Amiga Computing - Commodore Is Awesome
Amiga Computing - Commodore Is Awesome
Amiga Computing - Commodore Is Awesome
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1<br />
1<br />
1<br />
OCTOBER<br />
1994<br />
KA<br />
OCTOBER<br />
IBM<br />
111<br />
K 1<br />
l e 2<br />
Pita<br />
Use this<br />
manipulx<br />
with 1<br />
-<br />
1<br />
,<br />
1<br />
1MogoollMe Milo al • n/. •••• I M O MOO..<br />
A vast collection vt<br />
totally exclusive, high-quality texture<br />
images for use with all your lavourite<br />
2D and 3D graphic applications<br />
Noisome ,ttr=<br />
Attach sound samples 10<br />
input controls includmg<br />
disk drives. key and mouse<br />
D i a l l i n g C o d e s oVivo•kbench 3 ”2.•.•••<br />
Now you need never forget those elusive<br />
STD codes with this .mart little utility<br />
AticAtac<br />
The chisel. ultimate Spectrum game for<br />
use with your ZX Spectrum emulator<br />
<strong>Is</strong>sue 78 • October • 1994 • E3.99 Overseas price ,01.25 1111 18,95<br />
All you'll ever need to know about<br />
making money with your <strong>Amiga</strong> art<br />
Product reviews<br />
Forge - <strong>Is</strong> this the ultimate<br />
add-on for Imagine?<br />
Picasso & Pablo - Stunning<br />
graphics plus easy Mpeg<br />
War paint - Brilliance and<br />
Personal Paint 6 head to head<br />
Batch Factory Easy<br />
automation across the board<br />
Pyromania • The ultimate<br />
CD-ROM for <strong>Amiga</strong> animation<br />
+<br />
S<br />
Y<br />
S<br />
wl•<br />
Facts not fiction - the<br />
guide to <strong>Amiga</strong> gaminE<br />
1<br />
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BuyTomr- PAY H6 MONIHS<br />
This must be the ultimate offer!! Order any Indi<br />
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Plugs into the PCMC1A Slot of the <strong>Amiga</strong> 600<br />
& 1200 the Smart Stor Plus has it's own I 2V<br />
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at an amazing price. 12 Months Warranty<br />
FREE <strong>Amiga</strong> Challenge Software Pack<br />
• imenutional Sports Ohafienge • Paradrold 90<br />
• Cool Croc Twins • Indianapolis SOO<br />
130Mb ----- —4249.99 250Mb -------- 4_94.99<br />
170Mb ----------4274.99 340Mb £ 3 4 4 . 9 9<br />
You've seen all the reviews on this popular and<br />
affordable second <strong>Amiga</strong> drive_ "Compatible with<br />
all <strong>Amiga</strong>sQuality 9 out of I 0."Bcceptional value<br />
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E48.9<br />
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MICROVITEC MONMDRS<br />
The superb (smear offers a high osety<br />
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been wasangfor.<br />
I •<br />
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External<br />
Speakers<br />
Included<br />
SHARP .-ci MONITOR TV<br />
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the rode t tr you complete wt<br />
24irgr<br />
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<strong>Is</strong><br />
Including<br />
L169 99<br />
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"The level of software compatibility -<br />
ethat has been achieved is very impressive..„Whatever<br />
your Cl) - ROM needs.<br />
the Zappo Drive can handle it."<br />
<strong>Amiga</strong> Format<br />
"h is rare to come across a product<br />
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N o r t<br />
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P o l a<br />
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Destroy. Pre historlk. Tota l Ca rna ge<br />
PHONE FOR FU LL L •<br />
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CD 32 EXPANSION MODULE<br />
Order today and fill in our crecit application<br />
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SX-I EXPAN SI ON E I 9 4<br />
MODULE<br />
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9 9<br />
A The New Zappo Smart Stor provides games<br />
and data portability never before available to<br />
the <strong>Amiga</strong> 600 and 1200 owner. Simply slip<br />
into the PCMCIA Slot on your <strong>Amiga</strong> and you<br />
have Paccess to 20Mb of Smart Storage. Want<br />
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<strong>Amiga</strong>, no problem. simply unplug the Smart<br />
Stor arid you have Total Portability.<br />
* Fully configured * Superfast Access<br />
*<br />
p<br />
I 2 Months Warranty<br />
*20 Mb<br />
£139.99 ° rts impressive pike tag and the sheer<br />
convenience of being able to plug in and go. the<br />
Smart SStor deserves to do very well<br />
nook<br />
indeed,<br />
"..-Smart Stor II 0 genuine godsend". Arniga Format July 1994<br />
p<br />
Expansion Options<br />
B<br />
L<br />
ZAPPO FLOPPY ORME £48.99<br />
A<br />
C*POWER<br />
SUPPI-Y £35.99<br />
K •Incit recomend the use of an addition-<br />
K<br />
al power supply if more than 2<br />
E<br />
Y<br />
expansion options are anticipated<br />
B<br />
O SX-1 Super Ekmdkt<br />
A<br />
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D SX- I Ex pansion Module<br />
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9<br />
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2<br />
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NEW<br />
ZAPPO AMIGA 1200<br />
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A mu<br />
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£194.99<br />
The Zappo Smart Drive simply slots into the Amkga 1201,<br />
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ci CD<br />
* Double Speed, Multi Session CD ROM<br />
* Photo CD Compatible * Plays CD + G<br />
music CDs and Graphics CD's * Mix CD and<br />
<strong>Amiga</strong> Audio Output * Plays CD32 Software<br />
12 Months Warranty r<br />
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lappo T - Shirt or Zapsa<br />
with every Zappo Produt<br />
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1
• Colour Ribbon<br />
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* Mouse House<br />
Mouse Mat<br />
* 500 sheets A4 Paper<br />
• Wordworth Word<br />
Processinp Software<br />
Panasonic<br />
Whilst Stocks Last<br />
Panasonic KX- P2I23<br />
1<br />
LI<br />
1<br />
4 e ,<br />
KX - P4400 KX Cr<br />
- P4401 1<br />
PO
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.<br />
The 255211tidi guide to limiga gaming<br />
System On-line 9 2<br />
Daze return with the third pert of the <strong>Is</strong>har adventure series, Mr<br />
Blobby's back plus Kixx go budget crazy with games priced at £4.99'<br />
Beat the System 9 6<br />
The first part in a two-part complete guide to Sierra's brilliant<br />
sixth fairy tale episode in the Kings Quest adventure series<br />
Preview: MysterX 1 1 4<br />
Millennium unveil their latest offering that promises to beat up<br />
all other beat-ern-ups and stars a real-life martial arts expert<br />
Preview: Dreamweb 1 1 8<br />
One of the first games to get a voluntary 18 certificate. Packed full of<br />
violence. sex and bad language, Empire's RPG is going to be massive!<br />
Preview: Litil Divil _ _ 1 2 0<br />
Its been in production for four years, but can Gremlon's devilish<br />
adventure become the world's first proper -<br />
interactive<br />
cSystem a r t Essentials o o n "<br />
1 2 4<br />
Essential <strong>Amiga</strong> software this month includes Grerrifin's Heroquest 2 on<br />
the CO32 and Team t 7's insect shoot-ern-up Apedya<br />
Pinkie<br />
GRIM REMEWS<br />
Universe 1 0 2<br />
Kid Chaos 1 0 6<br />
World Cup 94_ 1 0 8<br />
Bubble in• Squeak 1 1 2<br />
100<br />
n[Asso a Po now<br />
Budget digital video for one of the <strong>Amiga</strong> s best RTG boards<br />
FORGE monimpor<br />
At last, real-time texture generation for ray tracing tans<br />
2FIPPO (0—horn immit<br />
The uttimate C•ROM system tor the Al200<br />
PERSON Pam 5 8<br />
5urno FAH EEO<br />
The very best AGA paint packages under the AC spotlight<br />
Super fast comms and Ilyeng taxes at an affordabie price<br />
DIGITAL 50100 TRIMS<br />
Essential software that will add audio to any animation<br />
Give your CO32 all the muscle of A 1200 in a matter of seconds<br />
Pyaminnig<br />
A spectacular CD offering pig budget effects a! a bargain price<br />
BREA FIERY<br />
Easy automation for aims( any ARexx compatible package<br />
FfAm<br />
oITERARTME<br />
10PUI s i t<br />
Simon Clays tracks down a few point and click alternatives<br />
- 12 1O PEES<br />
- Il[ISH TOURIST OM nit<br />
- OEUPIA DELIGHT<br />
Michael Milne goes boldly into the unknown with Blitz Basic II<br />
Adam Phillips discovers <strong>Amiga</strong> marketing at its very best<br />
Paul Overaa's concise guide to all things assembler<br />
138<br />
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RECUTñRs<br />
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New bidders in the war to take control of <strong>Commodore</strong><br />
Upgrades a-go-go plus more essential software from the States<br />
Can the CO32 survive the onslaught of the killer consoles<br />
GETIA SNEED<br />
Alternative 30<br />
IPHtUre5<br />
A spectacular collection of 19<br />
broadcast quality textures all in<br />
video resolution. Essential software<br />
for both 2D and 3D applications<br />
Marra abilu5<br />
The perfect accompaniment to our texture<br />
collection. Stunning image processing<br />
software that allows any <strong>Amiga</strong><br />
to use our 3D Textures<br />
noi5ome<br />
Add samples to any event whether it be<br />
a mouse dick, key strokes or disk input<br />
output. Complete control to customise<br />
your <strong>Amiga</strong> audio<br />
16 -<br />
MUM. -<br />
s a w<br />
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ilEHt Oil 5Bit i551<br />
5ept<br />
'01515 OFFERS<br />
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fit tat&<br />
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A classic release on the<br />
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Paul Overaa adds the whistles and bells to looping the loop<br />
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Adam Phillips embarks on a two-pert pro's Opinion special<br />
m o<br />
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Paul Overaa looks at the <strong>Amiga</strong>'s cheap audio alternatives<br />
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Phil South discovers on-line music<br />
Amos<br />
Wipe that smile Of your face with The ad of Amos<br />
Publi5hing<br />
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NASSAU, Bahamas, July 19 - Le Meridian, a<br />
graceful resort hotel on fashionable Cable Beach.<br />
hardly seems a spot for a fight. It is a place of manicured<br />
lawns. swaying palms, sandy beaches and<br />
emerald water. Travellers normally come here for<br />
the relaxing pleasure of the tropics and line dining<br />
at the hotels gourmet restaurant.<br />
But suddenly on Friday, amidst the usual gathering<br />
of sun-tanned women in bikinis and men in<br />
shorts, appeared a small army of two dozen<br />
lawyers. mostly men in dark suits bearing overstuffed<br />
briefcases.<br />
They came to do battle over the carcass of<br />
<strong>Commodore</strong> International Ltd. the once mighty<br />
maker of small computers which had its North<br />
American headquarters in West Chester. They<br />
came for the first official meeting of <strong>Commodore</strong>'s<br />
Bahamian committee of creditors.<br />
It is a fight over the company's assets, over the<br />
future Otis technology, over how much of its $145<br />
million debt will be paid and, not surprisingly when<br />
lawyers get together, over legal jurisdiction.<br />
<strong>Commodore</strong>, whose stock was traded on the<br />
New York Stock Exchange until May, was registered<br />
in the Bahamas, and the company initiated its<br />
own liquidation in the Bahamian Supreme Court.<br />
The court-appointed Bahamian liquidators so far<br />
have received at least four proposals to buy<br />
<strong>Commodore</strong>, including one from the management<br />
team, its subsidiary in the UK, the only one of the<br />
company's units still profitable when the firm went<br />
out of business.<br />
The other suitors are Amstrad Plc, a UK<br />
computer firm; Philips Electronics of the<br />
Netherlands, and Samsung Electronics of Korea.<br />
But before there is a sale, lawyers for<br />
<strong>Commodore</strong>'s principal creditors would like to have<br />
the bankruptcy proceedings moved, or at least have<br />
parallel proceedings opened in the US Bankruptcy<br />
Court in New York.<br />
"The biggest problem we are having is that the<br />
Americans don't trust the Bahamians to do the liquidation,"<br />
said Paul L Adderly, the attorney for the<br />
two liquidators.<br />
"What can you do about that?" asked Adderty in<br />
exasperation. 'We are not entirely ignorant of these<br />
matters in the Bahamas."<br />
But lawyers for the main creditors see things differently.<br />
It is not just the competence of the<br />
Bahamians they have called into question, but the<br />
efficacy of Bahamian law.<br />
Under Bahamian law, a creditor's committee has<br />
an advisory role while under US law, the creditors<br />
onus<br />
011 ADAM NiltilP5<br />
fommodoreP5 ameditor5 gather<br />
to do battle<br />
would have more of a say over final disposition of<br />
the assets.<br />
Also. Bahamian law permits the liquidators to go<br />
back and judge, and possibly reverse, management<br />
actions involving assets three months before bankruptcy<br />
was declared. American law permits a year<br />
So tar, the Bahamian court has rejected motions<br />
from the creditors to have the proceedings moved to<br />
New York_<br />
Meanwhile, the creditors are seeking a ruling in<br />
US Bankruptcy Court tn the Southern District of New<br />
York to seize jurisdiction or at least open parallel<br />
proceedings.<br />
The principal opposing creditors are Prudential<br />
Insurance Co. of America and a subsidiary. Pruco<br />
Life Insurance Co. both of Newark, NJ, which are<br />
owed a total of S28 million: Anchor National Life<br />
Insurance Co of Los Angeles. owed $6 million, and<br />
Daewoo Telecom and Daewoo Corp of Korea, owed<br />
$15 million.<br />
The creditors have questions about actions taken<br />
by the <strong>Commodore</strong> management team shortly<br />
before and right after the liquidation filing in the<br />
Bahamas on May 2.<br />
They want to challenge management's transfer of<br />
a <strong>Commodore</strong> unit from one subsidiary to another,<br />
illitatithi AIh atioutions aboloi contidtcf<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
and they have questions about the conduct of<br />
<strong>Commodore</strong>'s former president, Medhi R Ali.<br />
Ali Med to gel Prudential and Daewoo to agree to<br />
allow liquidation proceedings to go unchallenged in<br />
the Bahamas, in return for a vague promise that they<br />
would get 50 cents on every dollar of debt.<br />
According to an affidavit filed in the Bahamian<br />
Supreme Court by Stephen M Richmond, an attorney<br />
representing the creditor's committee. Ali<br />
claimed he had a foreign buyer for the company and<br />
the sale would proceed quickly if there was not a<br />
legal tangle in New York.<br />
Richmond, a gruff Boston-based lawyer, said that<br />
Ali refused to tell him who the potential purchaser<br />
was or what the terms of the sale were.<br />
Ali is no longer associated with <strong>Commodore</strong>.<br />
Reached Monday by telephone at his home in<br />
Ridgefield, Connecticut, and asked for comment, Ali<br />
shouted. 'You're intruding on my home. I'll complain<br />
to your editor. You're an idiot." He then hung up.<br />
The Bahamian court-appointed liquidators are<br />
Franklyn Wilson and McGregor Robertson. two part<br />
ners in the Bahamian offices of Delotte & Touche, a<br />
major accounting firm.<br />
Wilson said on Monday he hoped to complete the<br />
sale of <strong>Commodore</strong>'s assets "very quickly", but he<br />
declined lo be more specific.<br />
Amid all the men In dark suits last week was a<br />
bearded, casually dressed British national, David<br />
Pleasance, managing director Of <strong>Commodore</strong>'s UK<br />
subsidiary and a leader of the management team<br />
trying to buy all of the company.<br />
"We might as well try. We have a good business<br />
in the UK. a very good business," said Pleasance,<br />
who came to the Bahamas to get to know the company's<br />
major creditors.<br />
If the management buyout is successful,<br />
Pleasance said operations would be moved<br />
to England, but that the company would like to<br />
keep research and development facilities in<br />
Norristown.<br />
"These are very good people. " Pleasance said.<br />
"We would like to keep them."<br />
• This text was reprinted with kind permission from<br />
Dan Stets, its writer, and the Philadelphia Inquirer.
NEWS<br />
10<br />
HSI retirement<br />
The Federation Against Software Theft<br />
has announced that its chief executive,<br />
Bob Hay, is retiring after nine years of<br />
service. He leaves to spend time with his<br />
wife who has been seriously ill over the<br />
last several months.<br />
David Svendsen, board chairman of<br />
FAST and managing director of<br />
Microsoft Ltd. added, To many in our<br />
industry, Bob has been the public face ol<br />
FAST and everyone will miss his singleminded<br />
goal of establishing a moral and<br />
legal environment in which to use<br />
software."<br />
Svendsen concluded by saying: -<br />
Under his leadership, Bob has taken<br />
FAST from inception to the most successtul<br />
anti-piracy body in the world.<br />
-<br />
Health (ORM<br />
For those computer users who regularly<br />
spend hours on the keyboard stanng at<br />
a screen, the London Advice Services<br />
have released a tactsheet on health and<br />
safety when operating a computer.<br />
The Computanews pamphlet offers<br />
advice on what the risks are, what the<br />
user needs to do to create a better environment<br />
and what the laws say concerning<br />
&mak:eters responsibility to its staff.<br />
The factsheet costs E3 and is available<br />
from LASA on 071-377 1226.<br />
Ful house<br />
After the somewhat troubled start of the<br />
European Leisure Software Publishers<br />
Association's IELSPA1 ratings system.<br />
the group has announced that all 63<br />
members of the association have given<br />
their full support and adopted the<br />
scheme.<br />
This includes Acclaim, publishers of<br />
the controversial Mortal Kombat. who,<br />
after much publicised deliberation, have<br />
agreed to carry the ELSPA age suitability<br />
ratings.<br />
Moto report<br />
According to research company<br />
Dataquest. US Robotics is now UK market<br />
leader in high speed modems, with a<br />
16.5% share.<br />
"We have gone from 15th in 1990 to<br />
number one in 1993. The figures tell<br />
their own story." commented US<br />
Robotics managing director, Clive<br />
Hudson.<br />
For more details on US Robotics<br />
modems, call Lucy Brown on 0753<br />
811180.<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
new bidder5<br />
5tep<br />
Forward<br />
Alto the surprise announcement last month that various members<br />
from <strong>Commodore</strong> were attempting their own buyout, a<br />
rumour has surfaced that Steve Franklin. former managing<br />
director of <strong>Commodore</strong> UK, is also making a bid for the<br />
company.<br />
Franklin declined to comment on the situation. David<br />
Pleasance, the current UK managing director, thinks "it's highly<br />
unlikely" that the former head is in a position to offer a<br />
substantial bid.<br />
Pleasance's own plans are apparently moving forward and<br />
he hopes that the question of <strong>Commodore</strong>'s future will be<br />
resolved "In the next two to three weeks." He believes that their<br />
offer is the highest and feels confident of a successful result.<br />
According to an article in the Chicago Tribune, both Amstrad<br />
and Philips have lost interest in a buyout, partly down to the<br />
legal delays. Samsung is interested in the intellectual-properly<br />
rights of <strong>Commodore</strong>'s products, but is dismissive with the<br />
computer firm's inventory or other products.<br />
A potential buyer has appeared in the shape of Creative<br />
Equipment International based In Miami. who are in the process<br />
of submitting a bid. 'There is a pent-up demand for the product,"<br />
CEI president Alex Amor commented. I think it can be<br />
very successful if it is brought back to the market:<br />
The legal tanglings over the liquidation though are causing<br />
serious concerns with people close to <strong>Commodore</strong>. -<br />
The urgency arises because we are dealing with an asset which is<br />
perishable," said Franklyn Wilson, a liquidator in Bahamas.<br />
"It is an industry where change is the greatest constant. This<br />
technology needs to be constantly updated to stay current."<br />
Raptor intrea5e5 in<br />
power and 5peed<br />
With the reputation of Raptor's quality and results, makers ol<br />
the graphics work stations, Desk Station. have released two<br />
new models. The Raptor II and the Raptor Plus are seen by<br />
many as the next step for serious graphic artists and television<br />
production.<br />
The Raptor Plus features MIPS RISC R4600/133MHz rendering<br />
engine that the company<br />
claims increases the<br />
rendering performance by 50<br />
per cent over the original<br />
work station.<br />
The Raptor range is available<br />
to buy through Ramiga<br />
International who can be contacted<br />
on 0782 398840.<br />
Raptor Roc Twice<br />
the speed of the<br />
original graphics<br />
work station<br />
Prirnera Pro, Offering the latest in printer technology<br />
Printer paradi5e<br />
Announced at the recent MACWORLD Expo in<br />
Boston, the new PrimeraPro colour printer is a<br />
high spec, low-priced machine that is compatible<br />
with the <strong>Amiga</strong>.<br />
Featuring dye-simulation and wax thermal output<br />
at 600•300 dpi, Fargo - the company behind<br />
the new hardware - claim that the printer is the<br />
first in its kind to offer such a high dpi_<br />
Costing $1895 in the States, the PrimeraPro<br />
can also print on a variety of different surfaces,<br />
from laser paper and transparency film to dyesublimation<br />
media and T-shirt transfer paper.<br />
<strong>Amiga</strong> <strong>Computing</strong> will be reviewing the product<br />
next month and Fargo, the makers of the Primera<br />
Pro, can be contacted on (612) 941 9470.<br />
Competition! One or the many<br />
entries already received<br />
(ompetition boa5t5<br />
hologram priae<br />
In a bid to show PC users and high-priced Oatforms<br />
what the <strong>Amiga</strong> is capable of, the 24 Bit<br />
Club has launched a competition for <strong>Commodore</strong><br />
owners to send in their best 3D work. There are<br />
three categories for entry - science fictionifantasy,<br />
photo realism and organic/abstract.<br />
The winner from each will have their rendered<br />
masterpieces turned into a hologram by Munday<br />
Spacial Imaging, and most entries will find their<br />
way on to a video to be produced by the 24 Bit<br />
Club of the best work they receive.<br />
For more information and an entry form, phone<br />
John Campbell on 041-946 2191.<br />
4
VIPER 68030 TURBO I<br />
For the <strong>Amiga</strong> 1200 computer<br />
Full 030 with MMI.I running at 28MHz<br />
FPU running up to 50M1lz<br />
Industry standard 72pin Simms<br />
RAM upgradable to 8MB<br />
Full Kickstart remapping (FastROM option)<br />
Optional SCSI-II adaptor<br />
68882 Maths Co-processor<br />
On-board battery backed clock<br />
Faster than an <strong>Amiga</strong> 4000/030<br />
Up to a 440% speed improvement<br />
XL 1.76 MB DRIVE<br />
The XL Drive can be used with any <strong>Amiga</strong><br />
Computer, and allows you to store a massive<br />
I_76MB on a high density disk. The drive<br />
also acts as a standard 880K drive and can<br />
read and write A4000 high density disks<br />
XL Drive 1.76MB External £ 8 9 . 9 5<br />
XL Drive I.76MB Internal £ 7 9 . 9 5<br />
XL Drive I.76MB Internal A4000 £89.95<br />
INTERNAL DRIVES<br />
We use the same drive mechanisms as<br />
<strong>Commodore</strong>.<br />
PC88I A500 Internal drive E 4 0<br />
PC882 A2000 Internal drive 4 0<br />
VC883 A600/1200 Internal drive 5 0<br />
All prices Include VAT and are suhlect to change<br />
without notice. Prices correct for month of<br />
publication only. Delivery extra. E OE.<br />
Viper 68030<br />
en<br />
20M1-Iz FRI E 2 5<br />
t ' rp• .•,<br />
33MHz FPU E 6 0<br />
• gi -<br />
2171<br />
40Mliz E 8 0<br />
,<br />
1,r<br />
50MHZ I 2 0<br />
:-k<br />
—<br />
fi<br />
SCSI-II Adaptor 7 9<br />
Power Drives<br />
– -<br />
POWER DRIVE<br />
The Power Drive is the most impressive drive<br />
of its kind on the market and now includes<br />
Blitz <strong>Amiga</strong> and Floppy Expander, Floppy<br />
Expander allows you to compress files only on<br />
floppy disks by up to 50%.<br />
SPECIAL OFFER<br />
For an extra ten pounds Cyclone copier can<br />
be purchased with the Power Drive.<br />
Floppy Expander (Purchased separately) t 9 9 5<br />
POWER DRIVE FEATURES<br />
POW r Ai.ii<br />
tck<br />
Anti-click • •<br />
Anti-virus • •<br />
Floppy Evader<br />
Sony mechanism • •<br />
<strong>Is</strong>olation switch • •<br />
2 year guarantee • •<br />
Thrtfport • •<br />
Upgradable to 1.76mR<br />
Cyclone compatible chip •<br />
Built-in backup hardware •<br />
<strong>Amiga</strong> Format Gold<br />
Blitz Compatible<br />
Disk drive modification by Sony<br />
to stop flickering LED<br />
VIPER I<br />
Standard I 5 9<br />
Viper I 2MB (no HUY ••• 2 3 9<br />
Viper I 4MB (no HU) 3 0 9<br />
Viper I 8MB (no FPU) _ I 4 7 9<br />
CO-PROCESSORS<br />
&mu, fikkerin o n vow dish drive won that the drive his WI<br />
lamp inirdifkli by Sony for ICO% rmiga cumpabbyliti<br />
Power <strong>Computing</strong> Ltd<br />
44aA) Stanley Street. Bedford MKi I 7RW<br />
Tel 0234 273000 Fax 0234 352207<br />
•<br />
•<br />
•<br />
•<br />
•
NEWS<br />
IP- <strong>Amiga</strong> de5igner<br />
Od5525 Nag<br />
With the future of <strong>Amiga</strong> in doubt, its original<br />
creator, Jay Miner, passed away on June 20<br />
in California. His litelong kidney problems<br />
finally took his Ide.<br />
Seen as the Father of the <strong>Amiga</strong>. Jay had<br />
a long and accomplished career - he helped<br />
design the Atari VCS games console and<br />
was an integral member of the team that created<br />
the original <strong>Amiga</strong> chipset<br />
His later achievements included the<br />
Atari Lynx. an under-rated handheld that<br />
today, in terms of technological excellence,<br />
outshines its portable counterparts in the<br />
market.<br />
Long may his <strong>Commodore</strong> creations<br />
continue<br />
tommunicator II<br />
Only a few months after the release of the<br />
Communicator, the Netherland-based<br />
company Eureka have announced the<br />
imminent arrival of its sequel - the<br />
Communicator II.<br />
The original hardware allowed the connection<br />
of the CD32 to any <strong>Amiga</strong> and PC. By<br />
using the CD32 as a serial 2-way CD-ROM<br />
drive, multimedia presentations including<br />
WV (through the use of the FMV cartridge),<br />
Photo CO's and audio can be controlled and<br />
created.<br />
The Mark II version improvements include<br />
an extra keyboard plug for A2000/3000, a<br />
serial cable that is now a DB25 serial to<br />
RJ10 plug and a new casing design.<br />
Extra software has also been introduced<br />
from Mediapoint that aids audio and video<br />
control to a variety of PD titles.<br />
The Communicator II costs approximately<br />
E99 and will be reviewed in next months<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
FleHidump upgraded<br />
and improued<br />
Care Electronics, makers of Flexidump 3,<br />
have released an enhanced veision of the<br />
program which the company claims can<br />
remove banding and white lines from all dot<br />
matrix and bubble jet printers. The company<br />
says that ribbon life is extended and print<br />
quality is very consistent.<br />
The new system, called "shingling,* adds<br />
to the recent additions of dithering and<br />
anti-abasing in the latest version. Anyone<br />
with Flexidump 3 that doesn't include the<br />
"shingling" option can upgrade free of<br />
charge.<br />
For those with an earlier version ot<br />
Flexidump an upgrade is available tO<br />
04.95. Care Electronics can be reached<br />
0923 894064.<br />
3<br />
Silica eHtend5 warm*<br />
Silica: Offering a comprehensive warranty scheme<br />
more add-0n5 for<br />
tightwaue<br />
As Lightwave PAL finally reaches the shores of the<br />
UK. the 24Bil Club is releasing the Lightwave<br />
Collection Sets 1 & 2 to aid artists with their work.<br />
Costing E29.95 each, each set contains 10 disks<br />
filled with objects, scenes, fonts and textures and<br />
comes complete with a user guide.<br />
For the E3.95 sampler disk containing various<br />
examples from the collection, contact Gordon<br />
Keenan on 041-946 2191,<br />
Buletin board5<br />
made ea5g<br />
To combat the tedium of BBS login screens, a group of<br />
Sysops (system operators] have decided to create<br />
MAXIink. a networking bulletin board, The idea behind<br />
the scheme is once a user has joined and all their<br />
details have been taken, the data is passed on to all the<br />
other MAXIM BBS.<br />
This in turn provides instant membership to all the<br />
bulletin boards under the MAXiink banner and saves<br />
the user time and money.<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
Lightwave<br />
Collectiorn<br />
A variety<br />
of images<br />
to be used<br />
with the<br />
top- rated<br />
graphics<br />
software<br />
In a bid to provide a better deal for the<br />
customer, Silica have introduced a comprehensive<br />
extended warranty on its products,<br />
including games consoles, with the<br />
launch of "SilicaCare".<br />
The scheme provides repair and<br />
replacement of parts, including major<br />
hardware such as hard drives and monitor<br />
tubes, for a single or whole computer<br />
system.<br />
The warranty can be arranged for up to<br />
five years, tailoring the needs of the individuals.<br />
If you have an <strong>Amiga</strong> computer<br />
system worth up to E1500. for a two year<br />
policy il costs E38 for free repairs, delivery<br />
and courier service.<br />
As high-tech games consoles and<br />
computers become a part ol everyday<br />
homes, more non-technical users want<br />
the assurance of a total service package.<br />
"SilicaCare provides them with the<br />
peace of mind that should anything go<br />
wrong, it will be immediately fixed." stated<br />
Silica's retail controller. Ken Browning.<br />
For more details, phone Silica Systems<br />
on 081-309 1111<br />
Art bq the people for<br />
the people<br />
The Digital Gallery is a new concept being put forward<br />
by PLINECO which allows magazine readers to send<br />
their computer generated artwork in for inclusion on a<br />
four hour video.<br />
Presented as a slideshow. artists - part-time or otherwise<br />
- can submit their work with a E20 fee and have the<br />
opportunity to show off the fruits of their labour to the<br />
public.<br />
There is no age restriction and for further information.<br />
call MECO on 0482 500597.<br />
NM growth<br />
With the continual enlarging of CompuServe's facilities,<br />
this month sees the introduction of the on-line service<br />
UK Professionals Forum, which focuses on the needs of<br />
key professional groups in Britain.<br />
At present, the forum has areas for members of the<br />
legal, medical, engineering, linancial, marketing and<br />
media professions. The various fields are catered<br />
for via the use of message sections and libraries<br />
and CompuServe hope that the new service will<br />
encourage the involvement of the appropriate national<br />
bodies.<br />
To join CompuServe. phone 0800 289378 for more<br />
details.<br />
Heard the late5t?<br />
Have you heard any interesting <strong>Amiga</strong> news recently?<br />
II you've picked up some hot gossip that you<br />
think we could be interested in give Adam Phillips a<br />
call now on 0625 878888.
