a while.<br />

If Team 17 have the best <strong>Amiga</strong> blaster sitting in their stables, why have they T o sum up, Apidya has gorgeous graphics, nice sound, plenty of playability, a<br />

bought Blue-Byte's Apidya and put it on their budget label for a ridiculously cheap touch of addiction, but the difficu ty level is set just a tad too high. 67%<br />

price of E10.997 Er, I don't really know, but that's what Team 17 tend to do from time<br />

to time and with a fair amount of success.<br />

Apidya is a five level shoot-'em-tio with a distinct insect. You control a "bee<br />

M b a r . hal 11<br />

(which - ship looks more like a wasp, but there you go) and must hunt down an evil sorcerer<br />

M called Hexaa i who tortured n your epartner to near r death. l i s t s : 2<br />

MThe sprites and u background t graphics are t delicately crafted s and even in today's era<br />

of super high-quality products they look just beautiful. The game boasts the largest<br />

ever animated end-of-level guardians, some of which reach to full screens in height<br />

M e t nil<br />

hiilst Mt Ill<br />

and Unlike over two Team screens 17's Prolect-X, in length. Apidya features a really good Ssimultaneous two-player F h e n : SW' isig<br />

mode. The "other player controls a drone which is able to protect the bee, but its<br />

abilities are limited. This is not a bad shoot-'erri-up, but it's not brilliant and whoever<br />

D e m i sista: Uptick<br />

reviewed it when it first appeared on the <strong>Amiga</strong> scene was perhaps a little too enthu• t i p p u l t 15111/11111/M211<br />

siastic. The main problem appears to be that It's just too hard, even with two players M I N I M : MI


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1<br />

1<br />

TUTOR I AL<br />

Sample<br />

efore you even load up your<br />

sampling package to record<br />

your sounds for your musical<br />

masterpiece, you need Co know<br />

all about the law of sampling, otherwise you<br />

could find yourself in a lot of trouble<br />

Sampling has become a massive bone of<br />

contention throughout the music industry,<br />

and within the last few years it has become<br />

more and more popular due to professional<br />

sampling machines becoming more<br />

affordable.<br />

<strong>Is</strong> sampling a legitimate source of new<br />

sounds or is it quite simply out and Out<br />

theft? This particular argument will rage on<br />

until the opposing parties are blue in the<br />

face, but as far as the future goes, sampling<br />

is here to stay.<br />

When you create a piece of music, you<br />

Artist<br />

n Track<br />

1. The Prodigy Charly b<br />

2. Orbital Halcyon + On + On<br />

3. Credit to the Nation Cal It What You o Want<br />

4. The Orb Little Fluffy Clouds<br />

5. Utah Saints What Can U Do For Me<br />

6. The Orb Majestic (Mihail Mix)<br />

7, Senseless Things Homophobic Asshole<br />

S. Ned's Atomic Dustbin Suave and Suffocated<br />

9 Carter USIA Faling On A Bruise<br />

10. Public Enemy Hazy Shade of Criminal Cr<br />

The law of<br />

automatically have the copyright. but only if<br />

you write it down or record it. Even if<br />

someone else records your piece of music.<br />

you are still the author and thus have<br />

exclusive rights Co the piece.<br />

The important thing is proving that you<br />

Carrie up with the music first There are two<br />

things you can do which will satisfy any<br />

court of law You can either post a copy of<br />

the work to yourself by recorded delwery.<br />

So the postmark can act as proof of the<br />

date. The other option is to leave a copy<br />

with youm bank and get an official receipt<br />

stating me date of the deposit.<br />

RE(01105<br />

That's the law dealt with. but the art of<br />

sampling has raised many Pegal problems. If<br />

you want Co sample from a record, just how<br />

rIludh can you get away with? An<br />

infringement only occurs if a 'substantial<br />

part<br />

- sampled<br />

of The actual Copyright act doesn t state<br />

a exactly how much this is, but its as much<br />

pdie<br />

quality of the sample as the actual<br />

iquantity.<br />

A very short musical piece can still<br />

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Sample samples<br />

Creativity and imagination is the key when it comes to sampling something. That small vocal g snippet or musical stab<br />

h<br />

can either make or break a record. Here, in no particular order, is my top ten favourite sampling music moments.<br />

Sample in question<br />

The sample that flew up from the underground and spawned a rave generation<br />

The vocal oft "A Fine Day" by Opus 3 backwards!<br />

The beginning rift of Nirvana's 'Smells Like Teen Spirit" fused into rap record that virtually assured a chart hit<br />

Rickie Lee Jones babbling on about the sky and thus giving ambience to the masses<br />

The sampling of Annie Lennox. a master-stroke that turned the track into a massive chart smash<br />

Genius snippets from the cult TV comedy series, Monty Python's Flying Circus<br />

The girl screaming "you want it" from the film Helraiser, edited especialy for the radio<br />

Dennis Hopper's mad ranting and raving from Apocalypse Now<br />

Michael Caine's classic "Know what I mean" speech from the film Attie<br />

The words "Rebel Base" as uttered by Darth \fader, take on a whole new meaning<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

oldIME IMM— C<br />

constitute a substantial rot:, Its oisc,nalve<br />

enough. The lour copynghted notes of the<br />

Channel Four television theme tune is just<br />

one example out of many<br />

If you sample any part of any copyrighted<br />

work, no matter how small, you risk getting<br />

caught. You may believe that what you ve<br />

sampled is from a relatively obscure<br />

source, but there will always be someone<br />

Boot up your Sam-<br />

piing package,<br />

plug in your loads<br />

and let tho sounds<br />

play. Welcome to<br />

the exciting law.<br />

breaking world of<br />

,<br />

, Even if you distort the sample, so that it's<br />

ototally<br />

different from the original, there<br />

mmight<br />

be that certain somebody maybe<br />

eeven<br />

the original artist - who will know the<br />

wsound<br />

and sue you because you've<br />

hchanged<br />

It from its original form Your case<br />

eprobably<br />

wouldn't even make it to a court<br />

rof<br />

law, but you still could face a large<br />

e<br />

w<br />

h<br />

o<br />

m<br />

i<br />

t<br />

r<br />

e<br />

c<br />

o<br />

g<br />

n<br />

i<br />

s<br />

e<br />

i<br />

t<br />

.