I<br />
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Comes complete with<br />
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• Batman Returns<br />
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leitible<br />
• rapdoor upgrade for the <strong>Amiga</strong> 600. 512K.<br />
INDI PRICE 119.99<br />
2 Mb Smartcard The original and still<br />
A the only fully PCMCIA compatible memory card foi<br />
1 the A600 and Al200. Comes with lifetime guarantee.<br />
Beware of cheap immitations.<br />
INDI PRICE 499.99<br />
4 Mb Smarteard<br />
Same as above but maximum 4Mb.<br />
INDI PRICE LI 55.99<br />
NEw Lam PRICE IDE MINIMAL HMCo DRIVES<br />
I ndi can now offer top quaky 2.5" Internal Hard Ch<br />
-<br />
prices. Ail drives come complete with cable and installation software<br />
,yes f o r t h e<br />
A m i g a 6 0 0<br />
a n d<br />
1 2 0 0<br />
a t<br />
u<br />
e<br />
n b e a t a b<br />
A I 200 Software<br />
l<br />
Ryder Cup Golf<br />
Star Trek 25th<br />
Anniversary<br />
Sorccer Kid<br />
Simon the Sorcerer<br />
Brutal Football<br />
James Pond 3<br />
Kick Off 3<br />
80Mb 25" Internal HIYs 4169.99<br />
120Mb 2-5" Internal HD's £21499<br />
170M1) kiternal HD's i:249.99<br />
ADI Educational Software from L 12.99<br />
9<br />
.<br />
9.<br />
9<br />
9<br />
OPAL VISION PIAINIIOARD<br />
9<br />
The Opal Vision mainboard includes Opal Paint, Opal Au, e. Opal<br />
Presents and Opal Hotkey.<br />
FREE Montage 24<br />
THE BEST SELLIING "REAL TIMe..r.ROFESSIONAL VIDEO Trrl-ING<br />
For p e r i o d from 10 April until 30 June we will be giving away a FREE copy of Montage 24<br />
worth 300 U.S Dollars. Montage 24 features Real Time font scaling. embossing 9and ituclowing.<br />
colour spreads and transparency effects with an effective resolution of I nanosecond. Its many image<br />
processing capabilities include translucency blending, imagecomposiong and beveled boats. Now you<br />
can enitay the benefits of the ultimate in high quality 24 - bit tiding for OpaNision and the <strong>Amiga</strong>.<br />
Lii-;ted Offer I L 3 4 9 . 9 9 includes Montage FREE 24<br />
<strong>Commodore</strong> List Price<br />
h11 £<br />
1 6 . 9<br />
944479T £22.99<br />
L.2<br />
1•34 ,<br />
41-Piti4ir<br />
91 LI 2.99<br />
1.24t9T t9r 1M £19.99<br />
4LISA*<br />
r L 1 9.99<br />
2£<br />
5 1 .<br />
<strong>Amiga</strong> 500 t 500+<br />
600 and 1200<br />
4<br />
I N E O P A L VISION VIDEO PROCESSOR<br />
ir e ve received con rmation • at<br />
Voucher Price<br />
the OpalVision Video Processor with<br />
Roaster Chip arid the Opalvision Video<br />
Suite samples will be with us within<br />
weeks and volume supply will arrive<br />
L659,99 1<br />
early summer.<br />
Video Processor Module V i d e o Suite<br />
L899 .99 i899 .99<br />
0'1111m1=1111<br />
Once again Indi bring you the best deal in town with a full £70 off the fabulous<br />
SPECTACULAR CD32 Voyage Pack Why so generous! It's simple. The more<br />
CD32 we sell the more software you will buy and at Indi Prices who could blame you.<br />
<strong>Amiga</strong> CD32 Comes with2 GREAT GAM:. Microcosm and Chaos Engine and<br />
whilst stocks last Oscar. Diggers and Wing Commander. CD32 will play your<br />
favourite Music CD's<br />
rAVATI L229 •99<br />
4 ; I
--1NEWS<br />
1<br />
H o f _<br />
( : )<br />
r a l<br />
e<br />
w e<br />
' v<br />
e<br />
a<br />
l<br />
l<br />
b<br />
e<br />
e<br />
n<br />
c<br />
l<br />
o<br />
s<br />
e<br />
l<br />
y<br />
w<br />
a<br />
t<br />
c<br />
h<br />
i<br />
n<br />
g<br />
S<br />
o<br />
f<br />
t<br />
-<br />
14<br />
Logik to see when they'd release the<br />
much-awaited PageStream 3.0. the company<br />
slipped a surprise upgrade Out the door.<br />
TypeSmdh, the premier font editor for the <strong>Amiga</strong>.<br />
has been updated to version 2_5.<br />
The biggest improvement in this new version is<br />
the addition of support for TrueType fonts_<br />
TrueType is the standard outline font system on<br />
both the Macintosh and Microsoft Windows, so you<br />
can find the fonts just about everywhere. (On this<br />
side of the pond, you can buy a CD-ROM with over<br />
500 TrueType fonts for only S19.95!)<br />
Although no <strong>Amiga</strong> applications directly support<br />
TrueType typefaces, TypeSmith will let you convert<br />
them to formats that can be used with <strong>Amiga</strong> applications<br />
such as PageStream, WordWodh, Final<br />
Writer, Brilliance, and LightWave 3-D_<br />
TypeSmith 2,5 supports saving and loading fonts<br />
In TrueType, PostScript Type 1, Compugraphic<br />
InteMont (the <strong>Amiga</strong>'s native bitmap font format),<br />
Solt-Logik, and IFF RFF formals. You can create<br />
your own fonts, or automatically trace digitized font<br />
pictures or bilmap fonts.<br />
With previous versions of TypeSmith. converting<br />
large batches of fonts was a tedious operation,<br />
forcing you to select each typeface individually.<br />
TypeSmith 2.5 adds a new Batch Convert ARexx<br />
macro that lets you convert an entire directory of<br />
fonts with the press of a single key. Full<br />
<strong>Amiga</strong>Guide help makes using both new and old<br />
features a snap.<br />
The program retails for $199.95. If you own<br />
TypeSmith 2_0, you can upgrade tor $25 plus shipping<br />
and handling ($5 USA/Canada. $15<br />
International); TypeSmith 1,0 owners pay $65 plus<br />
shipping and handling.<br />
For more information. contact Soft-Logik, 1113F<br />
South Towne Square, St. Louis. MO 63123 USA,<br />
phone (314) 894-8608; fax (314) 694-3280: or<br />
e-mail lech@sloc.com.<br />
new light through new windows<br />
Hot on the heels of the release of the standalone<br />
LightWave 3D 3.5•Ior the <strong>Amiga</strong>. NewTek has<br />
announced LightWave 4.0. Like version 3.5, this<br />
release won't require a Video Toaster board_<br />
But unlike earlier versions, this one doesn't even<br />
require an <strong>Amiga</strong> - it's also available for Windows,<br />
Windows NT, and Sdicon Graphics (SGI) machines,<br />
The $145 upgrade price from version 3,5 allows you<br />
EA titbit<br />
Although nothing's been announced,<br />
Electronic Arts' Orlando Guzman recently<br />
popped up on the CompuServe network asking<br />
what the users there would expect from a<br />
new version of DeluxePaint.<br />
So it appears Electronic Arts is still working<br />
on DeluxePaint V for the <strong>Amiga</strong>. despite<br />
<strong>Commodore</strong>'s situation.<br />
Have a feature you're dying to see in the<br />
next DPaint? Send your electronic mail to<br />
oguz@ea.com and let him know,<br />
lle17171/ T O P & the IPIP1352 of —<br />
the all-new type5mith and iliaLl5<br />
two other important upgrade5<br />
Iain of d<br />
the r) unmounted<br />
j<br />
sm<br />
w<br />
rho Antiga's ultimate font editor enjoys<br />
yet another impressive upgrade<br />
to update to version 4.0 on the platform of your<br />
choice.<br />
LightWave 4.0 will otter the same basic features<br />
set on all platforms, as well as full cross-platform<br />
compatibility. This means that you could, for instance,<br />
create a complex scene on your <strong>Amiga</strong> at home,<br />
save it to disk. and take it to work where you could<br />
render it on a blazing-fast Pentium 90 or SGI system.<br />
Like Axiom, NewTek has stressed its commitment<br />
to future <strong>Amiga</strong> development. The majority of our<br />
user base currently use <strong>Amiga</strong>s, and many users prefer<br />
it for desktop video and graphics applications.<br />
-says NewTek's Tim Jenison_<br />
-<br />
LightWave's H power on their machines, and we<br />
wanted o to have LightWave keep its position as the<br />
professional w standard in 3D graphics."<br />
eLightWave<br />
has been used to create graphics for<br />
many v popular television programs, including Star<br />
Trek: The Next Generation, SeaCtuest DSV. Babylon<br />
e<br />
5, Robocop, Viper, Unsolved Mysteries, and Weird<br />
r<br />
Science.<br />
.<br />
Babylon 5 won an Emmy (the US television equivalent<br />
u<br />
to an Oscar) last year for its LightWaveproduced<br />
s<br />
graphics_<br />
e<br />
r<br />
s<br />
o<br />
n<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
PiHRI<br />
Axiom Software has completely rewritten their 3D<br />
obiect designer program, Pixel 3D, from the<br />
ground up. The new version, Pixel 3D Professional<br />
Version 2 (Axiom calls it PerPro2 for short). has an<br />
improved interface and sports many powerful new<br />
features.<br />
Axiom's president. Scott Thede. promises that.<br />
unlike some US companies, Axiom will continue to<br />
develop products for the <strong>Amiga</strong>. "To be completely<br />
honest," he says, -<br />
we could program a t the <strong>Amiga</strong> for the rest of our lives;<br />
Aafter xall, i it otakes m 'forever' to learn how to program<br />
Sthe thing!" o f t w<br />
a <strong>Amiga</strong> r e 1200 and 4000 owners will be happy to<br />
w<br />
see full<br />
i<br />
AGA<br />
s<br />
support in PixPro2, taking advantage<br />
of the higher resolutions and deeper palettes avail-<br />
h<br />
able on those machines.<br />
w<br />
The program now has full support for both<br />
e<br />
PostScript fonts and PostScript files. Bitmap support<br />
is amazing, with an artificial-intelligence<br />
bitmap-to-3D conversion, simplified bitmap<br />
smoothing, and the ability to link to ASDG's Art<br />
Department Professional to automatically convert<br />
24-bit files.<br />
Creation of 3D objects is simple, with both point<br />
editing and polygon painting techniques available.<br />
Objects can be twisted, stretched, and bevelled.<br />
Complete ARexx support makes batch processing<br />
simple, and object hierarchies simplifies working<br />
with complex 3D structures.<br />
PixPm2 handles loading, saving, and conversion<br />
of 17 file formats, including LightWave<br />
scenes. Imagine hierarchies, AutoDesk 3D Studio<br />
binary and ASCII formats_ and WaveFront.<br />
Axiom says that PixPro2's AutoCAD DXF support<br />
is the most comprehensive available on the<br />
<strong>Amiga</strong>.<br />
A professional program, PixPro2 retails for<br />
$299•95. Upgrades from version 1.0 are $99.99.<br />
For more information, contact Axiom Software.<br />
1526 122nd Street. Burnsville, Minnesota 55337<br />
USA; phone (612) 894-0596: tax (612) 894-1127.
• A professional WORDPROCESSOR with powerful graphics<br />
capabilities and a 50,000 word spell checker. Ideal for a wide<br />
variety of correspondence and official documents.<br />
• A versatile DATABASE which is simple to use and powerful<br />
enough to deal with anything from basic address book<br />
functions to club membership lists and business records.<br />
plIMPRESS<br />
1 1 6 , 0 S O F T W A R E M in<br />
, ON ice w o r k s<br />
o n a l l<br />
A r n s g a s<br />
w i t h<br />
1<br />
Wordprocessor Compose a<br />
letter, c heck your spelling<br />
with the 5 0 , 0 0 0 word<br />
dictionary, mailmerge details<br />
from a database file , a dd<br />
graphics, wrap te xt around<br />
0., load ASCII te xt highlight<br />
with bold, ita lic a nd<br />
uniledine a nd morel<br />
mini Office<br />
THE PERFECT ALL-IN PACKAGE FOR YOUR HOME Oft BUSINESS<br />
\\team<br />
I ) / I<br />
• Incredible GRAPHICS with more than 18 types of graphs<br />
and charts available to brighten up your presentations or make<br />
your month by month financial situation as easy to appreciate<br />
as possible_ You can even make use of eye-catching 3D effects!<br />
yid<br />
!.<br />
k<br />
1<br />
Claphiss: Enter data directly<br />
or load Orom the spreadsheet<br />
or database; produce pie<br />
charts with e xplode d<br />
segments; display bar charts<br />
side by side or sta cke d;<br />
overlay your graphs on an<br />
Imported IFS pscture; add<br />
30 view; add text or lines...<br />
and morel<br />
Europa House, Acilington Park, Macclesfield, Cheshire SKI() 4NP, Tel: 0625 859333<br />
•<br />
• A flexible SPREADSHEET with more than 50 functions,<br />
simplifying the most complex domestic monthly budgets or<br />
commercial cash flow forecasts.<br />
• A supremely friendly DISC MANAGER to make using your<br />
<strong>Amiga</strong> as painless a task as possible.<br />
Database: Build up a<br />
versatile ca rd I nde x<br />
;incorporate up to 5 0 fields<br />
with 7 0 characters each, use<br />
search and replace to modify<br />
data, do powerful multi-field<br />
sorting, perform arithmetic<br />
functions,. a nd morel<br />
-<br />
)<br />
1<br />
1<br />
Disc U tlI I tI e i Avoid thr<br />
contusion of Workbe nch,<br />
create bootable files, format<br />
discs, copy files from disc to<br />
disc, make directories; delete<br />
and re na me file s, ma ke<br />
multiple copies of your discs...<br />
and morel<br />
Spreadsheet: Prepare<br />
budgets or tables, a lte r<br />
column widths, insert or<br />
delete columns, cut and<br />
paste data, lock blocks,<br />
choose from ove r 5 0<br />
functions_ and morel
l o: r1i 0 he CD32 always had one thing going<br />
f<br />
r<br />
o<br />
most profound step forward in technological<br />
history and perhaps even a little cynical<br />
with its 1200 innards with attached CD<br />
i t drive, the console was and still is, albeit with<br />
. an ever dwindling supply. in the shops.<br />
D e Compared to some of the heady spec-listed<br />
s pdelights<br />
of the 300, Jaguar, Sony<br />
i<br />
e<br />
n<br />
o<br />
t<br />
b<br />
e<br />
t PlayStation, Sega Saturn, Nintendo Ultra 64<br />
and so on, the <strong>Commodore</strong> machine is looking<br />
positively Jurassic.<br />
While most of the above machines are not<br />
yet available, there's enough food for thought<br />
there to make one wonder if the soon-to-be<br />
reborn <strong>Commodore</strong> should even bother with<br />
the console market and concentrate their<br />
i<br />
n<br />
g<br />
e<br />
x<br />
a<br />
c<br />
t<br />
l<br />
y<br />
t<br />
h<br />
e<br />
R&D on what they do best - making home<br />
computers.<br />
With the likes of Panasonic. Sony and<br />
Sanyo moving in to the gaming arena flexing<br />
their rather financially well-developed muscle,<br />
a company like <strong>Commodore</strong> which, as we all<br />
know is having a rather difficult time of it at the<br />
moment concerning cash flow. may well be on<br />
a position, even with a new buyer, where they<br />
simply can't compete.<br />
Up until last year, the market-place was<br />
dominated by Nintendo and Sega but with<br />
huge corporate industries swooping in to<br />
clean the market place up, what real hope has<br />
the CO32 got in the grand scheme of things?<br />
While the console is doing well in Britain,<br />
the market here is small fry compared to the<br />
all important US and Japanese sectors where<br />
the real money is made.<br />
Another argument is the kind of software<br />
that is available for the machine. While David<br />
Pleasance of <strong>Commodore</strong> UK may well<br />
• be telling us that there are plenty of CD32specific<br />
titles winging their way to the grey<br />
lunchbox, punters in the meantime are consistently<br />
having to put up with the usual port<br />
overs from the A500 and 1200.<br />
The words FMV ring out in defence but<br />
alas, nothing has appeared across any format<br />
to warrant the splashing out of the extra cash.<br />
Okay, this leaves us with the apparently huge<br />
market for music and video CDs that can be<br />
plugged straight in to your machine.<br />
This may well be the best hope for the<br />
<strong>Commodore</strong> machine but again, is it enough<br />
with a household that usually boasts a video<br />
recorder and stereo system anyway?<br />
For a CD32 with FMV, it'll end up costing<br />
The 111<br />
-<br />
te<br />
am<br />
EDITOR<br />
TECHNICAL EDITOR<br />
MT EDITORS<br />
NEWS EDITOR<br />
PRODUCTION EDITOR<br />
STAFF WRITERS<br />
ADVERTISING MANAGER<br />
AD SALES<br />
AD SALES<br />
AD PRODUCTION<br />
MARKETING MANAGER<br />
PRODUCTION MANAGER<br />
SYSTEMS MANAGER<br />
Paul Ainbel •<br />
Stove White<br />
Tyra LeCIVI<br />
Terry Thiele<br />
Adam<br />
Judith Chapman<br />
Jonathan PhuMods<br />
Simon Clays<br />
Adam Phillips<br />
Tina Hackett<br />
Simon Lees<br />
Jane NormIngton<br />
Sue Housefield<br />
Barbara Hawa<br />
ii<br />
Lucy Diner<br />
Sandra Childs<br />
David Stewart<br />
CIRCULATION DIRECTOR<br />
COMMERCIAL DIRECTOR<br />
DISTRIBUTION<br />
SUBSCRIPTION<br />
EDITORIAL<br />
(on5olp too far?<br />
David Wren<br />
Denise Wright<br />
COMAG 10114 444055<br />
051-3512461<br />
Mee-eer ei the Aosta Boras of CirWatiOrli<br />
54,305<br />
Par-Dec 1993<br />
Publithed by Eurooress Pubkciootta Lid<br />
Europa Horn. Adington Pi*<br />
Matdested 51(10 41P<br />
Tel. 0625 M e n<br />
For 0615 850652<br />
<strong>Amiga</strong> Computi•g<br />
OCTOBER 1994<br />
fidam 85115 what kind<br />
ill future the 1032 (du &Mt<br />
in the h811d5 iif Me laming<br />
multkortwrate tompetitwa..<br />
round E450 plus money for a decent set of<br />
Speakers to gel the most out of the image<br />
and music-playing facilities.<br />
So with all this negative reinforcement,<br />
what can <strong>Commodore</strong> do once it's found a<br />
buyer? Let's say that the most likely option of<br />
a management buyout does go ahead -<br />
there will be very little money for continuing<br />
production lines, let alone sinking cash in to<br />
R&D.<br />
How can the once great company that<br />
used to steal the limelight on the small amateur<br />
dramatics stage of computing face the<br />
full blown, all dancing and singing production<br />
of some of the largest companies on the face<br />
of the planet?<br />
FRUITFUL<br />
By concentrating on what <strong>Commodore</strong> do<br />
best - home computers. Whether sailing on<br />
the sweet breeze of success or drowning in<br />
the choppy seas of the ill-fated DOS attempt,<br />
the <strong>Amiga</strong> range in Europe has continually<br />
been buoyant and fruitful.<br />
Indeed, could the CD32 turn in to another<br />
hopping-on-the-bandwagon disaster where<br />
<strong>Commodore</strong> simply don't have the financial<br />
clout to get their product seen or heard<br />
about,<br />
The CD32 may well hold the market share<br />
In the UK over the Mega CD and PC CD-<br />
ROM but, in real terms, the market-place is<br />
tiny at the moment.<br />
Take your average home computer buyer.<br />
CHAIRMAN Orie ls Megan<br />
MANAGING DIRECTOR I a n Riournie0d<br />
We regret Amp C7npuong cannot aer technical nelp<br />
on a personal bass either by telephone or in writing. Al<br />
reader enqunes should be subnuoted to the address .n<br />
this panel for possible publication<br />
<strong>Amiga</strong> <strong>Computing</strong> s MI independent reihiration ond<br />
<strong>Commodore</strong> &seers Machines Ltd oir not resocosble for<br />
tiny of die miles An EM flue of for ert oldie openos<br />
etPressetl<br />
©1994 Europress Publications Ltd. No material may be<br />
reproduced in whcie or in part without written petrel -<br />
Pon While every care is taken, the publishers Orilla<br />
be held legally reportsibe ke any errors in articles,<br />
listings or advertisements<br />
When they wander down to the nearest<br />
Dixons, they no longer have a choice. With<br />
the Atari ST and Falcon well and truly buried<br />
under a heap of bad management and diabolical<br />
marketing, it has left <strong>Commodore</strong> in a<br />
prime position for tempting the low-price<br />
bracket buyer.<br />
You have a choice, Either cough up over<br />
El .000 for a PC that may be redundant in<br />
three years unless you splash Out more<br />
money on a mother board upgrade, or buy<br />
an inexpensive home computer that can<br />
word process, DTP, play games and has<br />
consistent and impressive software support<br />
- the Al200 and beyond.<br />
With this lack of competition and possibilities<br />
for a potentially huge customer base,<br />
<strong>Commodore</strong> is in an ideal and enviable position<br />
where they already have a strong reputation<br />
for quality. durability and boast excellent<br />
European distribution. With the allimportant<br />
and precious cashf low, this seems<br />
to be the Only logistical path for the company<br />
to follow_<br />
Who can touch them with computers for<br />
under E400? The answer. Not Sony, not<br />
Panasonic, not Hewlett Packard - in fact,<br />
nobody, Give up the console ghost - the<br />
competition just moved Out of the playground<br />
and in to the battle field where only<br />
the cash-loaded, PR-pumped strongest<br />
survive.<br />
e<br />
P<br />
U<br />
For six years Amigo Co tuning has been the lea/mg<br />
B<br />
magazine kw <strong>Amiga</strong> enthusiasts. As a bey member of<br />
the LEuropree<br />
magazine group, Amigo <strong>Computing</strong><br />
promises I to lidorm, educate and entertain us readers<br />
each Cmonth<br />
with the most dedicated coverage of the<br />
<strong>Amiga</strong> available<br />
A<br />
I lout Teabionpeon<br />
(39 91 900, L51.95 (EEC) 111.95 piece)<br />
Ongoing gaeetelty dime debit At 49 IUXeniy,<br />
i<br />
Printed o and bound by 8PC magazines (CarlialW Lid<br />
A roomber of The British Printing Company Lid<br />
N<br />
s
•<br />
a •<br />
•<br />
% •<br />
1.<br />
WORL F<br />
. 'AMIGA COMPUTERS<br />
• •<br />
•CDE<br />
•<br />
a<br />
R •<br />
•<br />
a CD1200 169.95<br />
M<br />
CDI200 Features:<br />
• Supports Mitsumi LL-005s, FX-00 Ids & FX-00 Id CD-ROM<br />
Drives<br />
• Supports both <strong>Amiga</strong> A600 & A 1200<br />
• FIncludes ISO 9660 File Systems<br />
• Includes PlayCD utility for audio CD operations<br />
•<br />
a<br />
•<br />
•<br />
•<br />
a<br />
Tandem CD + IDE Controller for <strong>Amiga</strong><br />
A1500, A2000, A2500, A3000 & A4000<br />
O<br />
NEW PRODUCT<br />
The new Tandem Card is a multifunction controller for the<br />
A1500 to A4000 Computers. The Tandem card supports<br />
Mitsumi CD-ROM and also IDE Hard Drives. A supreme<br />
value, the Tandem Card provides the most economical<br />
CD-ROM Rand mass storage solutions.<br />
Tandem Features:<br />
• All features as above plus supports SyQuest removable media drive.<br />
, presents ,<br />
4 • a<br />
• •<br />
.tle! • • a s l n k i a a , ; , , •<br />
PCMCIA External CD-ROM<br />
Controller for <strong>Amiga</strong> A600 & Al200<br />
NEW PRODUCT<br />
The new CD1200 is a PCMCIA Mitsumi CD-ROM controller<br />
unit for the <strong>Amiga</strong> A600 and Al200 computers.<br />
The CD1200 supports the Mitsumi LU005 CD-ROM<br />
Drive and the Double Speed 0(001 CD-ROM Drive. Both<br />
Drives support extended architecture CDs, including<br />
Photo-CDs and MultiSession Capability. A CD) 200 packaged<br />
with a Mitsumi CD-ROM Drive offers the MOST<br />
economical solution for the <strong>Amiga</strong> A600 and Al200 computers.<br />
• Automatic software installation<br />
• Compatible with Workbench 3.1 CD Files Systems. BABE CDFS.<br />
ASIM CD-ROM File Systems<br />
• Supports MultiSession<br />
• Requires Kickstart 2,04 or above<br />
I<br />
a • •<br />
126 Fore Stmeet., Upper Edvionion,London.N18<br />
2AX:<br />
Tel: 081-345 6000 , 081-34:5 6868,<br />
a* • a •<br />
1,'•',4•<br />
1<br />
•<br />
•<br />
Tandem'<br />
, • •.• • *. Card<br />
Mitscapi;Double Speed CD-ROMS169.99 • 09.05.<br />
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•
COMPUTERS<br />
<strong>Amiga</strong> A600 E 1 9 9 . 0 0<br />
<strong>Amiga</strong> Al200<br />
New Combat Pack<br />
Al200 E329.00<br />
Al200 with 127HD E539.00<br />
Al<br />
£589.00<br />
-Al200<br />
with 340HD E739.00<br />
2<br />
0 <strong>Amiga</strong> Al200<br />
Race 1<br />
0<br />
Al200 n stand alone £ 2 8 5<br />
w<br />
A I 200 1 with 12711D £489.00<br />
i<br />
Al200 Cwith h 200HD £539.00<br />
tAl200<br />
with 340HD £689.00<br />
a s<br />
h<br />
e<br />
2 A4000 Computers<br />
P<br />
0 A4000/030 EC<br />
04Mb<br />
RAM a OHD 11879.00<br />
c<br />
H4Mb<br />
RAM 214HD 11989.00<br />
k<br />
14Mb<br />
RAM 540HD E1279.00<br />
)<br />
A4000/040 LC<br />
6Mb RAM OHL) 111459.00<br />
6Mb RAM 214HD £1620.00<br />
6Mb RAM 54OHD 111869.00<br />
A4000/040 TW<br />
6Mb RAM OHD E 1 8 5 0<br />
6Mb RAM 2I4HD £1980<br />
6Mb RAM 525 SCSI H1)12250<br />
6Mb RAM IGb SCSI HDf2550<br />
RAM for A4000<br />
1Mb 32 Bit 1 3 9 . 9 5<br />
2Mb 32 Bit E 6 9 . 9 5<br />
4Mb 32 Bit E 1 4 9 . 0 0<br />
F<br />
20MHz C.35A00<br />
33MHz 09.00<br />
40MHz 11114.00<br />
50MHz £157.00<br />
Repair service<br />
New service/centre for most <strong>Amiga</strong> computers. We<br />
offer a quotation service of 110 for which we will<br />
examine your computer and report back with an exact<br />
quotation price for the repair. I f the repair is carried<br />
out the (10 is then deducted from your bill_<br />
•<br />
1<br />
'LARD DRIVES<br />
Al 200 7<br />
.5" 65Mb £ 1 3 9<br />
Inte 85Mb £ 1 5 9<br />
rnal I '20Mb £ 1 9 9<br />
I200Mb<br />
D<br />
E<br />
£ 2 3 9<br />
All come with 15" IDE cable & software<br />
A500 & A500+ A1500 A2000<br />
A3000 & A4000 Hard Drive<br />
ALFA DATA IDE Controller for A500 &<br />
A500+ A I 51)0. A2000. A3000 & A4000<br />
with 8 Mb RAM option for standard 2.5"<br />
or 3.5" PC IDE compatible Hard Drives<br />
Controller only E 8 9 . 9 9<br />
40Mb with controller _1179.00<br />
65Mb with controller -..C2.09.00<br />
85Mh with controller _1259.00<br />
120Mb with controller .1279.00<br />
170Mb with controller .1299.00<br />
250Mb with controller .1329.00<br />
340Mb with controller .1379.00<br />
540Mb with controller .1499.00<br />
OKTAGOON 4008 SCSI -2<br />
CONTROLLER FOR A1500,<br />
A2000, A3000 & A4000<br />
HARD DRIVE<br />
Controller only E 9 9<br />
170Mb with controller ..E299A00<br />
340Mb with controller .1399.00<br />
540Mb with controller .1549.00<br />
I.8Gig with controller £1399<br />
MULTIFACE CARD 3<br />
A2000, A3000 & A4000<br />
2 additional serial ports and 1<br />
parallel port E 9 9 . 0 0<br />
1 Multi 1/0 card for <strong>Amiga</strong><br />
How to order<br />
When ordering by telephone please quote your credit card number<br />
followed by the expiry date and also your full name and address. If<br />
paying by cheque please make it payable to Gasteiner Technology.<br />
In any correspondence please quote a phone number and also a<br />
postal code, please allow five working days for cheque clearance.<br />
-MONITORS<br />
- - - - . . -<br />
Microvitec 1438 £279.00<br />
Sharp TV Monitors £169.00<br />
PII:tIN RS<br />
Canon<br />
B.110 E 1 8 4 . 9 9<br />
131200 £ 2 3 9 . 9 9<br />
Hewlett Packard<br />
310 £ 2 4 9<br />
520 1 1 2 4 9<br />
560 £ 4 7 9<br />
4L £ 5 9 9<br />
Citizen<br />
ABC Mono £ 1 4 9<br />
Swift 90 £ 1 3 9<br />
Swift 240 £ 2 2 9<br />
Swift 200 £ 1 8 5<br />
DISK<br />
Amitek 3.5" £ 5 8 . 0 0<br />
Power 3 5" £ 5 2 . 0 0<br />
A500 f 4 5 . 0 0<br />
A2000 f 4 5 . 0 0<br />
EPSO CANNERS<br />
GT 6500 £ 5 9 9 . 0 0<br />
GT 8000 1 1 8 4 9 . 0 0<br />
Feeder f 3 9 9 . 0 0<br />
Image FX £ 9 9 . 0 0<br />
VIP! R030<br />
Viper Stander E159.00<br />
Viper 7<br />
Mb Viper 4Mb £ 2 9 9 . 0 0<br />
Viper £ 28Mb<br />
£ 4 6 0 . 0 0<br />
3 9<br />
.<br />
Delivery 0 0 charges<br />
Small COMUlnables and software items under the Ve it* of E59 please add 1350 P&P_<br />
Other items above £59 please add EIO courier service Offshore and highlands, please caa<br />
for a quotation I n addition. we offer the following express seceicey. Saturday delivery<br />
normal rate plus EIS per box, Morning, next day normal rate plus Ell) per box, EWE<br />
prices subject to change without prior notice. M I trademarks acknowledged<br />
•
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RANI for A600<br />
I Mb with clock E 3 4 . 9 9<br />
I Mh without clock E23.95<br />
RANITor Al200<br />
Plug straight into Al 200 tnipdoor<br />
Upgradeable FAST RAM I, 2, 4 or<br />
8Mb<br />
Three types of FPU<br />
1 Mb 0 9 . 0 0<br />
2Mb E 1 1 5 . 0 0<br />
4Mb E 1 6 9 . 0 0<br />
8Mb E 3 8 9 . 0 0<br />
FPU<br />
25MHz 0 5 . 0 0<br />
33MHz 0 9 . 0 0<br />
40M Hz E 1 3 9 . 0 0<br />
SIMMS Kir GYP<br />
-I<br />
Mb £<br />
1230 4Mb E<br />
6<br />
1<br />
9 . 0<br />
8 9 . 0<br />
0<br />
0<br />
SIMMS for GVP<br />
1Mb E 2 8 . 0 0<br />
4Mb E l 49.(X)<br />
45522.21,91_ RANT<br />
—<br />
I Mb E 2 5 . 0 0<br />
PCNICIA CARDS<br />
1<br />
M4Mb<br />
b<br />
E 1 6 9 . 0 0<br />
E<br />
I<br />
EXrANOER<br />
0Disk<br />
Expander E 3 3 . ( 0<br />
9<br />
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0<br />
0<br />
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•<br />
•<br />
OPTICAL MOUSE<br />
300DPI Optical Mouse with<br />
Optical mat<br />
E29.95<br />
OPTICACKN,MOUSE<br />
A stylish optical pen mouse<br />
E34.95<br />
200 DPI MOUSE<br />
A good quality 200 dpi mouse<br />
E6.99<br />
TRACKBALL<br />
Stylish three-button trackball<br />
E29.95<br />
EducJtioua<br />
1,clude ,-<br />
• !1<br />
. ,IltAr<br />
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VA 3<br />
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Tel; 081445,6000: ,s<br />
081<br />
•<br />
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;k.witt 11•41_<br />
Colour Wallet for all <strong>Amiga</strong> Computers<br />
NEW from Alfa Data<br />
- Complete with scanning software<br />
265K 18- £339.00<br />
•<br />
Bit<br />
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4 0 0 1 1 d o n 1 1 8 4<br />
I<br />
.11<br />
•<br />
lb<br />
•<br />
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•<br />
400 DPI NIOUSE<br />
Alfa Data 400 DPI mouse<br />
03.95<br />
MOUSE/JoYSTItK<br />
-<br />
SWITCH<br />
Auto Mouse/Joystick Switch<br />
E12.95<br />
— SC — ANNE0<br />
- VIP<br />
7<br />
-<br />
Alfa Data 256 scanner for all<br />
<strong>Amiga</strong> computers. Includes Touch<br />
Up software & OCR software<br />
E139.00<br />
Minimum 2mh RAM & Hard Drive<br />
All New 800 DPI hand scanner<br />
for ALL <strong>Amiga</strong> computers.<br />
only 019.00<br />
Power Scanner<br />
Powerscan 4 mono E119.00<br />
Powerscan 3 Mono E99.00<br />
4<br />
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Utak<br />
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CD<br />
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A I<br />
AN AMIGA CD. CDI 200, (PTV L & CD32 ppmcATtcr<br />
CONTENTS<br />
A<br />
B<br />
OVER 10,000 FILES<br />
500 24 BIT IMAGES<br />
L<br />
195 BITMAP FONTS<br />
E 120 COLOURED FONTS<br />
ALSO IN HAM8 & HAM F 107 ADOBE FONTS<br />
1308 COLOUR CLIP ART<br />
2139 MONO CLIP ART<br />
R80<br />
POSTSCRIPT FONTS<br />
79 CC FONTS<br />
93 SCALEABLE CLIPS<br />
750 MUSIC MODULES<br />
214 ICONS<br />
2300 SAMPLES<br />
& MUCH MORE<br />
ONLY t 19.95<br />
Network CD<br />
SIMPLE NETWORKING TOOLS FOR AMIGA CD<br />
The Network CD sets up a link between a CDTV or CD32 and any other<br />
<strong>Amiga</strong>. The CD32 or arrv acts as a remote drive for your <strong>Amiga</strong>, allowing<br />
;iress to the vast pool Of data available on Cl) Rom. The CD32 cable also<br />
ilable uses the AUX socket of the CD32 and comes complete with it<br />
.• board pass through. thus still maintaining the ability to connect FMV or<br />
! :111dons. Network Cl) sets up a Workbench environment and disables the<br />
,<br />
c<br />
CONTENTS,'<br />
Pamet t & Sernet<br />
NComm i & Term<br />
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Predn<br />
Tw ,<br />
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Ft Amos 74 Utility PD l 478 Disks to 611<br />
PhotoCD i ; Ctmversiott<br />
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500 . s Images in 256 cols.<br />
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Network w CD f 14.99<br />
h<br />
CD 32 Cable i 19.95<br />
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Pamet nCable<br />
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PC COMPATIBLE IN IS09660 FORMAT<br />
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LIBRARY ON COMPACT DISC<br />
The Official Amos PD Library is dr Largest source of<br />
Amos related sou= code arkl programs in die world<br />
today . -<br />
Fhe Ls endorsed by Europmss Software, the pubLisliers of<br />
iAmos M nand<br />
Amos Pm. This compact disc contains dr<br />
rentite y library from disk I to 620_ each one arranged in<br />
iit's<br />
own directory and catalogued_ The disc contains<br />
s in excess ot 334110 files with over lofin Amos miurce<br />
rcode<br />
fi lm 100 sprite banks. 200 Clem Kinks, 800<br />
11, samples, u numerals music banks and several<br />
n<br />
b<br />
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the commis acrass a network hum both the CUIN<br />
Land<br />
the CD'. This CD is truly LI testament to Or<br />
e<br />
n<br />
& thousands of man hours of writing Amos I:WC which<br />
A<br />
will prove to he an invaluable Mitilte of help and<br />
n<br />
tuition to the Amos user. Weini Science is proud to<br />
nbring<br />
you this remarkable resource for only n o s<br />
e Compatible with all <strong>Amiga</strong>%<br />
T<br />
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vgiarP-1,- i t % /IMO tt<br />
I VoT J<br />
JCLIP I ART I J FONTS<br />
d<br />
Over 550megs of Clip Art for <strong>Amiga</strong>s A complete CD dedicated to Fonts for<br />
and PCs. The most comprehensive the <strong>Amiga</strong> range of computers. Also<br />
collection of Clip Art ever for the PC compatible. The following formats<br />
<strong>Amiga</strong> range of computers. In<br />
s ai<br />
ptotal<br />
over 26,000 tiles. The following<br />
P n na<br />
' formats are catered for, B&W III<br />
md<br />
g s<br />
Bitmap, Coloured Iff Bitmap, Proclips.<br />
. SM<br />
t<br />
EPS, Pagesetter. Pagestream.<br />
W a af<br />
Corcl Draw and coloured brushes<br />
on<br />
for<br />
t e<br />
are catered for, Adobe. CG Fonts,<br />
Coloured. Postscript. Prodraw, IFF,<br />
PCX, Pagestream. Truetype, Calamus<br />
and GDOS. Adding up to the most<br />