'rampling<br />

it itS<br />

the<br />

:ase<br />

ijrt<br />

mit-of-court settlement. There are four safe<br />

options to slop you getting into trouble wth<br />

your samples. First, go through the proper<br />

channels and get your samples cleared.<br />

you've got a sample you're not sure about<br />

am can try to get it cleared by getting in<br />

contact with the Mechanical Copynght<br />

totection Society.<br />

Check with the MCPS whether you need a<br />

ence and how much it will cost If the<br />

.-,tilisher of the sample in question is not<br />

associated with the MCPS. Men you must get<br />

I' contact with the publisher youtsert and get<br />

request clearance. Payment for the use of a<br />

sample may be a lump sum or a royalty on<br />

each recording sold<br />

The second option is to create your own<br />

samples. This technique is now being used by<br />

a number Of artists and rt involves the creation<br />

of lake' samples by intentionally adding noise<br />

to your own sounds. Take a drum track for<br />

instance and add some background noise and<br />

'N.ry presto, you've created your own<br />

, ,iustve sound.<br />

THOUBLE<br />

A third alternative is that if you believe the<br />

-<br />

. u think you'll get in trouble for using it,<br />

amen<br />

simply don't use rtl I know it might totally<br />

maereck<br />

your original inspirational idea, but it's<br />

p at better than getting sued.<br />

l Dance band, the Utah Saints had to get<br />

e •<br />

y-4<br />

Kate Bush, and they say that had the<br />

om•gnat<br />

artists not liked the use of their<br />

u sarnples, i then they simply wouldn't have<br />

wreleased<br />

s the records<br />

as<br />

The fourth and final option is to get your<br />

nsamples<br />

i from a reputable specialist sample CO<br />

t company o like Time + Space or AMG. These<br />

tdiscs<br />

n provide a wealth of noises. beats and<br />

elleaS o t in many different musical styles for full<br />

uaad<br />

o part-time muecrans. ;Ind are beaming<br />

su<br />

,<br />

e s rThe<br />

convenience of the COs are heaven-<br />

iiffit<br />

e e and all the sounds are free to use as.<br />

s tern s a anti as much as you like They cost<br />

qaround<br />

a n E50 each which to the amateur<br />

um...icon<br />

d might sound ci lot Of Cash, but If<br />

ep<br />

- mrivaivable<br />

because you'll end up paying a<br />

soi<br />

l more o if you get caught sampling someone<br />

telse<br />

e r<br />

i s As e mentioned at the start, sampling is here<br />

o p.<br />

n*gaily<br />

f oa<br />

or morally, Out one thogs for sure.<br />

artists aA<br />

p.<br />

and musicians are using it more and<br />

bmach<br />

n ua<br />

more creatively than ever before.<br />

l n ly<br />

Sampling looks relatively easy. maybe<br />

e irriJ_•<br />

aw<br />

use it IS<br />

ae<br />

, rh<br />

out should know that will really improve the<br />

ntardarct<br />

Lteh<br />

eOf<br />

your samples Here 8 a brief. but<br />

daids/<br />

em<br />

t set of hints and ups for would-be<br />

nahr<br />

ne<br />

e<br />

ocr<br />

e<br />

xrpt<br />

a<br />

Now!<br />

HATE5<br />

The nasal/id<br />

Producer Series<br />

Osv• an /soar .a, ,<br />

maaar Ph<br />

, 11 I. ..da<br />

.<br />

ramigi Gaityve4<br />

C aUtut<br />

.<br />

Norma. CPA<br />

.<br />

Dawav avotionals<br />

I44111<br />

r-<br />

k.<br />

, Ro<br />

ot<br />

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o<br />

.<br />

,<br />

- - -<br />

PUBLIC IP<br />

ENE M 117<br />

samplers. The first tip might sound<br />

incredibly stupid to many of you, Out for<br />

the beginner always read the manual from<br />

cover to cover. It's an obvious point, but<br />

there are so many people who by not<br />

reading the manual miss an important<br />

'eature that they might benefit by.<br />

Try experimenting with sample rates.<br />

You don't always have to go for the<br />

highest quaky frequency, you can always<br />

get some many dirty effect by usski a much<br />

lower rate - plus it saves on a lot of disk<br />

space.<br />

The best sampling ram are between I Sk<br />

UP to 28k. because this tends to get nd of<br />

all the top and bass sounds and leaves you<br />

with a nice middle ' sound,<br />

Always, and I mean always, make sure<br />

that your loop points are joined at around<br />

the same point Failure to do the, normally<br />

leaves you with ,a click sound as the sound<br />

loops, making for messy and amateurish<br />

samples<br />

It ten be useful to Alt the sample loop<br />

•<br />

cr .<br />

points about especially where percussion IS<br />

concerned, because ma can sometimes<br />

provide you with a new feel in your beat<br />

Try using short samples rather than long.<br />

as this leaves you a lot more scope for<br />

experimentation, which of course is what<br />

sampling is all abota<br />

Don t tie too fidely when it comes to<br />

tuning the sample. Try and get friends<br />

to listen to the noise because it<br />

might not need much altering as different<br />

people's ears have different perceptiona of<br />

pitch.<br />

Don't spend too much time On any<br />

carve, apart from the ones that you re<br />

definitely going to use in your musical<br />

masterpleri•. because Ma just wastes<br />

unnecessary time.<br />

One cal the most important tips I can grve<br />

is to always make sure that you save your<br />

work at least every ten minutes. Crashes by<br />

your computer can cause So much hassle<br />

and stress that this tip should never be<br />

—<br />

110'<br />

When saving your work. make sure you<br />

ygoplace<br />

your samples ri an organised library<br />

tte<br />

n. <strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

TUTOR I AL<br />

Looking for that elusive<br />

sample that'll bring goo<br />

(hart SUEC2557<br />

Jonathan Maddock<br />

guide5 !mu around the<br />

5amoling laws and tells<br />

goo how to get better<br />

ualitq 5dITIO1P5.<br />

the nation<br />

where they can he easily and quickly found<br />

when you need them. This will save a lot of<br />

time in the long-run.<br />

The last thing I can really say is to always<br />

experiment with your samples. You never<br />

know, one quick reverse of a sample and a<br />

whole hit record could just be around the<br />

corner. Happy samplingt<br />

Useful<br />

Addresses<br />

Mechanical Copyright Protection<br />

Society Ltd<br />

Elgar House, 41 Streatham High<br />

Road, Streatham, London SWI 6 I ER<br />

Phone: 0811469 4400<br />

AMG<br />

PO Boa 67, Farnham, Surrey<br />

GU9 84R<br />

Phone: 0252 717333<br />

Time + Spa ce<br />

PO Boa 306, 8erkhamsted, Herts<br />

HP4 3EP<br />

Phone: 0442 870681<br />

131


NI<br />

Take your <strong>Amiga</strong> Multimedia System to Warp Speed<br />

with the WarpEngigW40 running a Motorola 68040<br />

at 80/40MHz fointr 30 MIPS of Workstation<br />

IV:mance!<br />

Dramatically Increase Speed for 3D Rendering, Modeling and Layout.<br />

Reduces Screen redraw times for Graphic Design and DTP.<br />

How Fast is the WarpEnginelm:<br />

Rendering the Texture example included<br />

with lightWave:<br />

Diskspeed using 2.1Gig Barracuda Drive:<br />

A4000/040-25MHz<br />

A4000Warp-40MIlz<br />

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Coming Soon:<br />

The ImpulsEnginew is a 50M1iz Accelerator<br />

that can more than double the speed of an<br />

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Local 030 Burst Memory•I'm<br />

The 40M1lz and :I3MHz versions include the 040 Processor, four SIMM sockets and the NCR SCSI-2 Fast I lardDrive Controller.<br />

It is more cost effective to install a WarpEngine 4028 Accelerator if you have an <strong>Amiga</strong> 4000/040 than to buy a HardDrive<br />

iniller/memory board or one of each which will take up expansion slots and won't accelerate your <strong>Amiga</strong> 1Ram speed is actually<br />

Cr). This will double your Rendering Speed(<br />

The WarpEnginem uses four standard 72 pin S1MMs and allows the use of up to four different size SIMMs at the same<br />

ime(4,8,16.32MB SIMMs). CAT only has two SIMM sockets onboard and uses much more expensive (up to 1.5 times as much as<br />

VarpEngine SIMMs) custom SIMM modules (only 4 or I6MB SIMMs can be used but not at the same time) which are only available<br />

rom CAT.<br />

The NCR SCSI-2 Fast 32Bit DMA Bus Master Processor makes it the Fastest HardDrive controller available for the <strong>Amiga</strong>! It<br />

rovides up to 10MBis Transfers with 90 to 98% of the 68040 CPU Processing Power left available in your applications. All<br />

tarpEngines include the SCSI-2 HardDrive controller and 128MB of Ram Expansion, unlike UP which SCSI module and optional<br />

Ram expansion module which are still not available<br />

, All WarpEngines are fully upgradable to 40MHz!<br />

L.<br />

Features<br />

28M1iz• 33MHz. 40MHz Versions<br />

28MItz Upgradable to 33 or 40MHz<br />

• ndable onboard to 128Megahytes<br />

It in SCSI-2 Fast Hard Disk Controller<br />

s Industry Standard <strong>Amiga</strong> SIMM Modules<br />

' ibination of SIMMs<br />

f. Memory from the <strong>Amiga</strong><br />

ster than <strong>Amiga</strong> Ram<br />

r Problems<br />

WarpEngine<br />

YES<br />

YES<br />

YES<br />

YES<br />

YES<br />

YES<br />

YES<br />

NO<br />

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Under a minute<br />

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CPU Available: 94%<br />

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--<br />

ira<br />

-<br />

Complete Acceleration Solutioils for the <strong>Amiga</strong> A4000 and A3000 Systems. The<br />

WarpEngine"" provides the Highest Speed 040 Acceleration 'available with up to 128<br />

Megabytes of Local 040 Burst Memory' and the Fastest HardDrive Controller<br />

Available! All of this WITHOUT using a single -Zorro 111 Slot!<br />

We have equipped half of our Toaster Systems with 40N1Ht WarpEngines<br />

and have seen our rendering times triple in throughput speed.<br />

Now we are going to install 40M11t WarpEngines in the rest of our<br />

Toaster Systems.<br />

Lee Wilson<br />

Visual Effect8 Supen•or<br />

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The Ideal Solution for angone dealing<br />

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Works in all 3000, and 4000W1111<br />

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ull Two Year Warranty on Board<br />

W;IrpEngine 4040<br />

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- Vision


134<br />

TUTORIAL<br />

he first two parts of mis senes<br />

looked at most of the <strong>Amiga</strong><br />

hardware and software you<br />

need to add titles and graphics to<br />

your videos and grab images from them<br />

But what about the video equipment itself<br />

- the cameras, VCRs, sound recording and<br />

other equipment you'll need for capturing an<br />

event and the additional <strong>Amiga</strong> add-ons<br />

you'll need to edit your raw source material.<br />

That's where we're headed this month.<br />

Obviously. youCe going to need a video<br />

camera so that you can record your own<br />

original matenal. The next time you walk<br />

down the main street in any major town, or<br />

you go to a shopping centre, take a look in<br />

some of the specialist electronsCS shops<br />

(Dixons. Currys. and the kkel<br />

You II see a number of video cameras on<br />

display, in a wide range of shapes. sizes and<br />

prices. all with labels pointing out their latest<br />

whizz-bang features.<br />

But what do you really need in a camera?<br />

<strong>Is</strong> fuzzy logic or builtin capoormng a<br />

necessity? In most cases I would think not<br />

but it isn't my place to tell you wnether a<br />

particular feature is necessary for your<br />

purposes. I'd rather let you know about<br />

those you'll actually need - everything else is<br />

icing on the cake.<br />

The first thing you should decide is what<br />

video format you want to use For many<br />

people this will mean choosing either VHS or<br />

WHS, though some people will prefer<br />

Video8 or Hi-El. Ultimately, which system you<br />

choose depends on several factors<br />

Your main concern will probably be image<br />

1 v k k K ) 8<br />

Itlx Handycam<br />

legto<br />

quaky II this is the case, then S-VHS or 148<br />

should be your choice as each offers visibly<br />

superior quality over their VHS or Video8<br />

counterparts and, as a consequence. S-VHS<br />

and Vocleo8 formats are more expensive.<br />

The type of genlock and digitiser you<br />

own or plan to own) also has a bearing on<br />

the cnoice of format, as genlocks or<br />

digitisers are capable of accepung the more<br />

sophisticated Y/C signals from SA/HS and<br />

Hi-8 machines.<br />

If you re planning on using your<br />

camcorder as an editing source, make sure I<br />

can be controlled externally via a ControiL<br />

port Oka tANC). because Ma is what your<br />

<strong>Amiga</strong> will interlace to Ina an appropriate<br />

editing package) to gain control over the<br />

camcorder s play and pause functions so<br />

that the appropnate video clips can be<br />

recalled as required.<br />

Efinal<br />

Try to get a camera with a reasonable<br />

zoorn lens, and macro too, so that you have<br />

more choice rn the shots you can take. It the<br />

zoom can also be operated manually so<br />

much the better, because the motors whKli<br />

drive the zoom can quickly drain a battery<br />

during frequent use<br />

Speaking of batteries, get a few spares -they<br />

might be expensive. Out there are times<br />

when a pare battery would have allowed<br />

you to get those brilliant shots you just<br />

missed when the power ran Out.<br />

Make sure your camera has a mains<br />

adaptor too, because if you power the<br />

camera from the mains rts unlikety you're<br />

SONY<br />

•<br />

•41,••• •K•••• EARIM 41.1 realms., " U M ' a<br />

s . .<br />

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AMA Intltione Fro:~<br />

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• g• S mon M. • • • •<br />

M I M I Mid • Imo<br />

onn •<br />

•••••• am* 1.1 • rodb<br />

ma wk.,' semi aes Moldy portable and otter to use, but many feetore<br />

restriction automated remotions with no manual control<br />

The out-takes<br />

To edit video you need at least one video source 'which could be a camcorder or a VCRI<br />

and a VCR to record onto. The record VCR should be capable of accurate frame<br />

positioning - the more accurate the better.<br />

Again, the choice of VCR format is up to you, and it doesn't necessarily have to be the<br />

same as the format of the video source, as long as they can be connected together<br />

successfully. For instance, you could use a Hi-8 camcorder arid an S-VHS VCR. since both<br />

use Y/C video signals.<br />

One important point to note is that the VCR must, like the camcorder, be able to be<br />

controlled externally - for instance via infra red remote control - because this control will<br />

be used during editing.<br />

But you can't just connect the video decks to the <strong>Amiga</strong> and start editing. You'll need<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTQBER 1994<br />

•<br />

light5,<br />

The uideo camera and its counterparts are<br />

the ail-important aspects of a &leo<br />

production. Cam Whiteleg shows goo<br />

what tiou need and how to U5P them<br />

Make the investment in a high quality SCR now leusteed<br />

of biter - think about the long tem, wherever •Hordable<br />

going to run out of juice at a critical time.<br />

There are other things yeti"' need to go<br />

with your camera, like a good fluid-head<br />

tripod and maybe a shoulder-mount, but<br />

go and buy a specialist video magazine<br />

and take it from there.<br />

For sound reco(sbnig. try to find a<br />

camera which will let you plug an external<br />

microphone in because. lets face it, there's<br />

no way that the built-in camera mic can<br />

possibly cope with everything Mats<br />

thrown at It,<br />

Try recording an interview on a windy<br />

day using only a camera mic and you'll<br />

hear why professional camera crews<br />

usually use a separate mit<br />

- operator). land m i c<br />

There's no way that a camera mic can<br />

capture just the sound of the interviewee<br />

and filter out the wind noise, Oren if you<br />

stick a woolly sock over in<br />

One further point. If you can, buy a<br />

camera which allows you to control the<br />

volume level manually as well as<br />

autornaticaliy. and make sore you learn<br />

how to use this feature.<br />

Otherwise you'll fall foul of the built-in<br />

AGC lAilt0Mdb( Gain Conuol), which tries<br />

its best to keep me recording level constant<br />

at Me expense of the sound itself.<br />

For instance, if you were recording an<br />

interview and a lorry drove past or a noisy<br />

aeroplane flew over, then the AGC would<br />

reduce the recording level to take into<br />

account the lorry or plane.<br />

The result would be that the<br />

interviewees recorded voice would drop in<br />

proportion to the overall ceop in recording<br />

an interlace and control software of one kind or another. and true coo of such things<br />

ranges from several hundred pounds to several thousand, depending on the level you<br />

wish to edit at.<br />

In most cases home users won't be doing NB Of 3-machine editing, concentrating<br />

instead on simple cutting from source to recorder and genlocking graphics and titles. so<br />

one of the cheaper packages would probably suffice.<br />

Two-machine editing cant add wipes and fades between pictures, but it can let you<br />

cut out all the rubbish from your source tapes, add graphics and music and assemble a<br />

coherent program from a series of individual clips.<br />

This is probably a satisfactory compromise for those birthday, holiday and other home<br />

videos which won't ever be seen by anyone but you. your close friends and family.<br />

There are a couple of low-cost edit controllers on the market - Gold Disk"s Video<br />

Director is well under E200, likewise Scala's Echo EEI 00 (which also requires<br />