complete CD of Fonts for the <strong>Amiga</strong><br />
ever. In total over 18.000 files in 900<br />
DPaint All ready to use and easily rd<br />
Aw<br />
directories. All ready to use and easily<br />
accessible in subject directories. kt<br />
my<br />
accessible in type directories.<br />
b o<br />
oe<br />
SOUNDS ea<br />
TERRIFIC<br />
s a<br />
nl<br />
A double CD pack containing over<br />
cl<br />
ar<br />
1.2 Gigabytes of musical and sounds data for<br />
the <strong>Amiga</strong> and IBM PC computers_<br />
h on<br />
s The contents include Modules. Sonix Scores.<br />
Midi Files. Samples in RAW. WT.<br />
iw<br />
d a WAV & VOC formats and utilities for both<br />
the <strong>Amiga</strong> and PC. This all adds<br />
s tAn<br />
up to the most complete collection of sounds on<br />
any platform and will form a vital ar<br />
md<br />
part of any musicians CD collection_<br />
La<br />
or<br />
sn<br />
s e<br />
• Clip Art<br />
f2.11(ji<br />
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Pp<br />
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(DOUBLE he<br />
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Amos CD
De-archluing application5 Workbench 2.0 and abouL<br />
Don't target<br />
d<br />
to inse rt a<br />
blank disk at<br />
the prompt<br />
and below*<br />
i<br />
Always boot from your CoverDisk when dearchiving<br />
applications. The installer programs<br />
can be located via the install icon<br />
with the appropriate name in the<br />
WB_2&3_0nly drawer.<br />
The de-archiving procedure has been<br />
much improved and now combines the<br />
power of the official <strong>Commodore</strong> installer<br />
program with that of Workbench 2.0 and 3.0.<br />
The installer program is designed to be<br />
powerful yet simple for the beginner and<br />
features a user-friendly interface allowing<br />
you to de-archive programs with a minimum<br />
amount of fuss. The installer programs for<br />
Workbench 2 and 3 users can be located via<br />
the icons named:<br />
nq<br />
rievelfprogram sue]<br />
Initsiltrt 4<br />
To run, simply double click on the icon<br />
which will load up the installer program<br />
Using the Installer<br />
Ignore the buttons that appear when the<br />
installer program boots up and simply click<br />
on the Proceed button The program will<br />
then copy the necessary files to RAM<br />
Once this has finished it will inform you<br />
that it is about to format a disk in DR. Click<br />
betstbatos OM kin<br />
Disto14 te• Ima4<br />
I trotose t• lastill<br />
Don't worry about the installer options.<br />
Simply click on the Proceed button<br />
pressing<br />
Pr000011<br />
Always boot from your CoverDisk when de-archiving<br />
applications. The installer programs can be located via<br />
the install icon with the appropriate name in the<br />
WB_1.3_0nly drawer.<br />
Ingetaprogram ntool_1.3<br />
eg:<br />
1<br />
Inst4IlPFNJ.3<br />
1<br />
1<br />
When you load up the 1.3 installer the program will first<br />
prepare itself<br />
1<br />
ready to de-archive the program to a<br />
,<br />
1<br />
.<br />
1 llII:V=.tn;S:trZltrLitrZ r<br />
1 Atte r<br />
inserting e a<br />
blank disk<br />
r<br />
prass y to<br />
continue Or<br />
"ro" to abort<br />
bale to we Cgoe-eone to<br />
..11 le ow nib too . m • 11,10<br />
M..• 4.<br />
11<br />
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A M M E i<br />
on Proceed. at which point you will be told<br />
to insert a blank disk ready for formatting.<br />
Once you have clicked on Proceed, the<br />
installer will indicate that it is formatting the<br />
disk in NO. When this has finished, click<br />
on Proceed again to start the de-archiving<br />
procedure. When the application has been<br />
de-archived you will be told where the dearchived<br />
files are. Click once again on<br />
Proceed to finish.<br />
If at any time you are unsure as to<br />
whether you want to continue installing, you<br />
can click on the Abort Install button<br />
Occasionally, utilities may need to add<br />
instructions to your User-Startup file located<br />
in the S directory so that they will function<br />
correctly. If you want to add the instructions,<br />
click on Proceed when prompted.<br />
The Workbench<br />
2.0 and 3.0<br />
installer icon<br />
Any<br />
commands<br />
that need to<br />
be added to<br />
your User-<br />
Startup can<br />
be done with<br />
the pre ss or<br />
a button<br />
--- The Files drawer contains<br />
all the utilities<br />
set up so that you<br />
can use them from<br />
the CoverDisie A<br />
Games drawer is also<br />
provided so that you<br />
can play these immediately.<br />
If you want to<br />
Install the games<br />
make sure you copy<br />
all the necessary files<br />
across as listed in the<br />
CoverDisk pages.<br />
Op-archluing appl1cation5<br />
Ilarkinnch 1.3<br />
blank clisk(s). You will then be asked to insert a disk to<br />
be formatted into DFO and either press y to continue or<br />
n to abort.<br />
Provided you answer y, the disk you insert will be<br />
formatted and the application de-archived.<br />
Installing utilities<br />
You should first run the MakeUtilitiesDisk_l .3 to formal<br />
a blank disk called ACUtilities which will be used to<br />
store any utilities you eventually install.<br />
This disk can be used with future CoverDisk utilities<br />
until it becomes full. The MakeUtihtiesDiskl.3 program<br />
will be a permanent feature of the CoverDisk.<br />
To install any utilities, boot your machine with your<br />
CoverDisk inserted in DFO. Utilities can be installed by<br />
clicking on their install icon found in the appropriate<br />
drawer in the WB_1.3_0nly drawer. You cannot specify<br />
their destination and any additions to the Startup-<br />
Sequence must be done manually.<br />
When installed the utilities are copied to a drawer<br />
called ACUtils on the ACUalrties disk.<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
You can<br />
easily insta ll<br />
documents a nd<br />
creat• new<br />
drawer thanks<br />
to the installer's<br />
user•triendly<br />
interlace<br />
DISK<br />
etting<br />
The Igll:ga Igillgut/17g [Mask 15<br />
&Awed to be d5 51171filP tii U52 d5<br />
00551b12 Follow them 1115tfUrtifil75 and<br />
111101 be Ull and running in no time!<br />
We have now managed to fix the problem<br />
with <strong>Amiga</strong>DOS displaying a "disk<br />
is write protected" requester when a<br />
write-enabled disk is inserted. Just<br />
make sure you insert a blank disk<br />
when the installer programs tell you -<br />
and not - o r after.<br />
Installing utilities<br />
The procedure for installing utilities is much<br />
the same as installing applications, except<br />
that you can boot from your hard drive or<br />
Workbench disk. As utilities don't need to be<br />
de-archived, you are asked to specify a<br />
directory on your hard drive or Workbench<br />
disk where you would like to install them.<br />
If you don't want to install to the default<br />
directory you can change it by clicking on<br />
Change Destination. The Show Drives button<br />
will allow you to select a new device and<br />
directory. You can create a new drawer for<br />
your utility to go in by clicking on the Make<br />
New Drawer button and typing in the name.<br />
You can also make a utilities disk by running<br />
the MakeUtilitiesDisk1.3 program located<br />
in the WIE3_1.3_only drawer and installing<br />
your utilities to here_ At times you may be<br />
asked if you want to install a utility's documentation.<br />
A tick box indicates that the documentation<br />
is selected for inclusion, but you<br />
can click on the box to ignore it or simply<br />
click on the Skip This Part button.<br />
The utility installer programs can be found<br />
in the appropriate program drawer in the<br />
WB 2&3_0nly drawer.<br />
tflott.ltooloI s<br />
littliteloo armor to ram Ow<br />
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teem semobis<br />
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11119 no. Pet<br />
6E4 Ott!<br />
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COI/ ERDISK<br />
_ o r e<br />
stunning graphical images, whether<br />
20 or 3D, you will know what a<br />
f time-consuming task it is drawing natural<br />
y o ulooking r images such as clouds, rock, water<br />
f a v etc. o<br />
u r i t Thanks to The Soft Alternative, <strong>Amiga</strong><br />
e Computmg has supplied 19 superb, photo-<br />
p<br />
s<br />
m<br />
i<br />
s<br />
a<br />
t<br />
e<br />
realistic images taken from a variety of subjects.<br />
i<br />
Using these images with your favourite<br />
graphic applications, you can breath new life<br />
into your designs, creating realistic maws in<br />
half the lime,<br />
c<br />
e<br />
r<br />
The textures have been compressed in<br />
a Jpeg format so that they can fit onto our<br />
t i CoverDisk. Therefore you will need a<br />
n g suitable Jpeg viewer to view them.<br />
As they are in 24-bit format, non AGA<br />
owners will need to have a 24-bit card to<br />
view them. However, we have also supplied<br />
a superb program called HAMLabPlus on<br />
CoverDisk 2 which you can use to view the<br />
images and change them into a format your<br />
applications can load,<br />
Just follow the instruction given for<br />
HAMLabPlus to see how you can use your<br />
textures.<br />
We have supplied a variety of images<br />
encompassing natural elements, as we<br />
believe these are the most difficult to emulate.<br />
These include clouds, water, rock,<br />
sand, space and landscapes.<br />
The textures are primarily of use to those<br />
interested in 3D rendering, but they work just<br />
as well as backdrops or brushes in Deluxe<br />
Paint, Brilliance, Personal Paint and other<br />
20 applications.<br />
So that we could fit so many of these textures<br />
on the disk, they have been cornpressed<br />
with a greater ratio than that of the<br />
original images. So, if you decide to upgrade<br />
to the full package, you can expect to<br />
receive images of a higher quality than the<br />
ones supplied here.<br />
The image bank<br />
This box demonstrates<br />
all the images supplied<br />
on our CoverDisk. If you<br />
cannot view the images<br />
on your <strong>Amiga</strong>, choose<br />
the ones you wish to use<br />
from here and then load<br />
them into HAMIabPlus to<br />
be converted. This will<br />
save you having to load<br />
each one in order to see<br />
what they look like.<br />
<strong>Amiga</strong> Compultlag<br />
OCTOBER 1994<br />
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disk Mmes. lay mid meal<br />
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Now q C vetA o d norror novor Mogan Ow.. ol....1v•<br />
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111:5115<br />
FlEd upgrade<br />
Steve Smith, the creator of Ft Ed given away on<br />
the September issue, has informed us that the program<br />
will not function correctly on the A600 The<br />
Wild, Weird and Wicked pack version of Formula<br />
One Grand Prix_ Therefore, he has kindly offered<br />
an upgraded Fl Ed program for a nominal fee.<br />
For just E5 you will recieve a version of FlEd<br />
that is totally compatible with the aforementioned<br />
A600 pack, and includes new features such as the<br />
ability to change the costume colours of your pit<br />
crew, use a database of real driver's lap times to<br />
calculate the team and dnver performance figures<br />
and the ability to edit the zoom and angles used on<br />
the external views cameras<br />
This will also qualify you as a registered user.<br />
recieving new updates as and when Steve corn-<br />
Metes them_<br />
Please make your cheques or postal orders<br />
payable to Stephen Smith and send them to 34,<br />
Wolsey Drive. Kingston Upon Thames. Surrey,<br />
KT2 50N. Please do not phone or write to Steve<br />
regarding problems with Ft Ed.<br />
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pathneme For e the tillers in the Conlisturntio. a men. l<br />
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COVERDISK<br />
We apologise for the problems readers have been having with the Scroller2<br />
program, but unfortunately duplication caused an error whereby the program<br />
would not work with the addition of Fast RAM,<br />
Fortunately, we now have a bug fix which you will find on Covertlisk 2<br />
entitled Scroller2Fix, Run this program and when told to Insert volume<br />
insert your Scroller2 disk.<br />
After a short while of disk swapping, the process will finish and you will<br />
be able to use your Scroller2 disk without the need to remove your Fast<br />
RAM.<br />
If you have a second drive you can insert your Scroller2 disk into OF1:<br />
and run the Scroller2Fix program from your CoverDisk in DR:. Apologies<br />
for any inconvenience caused.<br />
We would like to make it clear that the original Scroller2 program, as<br />
offered in the CoverDisk Upgrade advert, is totally compatible with Fast<br />
RAM expansions and we will be running our Scroller2 tutorial next<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
• a • a • a • S e l<br />
alOa .<br />
011•11 OOOOO I<br />
Oa sa S D • OOOOO<br />
• •<br />
1111Mtalflu5<br />
Author: J. E. Hanway<br />
Sualer2<br />
HAIALabPlus has been included so that you<br />
can load, view and change the file format of<br />
the stunning 3D textures from the Soft<br />
Alternative which are free on CoverDisk 1.<br />
This means that you will be able to use<br />
them in your own programs such as Deluxe<br />
Paint, Imagine. ADPro and many other<br />
graphic applications.<br />
The textures are supplied in Jpeg formal<br />
as this format has extremely good compression<br />
ratios, while not sacrificing the original<br />
quality too much,<br />
As graphic applications do not support<br />
Jpeg we will need to use HAMLabPlus to<br />
change the picture format to something that<br />
can be used.<br />
When you first load HAMLabPlus you will<br />
be presented with the copyright information.<br />
Click on the close window gadget to load<br />
the program.<br />
You may get a requester stating that<br />
II-
COVERDISK<br />
Instaling HAMIalflus<br />
To install HAlitabPlus simply double-click on the InstailHANILabPlus<br />
icon. When the installer has loaded, follow the instructions to install<br />
the program to either a floppy disk or hard drive. If you are a 1.3 user<br />
you will need to install the program to your ACUtilities disk.<br />
I<br />
:<br />
c<br />
rat] I Li. F<br />
m<br />
0<br />
PIASALabPlus<br />
-<br />
1 FO_ELIL•1 f 1.51.122d<br />
'<br />
uses A very<br />
1<br />
Fril<br />
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user.triendiy<br />
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interlace made<br />
pn<br />
fir_L_I misail MEW ow% vomit ol buttons<br />
oi<br />
. oi<br />
i t a l l i t<br />
and gadgets<br />
— •.<br />
Willit& tr-<br />
E<br />
•<br />
L<br />
-F<br />
there • are no input or output filters. OK this<br />
1111 v<br />
requester P<br />
b<br />
1<br />
and the first thing we will do is to<br />
select P•<br />
our filters for future use_<br />
26111 P 1<br />
1<br />
7 From the main display click on the<br />
Configuration •,<br />
T<br />
button. This will display a win-<br />
•1<br />
dow<br />
•<br />
1 showing certain attributes about the<br />
program. = Where it reads Filters: type in the<br />
•<br />
following:<br />
1<br />
,<br />
1<br />
If • you are running from the CoverDisk<br />
•<br />
•<br />
AeigsCompotinufiLestIONLobtivsffitters<br />
II you are running from a disk. HAMLabPlus<br />
If you have ever wanted to attach sound effects to<br />
certain keyboard events you need Noisome.<br />
Noisome effectively allows you to lock sound<br />
samples to certain actions performed on the input<br />
devices of your <strong>Amiga</strong> - the keyboard, mouse and<br />
disk drives.<br />
As well as this it also allows you to decide<br />
exactly how your sound samples are played by<br />
using a totally intuition interface made up of clearly<br />
labelled buttons and gadgets<br />
When you first load Noisome a system requester<br />
will appear telling you that the file S:Noisomeprels<br />
could not be read. This is because we haven't yet<br />
defined a preferences tile for the program, so for<br />
now simply click on the OK gadget. When Noisome<br />
.<br />
1<br />
4<br />
,<br />
6<br />
Author: David Larsson<br />
Workbench 2 and above only<br />
= g 7<br />
et<br />
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ward<br />
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1<br />
Noleome will allow sour <strong>Amiga</strong> to play selected<br />
sound samples when ceetairt events occur<br />
hbt<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
1<br />
Lei a n o s s<br />
a i<br />
t s i o r<br />
In order to use<br />
m<br />
the<br />
i l<br />
JD<br />
m<br />
textures you<br />
e a<br />
should change the output mode to a<br />
&unable screen mode<br />
has been installed to:<br />
HA111161<br />
,<br />
1 us<br />
This is because when you install<br />
HAMLabPLus the filters are copied into the<br />
same directory as the main program.<br />
Now click on the Scan Filters button, at<br />
which point the input and output filters will<br />
be loaded. Next select Save All and click on<br />
OK in the file requester. The next time you<br />
load HAMLabPlus the filters should load<br />
successfully.<br />
Insert CoverDisk 1 3DTextures - and<br />
click on the Open button on the<br />
HAMLabPlus interface. This will allow you to<br />
load the Jpeg textures. Select a file to load<br />
and click on OK.<br />
Once the picture has loaded it will be<br />
cropped to 512x512 as this is the demo version<br />
of HAMLabPlus - you will need to<br />
re. r<br />
4<br />
—<br />
_<br />
iLseise..e•<br />
1<br />
1<br />
All you need to do la _ molocr an event and<br />
then load an appropriate J sound sample<br />
.<br />
1<br />
•<br />
2<br />
!<br />
_<br />
1<br />
•<br />
,<br />
1<br />
.<br />
4<br />
,<br />
1<br />
0<br />
1<br />
eventually loads up you will be presented with the<br />
main interface, featuring a collection of buttons and<br />
switches Much of the interface is taken up by the<br />
selection window to the left. In here you will find the<br />
functions that you can attach sound effects to.<br />
Visible bell is the actual system alarm, key.<br />
Return (key), Space (bar), left mouse button, right<br />
mouse button, disk inserted and disk removed.<br />
Instaling noisome<br />
To install Noisome simply double-click on the<br />
InstallNolsome icon. When the installer has<br />
loaded follow the instructions to install the program<br />
to either a floppy disk or hard drive.<br />
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A<br />
if 111 you I want CD good quality textures,<br />
1 WilitalC:.<br />
sm,_.1<br />
export them in 24-bit iFF PLUM -<br />
but watch their size<br />
register if you want the fully working version.<br />
To actually view the file click on the<br />
Display button. You can change the screenmode<br />
in which the file is displayed and<br />
saved by clicking on the Change Output<br />
Mode and selecting a suitable resolution.<br />
The Bit Planes 1, 2, 3, 4 and 5 refer to 2<br />
colours, 4 colours. 8 colours, 16 colours<br />
and 32 colours respectively. You can also<br />
change the type of dithering you require tot-<br />
colours that are not palette supported.<br />
Once you are happy with the screen<br />
mode ol your texture you can save it out as<br />
an IFF using the Save button. It you want<br />
the image saved in 24 bit IFF ILBM or other<br />
formats, click on the Export button. HAM<br />
mode pictures will be very large so watch<br />
your RAM. You can then select the directory<br />
where you would like to save your<br />
decompressed files so that you can use<br />
them in your tavounte graphics application.<br />
Probably the most effective option is the disk<br />
Inserted and disk removed. When a disk is inserted<br />
or removed from the drive a sample of your choice<br />
will be played. So how do you attach a sample to<br />
an option?<br />
Let's imagine that you wanted to attach a sample<br />
called Spring to the disk removed option. Firstly,<br />
select the disk removed option so that it is selected<br />
and then click on the Browse button to the right of<br />
the File gadget.<br />
In the tile requester select your Spnng sample<br />
and then click on Play to the right of the Sound<br />
gadget. You should hear the sample play.<br />
At this point you can effect how the sample plays<br />
by clicking the Filter on and off, changing the volume<br />
and clicking on the Channel button to specify<br />
the channel output.<br />
Once you are happy with your setting you can<br />
then save them as the S:Noisome.prets which<br />
failed to load earlier. From the Preferences menu<br />
select Save.<br />
This will save your current setting to<br />
S:Noisome.prels so that they can be loaded every<br />
time the program is run. If you now click on the<br />
Enable button at the bottom of the main interface<br />
your selections will be activated.<br />
Click on Hide to remove the interlace and now,<br />
whenever you eject a disk you should hear your<br />
sample playing.<br />
II you want Noisome to run automatically<br />
when you boot your <strong>Amiga</strong>_ you should<br />
drag the program via the icon into your VVbStartup<br />
drawer,
Author. Julian Wright<br />
Workbench 2 and above Only<br />
DiallingCodes is a great little utility written in Blitz<br />
Basic 2 that will allow you to trace those elusive UK<br />
STD and WI 'special' codes,<br />
DiallingCodes features an impressive array of features<br />
including knowledge of all 1, 2 & 3 figure<br />
International Dialling Codes (more than 170 countries);<br />
instantaneous display of information; type in code and<br />
get location; type in location and get code: displays<br />
time difference for International Codes: no need to type<br />
In full Town/Country name and Its fully multi-tasking<br />
To run DiallingCodes simply double-click on the<br />
icon and you will be presented with a small window<br />
and a string gadget. You can type the following in the<br />
gadget;<br />
UK SM Dialling Code - Returns the location<br />
UK Town or City -Returns the STD Dialling Code<br />
International Dialling Code - Returns the country and<br />
time difference<br />
Country - Returns the International Dialling Code and<br />
time difference<br />
You are not required to type in the full name of town.<br />
city or country names. If you type in just a few letters<br />
from the location the program will search its entire<br />
database for a match.<br />
II you are looking for a country with a known<br />
A snapshot file for use wrth the ZXSpectrum emulator<br />
given away on last months CoverDisk, AlioAlec<br />
is one of the all time greats written by the enviable<br />
Ultimate when the Spectrum was in its heyday.<br />
By now you should know how to run your snapshot<br />
tiles on the emulator, so let's go straight into<br />
the plot.<br />
You have been trapped in an evil, haunted castle.<br />
Your task is to find the hidden Golden Key of<br />
A.C.G and escape via your only exit, the Main<br />
Doors.<br />
The castle consists of live floors, including the<br />
Stoke sure<br />
you choose<br />
the riohl<br />
cheroots., for<br />
your typo of<br />
game or woo<br />
could *net up<br />
dead rasher<br />
quickly<br />
Author: Ultimate Play The Game<br />
a<br />
u<br />
4<br />
0<br />
,<br />
-<br />
at*<br />
Dialing(odes<br />
Use DlallktsCodes to brass Moss<br />
C061<br />
,<br />
1<br />
a n<br />
d<br />
in an international code you're after.<br />
sa<br />
r r i<br />
sit<br />
io<br />
n s<br />
t<br />
$ T D<br />
International Dialling Code, always type a plus sign (4)<br />
in front of the number so that the program knows it <strong>Is</strong><br />
For more information regarding DiallingCodes,<br />
please read the documentation provided by the author.<br />
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s<br />
Instaling Dialing(des<br />
To install DiallingCodes simply double-click on the<br />
InstailDiallingCodes icon. When the installer has<br />
loaded, follow the instructions to install the program<br />
to either a floppy disk or hard drive.<br />
Hata(<br />
Atic and the caverns which contain countless<br />
rooms, Within the rooms you may find furniture,<br />
food, drink, objects, ghosts, ghouls and monsters.<br />
Eat and drink sparingly so that you do not deplete<br />
your food supply<br />
. Collect and utilise objects you fi nd to<br />
your best advantage: be wary of slamming doors<br />
and working trapdoors which will try to trap<br />
you, and avoid contact with all the ghosts and<br />
monsters.<br />
Each of the characters - Knight, Surf and Wizard<br />
- are armed with their own specific weapons, individual<br />
movement type and use of one set of secret<br />
passages, unbeknown to the others.<br />
Instaling [that&<br />
To install AticAtac simply double-click on<br />
the InstallAticAtac Icon. When the<br />
Installer has loaded, follow the instructions<br />
to install the program to either a<br />
floppy disk or hard drive. II you are a 1.3<br />
user will need to install AticAlac to the<br />
AcUtilities disk.<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
COVERDISK<br />
•<br />
al• Jo wta. oe<br />
lordrdihoonSor., t i •<br />
emu*, tor ma, woth<br />
ommi<br />
Elc•<br />
—<br />
•<br />
\tures<br />
Fault' j<br />
(ouPr0151i<br />
II you subscnoe to <strong>Amiga</strong> <strong>Computing</strong> and your<br />
.Okik does not work, please return it to:<br />
<strong>Amiga</strong> Cove rDisk_<br />
Europress Dire ct,<br />
FREEPOST,<br />
Ellesmere Port I-65 3 ED<br />
It you bough: your copy from a newsga<br />
and find that your CoverDisk is faulty, ple<br />
at return it to:<br />
PC Wise,<br />
Dowlais Top Busine ss Pa rk,<br />
Dowlais,<br />
Merthyr<br />
CF4<br />
,<br />
13<br />
2<br />
T<br />
Y Rick& (antrols<br />
AbcAtac can be controlled by Kempston<br />
or cursor joystick and keys Remember<br />
that a loystick plugged into the <strong>Amiga</strong>'s<br />
joystick port will act as a Kempston<br />
joystick,<br />
0 L e f t<br />
R i g h t<br />
D o w n<br />
U p<br />
F i r e<br />
Z or Symbol Shift P i c k up/drop<br />
Space or Caps Shift P a u s e<br />
11-
now open la te<br />
night We dne sda y<br />
& Thursda y<br />
till 7 3 Opm<br />
IF 117t<br />
COMPUTER 1 CENTRE<br />
OPEN . 7 DAYS A WEEK<br />
OPEN MON-SAT 9.30AM-5.30PM<br />
SUNDAY OPENING-I 1.00AM-3.00PM<br />
WEDNESDAY & THURSDAY<br />
Late Night Opening 9.30AM-7.30PM<br />
OPEN HALF DAY MOST BANS HOLIDAYS<br />
TELEPHONE LEEDS<br />
24 HOUR MAIL ORDER SERVICE<br />
0532 319444 94 IOUNESI<br />
FAX: 0532 319191<br />
SHOWROOM ADDRESS:<br />
DEPT. AC, UNIT 3, ARMLEY<br />
PARK COURT, OFF CECIL ST,<br />
STANNINGLEY RD, LEEDS,<br />
LSI 2 2AE<br />
HOW TO ORDER<br />
Order by telephone quoting your credit<br />
card Please make cheques payable to the:<br />
"FIRST COMPUTER CENTRE"<br />
In any correspondence please quote a<br />
phone number & post code. Do not forget<br />
to include the delivery tariff & Dept. code.<br />
Allow 5 working daysforchequeclearamce.<br />
•All prices include VAT © 17.5%<br />
•Large showroom with free parking<br />
•Overseas orders taken subject to status<br />
*Educational orders welcome<br />
'Established Multi million pound company<br />
UK MAINLAND<br />
DELIVERY TARIFFS<br />
"Standard Delivery ( 1 . 9 5<br />
"Guaranteed 2 to 3 day (week days)<br />
Delivery ....... . . . . . . . . - L2.95<br />
eGuaranteed Next Day (week days)<br />
Delivery ( 4 . 9 5<br />
First Comm Bulletin Board<br />
Why not place your orders on our new bulletin<br />
board. First Comm is not just a means of ordering, it<br />
also gives you ACCESS to read or download techolcai<br />
support film and advice.<br />
Tel. 0532 3 I 1422<br />
EASY ACCESS FROM 9462. M 1 and the A I<br />
MitiM611 A R M<br />
ARPO LO P<br />
OPPLATORT<br />
sum w r<br />
cm :01<br />
CWT.<br />
pastia-<br />
A 4 7<br />
HIST COMPUTER<br />
UNTIE<br />
Front the AN d tak• Ott M62: and follow the turnoff for<br />
Leeds'York, ASS. That voll merge with the Armley gyratory<br />
from tha<br />
. town centre). Take A643 Ellarei Rd I ionnit bons 94631.<br />
/911 Follow signs for 5511. This ts.t•txpi with Annie y gyratory.<br />
fErgo o l thcAl l take the turnoff forth@ AM. this niers. with<br />
othe w ASS (by-passing Leech town centre) which meets the<br />
s<br />
Armiley<br />
i<br />
gyratory- After "Living World" at trek heists<br />
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We r arecommend m .<br />
r<br />
you crsisf run prices<br />
o & before placing an order. Ear OE.<br />
r /<br />
t n d<br />
h l e f<br />
E : 3 1 VISA<br />
e t OP .<br />
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6<br />
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EZZi711Z<br />
2% surcharge on AMEX<br />
1 e<br />
( t<br />
i t<br />
g o<br />
IF I Ft S 1<br />
-<br />
CD ROM Drives<br />
C O M P U T E<br />
R •'• s CO32 software. Plays Audio CO's, thaws<br />
hoto CO's. Plugs into PCMCIA slot<br />
-Cm E only N1194.99 T<br />
il rz era Stli CD•Ple...n.leethoA1SWI NVO X0. . . . . . . . . . . . . . . . .<br />
p<br />
...dad R trod. tdoordi E to PdrikidPitherarmiatip<br />
( L E E D<br />
• 265 Ms Access tins. • 155KB transfer rate<br />
S ) T e 1<br />
• 200Ms Access time • 330KB transfer rate<br />
TOSHIBA : XM4101<br />
385Ms Access time 5300KB transfer rate<br />
InternaLL 0 5 189.99 3 External1259.99<br />
2 3<br />
1 9 4 4 4<br />
A 1 200 OVERDRIVL i....D-RONI<br />
,S i Prima pica ill a• INAWIFIF • dtt mad Odd COW r Wit A PC LSO Pad<br />
NEC Multispin 2X1 IrItlenal t 167.99<br />
TOSHIBA XM340 I Internal E286.99<br />
Mitsumi F X00 I I 0 Dual Speed-L I 29.99<br />
Tandon IDE CD ROM Controller<br />
for use with Mitsumi only £64.99<br />
GYP A4008 SCSI controller L I 22.99<br />
AMIGA 500 Plus trade in offer<br />
If you spend L300.00<br />
more with us you can trade in an <strong>Amiga</strong> 500 Pi.<br />
tort I BO OG 'Your old <strong>Amiga</strong> must be in workii.v<br />
order complete with PS1.1 and modulator<br />
HARD DRIVES<br />
2.5" Hard Drives<br />
with installation kit<br />
inc. software, cables and instructions<br />
60Mts...:<br />
180M13....*L159.99<br />
240Mb...<br />
11 1<br />
31.259.99 4 , 93.5"<br />
Hard Drives<br />
9 with installation kit<br />
inr_ software, cables and instrucbons<br />
250Mb....*C 1 2 0 184,99 3SOM13....*1239.99<br />
420Mb....<br />
M b .<br />
4.<br />
. *<br />
3.S"Hidrive<br />
1219.99 1<br />
upgrade kit no HDonly C22 99<br />
•<br />
51 4 09 Mjb u<br />
-9<br />
COMPUTERS<br />
,<br />
t<br />
49<br />
9 t<br />
1 2 7The A<br />
9 . AMIGA Al 200<br />
d<br />
9Al 9 200 Standard d pack only ‘279.99<br />
pridstrutosmda modruppdp<br />
;<br />
Computer 0 Combat pack only £324.99!<br />
11•115 Pd. camar. Odom deo Li1, ZOO, I. WprOddo.r. t<br />
0 .ne talOmy •••1.,,e•Pm.<br />
r P A M<br />
, RACE & 0 CHASE pack only 1.289.99!<br />
1<br />
f Sti l l Sipi .1111En PP wy•T•IpW<br />
HARD o DRIVE VERSIONS<br />
r<br />
Standard - pack Add £60.00 to the<br />
f<br />
64Mb £414.99 Standard pack<br />
85Mb £439.99<br />
i<br />
t<br />
price for the<br />
127Mb 4479.99<br />
t<br />
Combat Hard<br />
240Mb (539.99<br />
i<br />
Drive packs<br />
n<br />
g<br />
THE CI-IA IDS PACK!<br />
•CHAOS ENGINE<br />
•N1CK FALDO CHAMPIONSHIP GOLF<br />
•mNBALL FANTASIES<br />
•SYNDICATE<br />
only £29.99 or LI 9.99<br />
with any AM1GAJ<br />
THE FIRST 5 GAME PACK<br />
OMAN LION ZI OOL 2<br />
40ENNIS 0 S 4 P A R<br />
•TOTAL CARNAGE<br />
only L I 9..99<br />
The AMIGA 4000<br />
A40001030, 150Mb H D 4Mb RAM (9 9 9 .9 9<br />
A4000/030,214 M OHO* 4 M b RAM.._11 069.99<br />
A4 0 0 0 1<br />
A4 0 0 1 1 1<br />
, A4 0 0 0 ..0 4 0 IC,2 1 4 40M<br />
b H D P OA<br />
040LC, A40013/40 SCSI Towe r syste ms Lpoa<br />
The had he 01,15 <strong>Is</strong> root covered by on site warranty<br />
1<br />
2 0<br />
M<br />
b<br />
H<br />
AA <strong>Amiga</strong>'s corps .A0 V....bon...mimeo& 11 mmictl maf.anty<br />
Tie &UNSUNG shoos Idth I montin en sae warranty All<br />
MO% ahn rorno seri. a hula in integral hard disa option<br />
PRIMA Al200 REAL<br />
D TIME CLOCK<br />
* o...a inn. nameless. Frinerswer snra a r a r n e<br />
,<br />
E<br />
s rtheca m fortompatibillty only L I 3 .9 9 !<br />
P<br />
D<br />
A<br />
PRINTERS<br />
• All our printersare IX spec, come<br />
with ribbon/toner, printer drivers<br />
(if available), paper & cables!!<br />
Canon<br />
Canon BjlOsx L I 81.99<br />
Laser quality output. Large holier<br />
Canon Elj 200 1 2 3 1 . 9 9<br />
3 page a min speed. ISO dpl. smell footprint & SO<br />
page sheetfeeder<br />
Canon BjC600 Colour ...... L532.99<br />
mew bubble jet from Canon<br />
BI I 0 A utosheetfruder £ 4 9 . 9 9<br />
1CITIZEN<br />
ttltbd,r1O dOP, t<br />
Citizen printers have a 2 year guarantee<br />
ABC Colour printer L I 54.99<br />
simple las easy as ABC) to oes 24 pie printer. Comes<br />
as standard with SO sheet Auto Sheet leader.<br />
Tractor feed optionai at /17.99<br />
only I 39.99 if bought without the colour option<br />
Swift 200 Colour 1 1 8 1 . 9 9<br />
Same out put as the 240 but with less facilities<br />
Swift 240 Colour 1 2 1 8 . 9 9<br />
24 pin, 2.40cps draft, 10 fonts, quiet mode, 240cps<br />
Projetill 4 2 I 4.99<br />
new inided printer with built in auto sheet Feeder<br />
Swift Auto Sheet feeder £79.99<br />
MO EPSON<br />
Epson ILX100 Colour - - 4 1 49.99<br />
9 Pin SO column colour<br />
LQ ISO Colour t 2 0 9 . 9 9<br />
14 Pin Draft 116cps, LQ79cps<br />
Wu., 800+ - . 4 2 4 9 . 9 9<br />
40 NO7210 inkjet 360 a 360 dpi (max) 100 sheet<br />
feeder<br />
Sapru.k C olour Z 4 9 9 _99<br />
Colour Inkjet, 360 x 360 dol. 130 a 710 (on special<br />
MHO<br />