ScalaMM300 and a fairly powerful <strong>Amiga</strong> with a hard drivel. Both packages can control a


camera5, action<br />

level. and probably be completely swamped<br />

by the louder lorry or plane.<br />

For me, as an ex-sound recordist. AGC is a<br />

bog pain in the backside and tan cause no<br />

end of problems.<br />

Therefore its important that (al you can<br />

control the sound levels manually and Ibl you<br />

can plug an external microphone in so you<br />

can get closer to your subject<br />

If you are able to MP( your main sound<br />

source as closety as possible, the relative<br />

balance between it and the background<br />

Sound will be much better - and the<br />

resulting recordings will be far more<br />

audible<br />

[gnomons<br />

There are times when even the best<br />

cameras cant cope property with the<br />

prevaltrog lighting conditions (unless<br />

you've got an Infrared night-vision<br />

camera, of course!).<br />

Most modern cameras use CCD<br />

devices. which provide better lighting<br />

pidc•up than the tubes older cameras<br />

were based on. Although many cameras have<br />

lighting gain switches to boost the brightness<br />

of a low-light image. Mrs boosting also<br />

enhances the inherent noise in the image.<br />

making it appear more grainy.<br />

The solution is to add extra lighting, where<br />

circumstances allow, so that the prcure<br />

quality remains as high as possible It isn't<br />

always necessary to buy specialised lights<br />

though. because depending on where, and<br />

CCD<br />

Mak* auto to choose<br />

a coma,. that suite<br />

your particutar<br />

requirements<br />

what you are shooting it might be possible to<br />

use lighting which is at hand. For instance,<br />

use an Angiepoise or table lamp to improve<br />

the lighting, switch on the room lights, or<br />

even just use a sheet el newspaper as a<br />

reffector to bounce some daylight onto a<br />

Subject There are lots of title things you can<br />

The Charged<br />

coupled Dewiest<br />

pro vOdos better<br />

lighting pick-up<br />

!when compered<br />

to tubo-basnd<br />

•geism@<br />

Wntrol-L camcorder or VCR as source and an infra red-equipped VCR for editing. By<br />

defining a series of clips which you wish to copy from the source to Me editor, the whole<br />

process can be organised fairly simply, if you have the right video equipment.<br />

Obviously, each program has different features and there's no room for reviews<br />

here, so you'll have to look elsewhere for more details - and for other editing packages -<br />

but as a good start for your research check out Video Director and, if possible,<br />

Scala Echo. Other editing solutions include KRP's Video 20 series, VideoPilot 330 and<br />

SynuonK's Eckman<br />

Of course, an edit controller isn't strictly necessary, and you can do simple editing by<br />

hand using only the play, pause and record buttons on the video machines. However,<br />

this is a very rough and ready method and there's no way you're going to get accurate<br />

edits this way. though as a cheap and nasty method it's hard to beat.<br />

tio :0 improve the<br />

lighting, but there are also times<br />

when proper lighting is an absolute must,<br />

whether for practical or artistrc purposes.<br />

If you cannot hire light like most video<br />

equipment, lights are often available for hire<br />

focally if you make a few<br />

engumest then you'll<br />

have to buy some.<br />

Good lights cost a lot of<br />

roortey, so before you take the<br />

plunge take a trip to a large<br />

hardware store and see what kind of<br />

halogen lamps they have on offer<br />

say halogen because they<br />

provide a lot of light whrie<br />

being compact in size,<br />

and you might<br />

decide that to<br />

save money you<br />

can improvise a so<br />

of fights for all but<br />

those special<br />

occasions when it<br />

wouldn't do to look like<br />

you're using makeshift lighting<br />

But for home shooting. animation or what<br />

have you, such lighting wM usually suffice.<br />

Always remember that electricity can be<br />

deadly, and if you're not sure what<br />

you're doing, bod someone who<br />

does who can either advise you<br />

or fix the lights up for you.<br />

Gary Whiteley can be contacted by e-mall as<br />

drgattkix•conipulMk.co.sik<br />

And, by way of a shameless plug, you could also buy<br />

his <strong>Amiga</strong> Desktop Video book /ISBN 1-8911275-08-41<br />

From Future Publishing /Tel: 0225 11225101 or from<br />

any gone bookshop.<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

ILIT0111111.<br />

C<br />

o<br />

s<br />

t<br />

s<br />

There s not much I can tell you here<br />

except that good video equipment<br />

doesn't come cheap and there's seldom<br />

such a thing as a bargain when buying<br />

edit-capable VCRs and camcorders. If<br />

you're buying from scratch, expect to<br />

shell out at least E2000 on all the bits<br />

and pieces<br />

Home video Part 2<br />

Radtsoad•<br />

blondhoads<br />

and tillers<br />

ore Mat<br />

component'<br />

to any<br />

productleit


E. M. COMPUTERGRAPHIC<br />

THE U.K.'S NUMBER 1 AMIGA FONT AND CLIPART DISTRIBUTORS - AMIGA COMPUTING ISSUE 52<br />

WORM° CLIP ART<br />

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EMC Volume 152 - 5 Disks • E14,00 - 256 NASA 2<br />

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EMC Volum* 153 - 6 Disks - E16.50 - 256 Babes 1<br />

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EMC Volume 158 - 6 Disks - E10.50 - 256 Hunks<br />

One Ira ins Girls • 6 disks ol 'Clsopendais tyre Hunky men!<br />

EMC Volume 159 - 6 Disks • £16.50 - 256 Various 2<br />

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EPIC Volume 160 - 6 Disks - E16.50 - 256 Various 3<br />

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EMC Volume 161 • 6 Dakar - E16.50 • 256 Various 4<br />

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EMC Volume 200 - 6 Disks • E16.50 - 256 Robots<br />

Scene arri.izyg Nati Quality artwork of craurrie pared ferrate I taLoOls<br />

EMC Volume 209 - 6 Disks - E18.50 - 256 Heavy Metal<br />

Veq nice fantasy type &tear* irdra Heavy Metal magazine<br />

EMCVOIUMS 210 • 6 Disks - E16.50 • 266 Star Wars<br />

Quality pictures arid acle1011s horn lave Star Wtes newies<br />

EPIC Volume 211 - 6 Disks - E15.50 - 256 Night Breed<br />

Oualrly pictures and artwork from the SciF! series Niribl Breed<br />

EPIC Volume 212 - 6 Disks - E115.50 • 256 DS9 1<br />

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EMC Volume 213 - 6 Disks - E15.50 • 256 D59 2<br />

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EMC Volume 214 - 6 Disks • E16.50 gm; DS9 3<br />

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EASC Volume 215 • 6 Disks - E18.50 • 256 059 4<br />

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VAC Volume 215 - 6 Disks • E16.50 - 258 DS9 5<br />

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VAC VOILIMS 217 • 6 Disks - E16,50 • 256 TNO 1<br />

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EMC Volume 235 • 6 Disks - E18.50 • 256 Kelly I<br />

Fxcellenl artwork by the lamous fantasy artist Ken Kelly<br />

EPIC Volume 238 - 6 Disks - E18.50 - 258 Kelly 2<br />

Excellent tiowerk by the famous fantasy arlist Ken Kelly<br />

EPIC Volume 237 • 6 Disks - clue - 256 SciFi Art 1<br />

Limed beg 01 grand artwork and pictures war, a general SciF• there<br />

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<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994


ast month we were looking at a<br />

routine that can be incorporated into<br />

any macro that needs to make unit<br />

conversion changes (eg lbs to kilos( in<br />

blocks of text<br />

The idea was to use a loop to search for<br />

particular combinations. and whenever a<br />

number was found at the rill location we set j to<br />

1+1 and compared the fth word with the units<br />

parameter. After doing any conversions<br />

necessary. the next iteration of the loop was<br />

performed<br />

I said that an improvement could be made<br />

arid in case you're still wondering what it is, just<br />

consider the case where the wordS_j units test is<br />

successful.<br />

The next iteration of the loop will then atways<br />

be pointless because the next wordS i cannot be<br />

a number (since wordS.i or that iteration will be<br />

word SI of the previous iteration and this<br />

matched the specified units stnnigi_<br />

This means that we can reduce the work that<br />

the routine has to do by eliminating those<br />

pointless loop iterations. This is done by<br />

Incrementing i whenever a units match is found•<br />

This simple change produces the Modifyglockt)<br />

procedure shown in listing 1 There are faster<br />

ways of doing the job but to be hmest when<br />

this particular routine was being written speed<br />

was not the only concern - flexibility and reusability<br />

were also high on the agenda.<br />

Notice that ModifyBlockft doesn't get involved<br />

with any inter-program communication itself.<br />

This is deliberate and is done to ensure the<br />

generality, and therefore the reusability, of the<br />

procedure<br />

The idea is that you should collect the text<br />

from the program in question, do any<br />

modifications in as application independent way<br />

as possible'. and then send the replacement text<br />

back to the Main program<br />

A typical paragraph-oriented use can be seen<br />

Modifahock: procedure<br />

Polio e rg blockLumitSoeu_Initg,con eeee i e e je ctor<br />

ouseric digits 4<br />

mueber_of_mordszidordsCbtockl/<br />

do i.I to oustier.of.vords<br />

vord4.11ord(btockS<br />

o<br />

i) I °<br />

do 1 .1 to mumber_of_mords-1<br />

e x t r a c t<br />

w o r d s<br />

• d of<br />

r o<br />

.<br />

j.i.I<br />

b l o<br />

c<br />

*<br />

/<br />

k do<br />

cod<br />

ktockP"<br />

if gatatePt4vord8.1,14 tiem<br />

if. i1 to ausber_of_aords<br />

btock4=btockg uordLi / . re build block * /<br />

emd<br />

return block$<br />

if uorild.unitt them<br />

do<br />

vordS.i* conversion_fector.vordLi<br />

wordS.j.ote.umit$<br />

end<br />

end<br />

if mordS,j.a nie l tbeu<br />

end<br />

vordg.i.conversion_fector.vord4,i<br />

word$4.neir_unitS<br />

a.40<br />

Roam far • AREH • • •<br />

• • • • •<br />

••<br />

improuement • ••• •<br />

for instance in this Final Copy II macro fragment<br />

optical mutts<br />

'extrect' / * read paragraph .1<br />

teltS.Modityelocktresult,qeet'.'iochre<br />

. 'fletete'<br />

petagrape ,12) e j<br />

1 0 re tool 'tilting<br />

'type' te a t$<br />

pertgraph ./<br />

r . inse rt modified<br />

In this case 'extract' pulls in the text (notice that<br />

the paragraph returned in Affexc's results<br />

variable is passed directly to the Modify8tockt/<br />

procedure as a parameter'.<br />

The 'delete command removes the original<br />

text, and type puts the new text in place AN<br />

easy enough to do but as mentioned, the key<br />

point is that the Modify8lockft routine is pure<br />

ARecx code - It doesn't rely on any product<br />

,specific interface commands_<br />

This brings us to an important general point<br />

Mem functions are the building blocks of all<br />

larger Affexx programs and programmers use<br />

them in me same way as the electrical engineer<br />

might use integrated circuit chips leleCtronic<br />

components pre-designed to do a particular job)<br />

to build an electronic °Kurt<br />

A function will perform an operation (perhaps<br />

make a cakulation or, as in the case of our<br />

Modify8lockij routine, make alterations to<br />

selected text block items) and may Mso return a<br />

value to the program which called it_<br />

To use the example routine you supply the<br />

text block, the two units strings and a<br />

conversion factor. ARexx evaluates the righthand<br />

side of the expression by making a call to<br />

the ModifyBlockll function using the parameters<br />

supplied.<br />

It then assigns the function's return value to<br />

whatever variable is provided on the left-hand<br />

Side of the expression that uses the function_<br />

Wnuen properly, a function should behave<br />

just like a black box - Me function user provides<br />

some input (known as the function's parameters<br />

or arguments' and the function carries out its<br />

job, possibly returning some information to the<br />

To be honest, the user of the function<br />

doesn't even need to know how the function<br />

works - they jest have to know what the<br />

function does, what information must be<br />

supplied, and the significance of the results<br />

produced<br />

You'll notice that I've tended to call the<br />

ModrlyBlocki) routine a -<br />

procedure<br />

a function This is to emphasue the fact that I've<br />

rused a the t ARexx h e Procedure r instruction at the<br />

tstart of h my afunction n definition.<br />

The purpose of this is to force ARexx to<br />

regard all the vanables used within the function<br />

as being local to the Modify1:10ock() routine.<br />

If_ when you write a function, you use the<br />

Procedure keyword and pass all the data<br />

required by the function as function arguments<br />

rather than use global variables, 1 e variables<br />

that are visible throughout the program, then<br />

you'll end up with routines that can be easily<br />

extracted and re-used.<br />

Needless to say, these types of ideas become<br />

more and more important as your AReur scnots<br />

become largeri<br />

sore couple' conrersiems e i<br />

1i coold be done using .r<br />

/. furthe r procedure ce ll •/<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

Listrng I The<br />

Improved<br />

procedure prowidois<br />

• good e•ornple of<br />

the use of focal<br />

W.Inable •<br />

Folowing on<br />

from last<br />

month,<br />

Paul Oueraa<br />

emolains how<br />

gou [an redo<br />

the workload<br />

of a routine


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xavering e away on his two <strong>Amiga</strong> 4000s<br />

t?eating<br />

30 stills and animation for television<br />

old t video alike.<br />

e One machine is used for creating objects<br />

atrule d the other busres itself with the lengthy task<br />

f-r<br />

rendering. AM graphics are created with<br />

imagine i but. when Lightwave PAL arrives. Simon<br />

ntersds r to _jump on the bandwagon of the<br />

eirellent m package<br />

He first staled dabbling on 30 at the age of<br />

1<br />

:UStOthelS 7 with a Real 30 demo coverdtsk. After<br />

alapng w round with it for a few weeks. Hough<br />

'vas h hooked<br />

e Flicking through a magazine one day. he<br />

Atrie n across an advert from Matt Black, pan of<br />

the<br />

pop group Cold Cut who was looking for<br />

homputeralesigned<br />

graphics to include in their<br />

i'rest<br />

BREAKTHROUGH<br />

s<br />

v<br />

e Putting sevraai images on disk Simon posted<br />

firs r work wholeheartedly believing that he would<br />

hear y nothing in reply. A couple of days later.<br />

Black m was on the phone: want more of yoir<br />

a<br />

gWith<br />

the success boosting his cortiderice. he<br />

began a to peddle his wares at local video<br />

production z studios. Hough secured several deals<br />

clue i to his low prices when compared to the<br />

competition. n<br />

e Due to his association with Man Black Simon<br />

was p approached in mid 93 by Melvyn Bragg of<br />

the r South Bank Show who wanted some<br />

animation o done for a new series called Opening<br />

Shot v<br />

i The sequence they were asked to do was a<br />

visualisation d of a section in Terry Prachett s book.<br />

Only e you can save mankind. He only had two<br />

weeks d in which to produce a space battle<br />

sequence i for the programme. The end result<br />

t<br />

s<br />

M I As well as video work, Ceystat hate also<br />

These image. were an<br />

dabble In other mocha areas such a• 0135's<br />

produced on Imagine<br />

131i585ful unian<br />

Sonse sequences proekk•d tor elide° houses we enervated. This<br />

exarnpto moves in /earn the stde and rotates towards the wewer<br />

was a resounding success, with (Agri Bragg and<br />

Pratchett highly impressed with the graphics<br />

produced in such a short space of time.<br />

With this arrow to his bow. Hough hes<br />

continued to steadily climb the career ladder<br />

Watch your back<br />

.<br />

'biggest A mistake you can ever do is to tell people that you use an <strong>Amiga</strong> You go to the potential<br />

w,<br />

customer and tell him you use an <strong>Amiga</strong> and they'll say • Oh, my son uses one of those for games.<br />

oyour<br />

finished results cant be that good<br />

r Simon continues, - they expect a SikOn Graphics machine or a Pentium PC I thought that kind of<br />

d<br />

attitude was a rumour when I first started out but it's actual fact<br />

o He believes that if <strong>Commodore</strong> are ever to break their games-only image, its going to take a serious<br />

f turn round in marketing and even a renaming to poll the focus of punters away from the <strong>Amiga</strong><br />

c<br />

'game onty• label.<br />

a The marketing people at <strong>Commodore</strong> need to be given the push Television programmes such as<br />

uBabylon<br />

5. use the <strong>Amiga</strong> and <strong>Commodore</strong> still cant get the machine off the ground,<br />

t-<br />

As for those of us who with to use the <strong>Amiga</strong> for something other than games.. Hough has these<br />

iwords<br />

of advice: " For those people trying to start out. don't get depressed when people put you<br />

down Watch out for indrviduals trying to exploit you and watch your back:<br />

Crystal Haze Graphics can be reached on 021421 4835 rafter 6 PM, the line becomes a BBSI.<br />