I I V 3PACKARD<br />
HP 310 HPortable E W £ 2 2 9 . 9 9<br />
NEWIHP L E520 T mono £ 2 4 9 . 9 9<br />
HP 500 Colour 1 3 4 4 . 9 9<br />
T<br />
LOW PRJCVH P 560 Colour 1479.99<br />
even faster than the old HP550C!!<br />
All HP printers come with a 3 year warranty<br />
LOW STAR<br />
PRICES<br />
Star LC 00 colour L I 19.99<br />
9 pin colour, S fonts, I $O cps draft, 45 cps NIQ<br />
Star L.C24- 100 2 6 . 9 9<br />
Star1C14-30Col 1 99.99<br />
complete with autometk sheet feeder, 192 cps draft<br />
Star- LC24-300 Col £ 2 4 9 . 9 9<br />
14 pin quality, 264 cps draft, $O cps LQ 395 buffer<br />
expandible to 4115, IS tents and quiet mode.<br />
Star Sji44 Colour Thermal<br />
E untung affordable odour prIMar. 3 PPM, lour 'imams colt,<br />
only £339.99<br />
Star SJ48 Autosheet feeder..only £49.99<br />
Universal Printer Stand only £4.99<br />
PRINTER CONSUMABLES<br />
Cit iron Sanft mono ribbon ..... t 4.99<br />
Citizen Swrft Colour ribbon ....... / 1 3 . 9 9<br />
Epson 01300 Colour<br />
Star LC100 mono 4 4 . 9 1<br />
Star LC 10)100 colour_.„<br />
Star LC200 colour 1 1 , 9<br />
Star LC24-30.1200 Colour, .... ________/ 11,99<br />
H. -I ttlt S rx, tot- rttomo 1<br />
.<br />
COVERS<br />
9Canon 9 printer cover iplenesspacify<br />
Citiren SwittABC _ _ _ . .<br />
HP 500.SS0,'S10.._<br />
Star 1..0 I OW1013<br />
. . L5,99<br />
Star LC I 0/20<br />
PAPER a p p l y orgy *an aederrd with prwer n•<br />
dorta Corn rev siterwroons<br />
Fanfold (tractorfted)......,•...,-,-500 sheets_14.99<br />
Fanfold (tractor feed).........1000 sheets .18,99<br />
Fanfold (tractor feed) 2 0 0 0 sheets4.11,99<br />
Single she e t 5 0 0 sheets_ sc4.99<br />
Single she e t 1 0 0 0 sheets ..,cg.99<br />
Single she e t 2 0 0 0 she e ts.c 17.99<br />
DI•1Y,f IX 2030 sheets (SA who a i t h a a t winter<br />
Think again if you are considering buying a modem<br />
from anywhere eh*. We are probably the largest<br />
supplier of moderns forth. <strong>Amiga</strong> supported by a<br />
wealth of experience Log into our free BIS modem<br />
Nile for technic a v a i l a b l e 24 hours a day.<br />
Vrodddrr r Ord, I rts<br />
MONITORS<br />
All our monitors are UK spec, All monitors<br />
come complete with a free <strong>Amiga</strong> leads<br />
NEW! Philips 8833 MK2<br />
This famous Stereo, colour monitor is back. Similar<br />
spec to the old <strong>Commodore</strong> 101145.<br />
only £229.99<br />
Tilt and Swivel Stand only 19.99<br />
if you purchase with monk*<br />
,<br />
Microvitec Autoscan 1438<br />
.15tipl, I Sill KHz, all <strong>Amiga</strong> modes,<br />
AGA comp.° audio. tilt A<br />
stand_<br />
now only £289.99<br />
•<br />
F Al200 cable ta 99 • •<br />
r<br />
e<br />
PREMIER e Ink<br />
Cartridge t Refills<br />
Save a torero. in mowing a costs with your inkabutshi•<br />
Compatible with rise NPSO409$0. Desire. Plus, Canon<br />
1111 I ar1C01411 I 30,200i30e b<br />
, many others. Pup range lal<br />
colours available.<br />
319.. S t a r e<br />
SSingle p l refi lls 6 (22m1) , f - L 6 _ 9 9<br />
CTwin o refi h lls(44m1)<br />
e n<br />
- ..... --112-90<br />
o<br />
PT r c h e<br />
_LI9 99<br />
r<br />
r hFull<br />
colour kit (111tml)<br />
127.99<br />
A<br />
arBulk renfills (I 2 Srril)<br />
.1 2 4 .9 9<br />
d<br />
4<br />
e<br />
Cartndges<br />
Canon 131 I 0 !W1 ca 1 rtridge ...., ....._ , E1 B, 9 9<br />
e<br />
Double life SOO ca rtridge 1 s<br />
c<br />
HPS 50500 C olour 1 ca rtridge E2 4 „9 9<br />
o<br />
6<br />
l<br />
Epson Stylus Colour C a rtridge --.....- 4 3 9 .9 9<br />
Epson Stylus mono 0 C a rtridge ..„ E I 7_99<br />
o<br />
Epson Stylus BOO+ mono o C a rtridge --4 1 1.99<br />
u<br />
Star SJ I 44 mono can rtridge s (3 pa ch) , (2 1 , 9 9<br />
r<br />
l<br />
k<br />
Star Si 144 colour ca rtridge s0 packY E21 .99<br />
Miscellaneous<br />
y<br />
i<br />
Printer Switch Boa 1 way _ 1 1 1 9 9<br />
l<br />
Printer Switch Boa 3 way 1 7 . 9 9<br />
t Printer Stands (tMivemal). „.. ......<br />
( 3 Metre printer table 1 6 . 9 9<br />
6S<br />
Metre printer cable 1 1 9 9 9<br />
610<br />
metre printer cable<br />
m<br />
1<br />
)<br />
1 1 2 . 9 9
PRIMA ASOO & A600 RAM<br />
1 YEAR WARRANT<br />
-<br />
YE/<br />
A500 512k RAM<br />
expansion (no dock).t 19.99<br />
A500 Plus I Mb RAM<br />
expansion £ 3 4 . 9 9<br />
A600 I Mb RAM expansion<br />
(with clock) £ 3 9 . 9 9<br />
32 BIT RAM (for A4000 etc)<br />
I Mb SIMM £ 3 9 . 9 '<br />
2 Mb SIMM L 9 5 . 9 '<br />
4 Mb SIMM...NEWLOWPRICEL-E139.9'<br />
Mli S1MM..NEW LOW PRiCEt<br />
SPEED<br />
25 Mhz<br />
33 Mhz<br />
40 Mhz<br />
50 Mhz<br />
PLCC<br />
L45_99<br />
£53.99<br />
L I 06.99<br />
N/A<br />
PGA<br />
449.99<br />
£89.99<br />
£129.99<br />
L137.99<br />
I rnb by 819 SIMMS (I Mb).....- E34.95<br />
4 Mb by 9 SIMMS (4 Mb) £144.99<br />
I Mb by 4 DRAMS( I Mb) £ 3 9 . 9 9<br />
I Mb by 4 ZIPS(112 Mb) £ 3 2 . 9 9<br />
256by4ZIPS -....(each)(5.99<br />
256 by4 DRAM (DILs).- (e-ach)L5.99<br />
OKB 1202 Al200 RAM board 034.99<br />
takes 212 bit SWIMu. Has aff• optionad IFPU,<br />
See above for prices<br />
Kickstart 1.3 £ 2 3 . 9 9<br />
Kickstart 2.04 L 2 8 . 9 9<br />
Kickstart 2,05 (for use in A600)<br />
-Fatter<br />
Agnes 8372A £ 2 6 . 9 9<br />
L211.99<br />
Super Denise<br />
571<br />
£ 1 8 . 9 9<br />
-IA<br />
8520A110 controller £ 8 . 9 9<br />
032<br />
6<br />
KPRIMA<br />
CO-PRO & RAM<br />
Realne the full potential of your A1100 with<br />
this e trapdoor .. I<br />
oI MB yn<br />
. RAM I n c L 9 1 , 9 9<br />
r2 MB<br />
be<br />
RAM a l 0 , 1 1<br />
t4 MB i RAM m e L I S<br />
c<br />
8 MB o l<br />
RAM<br />
o<br />
L<br />
c<br />
3 2<br />
k<br />
I MBA)) MHz CO PRO<br />
2 MB a & 33 MHz CO PRO<br />
9 , 9 1 1<br />
9 . 9 9<br />
9 , 9 9<br />
0 3 9 . 9 9<br />
1 1 8 4 99<br />
4 MEI r & 33 MHz CO PRO L 2 3 9 . 9 9<br />
0 Me & 33 MHz CO PRO t 3 7 9 .<br />
d<br />
FULL 2 YEAR WARRANTY<br />
c<br />
o<br />
9 9<br />
trivo n o m ockr p e n .sto gantSr..“.. •<br />
@Mb pop to 2 Mb L<br />
@Mb t pop to 4 Mb ........ . . . . . .<br />
I 75.91<br />
@Mb r pop to 11 Mb<br />
o<br />
L 4 2 9 91<br />
l<br />
e<br />
r<br />
lAMIGA<br />
REPAIR<br />
CENTRE<br />
We L offer. FREE quotation on your <strong>Amiga</strong> or any<br />
peripheral 1 (monitors. printers etc). A delivery tariff of<br />
just t 5.00 is charged for return delivery or alternatively<br />
3<br />
you can visit our<br />
.<br />
showroom. We<br />
9<br />
WO also arrange<br />
•tourser pickup<br />
9<br />
at an additional<br />
cost of L 1.0.0<br />
All work is<br />
carried out by<br />
one highty<br />
qualified<br />
eng.ne.ra If,<br />
custom built<br />
premises. We<br />
will also iestall any °ogre cletsofhvare or accessory from<br />
our main advert free of charge UWE.ss otherwise stated.<br />
All repairs are covered by a 90 day warranty.<br />
Tel. 0532 319444<br />
Mi<br />
s<br />
c-<br />
- • s Hardware<br />
The Serial Link (Adaptor to link CD 321AmogaiPC)<br />
only 2 99<br />
PanavssionSX•i tC011' I 200 emulator,...., t I 9.91<br />
XDS Darallyer External Hard drive kit.....„.„L64.91<br />
DKB Mega Chip II (2Mb chip a s .cc<br />
*has 2111. si chip nn wiser, en *INA 11,00,11100<br />
ROCHARD DRIVES fnirri 2 I 4.91(42/4o) 6.1.r•SICOMOD•<br />
•lotaard 01 ma..1•-•••<br />
• • , • • • • • • •<br />
AMIGA • I 100iSiXillOOPSUI__<br />
C39.99<br />
MilIGA I I SR/Modulator- P •<br />
- C D L3/99<br />
i<br />
.<br />
t<br />
"<br />
I<br />
V<br />
SPECIAL OFFERS!<br />
Deluxe Paint 4 AGA i l . f<br />
Personal Paint 2 9 . 9 9<br />
Technosound Turbo<br />
Wordworth 2 AGA with Print Mgr & Day. To Day<br />
XC opy Pro plus hardware. 2<br />
, Workbench 2.1 software and 2.04 ROM upgrade<br />
, 9 (complete 9 with manuals)<br />
Workbench 2_04 software and 2.04 ROM upgrade<br />
(complete with manuals)<br />
only 149.99<br />
100% RATED! COMPU I 1 elLr<br />
AUGUST 14<br />
N<br />
The amazing new<br />
14 ,9 Talyet -.., raphics tablet ler the<br />
<strong>Amiga</strong> developed with<br />
,<br />
the help of First<br />
Computers. 56% rated<br />
G<br />
In ST Format January<br />
Mire! Requires 1.04<br />
r<br />
Valor &berm<br />
Personal Paint 4 only £15.99<br />
when a Opurchased with • Tabby only £59.99<br />
p<br />
h SCANNERS<br />
i Alfa Data Alfa Scan<br />
hand e held scanner with 256 art-peaks and up to BOO<br />
Doi<br />
N<br />
6<br />
only L 1 14.99<br />
O r . L I 39.9 with OCR software<br />
Alfa Data Alfa Colour Scan<br />
II bit scanner with 25614 colours Inc colour ceerecuon<br />
only £329.99<br />
Power Scanner V4 £119.99<br />
'<br />
With the latest version I siw for bright A aura rey oak<br />
performance. Fiesibl”canned image display manipulanen<br />
°pikes. plus Ckan up, embolden. relate A fl a<br />
Colour version only £239.99<br />
EPSON GT6500 Colour Flatbed<br />
only £564.50 phone for details<br />
Art Department Pro Scanner SW1109.99<br />
compatible with E(31011 E5300C, ES600C,<br />
E5800C, GT6000, GT6500 & GT101110<br />
MICE &TRACKERBALLS<br />
Alpha Data Mega Mouse vii% rating. 290<br />
Dp4 LI0.99 or £12.99 for 400 Op version<br />
DATALUX CLEAR MOUSE High<br />
quality dear 2 button. moine• L I 9.99<br />
Zydec Trackball 4 2 9 99<br />
Apiha Data Trackbail £31.99<br />
DISK DRIVES<br />
AM1TEC<br />
I mb 3.5"<br />
drive<br />
Features Anti Click,<br />
Anti Virus, Sony Meth,<br />
1 year warranty<br />
only 458.99<br />
Cumana 3.5" o n l y L56.99<br />
meg external drive. The best name In disc drives<br />
A6001 1200 internal drive £ 4 9 . 9 9<br />
A500 internal drive 1 . 4 9 . 9 9<br />
44000 Inter ts.11 RD drive £ 9 9 . 9 9<br />
GEN LOCKS<br />
Pais0 SNIISIB [video 13, 1141 a<br />
hama ON DEMO NOW!<br />
The Professional answer<br />
hama 292 £ 2 6 9 . 9 9<br />
S.Video. and composite compatibly,<br />
hama 290 £ 6 7 4 . 9 9<br />
S-Video, and composite mixing, plus far more<br />
hama A-CUT Video Editor<br />
LI 85.99<br />
GVP Genlock only aho4.99<br />
features professional SVHS output<br />
Rocgen Plus o n l y £164.99<br />
Includes duel controller overiay and keyhole effects,<br />
extra ROB pass Om Check for compatibility-<br />
Rendale 8802 FMC-only £164.99<br />
Rocgen Rockey o n l y £164.99<br />
For creating sp•cial effects in video<br />
production with genloeka<br />
ROMBO PRODUCTS<br />
VIDI 12 Real Time Cli 4.99<br />
Real time colour digitizing from any video<br />
settee*. Full AGA support<br />
VIDI 24 Real Time £204.99<br />
24 bit quality real time colour digitising Ilium<br />
any video source- Full AGA support<br />
VIDI 12 AGA 459.99<br />
NEW L<br />
PRICE<br />
Full support for AGA chipset. Colour images<br />
captured in less than a second, mono images<br />
in real time with any vid•o source.<br />
Multitasking Ow. cut & paste.<br />
VIDI 12 Sound & Vision AGA<br />
with built in MegamisMaster 498. 99<br />
TAKE 2 435.99<br />
Features include load and save from D. Paint<br />
animations and IFF files. Supports HAM graphics.<br />
Megamix Master 426.99<br />
bit, high spec. sampler. Special effects include<br />
Peio that can be added in real time, fully multitasking<br />
ti, I iNo•<br />
ACCELERATORS<br />
VIPER 68030 TURBO only £1<br />
59.99 68030 accelerator running at 28Mhz<br />
atpandible to Mb 12 Bit RAM (see RAM prices)<br />
Optional SCSI adaptor,<br />
ADDITIONAL RAM FOR<br />
VIPER BOARDS<br />
Jun add the price of the RAM to the Viper<br />
board to get your confi guration price<br />
I Mb SIMM £ 3 9 . 9 9<br />
2 Mb SIMM £ 9 5 . 9 9<br />
4 Mb SIMM...NEWLOWPRICE1.-i139.99<br />
8 Mb SIMMADVLOWPMEt....(269.99<br />
SUPRA 28 ACCELERATOR<br />
for the A5001A500+8, A1500/2000<br />
20 Mhe, uses ASCIO side port so there <strong>Is</strong><br />
no internal fi tting<br />
Only t 4 4 . 9 9 !<br />
PRIMA ROM SHARERS<br />
Thu high quality ROM sharer feature, a fl evible<br />
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anywhere within your A500 Plus or A600. Full 2<br />
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now only LI 7.99 or £24.99<br />
for keyboard switchable version<br />
ACCESSORIES<br />
Real 'nose A I 200 onternal clock moduie_oulys.t 3.99<br />
Mouseloystick manual port rwitcher_orgy 3.99<br />
Amsga Asooson.<br />
, <strong>Amiga</strong> 2 0 0 S00300 Ph...keyboard- .... . ....... .A45.99<br />
P o w e r<br />
<strong>Amiga</strong> S u 50e p pPius l yCase_<br />
. QUALITY . . . . -MOUSE -<br />
110 1CAPACITY 9 . 9 9 DISK<br />
10 CAPACITY DISK<br />
40 CAP LOCKABLE DIS4t<br />
M e e<br />
100 CAP LOCKABLE DISK BOX L 5 . 4 9<br />
•142 CAP STACKASIE BANX BOX. . --19.99<br />
• SO CAP STACKABLE eosso eox........-t 17<br />
11<br />
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AMIGA A500 DUST COVER.. .......<br />
AMIGA 600 COVER ..... .............. 2 . 9 9<br />
14" MONITOR OUSTCOVER...-----L6.99<br />
NEW!<strong>Is</strong>e rho-Aid Mensbrine ..<br />
.... AMIGA TO SCART CABLES .......<br />
...... STO I METRE AMIGA PRINTER LEAD-44-99<br />
1MODEM 1 4 AND . 5NULL 9 MODEM CABLES 19.99<br />
AMIGA CONTROL STATIONS<br />
A 500 or 1200 VERSION._<br />
DISKS<br />
All desks are I On error free guaranteed<br />
New High density1.5 inch bulk and branded<br />
Please phone for best prices!<br />
QTY Bulk DS/DD Branded DSTDD<br />
1<br />
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44.49<br />
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t. SA<br />
£14.99<br />
422.99<br />
£42.99<br />
200 469.99 479.99<br />
500 4168.99 4190.99<br />
1000<br />
-<br />
4324.99 4365.99<br />
Branded disks come complete with labels<br />
Disk Labels SOO £ 6 . 9 9<br />
Disk Labels 1000 £ 9 . 9 9<br />
SOFTWARE<br />
bl.MINtb•S<br />
htol Plan4.„ . 2 4 . 9<br />
mini Offi ce,. / 3 1 1 . 9<br />
CD ROM SOFTW<br />
17Bit Cuotinuation-___-_.<br />
Arninet<br />
CD EN<br />
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SeNi.twsualnFrhancisCD.Toos-. • • • 1 134<br />
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4<br />
l" Drstant Suns 5 •••• L 3 5 , 9<br />
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XCAD<br />
dr MUSIC/SOUND<br />
iClarity<br />
16 sampler ..... ......... . . . I 05.11<br />
mDeluxe<br />
Music Construction Setr2.....„......„---(59.1<br />
ePro<br />
Moll Interfacar by Mierodsal .... 1 2 4 0<br />
di<br />
TschnoSound Turbo.-- .......<br />
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T PROGRAMMING<br />
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Amos Profiessiorial, _ 4 4<br />
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AMOS . 424-9<br />
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PUBLIC DOMAIN Top 50<br />
b from LI JO! (snowy snore cities ovoilobk)<br />
y Ami Base Prov . . . ( P D A 0 0 I ) disk. CS<br />
W,Disk<br />
Sale , . , ( P D A C P 0 3 ) disk.(1.5<br />
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Easy Calk Phis,- ..... A 0 0 6 ) disk.41,5i<br />
d Pr E-Type ( P D A 0 4 8 ) disk( I ,S<br />
f0<br />
First Plods disk L.. ..--(PDA056) disk 41.51<br />
Grapevine 7...----------(PDA009) 3 disk ‘2.71<br />
iPfi<br />
Relokick 1.3...------4P0A01 I ) I disk,L LSI<br />
c0<br />
Klondyike AGA......----_,(pcmo 13) 3 disk.L2-7!<br />
kY<br />
First Mods disk 1 ( P D A C I S S ) I disict<br />
e1<br />
MindwarpAGADerno...--....(PDA01 5) I disk.LI.14<br />
K.<br />
Motorola . mradersAGA .... •(PDA 0 I 6) 2 disk L2.21<br />
e.<br />
Magic<br />
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Workbench Utils.-.......(PDA01 7) I disItt<br />
First Plosisdish 3..-------(PDA0S 7) I distil 34<br />
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PC<br />
.<br />
Task Emulatur ........(PDA01 9) I disici. .54<br />
. Reorg . V3. I ( P D A 0 1 3 ) I disk./ .14<br />
. Spectrum . Emulator version I .7.(PDA027) I diskl .54<br />
. Spectrum GamesDidi ......-(PDAD18) I distil .54<br />
„ . Pit Chia. - (PDAD30) 2 disit.L2.2l.<br />
9 ingers Rave Demo_, ,.... (PDA0)3) 2 disit,(1.2.!<br />
-.<br />
Mean CD ( P D A 0 2 6 )<br />
. Fit Chili L. ( P D A 0 ) 4 1 2 disit-C2-25<br />
The . Mini / 1 ) I disk-f 1.51<br />
CD . P Wars P D A 0 3 9 ) I disk. f 1.11<br />
Host<br />
. I F O A M ) I disisl 1.51<br />
Assays<br />
. D Workbench 3 Utlis-. (POA031) I disk- t 1,51<br />
Desert<br />
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Dreams Demo-- (PDAO I 2) 2 disk. (2,25<br />
Orn • (PDA040) 1 disk. L 1.54<br />
May . 0 World AGA Denio,--, (PDA 04 1)1 disicf 1.51<br />
CLIPSIIELLHeip---.,-,(1<br />
. 0<br />
1Clipart<br />
15<br />
I D A C ) I ) I dkauf 1.54<br />
0A002)<br />
Chows<br />
2)<br />
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. . . . . . D A C I 1)1 disk.f 1.5I<br />
Chows).<br />
d1d Mac Art 2 D A C O 3 ) I disk.(I.S4<br />
Clipart4-Food....<br />
i s k .<br />
.......<br />
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D A C 0 4 ) I dish I .Sf<br />
1 ClIpart . d , S 5-Food 4 d i s k . / I .51<br />
Perspex 5l<br />
Hyprsosis....„-----(P0A03 7) I diskil I 54<br />
Protracker3.-.....--___APDA046) i<br />
I didut 1.54<br />
Tetrus i AGA. ( P D A 0 4 3 ) I disk./ I<br />
Brachmarklesta s<br />
( P O 4 0 3 5) I dislut I. St<br />
3<br />
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Ways to Stop Smoking-----(PDA054) I disk ,54<br />
Clipart I 0 pack...-----------(PDAC25)19disk‘ r<br />
CD<br />
k<br />
ROM drivers (Arni)...-----(PDACO 1)1 disk./ 1„51<br />
CDROM l Boras Uoils.----- (PDACD)) I diski I .5(<br />
Megaball : AGA. ( P D A O S O ) I diskI 1.50<br />
Revelations :<br />
Slideshow-. (PDA020) I cliskil.51<br />
S<br />
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Find<br />
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First Ftwettlisk I ( P<br />
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F O I )1 disk.L2. St<br />
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Pine Pones Disk 3... ...... ...... (PDAPC/3) I disk.L2,51<br />
UTILITIES<br />
Directory Opus 4 e l<br />
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Quarterback V6AlEhyl.. ..... 9 1<br />
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Pi sr la 46001 200 Hird Drive setup software. This lit<br />
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• Deparformtrt Pro 2,5.. 1 1 4 5 1 1<br />
Am Department Scanner software<br />
Brilliance 111 paint and ariOnation 159.91<br />
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11,nluce Paint 3 . 4 1 2 91<br />
Deluxe Paint 4 AGA__ - 4 1 9 99<br />
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OCTOBER 1994<br />
Alternative 3D Textures will add life to both 2D and 3D applications, whether you use<br />
them as backdrops or as textures to wrap around 3D objects for the ultimate in realistic<br />
The Alternative 3D Textures are compatible with all 2D and 3D graphic applications.<br />
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• 12 disks absolutely jammed pack with some of the most stunning images ever compiled.<br />
• images to compensate for all occasions including space. rock, sand, metal, landscapes,<br />
• Two versions of the very popular FastJpeg program which will allow you to view your<br />
Images quickly and to the highest quality on <strong>Amiga</strong>s ranging from the A500 to the A4000
HARD DISC DRIVES<br />
30mb o n ly £ 1 0 9 .9 9 1 2 0 m b o n ly f 1 8 9 .9 9<br />
40mb o n ly £ 1 1 9 .9 9 1 7 0 m b o n ly £ 2 2 4 .9 9<br />
60mb o n ly 1 1 2 9 .9 9 2 5 8 rn b o n ly £ 2 6 4 .9<br />
85mb o n ly £ 1 4 9 .9 9 3 4 4 m b o n ly £ 2 9 9 .9 9<br />
Add 1:29.99 for Al200 fitted with above drives.<br />
Our 2_5' hard drives for the <strong>Amiga</strong> Al200A600 offer speedy<br />
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THIS PRODUCT M USTW)1 BE USED TO INFRINCE COPYRIGHT<br />
Al200 1 200 dimb memory expansion with clock<br />
New state of the art design.<br />
32 bit wide auto configuring Fastram.<br />
Zero wait slate allows the Al200 lo run at tull speed.<br />
Increase the speed of the computer by 219'a<br />
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Cal 79,99<br />
E44.99<br />
X 061-724 4893<br />
Unlike other disc backup utilities, X-BACKUP PRO is<br />
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• Optimise. formals, repairs, verities.<br />
• Includes the 'AUTOSWITCH CYCLONE<br />
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AS SOLE UK DISTRIBUTORS WE OFFER FULL TECHNICAL SUPPORT (2-4pm EVERY DAY) AND UPGRADE SERVICE.<br />
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PICASSO II<br />
PICASSO II is a graphics card with a difference, offering<br />
true retargetable graphics on any Zorro based<br />
<strong>Amiga</strong>. The installation is quick and simple. Just plug in<br />
the card, connect the cables and run a fully automatic<br />
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available from the standard preferences ScreenModes<br />
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Picasso will intercept any program on it's first run,<br />
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screen choice thereafter. All screens are stored in<br />
Fast RAM, hence removing Me 2Mb Chip RAM limitation.<br />
Total screen configuration is provided through<br />
PicassoMode. which allows the creation of custom<br />
screens quickly and simply. Picasso II comes with<br />
TVPaint Junior and drivers for imageFX. AdPro,<br />
ImageMaster, Real 30 and GIF, IFF. JPEG and MPEG<br />
viewers. Also included is the MainActor animation program,<br />
and a TVPaint 2.0 option is also available<br />
dard sultme inte rfa ce for ne twork p ocols of<br />
Commode compa tible . compatible. This me a ns a ll working<br />
packages usitig SAN A-I t will work wit a (e , g.<br />
<strong>Commodore</strong>•s-)TCP/IP pa cka ge re le a se E N V O Y / .<br />
Liana is supplie d, comple te with the . n<br />
rirnodore<br />
networking. pa c-ka ge EN VOY, which offe rs<br />
FileSystem import a nd e kport, ne twor ;printing a nd<br />
multi-user supp t ke ge the r with a e a sy insta lla -<br />
tion a nd confi gur I stion<br />
proce dure .<br />
t 1 AP411 NETWORK ___.."11E 5 9.9 5<br />
EMPLANT<br />
Emplant is a very special product. It is the only hardware<br />
that offers multiple multi-tasking emulations from a<br />
single board Here are some ol the features of Ernplant<br />
awiuutime w<br />
0 Ufiti5st ,<br />
, th<br />
pods a rid Stereo sound caosellebes<br />
Amig 0 Extensive Z a r r Video DeVer support (ECSAGA. Picasso<br />
a o Piccolo, : Rehre23, Merkt, EGS. Opanlision.Raintow<br />
m I<br />
etc) e )<br />
incheling 16, 256, 6 5 K a 18.8 niacin colour dispiays<br />
m0 SCSI<br />
Ao m<br />
Support Marti Disk Scwriers, SK:guest CD-PCi M e t )<br />
r y i , g o MACINTOSH EMULATION<br />
A ' r<br />
The<br />
n S generic Mac emulation will perform as a Quadra<br />
900 ion<br />
a 68040 <strong>Amiga</strong>. and a Ilci on a 66030 <strong>Amiga</strong>.<br />
gAll known a software runs. The Mac emulation supports<br />
D O<br />
System 6.x.r7 x. Hard drives, <strong>Amiga</strong>DOS Partitions,<br />
S Virtual screens, Stereo sound, He transfer, Printers,<br />
d<br />
Moderns, MIDI, SCSI peripherals, AppleTalk etc. Floppy<br />
e<br />
vsupport i includes Emplant, Amax, IBM 720/01 44Mb,<br />
OS 3.1<br />
X1C i'ffi ff AND 1U1_01;<br />
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JTHE FULLY LICENSED COMMODORE OS 3.1<br />
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A500. A1500 and A2000 t ' 84 95<br />
A3000 and A4000 (inc. 3000/4000Tower) ti• 94 95<br />
Update today and breath new life into your machine!<br />
2/3"<br />
Pic Picasso fI2MbOS3 (314000 f 4 2 9<br />
es: With the above bundles, you can run all OS friendly<br />
wn<br />
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2 1<br />
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2 PholoWorX <strong>Is</strong> the only Kodak' licensed Photo-CD<br />
PICASSO II 2Mb<br />
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4 9 .<br />
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ti9090<br />
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WO<br />
5 software for the <strong>Amiga</strong>. With any of the following CD-<br />
6 ROMs you can incorporate high qualdy images land<br />
+<br />
your own photographs) into DTP and support a host of<br />
CD based software. PhotoWorX features includes<br />
0O<br />
M o w s ioarking Of a (mages M e m o ry deperiolargi<br />
S)<br />
Supports an <strong>Amiga</strong> resolutonstincludang AGA)<br />
3)<br />
Supports the Picasso II. Retina and EGS Wares.<br />
c▪<br />
Provides numerous image-processing features<br />
6 3 ° Deno Magnaying. Co/our Corrections. Mirror. eta<br />
u t SaVOS tn a n y Aintga IFF ale format (I d fo 24 bit cohout).<br />
. O 1 Prtnts to AN <strong>Amiga</strong> compatible ponters, inc.-Aiding colour.<br />
,<br />
2O<br />
C o m e s complete with manual and a Photo-CD<br />
PABLO ENCODER<br />
0<br />
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PhotoWorX<br />
With CD-ROM Drive<br />
E89 95<br />
PABLO is the new Video Encoder option for Picasso I EMPLANT ON AN A4000/040 1<br />
0 PhotoWorX • Toshiba X& 1 4101<br />
E244 95<br />
It oilers the user two additional video ports, one standard<br />
Composite Sync Signal, and one S-VHS (Y-C)<br />
compatible port. All PAL compatible video devices can<br />
be plugged into Pablo, such as a colour TV or a video<br />
recorder. To Genlock, a Time Base Corrector is<br />
required. There are five resolutions available, these<br />
being 320x256, 320x51 2, 640x256, 640012 and<br />
768x576 in all colour depths including HighColour and<br />
TrueColourt A protective circuit integrated into Pablo<br />
ensures that no modes with more than a 15K1-Lz line frequency<br />
can be routed through Pablo so you can safety<br />
switch to higher resolutions for your normal computer<br />
display Pablo is supplied with all cables/adapters.<br />
Animation examples and MainActor Professional,<br />
PABLO ENCODER 1 1 4 9 . 9 5<br />
IBM PC EM UL ATI ON<br />
The new IBM module is a true 4860X compatible emu•<br />
lation, including CPU MMU and FPU It will support normal/protected<br />
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05/<br />
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and the <strong>Amiga</strong>! The emulation will offer colour VGA on<br />
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ic<br />
EMPLANT BASIC<br />
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with colours adjusted to screen atthbutes. Sound support<br />
allows you to associate sound effects to every<br />
frame. There are animation loaders for Real-3D, IFF-<br />
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s you can see, the vast majority at<br />
my work is 3D with occasional<br />
adventures into two dimensions for<br />
the odd info screen or multimedia job.<br />
Even during these brief excursions into<br />
2D.1 have always done my best to avoid<br />
freehand elements, due to what's best<br />
described as total ineptitude. In fact, even<br />
with my best efforts, stick men invariably end<br />
up unrecognisable.<br />
I'm mentioning this to illustrate the fact<br />
that a lack of physical skills should by no<br />
means be seen as a stumbling block when it<br />
comes to computer an.<br />
Obviously this won't inspire confidence for<br />
those not consumed with a passion for 3D.<br />
However, even in two dimensions there's still<br />
huge scope for what is known as derived art.<br />
In other words importing, manipulating<br />
and oompositing real-world imagery to form<br />
a sometimes surreal mixture of photography,<br />
freehand, ray traced and digitised art.<br />
So, lb you have the imagination and some<br />
existing skills in other areas - such as photography<br />
and videography - you could easily<br />
combine them with your on-screen talents to<br />
enhance an existing business or open up<br />
new opportunities.<br />
OK, if ifs so easy why isn't everybody<br />
doing it. After all, it you don't need any physical<br />
skill it must be a doddle right? Alas no, as<br />
with every swing there follows the ubiquitous<br />
roundabout.<br />
Although the <strong>Amiga</strong> can rescue any<br />
would-be artist from the limitations of the<br />
Hash the mental demands remain the same,<br />
and in tact in many cases the creative pressure<br />
is even higher than those endured by a<br />
traditional artist.<br />
The reason being that every computer<br />
...<br />
artist the world over starts out with r , . 3<br />
roughly the same basic skills - corn- *. 2<br />
monly referred to as the machine Al• m•<br />
. ,<br />
and its software. -<br />
A. o ,<br />
N And because ocomputer<br />
graphics ( - ", f r•<br />
• ' ., ,<br />
rely on such a similar array of tools I. z e l e<br />
- regardless of format - it's<br />
.<br />
much easier to pro- : m o w<br />
.<br />
duce predictable<br />
results. Your job<br />
,<br />
is to develop a<br />
.<br />
style - something<br />
•<br />
which to many<br />
.<br />
freehand artists<br />
comes naturally.<br />
As computer art<br />
is primarily a mental discipline you can survive<br />
with the hand/eye co-ordination of a<br />
house brick, but if you don't have the eye<br />
and inspiration you're quite literally dead in<br />
the water<br />
. Now before the mail bag explores with the<br />
vented spleens of a thousand outraged art<br />
school graduates, it's worth stressing that I<br />
certainly don't consider myself an artist in the<br />
classical sense.<br />
COMMISSIONS<br />
What I. and many others do, is commercial<br />
art, there's a very big difference. I work<br />
on commissions and therefore don't<br />
have to wait for inspiration to strike.<br />
All that's required is to turn a concept<br />
into reality - a process which<br />
can still be pretty painful<br />
While we're on the lofty plain<br />
of art and inspiration, it's perhaps<br />
worth stressing that<br />
artistic pretensions rarely<br />
have a place in commercial<br />
art. If, while negotiating<br />
a job, you come<br />
across as the I am<br />
an arttst,." type<br />
there's a strong<br />
chance your<br />
career will<br />
1<br />
PuI Ilustin guides goo thfflugh the<br />
OCTOBER 1<br />
treelanfing jungle<br />
GRAPHICS<br />
be shod lived. However, that doesn't mean<br />
you should take what you're given and be<br />
glad of rt. In many cases the people commissioning<br />
the work will be blissfully unaware of<br />
the potential and perhaps more importantly<br />
the limitations of your particular field.<br />
For example, jaws often drop at<br />
the sight of relatively<br />
simple chrome<br />
11-
GRAPHICS<br />
Leaks great on its own but add some<br />
tan and ire lust too cluttered<br />
70.<br />
objects resplendent in a sea of reflection.<br />
However, when you point to the Christmas<br />
tree in the comer - complete with a million<br />
individually modelled pine needles - the<br />
response will almost always be; "oh that yes<br />
it's OK I suppose...<br />
- The bottom line is to get involved in the<br />
design stage as soon as possible. As a<br />
result you can guide the client in the best<br />
direction for both parties.<br />
Another point worth mentioning is not to<br />
let the software take over the show, All too<br />
often you see beautiful images wined by the<br />
latest addition to the software.<br />
No matter whether its lens flare, motion<br />
blur, depth of field or any one of the hundreds<br />
of image processing options available<br />
via programs such as ADPro or ImageFX,<br />
always keep your goal clearly defined.<br />
A classic example of overkill at its best is<br />
the Christmas card image in this very article.<br />
Although this doesn't suffer from new-feature-itis<br />
it does illustrate a very easy mistake<br />
to make.<br />
A slightly more spatial version was commissioned<br />
for use on the front cover of an ST<br />
magazine. When the final image appeared on<br />
all it's texture-mapped glory I must admit I<br />
was fairly pleased - I'd even remembered to<br />
leave space for the CoverDisks great<br />
However, when the cover words, flashes<br />
and masthead were added the vast majority<br />
of its appeal was lost. Once all the other<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
The big pitch<br />
OK. its time to bile the bullet and have a<br />
bash, but how do you gel your first job.<br />
Well first you need a portfolio and a place<br />
to send it. Perhaps the best way to achieve<br />
this is to do a couple of free/low cost jobs in<br />
exchange for a reference.<br />
Assuming you're now armed with the<br />
necessary, you can start sending expensive<br />
video tapes or prints through the post<br />
to likely employers. However, beforehand<br />
it's worth doing a fax/mail out with a brief<br />
list of what you offer plus your references<br />
and perhaps an example or two.<br />
Another excellent way of drumming up<br />
business is to blag your way into shows -<br />
preferably trade. That way you've got your<br />
target audience all in one place and better<br />
still they're all vying for a lead on the opposition.<br />
When approaching business types it's<br />
useless to walk up brandishing an <strong>Amiga</strong><br />
floppy. You'll need either a PC or Mac disk<br />
with the images or animation in a form that<br />
they can slap in their machine and look at<br />
immediately.<br />
In most cases Jpeg will be acceptable,<br />
although it might be worth carrying a few<br />
Pcx, Pict or GIF examples just in case.<br />
When it comes to animation. obviously a<br />
video tape is the ideal medium.<br />
However, in some cases animation on<br />
disk may be required. As a result it's worth<br />
learning something about both PC and Mac<br />
animation formats such as File and<br />
Quicklime.<br />
elements arrived it was simply too cluttered -<br />
and the impact I was being paid for went out<br />
the window...<br />
This is a key point of almost all commercial<br />
art work - you're being paid to make an<br />
impact, not to impress your peers. Invariably<br />
you're selling something in one way or<br />
another and it's your job to make the client's<br />
product leap out from the rest. As a result,<br />
As you've probably gathered, the vast<br />
majority of my work revolves around still<br />
images. usually for covers or illustrations<br />
Within articles.<br />
The reason being that they are the<br />
most cost-effective method of freelancing<br />
on a part-time basis. Obviously, with a<br />
full time job it's usually impossible to zip<br />
off across the country with a machine<br />
packed with thousands of frames of animation<br />
- all of which need hands-on<br />
attention during transfer to the client.<br />
Thanks to modems, high density floppies<br />
and high compression formats such<br />
as Jpeg, it's usually quite straightforward<br />
to transfer even the largest individual<br />
Files.<br />
When it comes to file size, I rarely go<br />
illustration tot<br />
articles can also be<br />
a nke little earner<br />
adding intricate detail and clever technicalities<br />
that only a tiny handful of enthusiasts<br />
will appreciate isn't always good business.<br />
At worst they'll confuse the image, and at<br />
best waste your valuable time.<br />
Obviously with the huge diversity of<br />
<strong>Amiga</strong> hardware and software, listing the lot<br />
is out of the question. As a result we'll concentrate<br />
on the elements which you'll need<br />
to do business, rather than those which will<br />
actually generate the end results.<br />
Perhaps the most important of all has to<br />
be a fax modem. Thanks to the lax element<br />
you're provided with the essential ability to<br />
both send and receive ideas and proofs of<br />
work in progress.<br />
It also overcomes two of the major stumbling<br />
blocks when attempting to incorporate<br />
<strong>Amiga</strong> graphics into a business wortd domi•<br />
nated by the PC and Macintosh,<br />
Firstly, the modem element can completely<br />
side-step the problem of transportation.<br />
All too often your latest creation will be just<br />
below 1024 x 1024 with the vast majority<br />
being 1500 x 1500 or above. At this resolution<br />
even American A4 magazines like<br />
<strong>Amiga</strong> <strong>Computing</strong> can still reproduce my<br />
work al an expectable resolution.<br />
Thanks to Jpeg. even your largest creations<br />
will fit on a high density PC floppy<br />
using the best possible compression ratio,<br />
However, there is a word of warning<br />
concerning Jpeg.<br />
Although it is often a life-saver it does<br />
have potential dangers. With the pressures<br />
on storage inherent with 24-bit art,<br />
It's often tempting to work with Jpeg<br />
images as your standard format.<br />
However, even when using minimum<br />
compression the Jpeg format will introduce<br />
unwanted artefacts into the image
Pr-production<br />
Before starting or even agreeing to a lob, give yourself some time to think things through. Its all too easy to agree<br />
straight off and then dive straight in, only to discover half-way through you've gone about it completely the wrong way.<br />
, Once you have a good idea of how to progress, sketch it out in rough and fax it through to the client for confirmation.<br />
If everyone's happy - and only then - it's time to proceed.<br />
If the job revolves around some specific object, make sure you get hold of some photography of the exact item in<br />
question. Better still try to get hold of the item itself! Unbelievable as it may seem, I'll guarantee you'll get even simple<br />
objects hornbly wrong if you rely on memory alone. And if someone is paying hard cash they'll quite rightly expect<br />
perfection.<br />
In fact this raises a key point for any freelancer, II you're not a perfectionist by nature you won't last very long, "That<br />
will do" simply doesn't come in to it. As they say, you're only as good as your last job - and if your livelihood depends<br />
on it, it better be good.<br />
50k too big to fit on a PC floppy But thanks<br />
to the infinite transfer potential of a modem it<br />
wouldn't matter if the file was 5Mb to big.<br />
The only limitation is of course the impact<br />
on your phone bill - assuming you can't convince<br />
the client to dial into your system that<br />
is,<br />
Secondly, thanks to the formal conversion<br />
options offered by the <strong>Amiga</strong>'s huge arsenal<br />
of image processing packages, quite literally<br />
any file type can be delivered direct - again<br />
regardless of file size<br />
Obviously when it comes to mass file<br />
transfer a modem becomes less attractive,<br />
however there are alternatives - see animabon<br />
box out for more info.<br />
ON-LINE<br />
As for getting on-line you can do as much<br />
or as little as you like. Accounts on<br />
CompuServe. CIX plus a Internet address<br />
are all very nice, however it's unlikely they'll<br />
be an essential.<br />
As long as your client has a modem - and<br />
the vast majority of companies do - you can<br />
go direct.<br />
Another must is a good pnnter. In an ideal<br />
world you'd have two. One laser for letters,<br />
flyers, invoices and other administration plus<br />
a dedicated graphics printer with which to<br />
display your wares at their colourful best.<br />
Obviously this isn't an ideal or likely situation,<br />
so I'm afraid it's a question of priorities<br />
combined with cash-flow. If you want the<br />
best possible colour output the Primira is the<br />
only serious choice.<br />
Thanks to a photo realistic add-on it's<br />
almost like producing chromalins via a repro-<br />
data You may well have already<br />
noticed this, often appearing as<br />
smudged area or what appear to be<br />
hairline cracks running through<br />
vignettes within the image.<br />
Initially these are indistinguishable<br />
even under microscopic magnification.<br />
However, if you continue to edit the<br />
image, repeated saving out using the<br />
Jpeg the situation can get dramatically<br />
worse.<br />
Soon more and more errors will<br />
appear and worst still, those which<br />
already exist can be enhanced. As a<br />
result, whenever possible always work<br />
in none compressed 24-bit format during<br />
editing and -then swap to Jpeg for<br />
the final output.<br />
house. But unfortunately the running cost of<br />
a Pnmira is high. and although excellent for<br />
full colour images it isn't as impressive<br />
when it comes to black and white<br />
output.<br />
If you're after a compromise of<br />
acceptable running costs, good<br />
colour proofing and quality<br />
black and white output. it<br />
might be worth looking<br />
at the Howlett<br />
Packard HP 550C.<br />
Although not<br />
laser quality it<br />
is an excellent<br />
corn-<br />
OCTOBER<br />
GRAPHICS<br />
premise. Of course you could always opt for<br />
a colour laser printer - but if you can afford<br />
that sort of expenditure why not, sell up and<br />
move to the Caribbean, you obviously don't<br />
need the cash anyway.<br />
Finally, it's essential that you invest in<br />
some sort of 24-bit display device, Although<br />
Hama is great it simply doesn't match-up to<br />
a true 24-bit display.<br />
Basically the choice is yours but it's worth<br />
ensuring that the board and accompanying<br />
paint package you pick has both an alpha<br />
channel and some form of virtual memory.<br />
The alpha channel is an absolute must<br />
when it comes to blending elements and<br />
Sketch that your ideas before starting<br />
and set yourself a fi nis coal<br />
Getting on board the CD-Sons<br />
•mplesion sia Amigo mnimmtion<br />
IF-
-1<br />
1 )1<br />
,<br />
34<br />
GRAPHICS<br />
touching up finished material. A classic<br />
example of this is the Redzone motorcycle<br />
image which is comprised solely of scanned<br />
images and screen shots all composited<br />
together to form the finished graphic.<br />
Without alpha channel it would be literally<br />
impossible to produce.<br />
As for virtual memory, this becomes<br />
invaluable on larger images_ If you're only<br />
ever likely to work in video resolutions or<br />
smaller it isn't a problem. However, it you<br />
land a commission to produce a cover<br />
image for a magazine, or in fact anything<br />
that demands very high resolution. it's a<br />
must.<br />
As you're probably aware, most 24-bit<br />
boards have a range of pre-set resolutions.<br />
It you can't scroll or select an area larger<br />
than the maximum touching-up, a final can<br />
be a nightmare and sometimes impossible.<br />
When it comes to animation, you'll find<br />
yoursell faced with a whole new collection<br />
of problems and pitfalls, not least of which<br />
is the ability to transfer the end results_<br />
Obviously, if your finances allow, some-<br />
What gaol need,<br />
what theifil want<br />
Above all else make sure you get a very<br />
clear brief of what is required. In addition,<br />
ensure you're sent a copy of the<br />
agreement on paper beforehand.<br />
Perhaps equally important is to get a<br />
rough idea of how they want the end<br />
result to look, end make sure all the elements<br />
they're likely to add later are<br />
Included.<br />
In addition, keep in close contact with<br />
the client with regular updates on your<br />
progress and their requirements. No<br />
matter what, do not stray from the brief.<br />
It's all too easy to gel carried away and<br />
do what you think is best - remember<br />
the customer is always right, even when<br />
they're horribly wrong!<br />
Once the ball is rolling the most important<br />
commercial element is time, they'll<br />
be working on a deadline and you'll be<br />
expected to deliver as and when<br />
promised.<br />
Its no use griping about hard drive<br />
failures or whatever else, if you miss<br />
deadlines you're a liability and nothing<br />
more - no matter how impressive the<br />
end results.<br />
The client will also expect the job to be<br />
complete and ready to run as soon as it<br />
arrives. As a consequence it's well worth<br />
finding out what aspect ratio and resolution<br />
would be the ideal.<br />
the art guy or gal at the sharp end<br />
can simply flow your creation directly<br />
into a waiting template you'll score<br />
brownie points by the bucket load. if you<br />
keep the workers happy more jobs will<br />
follow and the management will keep<br />
Paying.<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
[a5h flow<br />
1<br />
Actually getting paid is perhaps one of the<br />
tnckiest elements of freelancing. It's not<br />
that most companies won't pay, it's simply<br />
that the money is better accruing interest<br />
in their account than yours. As a result<br />
they'll try to delay payment until the last<br />
possible moment_<br />
However, when dealing with a new<br />
client it's essential that you demand at<br />
least partial payment before starting the<br />
job. Usually it's wise to ask for between<br />
one third and half the total cost_<br />
In certain cases they'll refuse using the<br />
it's not company policy line.<br />
- D e p e n d i n g<br />
"%VS Min sc<br />
rQ "Sidd-Ikr<br />
tot Mite Ives.<br />
thing like the PAR - or pers,Thi cinimation<br />
recorder - is the ideal solution. allowing you<br />
to transfer near D1 digital video direct to the<br />
recording system of the clients choice either<br />
via composite. S-VHS or component output.<br />
ACCESS<br />
However, if you don't have direct access<br />
to single-frame recording equipment its<br />
worth enquiring tithe client has access to<br />
such facilities. If so, you could take your<br />
on your desperation, either walk away or<br />
demand a contract beforehand and a guaranteed<br />
date for payment in full.<br />
If you are forced in to a contractual<br />
agreement. make sure it's clear that you're<br />
to be paid on completion - and not on publication.<br />
If you don't they may simply trash<br />
your hard work at the last minute and refuse<br />
to cough up<br />
Once you're familiar with a company its<br />
sometimes good PR to drop the partial payment<br />
policy and loin the unwashed masses<br />
in the 30-days-to-pay department. However<br />
if you do, keep a close eye on the wall planner<br />
- not to mention the bank manager.<br />
OK. we discussed how to get paid, but<br />
what still remains is how much. When negotiating<br />
a price it's always a good idea to<br />
Hard time5<br />
l<br />
osupport<br />
is simply<br />
p e sse ntia l<br />
m<br />
machine to them and download h your tiles<br />
via a direct serial connection a - using<br />
cernms software. A slow but . often cheaper<br />
t<br />
alternative.<br />
c<br />
If neither you nor they have r a still frame<br />
facility it might be worth rcontacting<br />
a<br />
bureau facility such as Alternative n Image -<br />
h<br />
0533 440041_<br />
a<br />
They can put your animation n to tape for<br />
you and also produce 35ml transparencies<br />
n<br />
and prints at reasonable cost. w If the PAR<br />
e<br />
i<br />
s<br />
Part and parcel of being a freelancer is finding yourself twiddling your thumbs on occasions;<br />
As a result it's essential you try and add as many strings to your bow as possible.<br />
It times are hard take anything that's going, it's much better to be humble than bankrupt -<br />
packing shelves, occasional bar work, anything just to tide you over until the next lob cornea;<br />
along.<br />
Another good idea is to get yourself a wall planner and attempt to get the work in early and<br />
spread the load a little. When one job is in progress it's downtime for all the others, and if you<br />
don't plan properly you'll at best end up with nothing to do, or at worst miss a deadline.<br />
Once you're au fad with the finer points of a particular subject or software package, why not<br />
attempt a little freelance journalism. After all, you're selling your skills on screen, why not do<br />
the same in print and how two do's are always nice little earners.<br />
If you have incorporated photography. videography and perhaps even music into your work<br />
you could sell your memoirs to a whole host of magazines - even this one.<br />
Although much of the above has revolved around corporate work, it's also worth approaching<br />
local user groups, whether they be computer. video or photographic. At worst you'll pick<br />
up a few nickel and dime jobs to tide you over while also making a lot of what could become<br />
lucrative contacts.
, or<br />
Jar-<br />
u a I<br />
fre<br />
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ash<br />
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NR<br />
open with the classic "well what's your<br />
budget."<br />
That way the balls firmly in their court,<br />
and better still you could be amazed how<br />
much some people are willing to pay. If the<br />
offer is laughable come back with an<br />
inflated counter otter around the figure you<br />
were onginally alter and see how it goes<br />
Basically common sense is the order of<br />
the day, but don't make the mistake of<br />
undervaluing yourself. If possible work out<br />
a standard hourly rate - plus expenses -<br />
and stay with it<br />
Remember, not many people can do<br />
this son of work, so slick to your guns, If<br />
you're up to the mark you'll gel what you<br />
deserve, either from them or someone<br />
else. Good luck._<br />
system is something you plan to aspire too<br />
rather than invest in immediately there is an<br />
alternative Although not broadcast quality.<br />
a combination of DCTV and Clarissa offers<br />
an excellent and affordable alternative.<br />
Better still, it also works very well as a<br />
method of proofing your animations, either<br />
for your own benefit or as a demo 4)1 work in<br />
progress for your client.<br />
Thanks to the composite output of the<br />
DCTV, all you need is to plug the Output<br />
directly into any home VCR and you have<br />
an instant demo to pop in the post. And better<br />
still, because Clarissa produces such<br />
smooth playback you're unlikely to undermine<br />
client confidence<br />
EXPLOSION<br />
However, having mentioned the videographic<br />
uses of animation it's worth stressing<br />
there's another market that could prove<br />
profitable to the animator. Thanks to the<br />
explosion of CD-Rom there's also a<br />
huge market for intros and other graphic<br />
interludes.<br />
In addition, there's a growing market for<br />
on-line education. Due to the expense and<br />
effort involved in producing and updating<br />
manuals and other traditional learning<br />
- ' milmon:<br />
<strong>Amiga</strong> <strong>Computing</strong> 11<br />
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Hito :C OR M M I TOON M illikipZI 1 4 1 1 1<br />
Due to the eHoense and efort iouolued in oroduting<br />
and updating manuals and other traditional learnig<br />
material, mat malls UP tuning tfl graphics,<br />
material, many companies are turning to<br />
graphics_ For example, many engineering<br />
companies are now using computer ani•<br />
mation to illustrate how to install hardware<br />
- whether it be for the benefit of their engineers<br />
or the end user.<br />
Thanks to five seconds animation, the<br />
need for a whole chapter of expensive text<br />
is removed All the user has to do is watch<br />
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and the mystery is removed.<br />
Chips always go in the right way, nuts<br />
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and expensive tech support is slashed<br />
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<strong>Amiga</strong> <strong>Computing</strong><br />
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GRAPHICS<br />
ablo is designed to unite the two<br />
ends of the spectrum by bringing<br />
video capabilities to the Picasso II<br />
RIG graphics card. The Picasso II has a 16<br />
pin expansion plug near the back plate of the<br />
board and it is to here that Pablo connects.<br />
Once you have removed the standard<br />
back plate from the Picasso and replaced it<br />
with the one in the Pablo box that has two<br />
extra holes for the Composite and Y/C outputs,<br />
it is a simple matter to screw Pablo to<br />
the Picasso board using the supplied mounts<br />
and screws,<br />
Pablo certainly comes well-equipped with<br />
connections to the outside world. In addition<br />
to the standard RCA jack cable for composite<br />
signals and Y/C cable, there are adaptors for<br />
BNC and SCART connections.<br />
There are also live disks containing updated<br />
system software for Picasso allowing for<br />
the new video connection, and a copy of the<br />
excellent MainActor animabon software along<br />
with some example animations.<br />
The software installation uses<br />
<strong>Commodore</strong>'s Installer and is painless, but<br />
there are two problems with it.<br />
Firstly. it doesn't check what revision of the<br />
system software you are currently using,<br />
overwriting the newer versions I had downloaded<br />
the previous evening.<br />
Also, while installing MainActor there are<br />
points when it wants the next disk but it<br />
doesn't tell you what it wants, merely puts up<br />
a "Proceed/Abort Install" message leaving<br />
you guessing what it is waiting for,<br />
Informed Picasso users will no doubt be<br />
aware of the PicassoMode software available<br />
for Picasso. It allows the customisation of<br />
screenmodes to the user's desires,<br />
To use it, rather than having the standard<br />
38kHz or 57kHz tooltype. you put CUSTOM<br />
in the village.library icon. This then makes<br />
Picasso look for a file in the directory<br />
DEVS:Village corresponding to settings you<br />
have made in PicassoMode. Pablo comes<br />
or<br />
Pablo, Picasso<br />
and their ally.<br />
Main Actor<br />
produce some<br />
effective<br />
results<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
In order for Pablo to create a signal that can be viewed on a television screen or recorded<br />
to videotape, it has to be at the correct horizontal scan rate and vertical refresh rate,<br />
For a PAL signal, these settings have to be around 15kHz and 50Hz respectively.<br />
Unlike Opalvision, however, Pablo's output cannot be genlocked unless you have a TBC<br />
or Time-Base Corrector.<br />
This is because Pablo's output doesn't really count as "computer video out" but as a<br />
separate video signal, just like that from a video camera or recorder, and it thus-needs to<br />
have the stabilising influence of a TBC to make sure it syncs with other video equipment.<br />
In the past there has always been a gap between graphics cards intended for video<br />
work and ones to aid productivity. Video cards worked only with graphics programs written<br />
especially to take advantage of their 24-bit abilities, but they were about as much<br />
use to Workbench-based programs as a bicycle is to a fish,<br />
On the other hand, the productivity cards, or RIG cards as people like to call them,<br />
only worked at high scan rates unsuitable for video work.<br />
pft-<br />
-<br />
4<br />
-<br />
rF'i<br />
of<br />
with various monitor modes for PicassoMode rushed out, especially as the blurb o-<br />
that allow you to use a combination of video Pablo's box distinctly states that Pablo car<br />
resolutions with monitor resolutions, for be used in resolutions up to 768 x 576.<br />
instance, 158,38kHz.<br />
And as this is the case. I can't recommerel<br />
Then all non-<strong>Amiga</strong> resolutions, like 1024 x Pablo for video professionals at the momert<br />
768. are routed to your monitor, but ones like In fact, unless this essential problem is<br />
640 x 512 are sent out of Pablo's video outputs.<br />
This brings up a serious failing in Pablo. Immediately corrected, I don't see VillaTronic seling very many Pablo boards.<br />
It doesn't come with any overscan settings. The bright spark on the horizon is<br />
In fact the highest resolution it goes up to for MainActor, which comes free with Pablo.<br />
video is actually 640 x 512 and it is not possi- was fully reviewed in last month's issue ot<br />
ble to create a 768 x 576 screenmode with <strong>Amiga</strong> <strong>Computing</strong>, but if you missed that<br />
PicassoMode,<br />
issue (where were you?) stand by for the low<br />
OVER SCAN<br />
down.<br />
MainActor is a piece of software for the<br />
I have spoken to Blittersoll. the UK distrib- creation of animations. Its use isn't solely<br />
utor for Picasso, about this and they say that restricted to Picasso as it can be used to<br />
Village Tronic are rewriting the screen drivers make normal ANIM-type animations, along<br />
to deal with overscan.<br />
with foreign formats like FLCs and FL's.<br />
This strikes me as a product that has been It can also be used as a conversion tool to<br />
[entre of attention<br />
allow you to take animations created on a<br />
PC and transfer them to a native <strong>Amiga</strong> format<br />
or vice versa.<br />
MainActor does have a special format
on<br />
can<br />
tend<br />
tent<br />
n is<br />
lage<br />
is<br />
0. It<br />
e of<br />
that<br />
low<br />
he<br />
itely<br />
d to<br />
ong<br />
DI to<br />
in a<br />
for-<br />
mat<br />
rd-<br />
ily.<br />
3C<br />
; a<br />
to<br />
nt.<br />
eo<br />
Mich<br />
m<br />
,<br />
art<br />
Bright light d<br />
115 Pablo meet5 Pit<br />
-<br />
a new fare iii lido<br />
11550,<br />
graohk5 will Mafia<br />
Frank fiord PHP1d1115 all<br />
One more i thing. Once I had connected up my Pablo and gone back to using my monitor.<br />
'With Pablo's output hooked up to my S-VHS video deck. I noticed that normal <strong>Amiga</strong><br />
screens were of the ususal brightness on my NEC 4FG.<br />
However, before I had connected Pablo my Picasso screens were of the same brightmess.<br />
Now they were a lot darker and I spent a while fiddling with my brightness control.<br />
wondering it Pablo was worth all this hassle considering it didn't even output to the resolutions<br />
I desired.<br />
Then, turning in desperation to the manual, I discovered that there were three lumpers<br />
te scriphon of the installation process made no mention of them, I had paid them no twirler<br />
n attention. Well, referring to the last-but-one page in the manual I ascertained that removing<br />
tthese<br />
three jumpers would result in a much brighter image through Picasso, but it warned<br />
hme<br />
to have both the Pablo and Picasso outputs active to prevent overloading.<br />
e Since I always intended to have both WC and monitor output, I would have set these<br />
Pjumpers<br />
accordingly at the time of installation had I but known,<br />
a<br />
b<br />
on the MainActor screen or on their own<br />
l<br />
o<br />
awe<br />
sow niel<br />
M<br />
We l k e nills<br />
ulmtnin ILOPUM<br />
67212<br />
screen.<br />
Up to live animations can be loaded at<br />
S<br />
. .<br />
L<br />
I .<br />
.<br />
h _<br />
1<br />
a 1<br />
1<br />
d 0<br />
1<br />
n •<br />
4<br />
o 1<br />
1<br />
t 1<br />
•••11EimiN, r<br />
sL t — m ri<br />
niessens NO I<br />
Ininkline U .<br />
_ ninnSeeln N m e l i n<br />
Lap. Om••• • _ I<br />
on,n C . I 1<br />
vim. .1.ft ci.••••••<br />
inleinEd<br />
2••••••••• _4 Need<br />
linelnmo<br />
1<br />
any time, and if you don have enough ram<br />
to hold an animation in memory. MainActor<br />
does a very respectable lob of playing it<br />
back directly from your hard disk.<br />
The manual states that the version of<br />
MainActor that comes with Pablo is the full<br />
version. but you still get the annoying<br />
requesters saying "Pay the tee"' until you<br />
return your registration card. and Village<br />
1<br />
i 1<br />
1<br />
7<br />
cHitting<br />
the Te st buttons ta ke s you to a n inte r.<br />
,<br />
active _ lest card screen<br />
e<br />
. where settings can he<br />
adjusted using the ke yboa rd<br />
d<br />
1<br />
Tronic then send you back your keyfile to<br />
personalise your copy.<br />
This is a good idea in principle but I recommend<br />
that animators gel their Pablos<br />
tspecifically<br />
for Picasso . owners in the shape<br />
of h the mundanely-named 'Picasso" format,<br />
Animations !<br />
e<br />
in this format can be 24-bit. 16-bit<br />
on<br />
m<br />
6-bit, with MainActor automatically dither-<br />
w<br />
ing 24-bit frames to 16-bit if desired.<br />
File sizes aren't overlarge considering the<br />
h<br />
amount of data that must be contained in<br />
each<br />
e<br />
frame for full 24-bit animation, and each<br />
frame<br />
n<br />
can have a different timecode. letting<br />
you I set pauses within an animation without<br />
whaving<br />
to increase the framecount<br />
long before they need to do any work, as it<br />
seems to take Village Tronic an absolute<br />
age to send out the keyfile in question<br />
(well in excess of the normal 28 days for<br />
delivery in at least one circumstance I am<br />
aware of).<br />
If you realty can't wait or you want a full<br />
copy of MainActor right now and will settle<br />
for a black border around your animations,<br />
then go right ahead and buy one, you won't<br />
be disappointed in the quality of the video<br />
a MainActor also has the ability to add sound output.<br />
to s any animation in the form of IFF samples A last, and somewhat disquieting obser-<br />
iand<br />
can display animations in a window<br />
n<br />
s<br />
t<br />
a<br />
l<br />
l<br />
i<br />
n<br />
g<br />
m<br />
y<br />
b<br />
o<br />
a<br />
vation, however, the warranty for Pablo is<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
GRAPHICS<br />
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See wha t happens it you don't pa y a tte ntion<br />
only six months. It it takes Village 'Ironic six<br />
months to come up with drivers that work in<br />
overseen and then you discover a problem<br />
with your Pablo that wasn't apparent using<br />
the old drivers. will Village Tronic replace<br />
your board?<br />
sys•m Ess[nunts 1<br />
RED .Essential BLACK . Recommended<br />
M L_<br />
Ell<br />
required required<br />
II Zorro Video gear Hard drive<br />
The bottom line<br />
Product: Pablo<br />
Supplier: Blittersolt<br />
Tel: 0908 220196<br />
Price: E150<br />
Ease of use<br />
Implementation<br />
Value for money<br />
Overall<br />
9<br />
2<br />
9<br />
—
VISA IS NOT CHARGED<br />
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AT TIME CSE GOONO TO PRESS
GRAPHICS<br />
he army of <strong>Amiga</strong> users who dabble<br />
in 3D, be rt as a hobby or a way<br />
to pay the bills, have always known<br />
that getting just the right texture can be the<br />
difference between a decent image and a<br />
good one<br />
They've also known the frustration of rendering<br />
for hours just to try out a small<br />
change, a process which can test any users<br />
sanity.<br />
With Apex Sotlware's Forge. a dedicated<br />
texture previewer and visualiser, all that is set<br />
to change. Forge is bundled with the<br />
Essence II procedural textures for Imagine<br />
3D, and the image maps it produces can be<br />
used with any package.<br />
At heart it is a simple program with a<br />
down-to-earth workaday 'ob. but in productivity<br />
terms Forge is about the best thing since<br />
the maths co-processor.<br />
Opening on a clean, no nonsense interface,<br />
Forge offers a quarter screen preview<br />
window of the textures being worked on, a<br />
variety of controls for lighting and shading<br />
preferences, and a lull set of sliders to control<br />
texture attributes.<br />
The preview window can be set to display<br />
one side of a cube (front, side, or lop), or one<br />
of three views of a sphere so that the user<br />
can form a better idea of how the finished<br />
item will appear.<br />
In addition, one can also tell Forge to display<br />
and render a spherical map, cylindrical<br />
map, or a planar repeating map. In other<br />
words, the program can automatically calculate<br />
the way an image is stretched when<br />
wrapped around a sphere or cylinder, and will<br />
compensate so that when the map is rendered<br />
it fits snugly around its parent object.<br />
The repeating maps, designed to tile without<br />
the seams showing. are less useful, and<br />
the program sometimes produces results<br />
which don't tile well at all.<br />
As Essence textures are what is known as<br />
-<br />
pthan<br />
barnaps to create images), Forge has to<br />
ruse<br />
an aspect ratio of at least 2:1. sometimes<br />
omore,<br />
to create a map that will tile properly,<br />
c<br />
and at these ratios some of the textures<br />
ebegin<br />
to look a bit stretched.<br />
It is also easy to produce an image which<br />
d<br />
tiles seamlessly in one direction but not<br />
u<br />
another — something I found with the default<br />
r<br />
flagstones texture.<br />
a<br />
A few minutes of fiddling can usually sort<br />
l<br />
the tiling problem out though, and because<br />
- using an image map rather than a procedural<br />
( texture saves a lot of rendering time, perse-<br />
tverance<br />
is well rewarded.<br />
h Imagine's textures, augmented by<br />
eEssence<br />
II, result in superb quality images,<br />
y<br />
u<br />
Essence II isn't new, but it is still the best collection of<br />
s<br />
procedural textures you're hkely to find outside a Silicon<br />
e<br />
Graphics workstation.<br />
c Essence II version 3.0, the version supplied with<br />
o<br />
m speed (the authors claim ten per cent), and there are<br />
p now a set of 68040 optimised textures for users of the<br />
l faster processor.<br />
e In total, Essence comprises of dozens of textures and<br />
x literally hundreds of attribute files (surfaces to you<br />
m<br />
a<br />
t<br />
h<br />
s<br />
r<br />
Forge, has been improved slightly in terms of rendering<br />
Lightwave users) which use one or more textures to<br />
3b' tenturolitspoitetooniwit<br />
tan hp 51011121 than<br />
a 517d1<br />
.<br />
1<br />
Oil<br />
a<br />
1h o<br />
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the P55RDEP<br />
el Forge<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
Stevie Ifennpdg tP5t5 Forge<br />
and di5To11e15 a 58lt-ftPe wag<br />
to 5OPP., t<br />
t<br />
n kfi llic<br />
ittitits<br />
%<br />
but the program can be slowed almost to a<br />
haft by the maths involved in the textures, let<br />
alone any complicated objects in the scene.<br />
If you have enough memory (4Mb RAM<br />
should be considered a minimum), it is possible<br />
to use Forge to create 24-bit image maps<br />
and use them rather than the original texture.<br />
In this way, the Essence textures can be<br />
used, in bilmap form at least, with any package<br />
and at a much improved speed.<br />
Unfortunately, Forge really only works with<br />
produce everything from rain to spaceship hulls and gas<br />
planets. In use they can be very slow at times, parliculady<br />
those which make heavy use of bump mapping. but<br />
the results can be stunning, and no Imagine image need<br />
ever look the same again once you have a copy of<br />
Essence.<br />
Forge makes the perfect partner to Essence in that<br />
users now have the opportunity to use textures within<br />
Imagine or to quickly render a bitmap and use that<br />
instead. This results in a superb coupling of speed and<br />
flexibility.<br />
vfik4<br />
1th<br />
the two volumes of Essence II textures supplied<br />
with the package. It will recognise<br />
Imagine 3.0 textures and attempt to load<br />
them, but the rendered results are rather<br />
grotty to say the least.<br />
Essence II contains enough textures that<br />
this isn't a big blow, but had the program the<br />
ability to load all Imagine textures it would<br />
have been more useful.<br />
All this talk of rendering and creating<br />
image maps is great if you own a package<br />
other than Imagine and you're dying to get<br />
your hands on those Essence textures, but<br />