MONS<br />

0730 895789<br />

IPI<br />

2400-9600 Bps<br />

and earn himself a nealthy EIBX a year for his<br />

work.<br />

Corning up is work on a senes of exhibitions<br />

7:30ap<br />

for a large freezer manufacturer and for Spender<br />

speakers who have asked him to design what<br />

wifi appear on the video walls at an up-andcorning<br />

show.<br />

Of course, Hough intends to use the <strong>Amiga</strong><br />

exclusively for any graphics operations<br />

undertaken. He is adamant that <strong>Amiga</strong> is the<br />

best machine for the job: 'software support is<br />

amazing. Lightwave. Imagine it goes<br />

on -<br />

Various forays in to the PC world and<br />

Windows have left him cold 1 don't want to<br />

know, I simply don't hie it:<br />

At the moment Serioris burning ambition is<br />

to make it in the pop video market where there<br />

<strong>Is</strong> so mach scope You can let your imagination<br />

run wild.'<br />

With a healthy portfolio of images logged in<br />

his hard drive, we may well be seeing the<br />

<strong>Amiga</strong>-fronted Chart Show displaying his name<br />

at some point.<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

• • • •<br />

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arp two<br />

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belong<br />

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(nista' Ham<br />

a WET<br />

graphits<br />

tompang


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<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

IF 1<br />

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We otte r a fre e quota tion on the re pa ir of your compute r a t sm9<br />

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All work is earned out by our highly qua lifie d engineers in custom-built<br />

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0 • •<br />

• 8 • 0<br />

• M<br />

• • 111<br />

ost of us, given the chance, like<br />

spending a few bob but the chanCes<br />

are that we never have quite enough<br />

of the green stuff floating around to buy<br />

everything we want<br />

Software is a typical case so this month I<br />

Thought d look at some of the midi/music PO<br />

and shareware offerings that are available. I've<br />

chosen the SeaSoft <strong>Computing</strong> library simply<br />

because they seem to provide more music-related<br />

offerings than most other Iibraries.<br />

With SeaSoft's strong MED/OctaMED<br />

Connections it's not surprising that a great many<br />

MED/OctaMED related casks are available.<br />

Total Irrelevance, the disk magazine from<br />

MUG (MED Users Group) costs EZ,50 and is<br />

avorth looking at since it always has an<br />

nteresting selection of articles.<br />

If you want a taste of what it is like then you<br />

can in fact get the best of the 1993 issues on a<br />

three disk set for E4.50. Other MUG related<br />

offenngs include the Friends of Paula volumes<br />

one to four, which are modules for use with<br />

OctaMED. Making Traits Volume one, Musicaily<br />

Challenged. and Microcraft Volumes one to four<br />

There are also Drurnkit samples Volumes one<br />

and two, Bass Sounds, and Brass & Woodwind<br />

FF sample disks available, again courtesy of<br />

MUG.<br />

Of course IFF samples are found no abundance<br />

nroughout the public domain and as well as the<br />

'ANIMA sources, such as the disks just<br />

mentioned, you can also create your civet using<br />

sound sampler.<br />

YOu Can also borrow' samples from PD games<br />

And demos or other legitimate sources pots of<br />

magazine disks will include sound samples that<br />

can be used for your own purposes(.<br />

Finding such samples is easy enough if you<br />

only have a few directories on the disk -<br />

especially if the sampies have been given obvious<br />

names such as crashill, bang snd or<br />

wallop.EISVX,<br />

Locating them when the samples have less<br />

inturtive names leg DX13021 can be much haider,<br />

especially if the disk has many nested directories.<br />

More to the point a may take a lot of time to<br />

look at every file in every directory'<br />

The result of course is that all too often you<br />

can miss potentially useful sound samples lust<br />

because they are not easy to identify Fortunately<br />

there's a nice easy solution - we automate<br />

hing and let the <strong>Amiga</strong> do all the hard<br />

Eve used a Shell utility called Search for a<br />

Doing it an ••••••• Miff<br />

the theap<br />

R.„<br />

,sk<br />

It<br />

I<br />

1<br />

Memersed L<br />

A<br />

1<br />

Progrens<br />

1<br />

o7<br />

I Merkbench<br />

frAi<br />

4ork<br />

,<br />

4<br />

1<br />

1<br />

. PC1 I T<br />

7 .<br />

rq7<br />

.<br />

J<br />

A<br />

You II also find plenty of other Midi/Muse items fl oating around the<br />

SeaSoft library. X-Beat Professional for instance is a particularly good<br />

shareware drum sequencer.<br />

If you want to team more about Midi then there is a Midi tutorial<br />

disk written by Kevan and GarreM Craft that's worth looking at. and<br />

the same authors have also produced a Mtge selection of Music X and<br />

<strong>Amiga</strong>/PC Midi files that are available at 115 per set with a MidKraft<br />

demo disk available for El SOIL<br />

In addition to this. SeaSoft also distribute the AM/FM disk-based<br />

music magazine which now has about 18 issues under its belt. A<br />

similar number of NNFM sample disks are also available along with a<br />

•miety of other disks containing Midi songs, larger music utilities etc.<br />

There are of course loads of ready-made songs available for use<br />

with the freely distributable OctaMEDPlayer module player utilty. A<br />

LI<br />

••••• W M , I• lb<br />

Warks<br />

.<br />

al M a rts•nlit 3 2 1 1 fe lt. 2 3 K tre e . 8 1 3 K tn use<br />

n<br />

.<br />

/ I 111<br />

811<br />

1<br />

411w<br />

0.I.0. ThsLa h stiong tvmtM .ns 0 .1 .1 1 ..Rom<br />

/ 111PON 11111<br />

milt_ • '<br />

1<br />

N<br />

e r f t GUS I T a tchingThe Ke ne<br />

m OctaMEDPIeser P4.111 - simegns leen<br />

number c.;,<br />

eic samples tout all common IFF files 11LBM pictures.<br />

o SMUS files etcj<br />

l oIt will o even find things kite Muse X MSCC and<br />

k standard Midi files ISMF Files'. This utility,<br />

nincidentally o was provided on the February '93<br />

t cover disk but since it only takes 8k of disk goce<br />

oit's been n provided agaon on this months cover<br />

ldisk for y the benefit of any of you who missed it<br />

fthe<br />

first time aroundl<br />

o To use it just open a Shell window and type<br />

r Search followed by the disk drive to be looked at.<br />

BSearch<br />

WO for exam*. will search all of the<br />

Sdirectories<br />

of the disk in drive clf0 and give you a<br />

Vlist<br />

of the required files and their directory<br />

X locations This is the sort of output you'll get<br />

s<br />

o<br />

u<br />

r<br />

lihtLeStSeas I I N d<br />

flee 1 Ce nt I Ste p 1 M IPI:NI FRee I<br />

_LISe:81/81 8 8 3 5 / 4 4 8 8 :3 2 / 4 4 LO835<br />

And there's more<br />

sr<br />

—<br />

Aligi Funpuling IFF/SOF Sn ick st t ily iOn u i<br />

Oleral 1 9 1 2 I ...<br />

IFF 8SYX: Of 0 :FI Fil<br />

III 8STX: 0 0 :FX1 s2<br />

SOF Fitt: df0:trockticompieteititLe.sld<br />

Function t rip le t s<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

The MIED<br />

User Oroup's<br />

Barney -<br />

Warts 'n All'<br />

is typical of<br />

the (high)<br />

standard of<br />

ready-made<br />

music avail.<br />

able. It's a<br />

pity you<br />

can't hoar St<br />

playing!<br />

If you are searching a high capacity hard Chi<br />

partition or a floppy with many files ana rested<br />

directories, the program may take a moue co nom<br />

to locate the required information DA e nil Pe a<br />

icit quicker than Other methods/<br />

You ran, incidentally. cancel the search<br />

operation at any time Dy hang coraal-C or<br />

control-D. If you need a minimal copy of the<br />

programs finangs just rreirect ire screen Output<br />

to a disk tie, or to the PET device<br />

disk called Barney - Warta n AN provides a good example of the<br />

quality available and is Just one at the may song collections available<br />

nowadays.<br />

In general the disk magazines cost 12 50 per disk and normal<br />

PO/shareware utility and sample disks El SO fan extra E0.50 for<br />

postage and packing needs to be tagged on to each order).<br />

With samples. Midi files, disk mag and tutorial-type disks you II<br />

usually encounter few problems in using the disks but, as with all<br />

PE/shareware stuff, not all utility programs will work with all Arnigas.<br />

X-Beat Professional VI .0. for example, does not run on my A40001<br />

You'll find the SeaSoft ads in most issues of <strong>Amiga</strong> <strong>Computing</strong> and<br />