Imagine users themselves will probably be<br />
as interested in Forge's preview facility.<br />
The quarter screen preview window displays<br />
a dithered 16 colour hi-res interlace<br />
image (256 colors are supported for users of<br />
AGA, Picasso. OpalVision, or EGS displays)<br />
which is updated in real time as the user<br />
messes around with texture settings, and this<br />
is invaluable.<br />
Hall a dozen passes are made before the<br />
window completely updates, with more detail
se<br />
ad<br />
ler<br />
tat<br />
he<br />
ild<br />
pet<br />
<strong>Is</strong><br />
-<br />
Ce<br />
of<br />
er<br />
iis<br />
ail<br />
it<br />
it<br />
-<br />
1<br />
1<br />
1<br />
1<br />
0<br />
-<br />
•<br />
itendetir•g options incluce<br />
numb*, of frames, six<br />
levets of anti-sassing, Sour<br />
output formate, and an<br />
estimate of time required<br />
addect every lime However, for large global<br />
changes, such as changing the size of the<br />
flagstones in our earlier example, the first<br />
couple of passes will show enough detail that<br />
the user can more Or less choose the correct<br />
setting in real time.<br />
As this method replaces the traditional<br />
change one tiny value then wait three min•<br />
utes for a quick render, Forge could justify its<br />
asking price (to Imagine users) on this score<br />
alone.<br />
FEATURES<br />
Previews are aided by a number of features<br />
which, though unglamorous, are very<br />
useful. The preview window itself is controlled<br />
either by its re-sizing gadget or by the low of<br />
buttons found below rt.<br />
Of these, there are two to double or halve<br />
the size of the window, ReSpect to force the<br />
window to adopt the same aspect ratio as the<br />
finished image, MaxSpect to show the whole<br />
Image in its largest size (dependant on<br />
nis son of texture would take an ago to<br />
lender in lmagine. but Forge wilt preview<br />
changes to it in seconds<br />
Nultplate<br />
and pitted<br />
textures coo,<br />
tese of Essence,<br />
spherical map rendered by<br />
Forge. fi nal image by liontwave. Phew!<br />
aspect ratio), -and MaxSize to boost the window<br />
to its biggest possible size_<br />
Below these buttons, a box shows the size<br />
of the current preview window compared to<br />
the whale image, and users can drag this box<br />
to any pan of the image.<br />
In addition, there are slider controls for<br />
zooming in and altenng light intensities, and<br />
as light direction can be set from the dropdown<br />
menus it should be possible to accurately<br />
preview a texture in almost any<br />
conditions.<br />
Animation previews can also be created<br />
and the final animation rendered from within<br />
Forge, thanks to a couple of clever teatures,<br />
Setting start and end frames is as easy as<br />
clicking on the buttons in the middle of the<br />
Forge screen, and changes can be made<br />
either to both at once or just one of them.<br />
Creating a raindrops animation using the<br />
Essence II raindrops texture is then a simple<br />
matter of loading the texture, setting its builtin-time<br />
variable to one second on the last<br />
frame, then rendering 25 frames in<br />
sequence.<br />
The preview itself comes in the form of a<br />
storyboard view, which can force the normal<br />
window to show up to 25 shrunken images at<br />
once. When this view is selected, a small preview<br />
box appears below the window, and<br />
clicking in it starts the animation,<br />
Nothing could be simpler, and though it<br />
can be tricky to see arty changes in the tiny<br />
anim box, this is still many times better than<br />
The preview, here shows a spherical<br />
map in the process of being<br />
comp/oiled for use in another package<br />
Jargon buyter<br />
GRAPHICS<br />
texture - a generic term for any process or image applied to a<br />
surface with the intention of altering its appearance.<br />
procedural texture - a texture fin fact a small program) which<br />
has a number of built in variables the user can set to achieve<br />
limitless variety in the finished appearance.<br />
Procedural textures produce very clean 3D effects, but<br />
because of the maths involved they can be very slow to render.<br />
Their prime advantages are memory efficiency and flexibility.<br />
Image map - a texture lormed by taking an existing image and<br />
••mapping - it onto the target object. Image maps render very<br />
quickly. but are fairly inflexible and use precious memory.<br />
Forge can be used to create image maps from any Essence II<br />
procedural texture, thus speeding up rendering while retaining a<br />
degree of flexibility,<br />
tiling - the practice of taking a small image map and tiling or<br />
repeating it across a large surface This process saves memory<br />
because the image map is kept as small as possible, but is only<br />
suitable for images which follow a pattern of sorts.<br />
spherical reap - a map designed specifically to wrap around a<br />
sphere, thus avoiding the usual squashing effect around the<br />
poles. A good example of this would be the strangely shaped<br />
planet Earth maps often found in atlases. Forge can automatically<br />
take care of pole squashing when creating spherical maps.<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
attempting the same job in Imagine.<br />
Forge will make a good guess at the time<br />
each frame is going to take to render, so if<br />
you are generating a series of large images<br />
for use as a sequential image map, the program<br />
will even tell you when it would be a<br />
good idea to nip off for a cuppa_ <strong>Is</strong>n't that<br />
nice?<br />
Without a doubt, Forge is well worth buying<br />
and virtually unmissable for Imagine owners.<br />
The speed and ease with which one can<br />
experiment not only boosts productivity but<br />
encourages whacky combinations of textures<br />
(up to nine can be used at once) and prods<br />
the user on towards creating now looks.<br />
laghtwave and Real 3D owners won't have<br />
quite as much use for Forge, but even these<br />
users would be crazy not to give it a quick<br />
lest run.<br />
SYSTEM ROD - E L AESSEFITIALSI. M Recommended<br />
Mbl<br />
RAM<br />
1<br />
Hard drive<br />
[4- Mb]<br />
Rem or<br />
above<br />
co-procesOOt<br />
I<br />
K<br />
2.04<br />
i<br />
The bottom c line<br />
Product: Forge/Essence k II v3.0<br />
Supplier: Meridian s Distribution<br />
Price: t E79<br />
Phone: 081-543 e 3500<br />
r<br />
Ease of use<br />
t<br />
Implementation<br />
9<br />
8<br />
Value for money<br />
8<br />
Overall 9
White Knight Technolo<br />
THE PROFESSIONAL 0 9 9 2 - 714539<br />
AMIGA SPECIALISTS F<br />
A<br />
mt. Vinsarlis PO BOX 2395, WALTHAM CROSS HERTS, EN8 7HQ<br />
X ,P.,<br />
Al200 ACCELERATORS<br />
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BLIZZARD 1230-11 TURBO<br />
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t 68882 FPU And SCSI Port. No RAM fitted<br />
t WITH 40MHz ECO30, No MMU E 225<br />
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r 40MHz ECO30 & 50MHz FPU E 325<br />
t 50MHz 68030 and MMU E 289<br />
k 50MHz 68030 & 33MHz FPU E 349<br />
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a<br />
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WITH 40MHz ECO30,0Mb RAM E 225<br />
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r6 t<br />
CYBERSTORM 040/40MHz 68040 + 32-Bit<br />
E 8<br />
RAM, Opt. SCSI-11 (For A4000 range) E 899<br />
60<br />
GVP G-FORCE 40MHz 68040 + 4Mb<br />
84<br />
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WARP ENGINE 28 / 33 / 40MHz 68040<br />
4 x 72Pin S1MM Slots for upto 128Mb RAM<br />
Built in FAST SCSI-II DMA Interlace<br />
28MHz Version (With 68040/25) E 799<br />
33MHz Version (With 68040/33) 0 1 099<br />
40MHz Version (With 68040/40) ) 9<br />
AMIG4 1200HD<br />
Al200 + 85 MB Hard Drive E 445<br />
Al200 + 127 MB Hard Drive E 489<br />
Al200 + 200 MB Hard Drive E 519<br />
Al200 + 340 MB Hard Drive E 689<br />
ADD E 50 FOR INNOVATIONS PACK<br />
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AMIG4 4000<br />
l<br />
i<br />
The LC-040 has an MMU but no FPU<br />
t<br />
4 ovi<br />
M The 040-Tower has both an MMU and FPU<br />
i It has 2 video slots and both SCSI-11 & IDE<br />
t ALL ANuGA 4000 MODFLLS ARE IN<br />
l VERY SHORT SUPPLY • PLEASE<br />
i CALL FOR PR= AND AVA1.81.<br />
T1<br />
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with Bars & Pipes Professional, the DPS<br />
0 Personal Animation Recorder (PAR) and also the new<br />
hDigital<br />
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a Now E 999 inc. VAT<br />
s<br />
Please Call For A Full Brochure<br />
n<br />
o<br />
M NEW PRODUCTS<br />
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U LIGHTWAVE 3D<br />
o<br />
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P THE OFFICIAL UK PAL VERSION<br />
U ( NOT LIGHTRAVE I LIGHTWAVE BUNDLE<br />
Special Introductory Price t 4 4 9<br />
CD32 COMPATIBLE CD-ROM<br />
DRIVE FOR THE AMIGA 1200<br />
THE "OVERDRIVE CD" RUNS 90%+ OF CD32<br />
SOFTWARE, DISPLAYS PHOTO CD's AND<br />
ALSO PLAYS AUDIO CD's (Fits PCMCIA Slot)<br />
ONIv E195<br />
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h O h<br />
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250Mb - E 289<br />
340Mb - 329<br />
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290 MB SCSI 3.5" E 279<br />
340 MB SCSI 3.5" E 319<br />
545 MB SCSI2 3.5" E 449<br />
1.0 GB SDSI2 3.5• E 689<br />
2.1 GB SCSI2 3.5' E1179<br />
9 GB SCSI2 5.25' E3849<br />
A4000 IDE<br />
340 MB IDE 3.5' t 219<br />
420 MB IDE 3.5" C 249<br />
540 MB IDE 3.5" E 319<br />
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RAM A2000 & 4000 E 129<br />
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32MB SIMM-32<br />
16MB SIMM-32<br />
8MB SIMM<br />
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32 2MB SIMM-32<br />
1MB SIMM-32<br />
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E
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"THE BOX 150" BERNOULLI By IOMEGA<br />
150MB SCSI-2 INTERNAL DRIVE E 485<br />
150MB SCSI-2 EXTERNAL DRIVE E 555<br />
150MB REMOVABLE CARTRIDGE E 95<br />
Drives are supplied with 1 FREE Cartridge<br />
SYQUEST COWLS AL.S0 AVAILABL<br />
MAGNETO OPTICAL DRIVES<br />
FUJITSU 128MB SCSI INTERNAL E 659<br />
FUJITSU 128MB SCSI EXTERNAL E 799<br />
FUJITSU 230MB SCSI INTERNAL E 819<br />
FUJITSU 230MB SCSI EXTERNAL E 959<br />
BOX OF 5 128MB MO DISKS E 149<br />
BOX OF 5 230MB MO DISKS E 249<br />
DAT TAPE BACKUP<br />
CONNOR SCSI DAT - 2Gb, Ext. E10291<br />
CONNOR SCSI DAT - 4Gb, Ext. E1109<br />
CD ROM DRIVES<br />
TOSHIBA XM4101B SCSI-2 (Int.),Twin<br />
Speed, Multi-Session (Tray Load) E 219<br />
TOSHIBA XM4101B SCSI-2 (Ext.),Twin<br />
Speed, Multi-Session (Tray Load) E 279<br />
TOSHIBA XM3401B SCSI-2 T/Speed<br />
Int.. MS, Fast Access (Caddy Load) E 279<br />
TOSHIBA XM3401B SCSI-2 T/Speed<br />
SOFTWARE<br />
LIGHTWAVE 3D (UK PAL V3 5) E 449<br />
REAL 30 V2 N e w Price E 339<br />
ART DEPT. PRO. V2.5<br />
.<br />
E 149<br />
BARS i 81 PIPES PRO V2.5 E 215<br />
MEDIA R POINT V 3 . 2 8 E 229<br />
TVPAINT I 2 (Picasso/ Retina 'Harlequin EGS1 E 179<br />
L<br />
CALA MULTIMEDIA 210 (AGA) E 145<br />
SCALA MULTIMEDIA 300 (AGA) E 299<br />
.CALA L MM 300 4- ECHO 100 E 389<br />
SCALA I ECHO 100 Edit Controller E 139<br />
PRO A CONTROL (For ADPRO) E 65<br />
ASIM N CD-ROM FILESYSTEM (V2) E 55<br />
GIGAMEM C<br />
( T o Clear) E 45<br />
QUARTERBACK E<br />
TOOLS DELUXE E 79<br />
MORPH<br />
1<br />
PLUS E 149<br />
other Profescional Software Available On Reciiir<br />
T<br />
o<br />
C MONITORS<br />
PHILIPS l CM8833<br />
-Composite<br />
e<br />
Input (0.38 dot pitch, Stereo) E 239<br />
il MICROVITEC a 1 4 " CUB-SCAN 1438 14"<br />
(Multi-sync, 028 dot pitch, No Sound) E 295<br />
PMICROVITEC r A L AUTOSCAN 2038 20"<br />
R(Multi-sync, E G 0.31dot B pitch, Digital Memory) E1175<br />
, 6<br />
Y 9 / CPU's & FPU's<br />
C 68881 20MHz PGA E 29 68882 25MHz PGA E 49<br />
&68882<br />
33MHz PGA E 89 68882 50MHz PGA E 119<br />
882 25MHz PLCC - For A4000/030 etc. E 69<br />
'882 33MHz PLCC For A4000/030 etc. E 89<br />
,;882 40MHz PLCC For A4000/030 etc, E 119<br />
68040 25MHz - For Upgrading A4000-LC040 E 165<br />
R8030 25MHz with MMU (PGA Style) E 59<br />
'•030 33MHz with MMU (PGA Style) E 99<br />
.030 50MHz with MMU (PGA Style) E 129<br />
VIDEO PRC_JI;<br />
DIGITAL<br />
B ROAD CASTI .<br />
This Zorro III card performs the major functions of a<br />
Broadcast Quality, On<br />
-Video<br />
edit suite (CCIR601 720 x 576 resolution) It<br />
Line,<br />
provides REAL-TIME.<br />
Non<br />
FULL MOTION JPEG (50<br />
fields / second) Capture & Compression, direct to<br />
-hard<br />
disk. The video can then be edited and<br />
Lsubsequently i n e a r played , back in REAL-TIME. at 50<br />
Dfields/sec i gin upto i tbroadcast<br />
quality - direct to video<br />
atape letc.<br />
The board has full LTC and VITC<br />
timecoding, both read & write (on all connectors<br />
Composite, Y/C and YUV). It also interfaces with<br />
the AD516 Studio 16, 8 track stereo audio card frop-<br />
Sundze Industdes to enable simultaneous audio<br />
and video editing. It requires an <strong>Amiga</strong> 4000 or<br />
4000T with full 68040 processor, a large SCSI-2<br />
hard drive, and a fast SCSI-2 hard drive controller.<br />
Typical System ; (Approx£10,000 Inc VAT)<br />
<strong>Amiga</strong> 4000-030 (2 +8Mb. 1.0Gb HD)<br />
Digital Bmadcastcr 32 (Zorn) III Card)<br />
Medianes Producer (Editing Software I<br />
Warp Engine 28MHz 040 with SCSI-11<br />
2„IGh Fast SCSI-2 3.5" HD (For Videoi<br />
Sunrize AD5116 / Studio 16 (Audio Card)<br />
Cub-Scan 1438 Monitor (For <strong>Amiga</strong>)<br />
Sharp 14" TV/<br />
Image Monitor Procosing Software (ADPRO)<br />
( System F o Configuration r<br />
& Testing<br />
GIVING FULL, BROADCAST (Beta SP) QUALITY,<br />
ON-LINE,<br />
V i<br />
NON-LINEAR.<br />
d e<br />
VIDEO EDITING'<br />
o )<br />
FOR FURTHER DETAILS, PLEASE CALL<br />
DederS- Kt am SOLE UK Oistributois - Call<br />
COAL VISION<br />
MAIN BOARD (V.2)<br />
VIDEO PROCESSOR<br />
VIDEO SUITE<br />
E 379<br />
E 879<br />
Due Late 1994<br />
GI L PILL, TBC card with<br />
transcocling PAL/SECAM/NTSC etc. E 685<br />
FRAMEBUFFER RAM for GVP TBC+ E 195<br />
COMB FILTER for GVP TBC+ E 59<br />
GVP SPECTRUM EGS<br />
24-Bit Zono II i III EGS Retargettable Graphics Card.<br />
SPECTRUM With 2Mb VRAM E 345<br />
611P 6-Loch External Composite &<br />
S-VHS / H18 unit. S/VV Controlled E 265<br />
'_EQUIN 4- (NEW Lower Price)<br />
With 4Mb Vramiciouble buffered E 1149<br />
Y/C Real-time 1118 digitiser card E 349<br />
SYMPTICA II Single Frame controller E 349<br />
"RDA Z3 24Bil Zorro III card, 1Mb E 469<br />
,_:TIN4 Z3 24Bit Zorro ill card, 4Mb E 619<br />
RETINA DISPLAY CARD 2Mb E 375<br />
RETINA DISPLAY CARD 4Mb E 48.5<br />
PICASSO RTG Card With 2Mb VRAM<br />
Now supplied with TVPaint Jr E 339<br />
PICASSO II with Workbench & Kickstan 3.1<br />
Upgrade (A2000) E 409 (A3000/4000) E 419<br />
Many Other Professional Video Products<br />
Also Available - Please Call For Detail<br />
EDIT CONTROLLERi<br />
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<strong>Amiga</strong> Based System Using<br />
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Upto 4 Machines, ACTOSMPTE<br />
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EPSON GT-6500 A4,<br />
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sx- 1<br />
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HFrITS. EN8 71-1C1
REVIEW<br />
right for once.<br />
4 3 ommodore A CD-ROM seemed drive that to have 1200 got ownit<br />
ers could slip in to their <strong>Amiga</strong>s and run<br />
0032 software and applications. Then, the<br />
immediate outburst of enthusiasm began to<br />
give way to nagging doubts and, worse<br />
still, negative comments from the head of<br />
<strong>Commodore</strong> UK, David Pleasance.<br />
While the CD1200 drive boasts the same<br />
planar chip that can be found inside the<br />
CO32, there was no option to install MPeg<br />
Secondly, the trapdoor connector on the<br />
1200 is used to house <strong>Commodore</strong>'s CD-<br />
ROM instead of the PCMCIA port, which<br />
means that no matter how hard you try,<br />
there's no room in the future for upgrades<br />
via the use of memory expansions and<br />
accelerator cards.<br />
The eagerness for the golden child of<br />
peripherals has subdued somewhat with<br />
the list of cons. Enter the independent<br />
developers — this month sees the release<br />
of the Zappo CD-ROM drive.<br />
Available well before the official<br />
<strong>Commodore</strong> version. the machine stands<br />
an extremely attractive chance ot hammering<br />
the official version into the ground. <strong>Is</strong><br />
the Akiko chip important enough to make<br />
1200 owner's itchy fingers wait any longer?<br />
The Zappo CD-ROM drive seems to<br />
have everything going tor it. Once brought<br />
out of its box displaying a relatively eyepleasing<br />
design, making you feel like your<br />
money has been well spent. it's immediately<br />
noticeable, scanning the albeit brief<br />
Instructions, that the drive plugs straight<br />
into the PCMCIA port. This means that the<br />
trapdoor connector is free to do with what<br />
you will.<br />
The drive itself is a double-speed<br />
Mitsumi FX001D that offers a transfer rate<br />
of nearly 300K, making it an equal match to<br />
the Sony drives found inside the CD32 and<br />
CD1200. Instead of the toilet seat pull-up<br />
lids of the latter, the Zappo has a front<br />
loading, retractable tray.<br />
The hardware recognises the IS09660<br />
and was able to read a Mac CD, where as<br />
a standard PC drive couldn't. Impressive<br />
indeed.<br />
Provided in the packaging <strong>Is</strong> the connector<br />
cable, external power pack for the CD<br />
Music to gout' par5... and Pim<br />
Also provided as part of the software are two handy<br />
utilities to acid extra value for money to the package.<br />
The Photo CD displayer allows the use of Kodak pictures<br />
that can be downloaded into the <strong>Amiga</strong> and<br />
then saved out in to the hard drive or on to floppy.<br />
The audio player is very similar to the CO32's.<br />
Slap in a disk and then select which track you want<br />
to play. The usual array of shuffle. pre-program and<br />
other features are present to provide an all-round<br />
and highly useful piece of software. The only real<br />
downside is that the player can be a little unresponsive<br />
at times, but it's nothing to hinder a potential<br />
purchase decision.<br />
Another handy option, due to the way in which the<br />
sound leads are set up, allows the user to leave<br />
The fiaopo 111-11fifil<br />
driue looks 5et to<br />
steal the Illiggr5<br />
thunder. (an it surreed<br />
without the Mika (hip?<br />
NMI Phi1105 fellimil5<br />
Jumping<br />
Al<br />
the<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
_<br />
•<br />
-<br />
•<br />
4<br />
1<br />
1<br />
1<br />
.<br />
1<br />
C 1<br />
— O t) i o l<br />
E L : CA Lill Liq 1<br />
1 )<br />
L'-a Lin •al<br />
El<br />
c<br />
i 5<br />
1c)<br />
1<br />
0<br />
-<br />
1 t<br />
1<br />
unit itself and a floppy disk worth its weight<br />
in gold. To launch yourself straight in to the<br />
delights of CD-based software, after connecting<br />
the drive simply slide the floppy in<br />
and turn the computer on<br />
By keeping the left-hand mouse button<br />
tracks playing while busying oneself with<br />
Wordsworth or ADpro. This is possibie due to the<br />
<strong>Amiga</strong> audio signals and the 16-bit CD sound being<br />
fed via two phono leads (not provided) In to the<br />
Zappo drive.<br />
Take one of them away and, with some CD games,<br />
you'll end up with only half the sound effects —<br />
Chaos Engine plays the intro sound directly off the<br />
CD but the games sound effects from the <strong>Amiga</strong><br />
itself.<br />
A headphone with volume control mounted on the<br />
front of the hardware has also been provided to aid<br />
your aural delight, and to keep everyone else around<br />
you going mad with the constant throbbing beat of<br />
Chaos Engine,<br />
Whistle while you<br />
work - Ice.7' for<br />
word processing,<br />
Belinda Carlisle for<br />
graphics, Prodigy<br />
for dash top publish.<br />
moo. Whatever your<br />
musical tastes, the<br />
CD player offers<br />
comphehensise lea.<br />
tines and a user<br />
friendly interface<br />
down_ the disk will automatically load in the<br />
CD boot utility which tells your <strong>Amiga</strong> tc<br />
recognise the drive_<br />
Once done. a menu appears with three<br />
differing options for the user to select from<br />
Either boot from the CD ( vital for all CD3'<br />
titles). rekick the machine with a custom<br />
built Workbench 3.1 emulator that allow!<br />
your <strong>Amiga</strong> to recognise the drive, or boo<br />
your machine up as usual.<br />
PURPOSE<br />
The main purpose of the drive, othe<br />
than the playing of audio CD's and taking g<br />
look at Photo CD's, is to play CD32 titles.<br />
Using a software emulation utility insteat<br />
of an actual planar chip. a maprity of CD3;<br />
programs work on the Zappo drive.<br />
Microcosm, Chaos Engine and Ultimato<br />
Body Blows are lust some of the titles a<br />
respectable working order, but the likes a<br />
Sabre Team and Impossible Missio,<br />
2025 are not compatible. While buyirs
CD32 software for the Zappo may be akin<br />
to playing Russian roulette with favourable<br />
Odds, if you're gagging for the latest titles<br />
the Planar emulator works well, providing a<br />
high speed equivalent to that of a CO32.<br />
If unsure about a particular game. try<br />
and buy from a independent retailer who'll<br />
usually be more happy about bringing the<br />
Idle back it ills not compatible. Only time<br />
will tell if the emulation software will keep<br />
up with the hopeful increasing amount of<br />
Akiko chip-specific titles,<br />
At El 99.95, the Zappo CD-ROM drive<br />
offers good value for money and a mainly<br />
hit and sometimes miss ratio when it<br />
comes to the back catalogue of CD32<br />
gaming titles.<br />
The question burning on every <strong>Amiga</strong><br />
owner's lips though is whether it's worth<br />
Ultimate Body fl ows<br />
Microcosm Sabre room<br />
fit t119.95, the a000 f0-60E1 drioe<br />
ofers good ualue for anq aod<br />
a mainlir hit and sometimes m155 ratio when it<br />
COM25 tO the bark [atalogue of (OR<br />
gaming titles.<br />
waiting for the official <strong>Commodore</strong> beast or<br />
simply to hang loyalties out to dry and take<br />
the plunge now.<br />
Rumour has it that the official<br />
<strong>Commodore</strong> CD1200 will be released for<br />
under C200• putting it in direct line of fire<br />
with the indie machine. The main advan-<br />
(I UP UP<br />
Impossible M ission<br />
Even though the likes of Microcosm use the CO32's Melo chip extensively, the software<br />
emulator accompanying the Zappo CD drive gives the player the full, unhindered<br />
game. Likewise, Ultimate Body Blows from the CD32 version with the allimportant<br />
extra ioypad buttons can be played via your Al 200.<br />
For reasons beyond the bounds of this particualr individuals understanding, both<br />
Sabre Team and Impossible Mission 2025 are non-starters. Booting up Sabre Team<br />
simply gives you the loading music and nothing else while IM 2025 plays the intro<br />
animation and proceeds to freeze up. My advice - try and check before you buy.<br />
r01 (C) ARCHOS 1994 - PAIMENNIMOrrousel vlelt<br />
76841E512I<br />
1 Sauel CY.1<br />
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- 111_3_1<br />
-<br />
vie. elect<br />
Unselect<br />
All I Loop<br />
Mt' Pause<br />
Image<br />
tooley wok', utility to help pind•rs out there who need inexpensive amtesaienal quality Scanned images<br />
Wil Om<br />
or won't<br />
theq?<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
Hard driue in5tall<br />
For hard drive owners, the installation<br />
of the software couldn't be more simple.<br />
Boot in Workbench and doubleclick<br />
on the disk, Press on the install<br />
icon and the package proceeds to<br />
install itself in all the relevant directories,<br />
including the start-up sequence.<br />
Once done, copy the Photo CD displayer<br />
and the audio CD player across<br />
to the desired directory and you're<br />
ready to roll, By following the same<br />
process as floppy users, keep the lefthand<br />
mouse button pressed down and<br />
the CO Boot program will appear,<br />
awaiting your command.<br />
tage that the Zappo hardware has over<br />
<strong>Commodore</strong>'s is the use of the PCMCIA<br />
slot, but who's to say that on the release<br />
of the official drive, some enterprising<br />
independent won't have developed a<br />
handy expansion device that allows both<br />
the CD<br />
-plugged<br />
into the trapdoor port together.<br />
ROM The CD1200 will also boast the official<br />
aKickstart n 3.1 on board instead of the<br />
d Zappo•s software emulator. As far as<br />
aFull cMotion<br />
Video goes. neither can do it<br />
c<br />
so<br />
e<br />
don't<br />
l<br />
let that effect your buying<br />
decision.<br />
e r a<br />
The other advantage that the C131200<br />
t o r<br />
has is that it will run all non-Mpeg CD32<br />
c<br />
games - there'll be no dicing with the cash<br />
a<br />
at the local software emporium.<br />
r The inevitable answer to any question<br />
dconcerning<br />
a fair sized portion of one's<br />
s earnings is to take your time.<br />
t If you have to have a drive, then go for<br />
o the Zappo straight away but if, like most of<br />
bus,<br />
it can wait a while. the CD1200 sounds<br />
elike<br />
a promising addition to the<br />
<strong>Commodore</strong> range.<br />
The bottom line<br />
Product: Zappo CD-ROM drive<br />
Supplier: indi Direct Mail<br />
Phone: 0543 419999<br />
Price: E199_95<br />
Ease of use 8<br />
Implementation<br />
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Value for money<br />
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Overall<br />
8<br />
view<br />
al No<br />
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trall5 of deTtruutioIi<br />
star<br />
etter<br />
It seems to me that most investigations<br />
of computer misuse revolve round<br />
pornography. Well. I have come across<br />
a disc that might change that. I haven't<br />
tested any of the things that are men-<br />
tioned within this disc - how to create a bomb and how<br />
to make your own LSD - but the tact that this sort of<br />
information is available to the younger members of the<br />
computing fraternity is a concerning and worrying<br />
thought.<br />
As to what should be done, I will leave that up to you,<br />
but I do urge you to inform other magazines of the availability<br />
ol this information and to see what can be done.<br />
S Madetey, Cheshire<br />
Unfortunately. while there is a huge problem with<br />
Elven the run around<br />
It takes me a long time to get mad about<br />
things, but as I write this letter I am well<br />
mad!<br />
Recently I decided to sell my existing system<br />
and upgrade, and after a great deal of<br />
thought went for an A4000.<br />
The shop ordered it and phoned to say it<br />
had been delivered, so off I went to pick up<br />
my new speed machine. In the shop he set<br />
it up to try it out, it was great, well for five<br />
minutes that is until it died.<br />
So off it went and a new one arrived in<br />
two days, and it worked line. I took it home<br />
and for one whole week fine, but then it also<br />
died. I phoned the shop who told me they<br />
could get another but did not know when as<br />
everybody was out of stock.<br />
However, as it had NEXT DAY on-site<br />
warranty why not phone Wang. So I did and<br />
they phoned back to ask the problem, said<br />
they were out of parts and it would be a<br />
couple of days before they could get back to<br />
me.<br />
One week later (hvo weeks old) I phoned<br />
them back to see where they were, they<br />
said they were still waiting for the parts from<br />
<strong>Commodore</strong> and gave me the phone num-<br />
What's all this I hear about <strong>Commodore</strong> Australia<br />
and <strong>Commodore</strong> America having both gone bust? If<br />
these two companies have folded will it only be a<br />
measure of time before the one in the UK meets a<br />
similar fate? Okay, so a couple of <strong>Amiga</strong> mags<br />
have tried to reassure their readers that these problems<br />
will be sorted out in the near future, but will the<br />
company still be run along the same guidelines<br />
When (u11) it is sorted?<br />
1 r the worst in that <strong>Commodore</strong> are doomed to go<br />
1 under and if this happens then there will be nobody<br />
1 to continue producing this machine, leading to<br />
I developers and software companies leaving it alone<br />
L<br />
to dieo<br />
a Do you honestly believe that <strong>Commodore</strong> can<br />
m<br />
c<br />
o<br />
n<br />
s<br />
illegal or irresponsible material surfacing on computer<br />
screens across the planet, there is actually<br />
very little that anyone can do about it.<br />
The information you draw our attention to has<br />
already appeared on a PC CD-ROM via a magazine<br />
which also included pornography as well.<br />
As the information super highway and other<br />
forms of communication grow at an alarming rate, it<br />
will unfortunately become more and more difficult to<br />
monitor what is going on in the telephone lines and<br />
BBS' round the world.<br />
It may sound depressing but at present, with the<br />
methods of detection available, we will just have to<br />
put up with it while keeping a watch on any material<br />
that may come our way. Spot anything dodgy and<br />
report it to the crime unit at ELSPA on 0386 830642.<br />
ber When I phoned them they said they<br />
would phone Wang and sort it out, and then<br />
phone me back.<br />
One week later (three weeks old) I<br />
phoned <strong>Commodore</strong> who said they had<br />
phoned Wang who were out of parts and<br />
had not phoned me back because there<br />
was no point.<br />
Four days Later I took it back to the shop<br />
who said they would sort it out They<br />
phoned Wang. <strong>Commodore</strong>, their suppliers<br />
and got the same run around as I did.<br />
Alter one week (five weeks old) of constant<br />
badgering and hours on the phone<br />
there was a new machine on its way But<br />
after yel another week (six weeks old) they<br />
phoned me back to say there wasn't one on<br />
its way. They then gave me my money back<br />
Gone under,<br />
down under?<br />
right themselves again? Your assurances (if genuine)<br />
would be most grateful.<br />
Dowd O'Cortner, Dinnington, S.Yorks<br />
Obviously with the demise of the parent<br />
company, not to mention a major subsidiary,<br />
it's pretty tough talking about a silver lining<br />
and still keeping a straight lace.<br />
However, unbelievable as II may seem there's<br />
a glimmer of hope. Even though the CBM US<br />
have successfully turned a silk purse into a<br />
sows ear both the English and German divisions<br />
are still very much going concerns.<br />
But perhaps more importantly they remain<br />
attractive buys for would<br />
-you're<br />
no doubt aware, a whole host of big<br />
be i n v •••••• e s t o r s .<br />
A s<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
LETTERS<br />
with the message that after I had spent<br />
E1000 on a computer, every one concerned<br />
did not care that it didn't work and couldn't<br />
give a damn.<br />
So now I am left with a Multisync monitor,<br />
extra drives, a small fortune in software, a<br />
whopper phone bill, lost wages from the<br />
time of wod< and no computer.<br />
I am feeling very bitter towards: Not<br />
Wang who cannot repair without parts from<br />
<strong>Commodore</strong>; not the suppliers who cannot<br />
supply without the machines from<br />
<strong>Commodore</strong>; but COMMODORE who could<br />
not care less about their customers once<br />
they have sold them a computer.<br />
The thing that gets me is that the <strong>Amiga</strong><br />
is a great computer and it's what I want. I<br />
don't want a PC, MAC, ACORN or an ST. I<br />
wanted an <strong>Amiga</strong> but am left with no faith in<br />
<strong>Commodore</strong>_<br />
J McKenny, Bradford<br />
Unfortunately this is an all too familiar<br />
story. It's not that the A4000 is particularly<br />
prone to failure, it's simply another<br />
example of why <strong>Commodore</strong> went under.<br />
In fact the story stands as a testament<br />
to the demise of CBM. Although the<br />
demand for machines has always been<br />
high, <strong>Commodore</strong>'s inability to deliver is<br />
exactly why they went into liquidation,<br />
Basically it's a classic tale of over<br />
expansion and a subsequent cash-flow<br />
names have been involved in negotiations. but<br />
at present Samsung still appear to be the hot<br />
favourites - see this month's news for more<br />
details. However there's yet another twist in the<br />
tale, with <strong>Commodore</strong>'s European management<br />
team also entering the arena.<br />
Obviously this doesn't exactly inspire confidence<br />
given their past record, but It must be<br />
stressed that in the past big decisions came<br />
from across the pond.<br />
If <strong>Commodore</strong> do buy themselves out I'm<br />
sure they'll be a lot more astute. Basically, my<br />
advice is to sit back for a few months and let<br />
the dust settle. The technology is still strong,<br />
the demand is there, all that's required is an<br />
Injection acumen.