obviously the best idea is to give them a call before ordering, lust to<br />

Confirm that a particular utility will actually run on your machine<br />

SeaSoft <strong>Computing</strong> can be reached on 0903 850378.<br />

•••• es•<br />

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azi<br />

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1• • •<br />

• • • •<br />

•<br />

e all have favourite musicard. dont We 7<br />

In pubs and at colleges al over me<br />

country, indeed all over the world,<br />

common ground is formed by the sort of music<br />

we are into, the sort of sports we like arid the soni<br />

of computers we bite.<br />

The Net is Just an extension of those little items<br />

of small talk that we use in real fife, so its only<br />

fitting that the Net should have places where you<br />

can talk k'ittpUi MUSIC<br />

In your search for bits and bobs about your<br />

favourite musicians, your first point ol call should<br />

be Nchie. Do an Archie search using your<br />

favourite musician or type of music as the<br />

keyword.<br />

Thu s will lead you to a few sites mat carry<br />

information or pictures of your fave raves. To get<br />

you going still further, here's a list of thongs I've<br />

found uselut<br />

• ElectronkAnductrial Musk Tone List - A<br />

list o l 0er:trot it magazines based ors<br />

efectrotindustrial music. You can obtain the list<br />

using anonymous Fri<br />

, to:<br />

using the directory path:<br />

.tos<br />

•and download the file<br />

etectron.zin<br />

'Library/Esc/NMI<br />

and there you are. A whole list of sources about<br />

this type o f m usic<br />

• CyberSieeze The sleaze guide used to be<br />

available from rrity.com. but this is now called<br />

metaversecom because the sysop used to work<br />

for MN but got the sack. so MTV wont allow him<br />

to use the domain name Send a message to:<br />

11.1 adaninetriericcoa 111<br />

asking to sus( rite to the cybersleaze magazine, or<br />

better yet why not cop it via Mosaic at the<br />

metaverse StAllAtr server?<br />

• Techno/Rave Gopher - Although for the last<br />

few days this service has been offline, the Rave<br />

gopher is a good source of pictures and info<br />

about the Rave scene in both the US and Ilk. Get<br />

it by using Gopher to go to.<br />

Get pm tures of<br />

you, Ms.:writes—<br />

techno.stantottLed• 1 / 1 "<br />

L_erwa<br />

letP5 talk<br />

about<br />

• So n g L yrics Go p h e r I f yo u wa n t t o fi n d o u t<br />

the lyrics t o a certain favourite song, sim p ly<br />

Gopher to:<br />

.1 1 .1<br />

!du<br />

1 1 / i t<br />

'and<br />

choose the WHIN)<br />

a l C<br />

ik<br />

Fun g Ellys<br />

then choose<br />

and just pick your artist from the alphabetical<br />

listings.<br />

hilt/talc Archivetarrics Archives<br />

• Mintosic Gopher - Another music gopher is<br />

at<br />

mitilisic.fertis.sdu<br />

• Musk A,chlves - One of the very nest music<br />

archives is via anonoymous Ft? 4<br />

,<br />

ttp.ump.ed•<br />

although you may find its Lao busy to get on once<br />

the USA wakes up. Its a very popular site and is<br />

often swamped<br />

You might also like to try<br />

ftu• ssmot SE ' 1 1<br />

1 1 1<br />

which is where lip tiwpedu get teen p4ctuies• and<br />

in fact Mrs is where thiS issue's pictures come from.<br />

There's hundreds, so why not go and check them<br />

out for your favourite artists?<br />

Also, there is a superb list of music trivia at the<br />

excellent Rutgers Gopher site<br />

•<br />

geortz.roloortifily<br />

-<br />

,<br />

t<br />

which is a place to be recommended for just tabout<br />

any Net surfing you might have in mind, as they -<br />

1<br />

have links with a number of other interesting sites<br />

•<br />

What is there is pretty interesting too, without " the<br />

need fix you to explore further<br />

t<br />

t<br />

. I would also recommend WM, and MIT Gopher i<br />

site<br />

e<br />

r<br />

otts.sit.tdo<br />

•<br />

which also has some great music matenal Quartz,<br />

RTFM and Spies are my favourite Internet sites of all<br />

of them<br />

Along with the WELL Gopher, these are the<br />

places I visit most often on the Net, as they provide<br />

huge resourtes of infoonatiOn but also provide<br />

useful links with similar sources, including in most<br />

cases each other.<br />

• Usenet<br />

Music<br />

Newsgroups<br />

These are just<br />

some of the ones I<br />

frequent, Mr Sad that I am,<br />

but you can be sure that your favourite music is<br />

catered fo r somewhere on th e Net<br />

alt.fan.frank-zappa<br />

alt lantaune-anderson<br />

aft lartspinal-tap<br />

altmusicaltemative<br />

aPt.music.enya<br />

altmusic boan-ents<br />

aft music. hardcore<br />

alt.music peter-gabriel<br />

att, music prince<br />

alt. music u2<br />

&rave<br />

rec.music newage<br />

...incOuding<br />

his name... Prince?<br />

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lit clone screen wipes before I know, but<br />