50<br />
I<br />
LETTERS<br />
disaster. This was due to dubious marketing<br />
- the A500+ followed almost immediately<br />
by the A600 and so on - all of which<br />
cost vast amounts of cash.<br />
Unfortunately when demand rocketed<br />
with the release of the 41200 and 44000,<br />
<strong>Commodore</strong> were forced back to the creditors<br />
for additional cash in order to menu•<br />
facture the machines the market was<br />
screaming for.<br />
Not surprisingly they refused, demanding<br />
payment of the money already borrowed.<br />
At the moment <strong>Commodore</strong> as we<br />
know it is effectively dead, caught in a classic<br />
example of how cash-flow can kill the<br />
golden goose.<br />
I only hope that when <strong>Commodore</strong> finally<br />
returns from the corporate wilderness they<br />
will have teamed their lesson.<br />
Boot-up hang up5<br />
Firstly my congratulations on your<br />
excellent magazine. Being a comparative<br />
newcomer to the <strong>Amiga</strong>.<br />
I've run into a couple of minor<br />
problems I hope you can help me<br />
with.<br />
I've recently installed a new<br />
hard drive on my A1500, and<br />
despite following the installation procedure<br />
religiously, I get a requester for<br />
"Volume work" each time I boot from<br />
cold. On warm reboot there is no problem.<br />
It's a minor annoyance. but I obviously need to<br />
update the startup-sequence in some way.<br />
My second problem has existed since I<br />
installed a GVP 040 accelerator. The machine<br />
hangs on the boot-up - hot or cold - after my<br />
company name appears.<br />
I've looked at the startup-sequence, but I'm<br />
not clever enough to see what could be the<br />
causing the problem I hope you can proffer a<br />
few words of advice.<br />
N Condron. MUSiC Motion. Brighton<br />
Well you've certainly come to the right<br />
I have in the last couple of months purchased an <strong>Amiga</strong><br />
500+, Its the first computer I have ever owned and to date<br />
have mainly used il for games I have been offered a<br />
40MB IDE hard drive which has led me to wonder about<br />
the <strong>Amiga</strong> as a sequencer.<br />
In the past I have used dedicated Modules such as the<br />
Korg Ml, but now I'm wondering how good the internal<br />
sounds on the <strong>Amiga</strong> can be? So, I'm writing to you for<br />
advice.<br />
What I would like is a sequencer program that runs highquality<br />
internal sounds from an external Midi keyboard. I've<br />
been playing round with the OctaMed program, and<br />
though this software is restricting and 1MB sounds leave<br />
little to be desired, it got me thinking.<br />
If I had 40MB, could I get sounds that equal Modules<br />
like the Korg Ml? I need a program that has effects like<br />
reverb and chorus and the ability to pan internal sounds<br />
across the stereo field, as well as having at least 16 tracks<br />
with full edit.<br />
I buy your magazine every month and a few weeks ago<br />
a friend gave me the CoverDisk from an issue back in '93<br />
On it was Bars&Pipes which is the closest to the program<br />
I'm trying to find, yet I could find no way of running internal<br />
sounds from an external source, nor could I pan the<br />
Got<br />
something to say<br />
through the pages of AC?<br />
Ezra Surf is our mailman,<br />
dedicated to reading your letters<br />
and selecting the most interesting<br />
for publication, Drop him a line at:<br />
Ezra Surfs Postbag <strong>Amiga</strong> <strong>Computing</strong><br />
Adlington Park. Macclesfield 51(10 414IP<br />
Please don't enclose saes as Ezra Just<br />
hasn't got enough paper to reply<br />
personally. He might also have to<br />
shorten your letters, so don't<br />
be offended if you end up<br />
getting the chop.<br />
Sound5<br />
great<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
place with the first question as we have<br />
our very own cold boot problem on one of<br />
our 43000.<br />
In our case the problem appears to be<br />
the initialisation time of the drive. The 3000<br />
in question runs an 040 which attempts to<br />
boot the machine very quickly.<br />
Unfortunately the hard drive in the<br />
machine is a fairly slow replacement with<br />
can only manage a 17 millisecond access<br />
time. As a result, when the machine boots<br />
the 040 boots-up before the drive is up to<br />
speed. it therefore asks for a boot disk to<br />
be installed.<br />
But as in your case, once warm rebooted<br />
the problem disappears. It might also<br />
be worth checking out the boot priority of<br />
drive in relation to any others on your systern<br />
- assuming you have a second hard<br />
drive.<br />
We decided long ago that it added<br />
character and as it never caused a<br />
problem il should be left alone -<br />
If it ain't completely broke don't<br />
make things any worse - an<br />
old computing adage.<br />
Messing about with your<br />
startup-sequence isn't a very<br />
likely cure as your machine<br />
simply isn't getting that far<br />
Into the boot sequence. So my<br />
advice would be to stick with<br />
the Vulcan death grip once a day<br />
lust like we do.<br />
As for your second point there is<br />
a solution. Firstly ensure the view command<br />
you use is before !Preis in the startup-sequence.<br />
Secondly ensure that the view command<br />
is running as a background task.<br />
Fortunately there's a few methods to<br />
achieve this. You can either use runback<br />
or Brun - both of which are small utilities<br />
widely available in the PD.<br />
However, if you can't be bothered sifting<br />
through the PO there is an <strong>Amiga</strong>Dos alternative.<br />
Simply add the line run 'NIL:
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D<br />
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R<br />
Mi vrti ng
,<br />
Workbendi magi(<br />
Al', As a user of Magic WB (of which I<br />
A<br />
..•-• keen to create some Workbench and<br />
l<br />
window , images that users can load into<br />
WSPattem<br />
,<br />
in the Preis directory.<br />
As I understand it, only a maximum of eight<br />
,<br />
colours can be altered, even if you use a 256<br />
.<br />
Workbench. So how can I create images in<br />
DPaint<br />
,<br />
if I don't know what colours are being<br />
used? •<br />
•<br />
h<br />
J. Redman, Brighton<br />
a<br />
v<br />
r _<br />
e 4 '•".V — the facility for Al200 owners to<br />
..<br />
h k edit all the colours in the<br />
Workbench ),<br />
a<br />
palette, from two to 256<br />
colours. C<br />
d<br />
oMy<br />
suggestion would be that you try and<br />
n<br />
get m hold of some screen grabbing program<br />
o<br />
which m will allow you to grab an image of<br />
the p<br />
o<br />
Workbench screen, colours and all,<br />
r<br />
d<br />
You can then load the image into DPaint<br />
and o<br />
o<br />
save the palette Out so that you can<br />
apply b it to any patterns you create.<br />
r<br />
l There are two very good screen grab-<br />
e<br />
bers e for the <strong>Amiga</strong> and these are<br />
s<br />
Ouickgrab m (which we use to grab pictures<br />
for<br />
h<br />
s the magazine) and Screenk Both of<br />
these o<br />
) programs are available in PD listing.<br />
so u<br />
I<br />
check the adverts for more information.<br />
l<br />
aGuickerab<br />
Wti<br />
d<br />
m<br />
hgaup<br />
D ire ctory I dhS: i t . 3 1<br />
v<br />
a Base File na me rdulckdrob — I<br />
e<br />
v<br />
r Grab Notices! !control it remand a I<br />
e<br />
y /Way be fore gra bbing (se conds) fi n<br />
o<br />
Show sssss ge whe n gra bbing' _ _ J<br />
f<br />
f<br />
Hide Q u i t<br />
e<br />
rQuickgrab<br />
will allow you to grab a screen from<br />
your Workbench, therefore allowing you access<br />
e<br />
to the palette<br />
d<br />
-<br />
1<br />
1<br />
A<br />
t<br />
p<br />
r<br />
e<br />
s<br />
e<br />
n<br />
t<br />
I<br />
a<br />
m<br />
w<br />
r<br />
i<br />
t<br />
<strong>Amiga</strong>Guide or<br />
filultioiew<br />
ware that will allow <strong>Amiga</strong> owners to<br />
change the look of their Workbench win-<br />
dows. The program is nearly finished so I have<br />
started to write the documentation<br />
As I own an Al200 I have decided to use the<br />
<strong>Amiga</strong>Guide format with Multiview. However, I<br />
realise that Workbench 2.0 doesn't support<br />
Multiview, so I am now using the official<br />
<strong>Amiga</strong>Guide program which both Workbench 2.0<br />
and 3.0 users can use.<br />
Unfortunately, every time I load the file into<br />
<strong>Amiga</strong>Guide it crashes my machine.<br />
M. Clarke, Newcastle<br />
Yet another mlited bag<br />
of WWII& ILIbilig5<br />
1<br />
-<br />
0<br />
for a 5oeedg roomy<br />
1<br />
7<br />
1<br />
e<br />
5<br />
u<br />
n<br />
d<br />
e<br />
r<br />
t<br />
h<br />
e<br />
51,1fgefil75 Mile in time<br />
Window PHP105100<br />
Along with a group of friends, I am<br />
creating a disk•based magazine<br />
• for graphic artists, 3D and 20. As<br />
we know very little about <strong>Amiga</strong>DOS we<br />
decided to use the <strong>Amiga</strong> Competing<br />
CoverDisk contents in Order to create an<br />
auto-booting disk.<br />
Another reason for using your<br />
CoverDisks is that they use a very useful<br />
Shell window al the bottom of the screen<br />
which we needed to include<br />
It is the Shell window where our problems<br />
arise. When this window appears it does so<br />
at full screen size, that is 640x256. which is<br />
Obviously no good at all<br />
I understand it is the Winsize command<br />
that allows you to alter the dimensions of a<br />
window, but for some reason it oust does not<br />
want to work. We are using A600s and each<br />
have 1Meg HAM expansions. <strong>Is</strong> there any<br />
reason why this isn't working?<br />
M. Wave!!, Bristol<br />
The first problem you've got is<br />
Workbench 2.0. The Winsize<br />
command was originally written<br />
for Workbench 1.3 and was not<br />
modified to be used with Workbench 2.0.<br />
So how do we do it?<br />
The trick here is to install the disk you<br />
In my experience, and contrary to<br />
the associated documentation,<br />
<strong>Amiga</strong>Guide is not totally compatible<br />
with <strong>Amiga</strong>Guide style tags.<br />
When I received my <strong>Amiga</strong>Guide package a<br />
Sample.guide was provided which shows the<br />
different tags and their effects. This works<br />
fine in Multiview but looks awful in<br />
<strong>Amiga</strong>Guide in which none of the tag effects<br />
show up.<br />
If you have any text formatting tags such<br />
as la(b) or 4<br />
41i) they do tend to have a damaging effect. The<br />
y0Wordwrap o u command also falls to work in<br />
s<strong>Amiga</strong>Guide h o u and text tends to flood of the<br />
lright d edge which you need to scroll.<br />
Another error occurs In Multiview when a<br />
r e<br />
word or series of words that have style tags<br />
m o<br />
have to be word wrapped. For some reason<br />
v e<br />
the information is simply split across two<br />
t h<br />
lines and whatever the letter was where the<br />
e m<br />
,<br />
a<br />
s<br />
AMIGA L;OMPUTI NG ADVICE SERVICE<br />
split occurred disappears, My advice would be to<br />
stick with the standard ASCII document until<br />
<strong>Amiga</strong>Guide is improved.<br />
Wrest, Sire.<br />
ilmaramt<br />
Indommor<br />
ad b riatrib u o rmrib trkillu t<br />
Swe<br />
lel<br />
e s a<br />
re rrq dhrirtro rtle o lwwko ro m4 ,<br />
ial ,,<br />
wr<br />
Oririmdull p a .<br />
Lloodrtromolkedoricrmoo!.• a k t . w • w ,<br />
eo_UsdortO e w s w a<br />
,<br />
Okb _ _<br />
lauo l . r a r a u<br />
Z11-61•61114 o l u m l o n<br />
utarrork. e u v I l o w<br />
n<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
bluitiview works almost bug-tree but AmlgaGulde<br />
searn• to be Fraught wIth problems<br />
TECHNICAL<br />
are using with a 1.3 bootblock. If you<br />
know anyone with an A500 you should<br />
be able to get hold of the 1.3 Install command.<br />
You may even find it in the C<br />
directory of our CoverDisks as well. The<br />
Winsize command seems to clash with<br />
2.0 bootblocks.<br />
Once you have access to it. you<br />
should rename the install command<br />
Instaill.3 and copy it to your C directory.<br />
Whenever you next format a disk that<br />
you want to use the Winsize command<br />
with, type in the following in your<br />
Workbench Shell:<br />
instaLL1.3 df0:<br />
This will create a 1.3 bootblock on the<br />
disk In df0: which will allow you to run
54<br />
TECHNICAL<br />
the Winsize command successfully. Don't<br />
worry, your disk will maintain compatibility<br />
with Workbench 2.0 and above.<br />
Which 510t5<br />
Workbench won't wait<br />
I have an Al200, 120Mb hard drive<br />
with an 9Mb fast RAM (Blizzard<br />
••••-- 1200) expansion in the trap door. I<br />
bought this powerful set-up so that it would<br />
allow me to use my HP 550c printer for dabbling<br />
in DTP.<br />
I really would like one of the new CD-ROMS<br />
that attach via the PCMCIA slot. Would the<br />
trapdoor expansion interfere with the PCMCIA<br />
slot? I called Inch Direct and they said no. Silica<br />
say it would.<br />
A. Stephen. Beitshili<br />
•<br />
r RAM you may have problems<br />
f ."" because the extra memory resides in<br />
, the same address location as the PCMCIA<br />
I<br />
slot memory. We have been currently test-<br />
f<br />
ing the Zappo CD-ROM with a 4Mb upgrade<br />
and have had no clashes with RAM expan-<br />
y<br />
sions or accelerators.<br />
o<br />
<strong>Commodore</strong>'s official 1200 CD drive<br />
u should be out in about two months but this<br />
o<br />
will plug into the trap door expansion, mak-<br />
wing<br />
accelerators and RAM boards totally<br />
n redundant (that's <strong>Commodore</strong> for you).<br />
m My advice is to take a long look at the<br />
oZama°<br />
as it is by far the best option so far -<br />
rjust<br />
remember that you will be limited to<br />
e only 4Mb expansion. For more information<br />
t<br />
contact Indi Direct Mail on 0543 419999.<br />
h<br />
a<br />
n Beach for the 5til25<br />
4<br />
M<br />
• I sympathise with K. Leemer (<strong>Is</strong>sue<br />
77) with respect to Beneath a Steel<br />
b<br />
----- Sky on the Al200. However, rather<br />
o<br />
than throw the game disks around the room<br />
f<br />
II<br />
problems. The DONOTWAIT command is a sys-<br />
, , ..,<br />
tem command that tells Workbench to ignore the<br />
i. W <strong>Amiga</strong> a message appears shortly after program once executed and carry on with any<br />
WWorkbench hB<br />
loads informing me that the application other tasks.<br />
Shas ty<br />
not quit and should it wait some more.<br />
Phon4 ItIn .5 (Teel)<br />
a This ri<br />
is really annoying me as I am fairly proud of<br />
I<br />
tmy us<br />
Workbench. I own an Al200.<br />
54441<br />
C. Burns, Devon<br />
p<br />
14114 I<br />
i<br />
11-141, • 54 2114 11<br />
Y._<br />
d t<br />
If Only all ACAS letters were this simple.<br />
r t1<br />
'<br />
DONOT1111<br />
a h3<br />
1 have in your WBStartup drawer and select<br />
w a\<br />
1<br />
Information from the Icons menu option.<br />
e In t the Information window click on New to cre-<br />
8<br />
r<br />
\<br />
ate wa<br />
new Tool Type and then type in:<br />
Nov I<br />
a<br />
J<br />
h<br />
..<br />
CDD_Lej<br />
n e<br />
A<br />
_<br />
°OHM t<br />
d<br />
C<br />
n<br />
-<br />
Save this down and you should have no more while o loading programs in the WBStartup drawer<br />
t I<br />
Well'<br />
l<br />
_<br />
w i<br />
h<br />
i<br />
c<br />
l<br />
s<br />
t<br />
e o<br />
a o l<br />
c<br />
l o<br />
n<br />
k<br />
p<br />
You got problems too? Then drop a w line<br />
r y<br />
W<br />
Ed (path of Ei.i.s.9 .0<br />
o<br />
to <strong>Amiga</strong> tomputurp Huse Semite. Europa<br />
o r<br />
e<br />
n<br />
f<br />
House. Adhogton Park. Macclesfield k51110<br />
(for example cd Work.GamesiSteelSky)<br />
- i<br />
'DP and we'll moue heauen and earth b to<br />
c<br />
e<br />
b l<br />
help in these COILIM05 Out soffit we<br />
e<br />
n can-<br />
4. Type:<br />
o e<br />
not MIN personalk 50 soup those cWs<br />
o<br />
h<br />
o<br />
n<br />
s<br />
t<br />
S t te Sky<br />
t<br />
i<br />
o<br />
c<br />
m<br />
h<br />
n<br />
o 5. Enjoy a bug-free game of Beneath a Steel<br />
and waste a very good game in the<br />
y<br />
e<br />
t<br />
n Sky.<br />
process, bow about trying this handy tip? t<br />
p<br />
o<br />
The problem lies with the AGA screen i on<br />
A. Hutchinson. Northumberland<br />
r<br />
m<br />
the Al200. In order to play the game without n<br />
u<br />
o<br />
y<br />
an AGA screen follow these instructions: e<br />
t<br />
, I would have thought that to dis-<br />
g<br />
t<br />
1. Boot the Al200. holding down both<br />
r<br />
s mouse<br />
able the AGA screen mode you<br />
buttons to enable the set-up screen. t<br />
would have had to select<br />
a<br />
a Enhanced screen mode, but you say this<br />
m M012<br />
s<br />
2, Select Boot with no startup-sequence. k works so I'll take your word for it_<br />
i<br />
s<br />
Unfortunately. I couldn't test your solu-<br />
5torage<br />
c<br />
3. Move to the root directory of Beneath a tion as it takes about ten years to actually<br />
o<br />
Steel Sky on your hard drive by typing:<br />
Install the thing. Thanks anyway.<br />
n<br />
3<br />
2<br />
-<br />
b<br />
i<br />
t<br />
s<br />
When the A600 first came out rdecided to Ounothe that included<br />
.a•<br />
y<br />
a hard drive. Admitting my lack of foresight. o I bought an A600 with only<br />
a 20Mb hard drive. A 20Mb hard drive was totally sufficient at first, but<br />
u<br />
since that time I have become more proficient with my <strong>Amiga</strong> and its software<br />
and now find I am senously running out of room.<br />
I have tried LHA to compress data but find it so annoying having to decompress<br />
it again for just one picture. or sound sample. Besides forking Out for an<br />
only time it can prove dangerous is when the user fails to follow the<br />
instructions correctly.<br />
In certain circumstances, Disk Expander has been known to More<br />
storage by 50% which is quite amazing.<br />
Unfortunately. I couldn't locate exactly who it is that is distributing<br />
PowerPacker Professional these days, but DiskExoander is available from<br />
Power <strong>Computing</strong> on 0243 273000 for only 135.<br />
new and bigger hard drive, is there any other option I can consider?<br />
D. Johns. Rhyll<br />
lir I can understand your dilemma, a 20Mb hard drive is simply not<br />
ll ,.. enough, especially as Workbench and its associated files can eat<br />
up a hell of a lot of that space.<br />
' There are solutions, however. It would be wise for you to consider a<br />
o Dislixpander<br />
,UnPack<br />
1Pack<br />
Lbcat<br />
1ExNext<br />
Device<br />
dft lo<br />
w&<br />
1 I m i<br />
1<br />
l Compressor<br />
1<br />
POIKE<br />
r<br />
HBlock<br />
Table •<br />
m<br />
N MK418 O<br />
o<br />
V N I<br />
d1<br />
Devices 1 MCompressors<br />
e<br />
I<br />
At OM* Expander can<br />
Moralise y our hard<br />
rinse storage<br />
capacity by up to<br />
ger drive in the future - nothing less than 55Mb - but there are proms<br />
that will increase your storage capacity without the need to spend<br />
• ge sums of money.<br />
k The best packing and de-packing programs are PowerPacker 2.0 and<br />
: Disk Expander. PowerPacker will simply crunch files and auto-expand<br />
them when they are run.<br />
Disk Expander will crunch entire hard drives using some very fast and<br />
powerful crunching algorithms. It is totally invisible to the user and can be<br />
Instructed to compress files as they are copied to your hard drive. The<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBEH 1994<br />
It<br />
50 per
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1 ZAPPO CD DRIVE<br />
Launches the <strong>Amiga</strong> 1200 into the world of CD<br />
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Small enough to fit in your pocket the Smart<br />
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r your <strong>Amiga</strong> 600 or 1200 and is ready to go<br />
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• Elooks for<br />
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Moose one of these trolls useful<br />
books from Brute Smith gooks,<br />
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Rinoga 11552ft:el'<br />
In5ider Guide 4111,<br />
Ideal for new users wanting<br />
to learn to write programs<br />
in the native code of the<br />
<strong>Amiga</strong> assembler<br />
nmiga =•<br />
tuella<br />
I •sils<br />
-<br />
M<br />
This widely acclaimed game follows Zool's travels<br />
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Zoo! 2 is suitable for any machine,<br />
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<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
SUBSCRIPTIONS<br />
guide 1 r ur firniga!<br />
[hOEI5P D I thP5P IIPP<br />
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llmiqd 015h5 dad<br />
Owes tosidet Lode<br />
This book is suitable for all<br />
<strong>Amiga</strong> users and is the<br />
definitive guide to the<br />
<strong>Amiga</strong>'s floppy and hard<br />
disk drives.<br />
Rmica R to d of<br />
Workbenth 3 11151der Cu&<br />
Suitable for <strong>Amiga</strong> Al200<br />
or A4000 owners, this<br />
guide describes everyday<br />
usage of the Workbench in<br />
step-by-step terms.<br />
Mastering<br />
Rmiga Beginners<br />
This is the book to provide<br />
you with a solid<br />
grounding, through easy<br />
to understand step-bystep<br />
instructions and<br />
explanations of terminology,<br />
This superb book<br />
covers the Al200. A600,<br />
Workbench familiarity —<br />
lust about everything.<br />
ghlY<br />
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,<br />
4 0<br />
GRAPHICS<br />
s far as 2D design goes, Deluxe<br />
Paint from Electronic Arts had, up<br />
until recently, held the crown, but<br />
with the advent of Brilliance from Digital<br />
Creations all that changed. Now. Brilliance<br />
has been upgraded and looks set to leave<br />
DPaint even further behind.<br />
Brilliance 2.0 not only features a superb<br />
and fully illustrated manual but also two versions<br />
of the software, Brilliance - which is a<br />
register version allowing you to paint in 2, 4,<br />
8, 16, 32, 64, 128 and 256 colours - and<br />
TrueBrilliance - the same program which is<br />
specially written to handle HAM screen<br />
modes easily and quickly.<br />
DeluxePaint tried to combine both these<br />
attributes in one package but the result was a<br />
program which worked tine in register mode<br />
but tripped and slipped in HAM. Taking a<br />
n the continuing battle for the ulti-<br />
Cloanto have returned into the fray<br />
with Personal Paint 6.0. beefing against the<br />
now ageing Deluxe Paint 4 and the crown<br />
holder Brilliance 2_0.<br />
From the outside, Personal Paint looks<br />
identical to its forerunner 4.0 featuring the<br />
now customary, and much appreciated,<br />
<strong>Commodore</strong> installer, making installation a<br />
breeze.<br />
And to all intents and purposes version 6.0<br />
looks identical when loaded. However, a<br />
quick flip through the menu and the differences<br />
become instantly recognisable_<br />
Probably the most mayor additions are the<br />
new animation facilities. Animation has had a<br />
long-time association with Deluxe Paint and<br />
Brilliance but only now have Cloento included<br />
it with their paint package Unfortunately. the<br />
Thom is worry little<br />
demonstration art.<br />
work supplied but<br />
what there is of il<br />
is very high quality<br />
This is an oxen*,<br />
of Persona, Paint<br />
6.0 3 coMur 'sump-<br />
ping abilities. The<br />
fluidity looks great<br />
mien with only 16<br />
colours<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
1<br />
step back to the manual. Digital Creations<br />
have provided tutorials for the beginner and a<br />
quickstart section for those used to DPaint.<br />
Also provided is a very thorough reference<br />
section which provides examples from almost<br />
all the tools available. When compared to the<br />
DPaint manual it is slightly less informative,<br />
but Brilliance is such an easy program to use<br />
there isn't much call for hefty explanation.<br />
SUPERIORITY<br />
Users ot the previous Brilliance package<br />
will already have been convinced of its superiority<br />
over DPaint and Personal Paint, but for<br />
those users still working with these packages<br />
a lair amount of convincing is going to be<br />
needed, especially as DPaint has become<br />
the default art package for <strong>Amiga</strong> artists.<br />
Unlike DPaint and Personal Paint,<br />
Brilliance takes a new approach to the pulldown<br />
menu style of option selection and<br />
offers a variety of panels which are stacked<br />
at the bottom of the screen.<br />
Combine these with the hotkey definitions<br />
which can be assigned to panels via the keypad<br />
and you've got a powerful and flexible<br />
design interface which is quick to access and<br />
totally programmable.<br />
The program offers all the tools and<br />
options available in DPaint and more. Digital<br />
Creations have definitely thought long and<br />
hard about Brilliance and seems to have perfected<br />
what so many other companies have<br />
failed - a paint package that superceeds<br />
DPaint in all respects.<br />
Tool wise, Brilliance is literally overflowing<br />
with familiar, and some not-so-familiar,<br />
drawing methods that make image creation a<br />
animation is severely lacking in flexibility and<br />
design. A very useful storyboard window has<br />
been added, allowing the user total control<br />
over how his or her animation runs, but there<br />
is nothing that rivals DPaint's Move requester<br />
or Brilliance's tweening ability.<br />
Any animation techniques must be applied<br />
by hand. There are some very useful additions,<br />
like new compression ratios which can<br />
reduce the size of an animation dramatically<br />
and the ability to create animations with varying<br />
palettes and frame by frame timing which<br />
have been neglected by DPaint and<br />
Brilliance.<br />
Multi-palette animations are extremely<br />
uselul and can be viewed externally by using<br />
View V3.6 or ViewTek which are available<br />
from most reputable PD libraries.<br />
Personal Paint 6.0 also features a very<br />
usetul virtual memory option in which inactive<br />
image data can be stored for later retrieval.<br />
The size of the virtual memory is totally definable<br />
but is automatically defined by the<br />
Pure<br />
breeze. In fact. this <strong>Is</strong> certainly one 0 M3<br />
most attractive areas of Brilliance es as<br />
friendliness<br />
Animation, stenciling and grader',<br />
have also been included in Brilliance<br />
have been much improved over D<br />
Unlike DPaint, Brilliance has the atoll,<br />
tween brushes - that is to take a s<br />
Image and end image and then fill in the<br />
essary images in-between.<br />
Certainly, two of the most anno<br />
problems y in DPaint are the single Undo<br />
All the features associated with Deluxe<br />
Paint are availabie, and plenty more<br />
nal<br />
besides.. Tha magnify is •strernely versatile<br />
the OPII5<br />
Although the image processing effects are<br />
many and provide °tic client results, they are<br />
peinfulty slow even on accelerated <strong>Amiga</strong>,<br />
program when there is a memory shortage.<br />
When a memory shortage occurs,<br />
Personal Paint 6.0 will 'clean up' the virtual<br />
memory, leaving only the most recently used<br />
item - the less used material being stored<br />
on disk. When images within the VM need to
Steue White test !MOS the 113te5t 11P151<br />
-<br />
011<br />
fifillidllie to find out what all the 1115515 about<br />
toolbox fill and draw modes. The latter fails to<br />
hi or draw underneath the area occupied by<br />
the toolbar, when ills present. Imagine drawing<br />
a circle that disappears underneath the<br />
toolbar. When the toolbar is removed any<br />
image under it is erased.<br />
DPaint also supplies only a single undo<br />
Option and il the toolbar is enabled after a<br />
mistake. the undo facility has no effect.<br />
ATTRIBUTES<br />
Brilliance to the rescue. Not only does<br />
&Nance perform all drawing functions under<br />
the tool panels but also has a definable<br />
amount of undo& restricted only by availabte<br />
memory These attributes, and many more.<br />
can be edited in the Brilliance icons Tool<br />
Types. You can even select the default pathnames<br />
for pictures, animations and brushes<br />
etc - something severley lacking in DPaint<br />
Interface aside. Brilliance is also a damn<br />
be displayed, they are done so automatically.<br />
Cloanto have now added support for<br />
Retargetable Graphics boards such as<br />
Picasso. Retina. Rainbow. EGS and Talon,<br />
which allows users of these boards total<br />
access to all Personal Paint 6.0 features in<br />
an environment where the board is used to<br />
full potential.<br />
ADDITIONS<br />
As well as these new additions, Personal<br />
Paint 6.0 still features its plethora of image<br />
processing functions as well as a few new<br />
additions including transparency.<br />
As far as image processing in a 2D art<br />
package goes. Personal Paint 6,0 still holds<br />
the crown. The down side of these image<br />
effects is that they are painfully slow, even on<br />
a Al200 with 4Mb Fast RAM and an 030<br />
accelerator with FPU.<br />
Still one of the most powerful attributes of<br />
this program is its colour remapping ability<br />
which is rivalled by none other. A great<br />
sight faster than DPaint and Personal Paint<br />
and can perform some operations faster on a<br />
68000 than DPaint can on a 68020.<br />
True Brilliance. the HAM version makes<br />
working in HAM (Hold And Modify) a pleasure,<br />
something that DPaint tiled desperately<br />
to manage but failed so miserably.<br />
For Brilliance upgraders the differences<br />
between the previous version are mostly<br />
invisible. The drawing routines have been rewritten<br />
and are now a lot faster as a result at<br />
customer feedback.<br />
New animation formats have also been<br />
supported and apart from the standard<br />
ANIM5 format, also include Op-5, Op-8<br />
(Word), Op-8 (Long) and single frames.<br />
Most of these formats are not fully supported<br />
yet, but when they are Brilliance will be at<br />
the front of the queue as far as compatibility<br />
goes.<br />
4:e<br />
tat<br />
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5rilliani<br />
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h Ian the lateSt 11051011 of Peagl7d1 Faint —<br />
example picture is supplied with Personal<br />
Paint 6.0 and shows about six high quality<br />
Images, obviously with different palettes,<br />
combined into one with only a slight degradation<br />
of quality.<br />
Not so wondrous you may think, but when<br />
you consider that this image is Only 16<br />
colours you can't fail to be impressed. h<br />
.<br />
:67<br />
The animatiton<br />
rocitmostor features<br />
from* thumbnifi lo<br />
allowing you foto,<br />
control over how<br />
your animation is<br />
created. No tweets.<br />
tog or move<br />
regoesters. though<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
Ease of use 9<br />
Implementation 9<br />
Value for money<br />
9<br />
Overall 9<br />
Ease of use 7<br />
Implementation<br />
7<br />
Value for money<br />
8<br />
Overall 7<br />
GRAPHICS1_<br />
Verdict 1<br />
r i l l i a n c e L , 1<br />
is the most competent 20 paokage<br />
able for the <strong>Amiga</strong>, and Electronic Arts<br />
will have to provide something very spee-<br />
* cial with DPaint c 5 if they are to claim back<br />
ertainly There is n o d o u b t t h a t B r i l l i a n c e their crown.<br />
I have been using DPaint ever since<br />
the first version but since using Brilliance,'<br />
It has been removed from my hard drive,<br />
and is unlikely to ever reappear.<br />
I . „<br />
A R D<br />
The bottom line<br />
Product.' Brilliance 2.0<br />
Supplier.' Meridian<br />
Price: £84.95<br />
Tel.' 081-543 3500<br />
po Verdict 1<br />
1<br />
11<br />
As far as users of Personal Paint 4.0 are<br />
,concerned. V6.0 is a welcome upgrade,<br />
especially with the addition of animation.<br />
However. Cloanto still have to go quite a<br />
distance before they rival animation tea-<br />
!tures as seen in Deluxe Paint 4 and<br />
'Brilliance 2,0.<br />
, As far as value for money is concerned,<br />
Personal Paint 6.0 is still very good b<br />
'Cloanto ul must seriously consider animal<br />
'aids and perspective before their no<br />
:release. If they can maintain the pace<br />
they could be onto a winner.<br />
The bottom line<br />
Product: Personal Paint 6,0<br />
Supplier Ramiga International Ltd<br />
Price: E69.95<br />
Tel: 0690 770304
4.<br />
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ONLY E29.99<br />
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• Audio processor with two audio<br />
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Ainiga Pac<br />
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Al200 ks Race & Chase s E279.99<br />
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Trolls and Nigel Mansell<br />
Al200 Computer Combat Pack E329.99<br />
Includes Al200 with 2Mb RAM,<br />
Digita Wordworth. Digita Print<br />
Manager, Personal Paint 4. Total<br />
Carnage, Zool 2, Brian The Lion.<br />
<strong>Amiga</strong> CD32 E 2 7 9 . 9 9<br />
2Mb RAM. Dual Speed CD ROM.<br />
Multi session, plays music CD's.<br />
256000 colours on screen, includes<br />
2 games Oscar and Diggers.<br />
<strong>Amiga</strong> 4000 030 £ 9 9 9 . 0 0<br />
Includes A4000, 030 processor,<br />
2Mb Chip RAM, 80Mb Hard drive.<br />
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E11.99<br />
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• 40MHz 68030 accelerator<br />
• Makes your <strong>Amiga</strong> 1200 run<br />
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• Allows up to 32Mb RAM<br />
• Optional FPU<br />
Al23014Mb/No FPU E429.00<br />
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1<br />
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99<br />
if<br />
I only seems like a short while ago<br />
that a 2400 baud modem was a<br />
pretty fast thing, and you<br />
know, after you had one for a while you<br />
began to wonder how you ever managed<br />
without it.<br />
Then 4800 baud modems came out and<br />
you began to wonder about your concept of<br />
speed. These were very shortly followed<br />
by 9600 and 14400 baud modems.<br />
and in what seemed like a quarter of the<br />
time.<br />
So sure enough we find ourselves in the<br />
present looking down both barrels of a<br />
28800 baud modem. Who'd have thought<br />
it And not Only is it double the speed of the<br />
modems we are all using, but it's only<br />
E285.53, rather than the E600 you used to<br />
have to pay for a 14400 when they first<br />
came out.<br />
The pace of technology is a baffling<br />
thing, and it seems a bit worrying to buy<br />
anything like this in this day and age when<br />
it's becoming alarmingly apparent that<br />
almost everything we buy for our <strong>Amiga</strong> is<br />
almost out of date before we wrestle it out<br />
of the box.<br />
IDENTITY<br />
You'd be forgiven for mistaking the 288<br />
for a regular 14400 modem just by<br />
looking at it, as it's enclosed in the<br />
self-same brushed aluminium case with<br />
black ends. But it's a very different beast<br />
inside,<br />
What you are in fact looking at is a 28800<br />
baud modern (I still get a kick out of saying<br />
that) which runs at 28800 baud for data,<br />
14400 for fax (although I've yet to encounter<br />
a fax which runs faster than 4600 or 9600)<br />
and MNP modes 2 to 5 plus mode 10.<br />
What this means in plain English is that<br />
as far as data transfer is concerned, this<br />
thing sends stuff before you press the send<br />
button - it's that fast<br />
The MNP part relates to Miracom<br />
Neworking Protocol and is a form of data<br />
error correction and compression which<br />
allows for faster and more reliable operating<br />
speeds.<br />
MNP 2-4 is what is also known as LAPM<br />
or V42 and this is an error correction<br />
method, which means that checksums are<br />
sent and received by modem and remote<br />
host to ensure what is sent is complete and<br />
not corrupted by line noise.<br />
In the days before this standard we spent<br />
more time on-line saying "please re-send,<br />
line noise: and comms was leSs like an<br />
uoer<br />
filodem<br />
Phil Smith talfe5 a ID(lif at Me af<br />
the new Supra Ilfa5t modem5, t<br />
lurking in at a bh5tering 08,811S baud<br />
Information Highway and more like a tatty<br />
CB club.<br />
Then MNP 5 came along and not only<br />
were you error corrected but you had a 2:1<br />
compression going too. so everything was<br />
Hog, bonus<br />
So is it the bees nose? Well. it's a very fast piece of kit, and up to Supra's usual high standards of MINlecture.<br />
Obviously it's too new to speculate about ROM problems similar to those which dogged the 14400<br />
for so long. Only time will tell on that score,<br />
I did hear that ROMs in this case are actually EEPROMs, which can be re-programmed by software<br />
upgrade files. You do get the usual nicely printed and pretty rationally written manuals which tell you the<br />
technical stuff, but also point out all that you really need to know,<br />
So is it a bargain the size of a hippo's bum? You betcha, And it I hadn't just shelled out for a 14400<br />
only about 10 months ago I'd be on the blower to First Computer Centre (0532 319444) right now to<br />
order one.<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
1<br />
taster. MNP 10 is a new protocol which<br />
allows for cellular connection, and is a<br />
much tougher error correction formal for<br />
those nasty buzzy things that men in<br />
suits have growing out of their ears in<br />
trains. (Cell phones, not hairs, you big<br />
dummy.)<br />
Another exciting thing (in among all the<br />
other things to get happy about in this great<br />
new cevice) is that it can initiate and adapt<br />
to rate changes.<br />
SPEEDS<br />
Not impressed? Okay how about the<br />
fact it can change operating speeds<br />
mid call. Yes, it can change gear on<br />
the fly, and that's worth a yelp of glee if<br />
nothing is.<br />
There are copious other benefits, but<br />
unfortunately not much <strong>Amiga</strong> software<br />
exists to take advantage of them.<br />
For future reference (and for the benefit of<br />
anyone who'd like to support these features,'<br />
it can distinguish between fax and<br />
voice calls, using a process called Adaptive<br />
Answer.<br />
A nice bonus for those of us who are<br />
always getting our ears cleaned out by having<br />
a fax screech down the phone at us.