easy to employ screen transitions, like a<br />

piece of lead pipe in your pocket in a<br />

dark alley, are comforting to have around.<br />

These ideas are from J Haughey. who has<br />

supplied us with three wipe PROCs to get us going<br />

Id be interested to see some more of this type of<br />

PROC. as its nice to have a little library of useful<br />

obis, especially ones which you use a lot_<br />

So here we have mree screen wipes, and this is<br />

number one. To demonstrate the PROC. we have<br />

to load a screen<br />

.<br />

Wipt1.ARDS<br />

Laid 1 ff 'df0asnyscreee,0<br />

Then we need to activate the PRO(<br />

_kfi ll<br />

E<br />

which well do like so lf0,1 for the sake of argument<br />

Later down the program ,41 we define the PROC.<br />

which as in all Amos programs can be anywhere<br />

-<br />

Procedure ..040E11$(1,01,C01<br />

How do you use the procedure? Well the format is<br />

hke so: _LEADE I ISCR,DI,C0I, where SCR equah the<br />

number or the screen you want the effect to<br />

happen, and you have to make sure that (he screen<br />

exists<br />

DI equals the effect type for which you can use<br />

the numbers I to 51 and CO equals the ink colour<br />

you wish the screen to wipe to.<br />

So having set the parameters of the wipe and<br />

called it. we have to code the wipe, which in this<br />

case goes like this Set up the screen:<br />

Screen SIN<br />

SIX.Scrten OfdthfS00-1 : SI I .Scre e t leiglatISCU -1<br />

lok C O<br />

3<br />

0<br />

find out which effect you want and draw it to the<br />

screen<br />

Create a screen wwelike Ohio or you may pmfor difforont outlook<br />

Wipe that• ••••<br />

5MilE Off Exm:m<br />

00 To SI I Step 2 : I ra n 0 ,4 To SI I , A N e xt<br />

For 0 1 To SIT lte p 2 : I ra * 0 ,0 To SI I , A : Next<br />

End I t<br />

•M ott 2<br />

End I f<br />

• Effect 3<br />

if 11.3<br />

For 0 0 To SIT Stop : trim 0 ,4 To SIX,A : Nest<br />

For OSIT-2 To 0 Step -2 : Draw 0 ,1 To 111,1<br />

Next<br />

End I f<br />

• Effe ct 4<br />

fi flA4<br />

For OSI I -2 Ti 0 Step -2 : Prow 0 ,0 To Sit, f<br />

Next For pa To I I ? Step 2 : I ron ILA To Slfra t<br />

Nail<br />

End I f<br />

' Effe ct 5<br />

If 111.5<br />

For Asa To iff Stop 2 : fro, 0 ,0 To 511,0 : Orfl<br />

0,5I1-02 To SIX,51Y-442 : Ne tt End I f<br />

End Prot<br />

The wipe is a simple matter of drawing lines to the<br />

screen in the ink colour specified. Simple arid looks<br />

good on screen, so at gets the thumbs up from<br />

me. Here is another one which takes the wipe<br />

from a different angle:<br />

Proceaure _NFASEIISCR,D1,C01<br />

foreer SCR : le n se t screen<br />

ilidtb(SCA/<br />

- : le a get screen de ta ils<br />

ink CO 1<br />

3 Effect I<br />

SII.<br />

0 IF:r :<br />

l e 0:0 To IScre I I Stop 2 :Draw 1 ,0 To A,SIY : Next<br />

o For 0 1 Ti Sit enStep<br />

2 Prow 1 ,0 To A, SI I : Next<br />

O"1<br />

c<br />

Lid<br />

t<br />

2<br />

i<br />

If 111.2<br />

n<br />

For •1 1 1 Ti 0 Step -<br />

k<br />

2 Nett : For DA.S1I-1 r a w To 0 Step -2 : Drew 1 ,0 To<br />

t<br />

0 A,SIT , : Nest 0<br />

o<br />

TEnd I f o<br />

t<br />

A ' Effe<br />

t<br />

, ct IS<br />

I<br />

a<br />

TIf<br />

0 1 .3<br />

For 0 0 To Sit Step ? : Prow 0 ,0 To A,SIY a Ne tt<br />

u<br />

for 0511-2 I o 0 Step -2 : Prow 0,0 To * ,SIT<br />

f<br />

Next<br />

l'C l<br />

fi Efl 0 1 .4<br />

for f OSI X.? To 0 Step -2 : fre e 0 ,0 to A, SI I<br />

ect<br />

Nut: 4 For 0 0 To SI I Step 2 ; Ara s 0#0 Ti A#SII :<br />

:: f<br />

: For 0T 0 To 511 Step 2 : I ron 1 ,0 TS 0,111 : Pa w<br />

1iff-05<br />

2 , 0 To N e s t End I f<br />

0End<br />

Prot •<br />

1<br />

l<br />

And finally. for a realty rip snorting finish, yet<br />

i<br />

another variation The format this time is:<br />

_SFADE(SCR.DEl. where SCR equals the number<br />

of the screen, and DE equals the delay<br />

So for example<br />

.<br />

_SFAIEE0,53<br />

will call the Colour Remove effect to work on<br />

screen number 0 using a delay of three. Suck it<br />

and see:<br />

Procedure _SFAIEISCII,OEI<br />

Screen SCR : I ts net screen<br />

11C.Scroto Colocr-1<br />

For A.0 To fiC<br />

fotour 4,0<br />

If 1Er0 Tie * ta il OE<br />

Ion<br />

End Prot<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

OCTOBER 1994<br />

IM05 guru<br />

Phil 5outh<br />

meditates on<br />

screen<br />

Write<br />

stuff<br />

if yci. n a .r .<br />

QUestICNI, hr of a routine<br />

A m o s<br />

you'd Ike to Zaire with<br />

the world, then please<br />

write to Phil South.<br />

AMOS Column. <strong>Amiga</strong><br />

, <strong>Computing</strong> Europa<br />

House. Adlington Park,<br />

Macctesfield 51(10 4NP<br />

14


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'••-• a •<br />

inding is important. A brilliantly laid out<br />

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Two land, Of<br />

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Perfect binding is the neatest method. It is how this magazine is bound Single pages - or single sheets<br />

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k<br />

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Hit of a bind<br />

You can't have a nine-page document saddle<br />

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Most printers prefer to work in multiples of<br />

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n Wire o or plastic t binding is very popular these<br />

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SCSI-2 board lot the <strong>Amiga</strong> 2000 including<br />

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M i l l i r r n PARES<br />

Call for your requirements C P O A<br />

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Connects up to seven SCSI devices to your<br />

<strong>Amiga</strong>. The DKB 4091 futon= Full 7nern<br />

implementation. fast SOV2 implemenution,<br />

direct mentor! accos.<br />

DKB 4091 1 2 9 9<br />

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• Includes cables, software and manual<br />

For 1500120001100014000<br />

Supports Mitsuma 111005 CD-ROM & 1-10011)<br />

double speed CD-ROM drives<br />

Tandem CD-DE card £ 6 9<br />

Tandem CD-DE Al200 card E 6 9<br />

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special effects, new support hat I8-bit wanna,<br />

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PowerStan 4 (Mono) £ 1 1 9<br />

PowerScan 4 inc. OCR 1 1 3 9<br />

PowerScan 4 upgrade interfatx £ 5 0<br />

PowerScan 4 upgrade software £ 2 0<br />

OCR Full version £ 4 9<br />

"PowerSean is virtually flawless.<br />

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= F S dirre A N N<br />

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GI•6500 and 1600DPI on the GT-8000 in 16.7<br />

million colours, gtrysede or line art The scanners<br />

include other PowerStan or linage EX warming<br />

software.<br />

£ 5 9 9<br />

Epson GT-6500 PowerScan<br />

Epson GT-6500 Image FX£<br />

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• All cables & manuals supplied<br />

Acetic Modem v.32 his £ 1 6 9<br />

Accra Modem v.32 his inc. TrapFax C199<br />

High Speed 040 Acceleration. up to<br />

28MB of Memory. Fast SCSI-II<br />

Controller, all of this expansion is on a singk<br />

hoard thai installs into the CPU slot -<br />

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• No 'Lorry LII DMA Problems<br />

• Fully Autoconfiguarable with optional<br />

Autoboot capability for SCSI<br />

• 32Bit RAM Expansion Up to 128MB<br />

• Uses Standard 72Pin S1MM Modules<br />

• Allows Mixing of RAM Module Sizes<br />

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• Uses the Memory that is installed on the<br />

<strong>Amiga</strong> 4000 MotherBoard<br />

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MotherBoards at 25MHz<br />

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4 colour ribbon (80 prints) • .C38.95<br />

3 colour ribbon 1115 prints) • ..E38.95<br />

Monochrome ribbon (400 prints) C31.95<br />

Primer& paper IA4 200 sheets) C 1 8<br />

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ISratho software Sc a Mit 24-hir printer drisrn<br />

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drives in many different size. Including cables and<br />

installation software<br />

BOMB IDE 2.5' Internal C 1 6 0<br />

130MB IDE 2.5<br />

- l'OMB IDE 15" Internal R 2 7 0<br />

Internal<br />

260MB IDE 2.5' Internal £ 3 5 9<br />

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MIDI INTIRFAtr<br />

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Midi A Interface (new Midi chip) .t 19.95<br />

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Delivery next day .E5.00 2-3 days 1.2,50 Saturday £10.00 deliwnei are subtect to stock availability.<br />

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Tel 02 3 4 27 3000 Fax 02 34 352 207<br />

E239<br />

new 18-hit colour b.at4ncr pmduces<br />

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Full image manipulation<br />

Up to 400DPI<br />

256 Greyscale (AGA machine)<br />

128-bit colour (AGA machine)<br />

OCR optional extra<br />

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3 Steps to<br />

Frame Grabbing<br />

r'ombo<br />

1. Capture your picture<br />

2. Convert it<br />

3. Use it<br />

ROMBO Productions Limited,<br />

2B Young Square,<br />

Brucefield Industrial Park,<br />

Livingston, Scotland. EH54 9BX.<br />

Frame grabbing couldn't be simpler and more<br />

satisfying and is probably the best function that you<br />

can add to your <strong>Commodore</strong> AMIGA.<br />

The Vidi AMIGA range has been developed to meet<br />

this requirement at an affordable price and an<br />

unequalled performance level. No matter what your<br />

needs are, from hobbyist to professional, there is a<br />

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The Vidi AMIGA helps you place pictures within<br />

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Vidi AMIGA 12<br />

Excellent value 12-bit digitiser, captures colour HAM<br />

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grabs from composite or S-Video sources. Minimum<br />

recommended system: A500 with 1MB RAM.<br />

Only £99.95<br />

Vidi AMIGA 12RT<br />

A superb real time (fast scan) digitiser, grabs 24-bit<br />

images in 1/50th of a second. Similar to the Vidi 12<br />

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output. Vidi 12RT can be upgraded to the Vidi 24RT.<br />

Minimum recommended system: Al200 with 2MB<br />

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Identical to the Vidi 12RT but with more video RAM.<br />

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All Vidi digitisers have common built-in features such<br />

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The Vidi AMIGA range is available from your<br />

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For more information or to place your order phone<br />

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