At SoftWood we have oil<br />
)<br />
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<strong>Amiga</strong> ShOppel- links-1, It,..<br />
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Final, Coo 11<br />
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Introducing - SoftWlityseat<br />
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C
GRAPHICS<br />
ber legs. The an<br />
There wk be a great deal of you out there who, having tired of The boundaries placed by<br />
lesser paint packages. would like to move into the heady realms of 24-bit.<br />
. to your o f workstation.<br />
The problem? Achieving this standard of work requites large financial investment in the t The h e business end of things. in the shape of the stylus, is connected to the tablet via a<br />
shape of a dedicated graphics tablet.<br />
t a b l<br />
cable. Ergonomically. the stylus feels very natural and extremely comfortable<br />
in the hand, with the front end squared oil with a rest to accommodate<br />
The cheaper solution has always been to use a stylus that fits directly into the e t<br />
your forefinger. In addition, a small metal strip sits above tt•s<br />
mouse port. Unfortunately, this would-be mouse emulation has<br />
d e fi<br />
rest with the sole purpose of providing a means of earthing the<br />
always struggled to generate any real feel or accuracy.<br />
n i t e<br />
pen, thus minimising the magnetic distortion that can occur<br />
However, Tabby could be the answer to all <strong>Amiga</strong><br />
l y<br />
Another advantage of Tabby is that because it fits into the senal<br />
artists dread. Its a graphics tablet that offers the<br />
m a port and uses a driver system which installs, you can use a standard<br />
precision of a senal device with the ability to diversify<br />
k e<br />
mouse in conjunction.<br />
through a range of packages.<br />
Having said this, when Tabby first emerged from Its<br />
s<br />
I found Tabby to be a very economical way of achieving<br />
box I was more than apprehensive about the working area<br />
w<br />
impressive results using a system that encourages a natural ease<br />
that the user is given — 128mm by 96mm.<br />
o<br />
and should bring the best out of any pixel artist. In fact, this<br />
could be the Tabby that finally caught the mouse, and got the<br />
But, despite the apparent lack of spate Tabby works<br />
r<br />
cream<br />
surprisingly well. The stylus responds incredibly well, and<br />
k<br />
sits very securely in The hand,<br />
l i<br />
Supplier First Computer Centre<br />
Far from feeling cramped, the tablet performs perfectly and<br />
Phone: 0 5 3 2 319444<br />
g h<br />
Pare<br />
gives the user confidence to attempt even the most intricate of<br />
t e<br />
Ergorlomxs:<br />
tasks,<br />
-<br />
7<br />
r ,<br />
14 Speed: 7<br />
In the looks department, Tabby is very well groomed. The<br />
Overall: 8<br />
whole tablet tilts at a shallow angle. and sits snugly on four rub-<br />
a<br />
9.<br />
Alternative input<br />
n<br />
95<br />
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Looking to update 5IIMS rif your elli5ting oeriphera15— l<br />
l Alfaaptic optical<br />
ur 1115t fano' trying out 501112thing a little different? y<br />
a<br />
MOLI5P<br />
Simon 14345 guide5 you round the mooetrap5n<br />
c<br />
h<br />
o This is for the benefit of our PC counterparts to a large extent, but there are <strong>Amiga</strong> appli-<br />
One ot the biggest problems <strong>Amiga</strong> owners are going to face using the contemporary opto- rcations<br />
out there that can utilise This feature. The acid test came when we decided to try<br />
mechanical mouse is blockage. This normally occurs when the internal plastic rollers<br />
out on DPaint. What a let down.<br />
become contaminated with dust and fluff.<br />
After feeling fairly comfortable on desktop operations, it came as some<br />
The net result is a complete headache with the mouse sticking or moving erratically. One<br />
surprise to find out that the optical mouse stuttered and stammered around the drawing<br />
solution is nothing more than a good clean out, the other is to lake rollers Out of the equa-<br />
window and struggled intensely to produce anything like a smooth arc or circle, despite its<br />
tion totally, and go optical.<br />
300dpi.<br />
An optical mouse reads dot information from a special mouse mat, instead of using<br />
As a small companson we decided to try out the Gasteiner 400dpi immediately after-<br />
rollers. However, while you won't have many problems with dirt, the movement on optical<br />
wards. The ditterence was striking and made my mind up which I would choose.<br />
mice has been criticised for lack of feeling, and they have the notorious<br />
whatever the problems with clogging.<br />
of losing their whereabouts when moved too quickly. But what about<br />
If you do work in an extremely dusty environment. or are<br />
the Alta optical mouse?<br />
just dead set on an optical mouse, then the Alta is worth<br />
Well, on the catwalk (shouldn't that be mousewalkll of<br />
a look at, but it would also be advisable to examine the Nashka<br />
ergonomics its not the most graceful looking animal. It has a<br />
range.<br />
bulky look that gives the user expectations of a sturdy mouse. (<br />
The reality is that Alfa is really quite light and feels fairly Insub-<br />
Supplier Golde n Image<br />
stantial.<br />
Phone: OB1•365 1102<br />
The Alfa also comes with a handy little holder so you can attach<br />
Price: £ 2 9 .0 0<br />
it to the side of your monitor. This seems more of a gimmick than a<br />
Erg000ms: 4<br />
Speed: 5<br />
practicality but who's going to really moan; after all it's a freebie.<br />
Overall: 3<br />
It also lacks the grace that the Gasleiner dpi400 has, and feels fairly uncomtortable<br />
when used. Buttonwise. you've got three, rather than the standard two buttoned<br />
mouse.<br />
<strong>Amiga</strong> C omputing<br />
OCTOBER 1994
AlfaPpo Optical Pen MOHR<br />
Along with clogging problems, the other dilemma some<br />
users find is mouse control. After all, when using an art<br />
package. attempting to draw accurately wiih a mouse<br />
isn't as natural as using pencil shaped. With this in<br />
mind, Alfa Data have released the AlfaPen<br />
optical pen mouse.<br />
The optical pen employs a<br />
similar system to the standard<br />
optical mouse. It reads its position<br />
via an infra-red beam which,<br />
using a horizontal and vertical grid,<br />
converts the information into your<br />
screen position. Like its optical counterpart.<br />
the AlfaPen uses a three button<br />
approach when in use. Located at what<br />
well call the nib end, the largest of the three<br />
buttons acts as the left mouse button.<br />
Behind the largest of these buttons sit two other<br />
smaler buttons. The button on the nght hand side acts<br />
in the same capacity as the right mouse button, while<br />
the left button gives you that extra dimension when<br />
using applications that allow its use.<br />
AlfaPen doesn't feel too bad in the hand - it's light<br />
and not at all cumbersome when you use it. However,<br />
when you attempt to use the buttons, implementation is<br />
not so easy.<br />
The buttons are very closely grouped, and even the<br />
most coordinated and dextrous of you will struggle to<br />
use this arrangement proficiently.<br />
The <strong>Amiga</strong> was one of the first home computers to use<br />
the now commonplace means of interaction between the<br />
user and the computer - the mouse.<br />
Previously, movement had been carried out via the<br />
cursor keys, a system that made the relatively simple<br />
mouse seem light years ahead technologically.<br />
But, since the implementation of the mechanical<br />
rodent, what further progress has actually been<br />
made? Well, not much really, aside from cosmetic things<br />
like lead length, free game and novelty mice teeth<br />
painted on to the side of your<br />
handset<br />
Perhaps the greatest single<br />
step forward was the<br />
improvement of dpi 'dots<br />
per inch) speed, which governs<br />
how much horizontal<br />
and vertical information the<br />
<strong>Amiga</strong> can pick up per inch<br />
of space.<br />
This always costs that little<br />
extra, with most people using the mouse<br />
for standard practices feeling it an unnecessary<br />
luxury. Well, Gastemer's 400 rip mouse knocks all of<br />
that into touch. Its El5 price tag makes it just about the<br />
cheapest 400 dpi mouse on the marital But, as a cus-<br />
li I gave the All aPen the benefit of the doubt I'd say<br />
that its use coul be described as a little like using<br />
chopsticks - totally alien at first, but<br />
the more you use them the more<br />
accomplished you become.<br />
Unfortunately, the AllaPen suffers<br />
similar problems to its companion.<br />
Again. DPaint became the benchmark<br />
test, and while AlfaPen<br />
feels more natural to draw with,<br />
the arcs drawn had no particular<br />
accuracy and felt jerky.<br />
AllaPen also suffered when moved<br />
around the mat too suddenly. Despite its 300 dpi.<br />
it struggled to locate itself<br />
Also, when you're using the AffaPen you have a tendency<br />
to angle the pen back. like it was a real pen.<br />
Unfortunately ifs not, and the net result is a loss of contact<br />
to the mat.<br />
Ultimately, however much you might feel you<br />
need an optical pen, when you get one up and<br />
running you might just feel that you've wasted your<br />
money.<br />
SUPPlier Goiden Image<br />
Phone<br />
. Pnce, E34.00<br />
08Ergoneenocs•<br />
5<br />
Speed: 6<br />
1.3Own*<br />
5<br />
65<br />
1<br />
1<br />
0<br />
2<br />
Gasteiner 100 doi MOOR<br />
tomer, what is the price you pay for this economy?<br />
Simple, none. Gasteinef s 400 Odes across the mat<br />
with a grace that leaves other rodents and cavys<br />
floundering in the straw.<br />
It tracks across the screen with such ease that you<br />
hardly need flick your wrtst, and the space necessary to<br />
operate it is negligible.<br />
On the ergonomics front again the Gasteiner 400 dpi<br />
is a treat. Its small body is much sturdier than you'd<br />
believe its price would command, and Os in the palm of<br />
the hand very comfortably<br />
. Control is finite and the micro-switches respond<br />
with the slightest muscle spasm from your<br />
forefingers.<br />
A slight niggle might be that some<br />
users would find it too sensitive,<br />
but for my cash the Gasteiner 400 dpi is<br />
excellent tool to use alongside any<br />
or art package.<br />
Suppler: Gastoiner<br />
Phone. 081-345 6000<br />
Price. E14.99<br />
Ergonomics. 8<br />
Speed, 8<br />
Overall<br />
. 9<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
GRAPHICS<br />
Ea5tpiner EMI DPI mOU5P<br />
Although the <strong>Commodore</strong> mouse has come<br />
on leaps and bounds thanks to the A600.<br />
Al200 and A4000, there's still plenty of room<br />
for improvement.<br />
This is more than apparent if you plan to<br />
use your mouse in conjunction with an art<br />
package for anything in the artistic vein,<br />
Many at the mice available to the user can<br />
set you back anything up to the region of £20<br />
for something that exists mthin the 280-290<br />
dpi range.<br />
Certainly Silica's Nashka. which is a<br />
sturdy all rounder, and the squared oil<br />
Contriver mouse slot nicely into this bracket,<br />
With this in mind. Gasteiner launched a<br />
280 dpi mouse that retails at the bargain<br />
price of E6.99. Okay, it uses membrane<br />
switches as opposed to micro•switches to coordinate<br />
its buttons, but it does have many<br />
saving graces.<br />
For one, it's damn goad value for money -<br />
who could moan at this price? If anything, it<br />
could put you off because it's too cheap.<br />
Well, I assure you there's nothing to be<br />
frightened of.<br />
Gasleiners budget rodent feels extremely<br />
comfortable to the touch and fits the<br />
ergonomics of the hand very well. It feels<br />
very sturdy and your fingers reach the Iwo<br />
buttons with ease.<br />
The other aspect to consider with this<br />
mouse is its aesthetic qualities. Although it's<br />
a simple design it looks robust and the two<br />
deep grey mouse buttons offset the light grey<br />
of the main body very effectively.<br />
On the down-side, opto-mechanical<br />
design means the occasional cleaning of the<br />
bal and roller, but again, that's only a short<br />
and very temporary inconvenience.<br />
Overall, Gasteiner have produced a<br />
mouse that. although technologically outwitted,<br />
can live alongside its rodent counterparts<br />
when it comes to accuracy and overall<br />
performance.<br />
Supplier: Gasteiner<br />
Phone: 081-345 6000<br />
Price: £6.99<br />
Ergonornecs: 6<br />
Speed 5<br />
Overall: 6
NORTHERN AMIGA USERS GROUP<br />
Dept AGO, P.O. Box 151, Darlington, County Durham, DL3 8YT<br />
Tel.! Fax (0325) 352260 E - M a i l : bitx8@unn.ac.uk<br />
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1<br />
s discussed in the first tutorial, the<br />
screen is the basic drawing board<br />
for all your visible operations within<br />
the workbench environment. But, instead of<br />
using the workbench screen, I am going to<br />
show you how to use your own screen by<br />
taking you through the steps of writing a<br />
basic picture displayer_ (O00000h)!<br />
As you are probably familiar with_ the<br />
<strong>Amiga</strong> is capable of displaying pictures or<br />
information in many different modes. Such<br />
modes include Lores, Hires. Interlace and<br />
even HAM. I can't explain all these modes<br />
in this article, so I will just use the two most<br />
commonly known modes: Lores and Hires.<br />
• Lores: This is the lowest display mode<br />
for Me <strong>Amiga</strong> to use and is the preferred<br />
drawing mode of most graphic artists. In<br />
Lores mode the <strong>Amiga</strong> can display 256<br />
tines from top to bottom, with each line consisting<br />
of 320 dots. In this mode the standard<br />
<strong>Amiga</strong> 500 can display a maximum of<br />
32 true colours, where as the <strong>Amiga</strong> 1200<br />
can display 256 true colours.<br />
• Hires: As the name suggests, this display<br />
mode is a higher resolution than the<br />
Lores mode (but not the highest resolution<br />
possible). In Hires mode the <strong>Amiga</strong> still only<br />
displays 256 lines from top to bottom, but<br />
each lone now consists of 640 dots from left<br />
to nght.<br />
Unfortunately, in Hires mode the <strong>Amiga</strong><br />
500 can Only display a maximum of 16 true<br />
colours, but the <strong>Amiga</strong> 1200 can still display<br />
its full quote of 256 true colours.<br />
Let's kick off the programming by opening<br />
a standard screen in Lores and than<br />
Hires:<br />
IS<br />
S<br />
;We are still using ia the WB system.<br />
t<br />
te<br />
e<br />
.Here is our screen<br />
Moseetit<br />
Wait for a mouse press<br />
WET& StoseScrom 0<br />
Ind<br />
• is<br />
.Close our screen in a system friendly<br />
manner,<br />
That's it! Not much to opening a simple<br />
screen, is there!<br />
If you have been reading your manual,<br />
you would have realised that to open a simple<br />
Lores screen which has dimensions of<br />
320'256 pixels, you only need to use the<br />
shortened version of the 'Screen'<br />
command.<br />
This version assumes that you want<br />
Lores, so all you need to do is to tell it how<br />
many bitplanes you want (the number of bitplanes<br />
dictates how many colours can be<br />
used by using the following maths:<br />
2A8itplanes = Number of colours, ie 2 bitpianes<br />
= 1'22 = 4). The first value represents<br />
the screens id number.<br />
•<br />
1215 d<br />
Mita<br />
Following in the 51<br />
.<br />
05 o f<br />
t h e<br />
f k 5 t<br />
tutorial, fillitdEl 1111117e take5 goy<br />
through op17111fi Limy<br />
. o w n<br />
5 1 f e etreating l l quiff Mil (17e171151<br />
a n d<br />
Well this is all fine for a Ores screen but a<br />
Hires screen such as the WB screen<br />
requires some extra thought. We need to<br />
use the extended form of 'Screen', so<br />
replace the previous 'Screen' command<br />
with the following:<br />
Sento DA40,60,256,2,S1000,14 Sccete,1,2<br />
If you check your manual you can see that<br />
the first two values after the screen id num-<br />
ber is the X,Y position. These values are<br />
relative to the top left-hand corner of the<br />
screen (ie. 0.0 is positioned in the top lefthand<br />
corner).<br />
The next two values are the width and<br />
height of the screen in pixels as explained<br />
above. After that follows the number of bitplanes<br />
and then the screenmcde value.<br />
This value is related to a chart in your<br />
Blitz User Magazine No.1 on page eight,<br />
which shows that a value of $8000 gives us<br />
1<br />
Choose a picture ,<br />
Wow' An ;Fir<br />
pictum<br />
requestor.<br />
SePect<br />
picture a nd<br />
toad it up<br />
la<br />
< TI<br />
R > BittzLtbs<br />
e xa mple s2<br />
0:ur<br />
e<br />
< 1 > matmatt<br />
a g a<br />
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, I l i l nke r<br />
C r i n t e r S t u f f<br />
FILE:<br />
MT<br />
rli5C 'D R I VES M U M " •rir 'C AN C EL<br />
<strong>Amiga</strong> C•mputing<br />
OCTOBER 1994<br />
PROGRAMMING<br />
the<br />
a Hires display. After that follows the name<br />
of our screen and then the drawing pen<br />
number and background pen number which<br />
represent the two colours used to draw the<br />
screens display.<br />
Try experimenting by opening some<br />
screens of different sizes and resolutions<br />
with varying number of bitplanes.<br />
Remember:<br />
<strong>Amiga</strong> 500 = max 32 cols = 5 bitplanes max<br />
<strong>Amiga</strong> 1200 = max 256 cols = 8 bitplanes<br />
RiaX<br />
Now lets go one step further and add a picture.<br />
This example relies on you having a<br />
picture somewhere which you can use.<br />
Please make sure that it is either a Hires<br />
picture or a Loros picture only:<br />
VeStartup<br />
flatLen file64<br />
,Max length for filename.<br />
Nato DaSt121<br />
:Max length for filepath,<br />
:Open a basic screen.<br />
:Start of main loop.<br />
scree10,2<br />
aistit<br />
ittlittRe que stWa ne se picture<br />
..<br />
;Ask .0for 4 1a 4picture. 1 1 1 1<br />
111<br />
1Pl<br />
e ;If it exists then analyze it.<br />
fs<br />
CLEiieScretil 0<br />
i s<br />
ts<br />
:Close old screen<br />
(f<br />
I l<br />
Suter.<br />
T0,0,0,1LOIN1dth,ILBAStight,ILINDepthdLORNemil<br />
h<br />
eNem<br />
screen<br />
n LoeScreen 0,N,U<br />
I<br />
L•Load<br />
picture<br />
O<br />
Shodalette 0<br />
S<br />
I<br />
;Show palette.<br />
n<br />
f<br />
PouseSsit<br />
o<br />
i.Wait<br />
for mouse button.<br />
S<br />
I<br />
t<br />
s<br />
e<br />
E<br />
n<br />
11---
II PROGRAMMING<br />
;Repeat forever.<br />
to:<br />
Foric<br />
In this example all we have done is set up a<br />
few variables, opened a default screen,<br />
repeatedly asked for a picture to show and<br />
then wait for the mouse button before looping<br />
around again.<br />
Notice that we use the ILBM commands<br />
to find out the picture size, depth and viewmode<br />
It you have the latest copy of Blitz 2 featured<br />
on Blitz User Magazine No. 6 then<br />
you can change the line:<br />
If Etilte (fS) then I de inio I S Else End<br />
If EvistsI filvfe the Then End Etse if 11.1013nfa<br />
ISvfalse then End<br />
This is because you have the new version<br />
of ILBMInto which returns True as it is a<br />
picture. If you haven't got the new version<br />
then see the subscriptions box on how to<br />
get it!<br />
All we need to do is add a few menu<br />
options and we'll have a good picture displayer,<br />
But, first a few basics about menus:<br />
• Each menu is split into sections, a title.<br />
an option and a sub-option.<br />
The title is as the name suggests, the<br />
name of a particular menu. In each menu is<br />
a selection of options which the user can<br />
choose from and some options also act as<br />
titles to sub-options. This is what a typical<br />
menu structure could look like:<br />
Menu T i t l e<br />
Option 1 - Sub-option 1<br />
Option 2 - Sub-option 2<br />
Option 3<br />
• Each set of titles, options and suboptions<br />
in Blitz 2 are assigned a unique id<br />
number lust like screens and windows. This<br />
makes the grouping of menus as easy as<br />
pie.<br />
Setting up a menu is lust like defining a<br />
variable in Blitz 2. There are three commands:<br />
MenuTitle. MenuItem and SubItem.<br />
Each of these allow the declaring of each<br />
part of a menu and gives you the power to<br />
group these with the unique menu id numbers,<br />
thus allowing you to. create several<br />
sets of menus for different parts of your program.<br />
One thing to remember about menus<br />
is that they need to be attached to a win-<br />
i. cr,,kker<br />
••<br />
grinkF<br />
c 9<br />
ts Fai 9<br />
u 9<br />
Poen: riz 9 1<br />
FILE1<br />
rak<br />
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T<br />
O<br />
S<br />
9<br />
A new<br />
Mita 11521<br />
magaaine<br />
on a di5k<br />
To receive your first tree<br />
copy, send a blank disk<br />
with a stamped self<br />
addressed envelope to<br />
. Blitz User Disk<br />
Magazine<br />
Michael Milne<br />
39 The Drive<br />
Earley<br />
Reading<br />
Berkshire<br />
RG6 lEG<br />
Now we can<br />
attach • screen<br />
and a dd seines<br />
nnenus to it.<br />
From here use<br />
can also Pond up<br />
a picture using a<br />
nisesuuaster<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
dow because of the way the workbench<br />
sets them up (Sorry. that's the way it is<br />
But don't despair, we can set up a<br />
dummy window, which can't be seen by the<br />
user. All we do is define our menu, set up<br />
our screen as before but add a window<br />
without a title and without borders. This<br />
makes for an invisible window!<br />
So let's get on with the last part of this<br />
issues tutorial:<br />
;Our file vars:<br />
"Pr<br />
ObStertme<br />
RolLen oeS060<br />
Milan fiSh64<br />
ev.L.0<br />
;A long variable to get the user input.<br />
dentilitte 0 , 0 , 'Proje e r<br />
;The menu titled -<br />
Project.'<br />
MenOtes 0 d<br />
o<br />
0,0,'In<br />
;The menu item "Load.'<br />
ed<br />
i<br />
I. p i<br />
NenmItem<br />
c t<br />
u r e<br />
;The menu item "Quit."<br />
;Our default screen.<br />
Stresh 0,2,"ust pens'<br />
viriclow 0<br />
•<br />
Our invisible 0,10window<br />
for the menus.<br />
, Mgr Actimete<br />
120,<br />
246,<br />
;Activate our window.<br />
1800<br />
,*•, Seidenu 0<br />
1,?<br />
.Add our menu<br />
;Start of our loop.<br />
:<strong>Is</strong> it our menu?<br />
tamest<br />
;Wait for user interaction<br />
ItAl14141<br />
0<br />
Has the user used a menu?<br />
;<strong>Is</strong> it the load option?<br />
11 if iximitx0<br />
If Itemhs1=0<br />
CIoseVindne<br />
%<br />
%<br />
l<br />
a<br />
d<br />
few te ile xue itil<br />
•<br />
Chinse •<br />
;Ask for a plc.<br />
p i c t p s " A<br />
i a t , fl i )<br />
If thie thEfS) Then ILBSInfo I S Etse End<br />
:Get IFF into.<br />
•<br />
riet:<br />
rim<br />
pterrail 1 r<br />
rc<br />
-<br />
D<br />
-<br />
R<br />
o<br />
a<br />
r<br />
It you .eer<br />
, certain a n y command, simply place the covens<br />
hover e it l and press Use Help key<br />
p<br />
r e g<br />
a;Close r d old window.<br />
i n g<br />
t<br />
Ctosescreo 0<br />
h<br />
•<br />
a;Close<br />
old screen<br />
m<br />
e<br />
n<br />
s INSidth,ISORStidht,11.811110thALIMsi<br />
d<br />
e m 0,0,10,1111M idth,ELIM M eimit<br />
11:IS 1adScreen - 0 , t$ , 0<br />
EVen10,<br />
us',I11<br />
;Load the picture and palette.<br />
d<br />
:Show palette,<br />
Shomeatette 0<br />
Astihste<br />
;Activate window for menu.<br />
;Add menu.<br />
;Close screen<br />
;Bye Bye.<br />
Setilenu<br />
;User wishes to Quit.<br />
;Close window<br />
.<br />
End if<br />
LI<br />
clasetti<br />
CtoteScreen 0<br />
End If<br />
End II<br />
End if<br />
Forever<br />
Try loading a few pictures into this prc<br />
gram. See how it loads the picture onto It<br />
screen when it executes the LoadScree<br />
command but doesn't show the palette un<br />
the ShowPalette command.<br />
Watching how the program executes is<br />
good way to finding out the right order<br />
write a series of commands to achieve pe<br />
fection.<br />
Well that's it for this month. In ne<br />
month's issue we'll lump into the world<br />
gadgets as well as looking deeper into II<br />
screen. window, events and menus. !<br />
until next time, keep practising,<br />
1
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MUSIC<br />
have access to some fantastic<br />
tools, including world-class 3D<br />
programs. single-frame controllers, directto-disk<br />
video boards and some of the best<br />
real-lime paint and animation software<br />
around.<br />
But, when your video masterpiece is finished,<br />
what about its soundtrack? You<br />
could utilise the excellent Sunrize 16-bit<br />
sampling card, but that comes at a professional<br />
price which is a bit expensive if you<br />
just want to enhance your 24-bit remake of<br />
BladeRunner with a friend's dark jungle<br />
MOD files, or add some sound samples<br />
direct from your <strong>Amiga</strong>.<br />
Digital Sound Track (DST), by Merlin's<br />
Software, is an American program which<br />
claims to answer the video animator's<br />
prayers, allowing IFF samples.<br />
SoundTracker, NoiseTracker and<br />
ProTracker MOD files to be synchronized to<br />
your timecode-locked SMPTE video.<br />
CONTROL<br />
DST even allows a Picture-in-Picture<br />
(PiP) preview video display when GVP's IV-<br />
24 or an OpalVisien video module is used.<br />
DST works with a wide range of professional<br />
VIRs and single frame controllers -<br />
most of which aren't easily available outside<br />
the USA so I won't list them here - though<br />
strangely DST can't control the popular<br />
Nucleus Personal SFC.<br />
Fortunately, support for DPS's Personal<br />
Animation Recorder has just been added.<br />
so I tested DST with a PAR card hooked up<br />
to the video input of an IV-24 - a system<br />
which alone would set you back over<br />
E5000. It seems you need to be pretty serious<br />
about your animation to be able to<br />
make full use of DST.<br />
For all its claimed power, I was surprised<br />
to find that DST's manual is a skinny 12page<br />
AS affair which doesn't mention the<br />
PAR at all. Instead, the manual concentrates<br />
on the use of single frame controllers.<br />
The actual PAR information is contained<br />
in a ReadMe file which also covers DST's<br />
Script Recording feature. I found the<br />
Scripts are written using OSTs script recording facility. which<br />
is easy to use but lacks the power to produce a totally satisfactory<br />
result.<br />
By selecting 'Begin Script Recording' a frame can be<br />
selected tram an animation and a sound tagged to it. Each<br />
sound has to be added in the order that it will be played, or an<br />
error message appears.<br />
When the script recording is finished you then can go into<br />
"record" or lest script" mode, and all the sounds will play back<br />
in time with the animation - at least that's the theory.<br />
This is where a major problem arises. There appears to be<br />
no synchronisation lock between the PAR's frame counter and<br />
DST's limecode clock, which means that scripted sounds may<br />
well play back in completely the wrong plaace.<br />
DST has a 'Change Time Delay' option to allow manual tun.<br />
mg to the PAR's constant playback speed but, as this requires<br />
frequent resets, editing the soundtrack to any degree of accuracy<br />
quickly becomes an exercise in total frustration.<br />
If you need to edit your script, to offset the unreliable synchronisation<br />
tor example, the only way to do it is with an exter•<br />
nal text editor or wordprocessor. By editing scripts you can<br />
171u5k ran add meaning to<br />
a uideo. Cary Whitely<br />
PLIMP5 LIP the uolume<br />
and put5 5oundtrark5 to<br />
Sound<br />
tagging<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
17i5 dniffidtign5<br />
time<br />
DST provid•s one main screen, with tort sound 'slots% con.<br />
ReadMe more helpful than the manual.<br />
though I guess the PAR info will eventually<br />
find its way into the documentation proper.<br />
Installing DST is a hit and miss affair, as<br />
it uses its own custom installer instead of<br />
the standard <strong>Commodore</strong> one. While<br />
installing the PAR version of the software,<br />
it also decided to install the OpalVision<br />
ARexx programs because it detected the<br />
OpalVisionlibrary on my hard disk.<br />
Giving the user full control over the installation<br />
would be a better option to<br />
avoid such problems. Eventually, after<br />
some manual installation, I got DST<br />
up and running, though I can't say it<br />
was as straightforward as it might have<br />
been.<br />
With the hardware and software installed,<br />
getting it all to work seamlessly together<br />
build up some fairly complex soundtracks - including setting<br />
the number of loops over which a sample will repeat. though<br />
the cryptic script format is only vaguely explained in the<br />
ReadMe file, making editing a tough lob.<br />
Setting the time at which a sound plays back seems rather<br />
arbitrary, since the numbers in the script bear no relation to<br />
those displayed on the DST screen.<br />
I found the only practical way to insert a sound in a script<br />
was to begin a new script, indicate where I wanted a sound to<br />
play, save the script, then insert this new file into my main<br />
script using a text editor.<br />
Once I got used to this method of working I began to enjoy<br />
my digital dubbing, but soon found the playback sync of my<br />
animations knocked out of kilter by DSTs Ilaky synchronisation<br />
method.<br />
Making a small change to a script would often throw every.<br />
thing else out. This, plus the fact that sounds would not always<br />
play back on the correct channel, soon had me reaching for the<br />
paracetemol.<br />
Alas not an ideal situation, but as it stands there's no real<br />
alternative.<br />
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DST displayed its single control screen<br />
with a quarter-sized window in the lower<br />
left corner, ready for inserting an IV-24 PIP<br />
to monitor your animations.<br />
After relocating DST's ARexx scripts,<br />
configuring the IV-24 and running the IVPiP<br />
software, DST's PIP onioll switch eventually<br />
produced an NTSC-sized window<br />
showing the PAR's output.<br />
Experimentation, reference to the IV-24<br />
manual and some editing of the supplied<br />
ARexx scripts produced a better display.<br />
though PAL users shouldn't have to do all<br />
this extra work just to get a program working<br />
properly.<br />
SOUND<br />
Finally, I could start adding sound to my<br />
animations. With the PAR running I was<br />
able to select an animation and control it<br />
from the DST screen, which wasn't always<br />
easy as DST's control buttons are small<br />
and sometimes awkward to use, while the<br />
animation time display is tiny and flickers<br />
during animation playback.<br />
Switching the IV-24 display to video<br />
mode (essential when recording to tapet<br />
made the time counter virtually unreadable.<br />
If DST emulated the PAR's VCR-like control<br />
panel and large-digit display, this would<br />
be a great improvement.<br />
Unlike the PAR, DST will only let you<br />
play an animation, go to a particular trame<br />
(selected by time), or jog forwards or backwards<br />
a frame at a time - a rather unstable<br />
procedure which sometimes locks up the<br />
program for a short time it the jog button it<br />
used too enthusiastically.<br />
According to the manual, clicking or<br />
other pans ol the screen should force thr<br />
jogging to stop, but it didn't seem to won<br />
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capacity d isk b o x 20 b la n k d isks £ 6 6<br />
AS00/A500+ hternal replacement<br />
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disk d rive £ 5 9<br />
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rom day one there has been an enormous<br />
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CD32 the characteristics of an Al200.<br />
Paraiasion, realising this fact, were first to<br />
announce the development of such a unit. The<br />
SX-1. as it was later named, has been eagerly<br />
awaited ever since.<br />
Contrary to popular belief, the CO32 is not<br />
an Al200 with a CD-ROM drive attached.<br />
Therefore providing the CO32 with the sort of<br />
expansion capabilities found on the Al200 is<br />
not totally straight forward.<br />
While it would appear that the CO32's<br />
designers have allowed for as much communication<br />
as possible through the consoles<br />
expansion port, all the outgoing and incoming<br />
signals need to be translated and manipulated<br />
before being ol any use. to man or machine,<br />
This has meant that the designers of the<br />
SX-1 have had to develop circuitry to mimic<br />
that which interfaces the guts of the <strong>Amiga</strong><br />
with the outside world.<br />
Paravision's SX-1 is a "Plug in and Go"<br />
expansion. Unless you are installing a hard<br />
drive there is no messing about with installation<br />
software.<br />
Once connected you can hook up to a suitable<br />
monitor, an Al200-compatible floppy<br />
drive, a printer, a modem or even another<br />
computer. In fact you can fit almost anything<br />
that can be attached to an Al200.<br />
The parallel, floppy and RGB connectors<br />
are standard <strong>Amiga</strong> ports and will work tine<br />
with the vast majority of existing <strong>Amiga</strong> peripherals<br />
and devices which connect<br />
to these interfaces<br />
You may also fi t<br />
an external IDE<br />
drive, but it must<br />
have its own<br />
power suppty<br />
While the serial<br />
port is not the<br />
standard Annuli<br />
D825 connector,<br />
the 9<br />
-style<br />
connector<br />
pin is more than<br />
I<br />
edecomte<br />
B<br />
A<br />
S<br />
A<br />
Y<br />
You can fi t a<br />
VAIN module in the<br />
slot provided and you can<br />
also squeeze a 2.5 inch ODE hard<br />
drive underneath the circuit board<br />
There is little to compare the SX•1 with, Several threeline<br />
serial links have been produced for the CD32 and<br />
these have enabled <strong>Amiga</strong> owners (and no doubt a few<br />
PC users) to transfer files from the 6032 onto their<br />
<strong>Amiga</strong>.<br />
Such add-ons, while functional, are not exactly breathtakingly<br />
fast and offer nothing but a simple serial connection.<br />
Some people seem to think that the SX-1 will turn<br />
their CO32 into an Al200.<br />
This is not the case. It gives your 6032 many of the<br />
Al 200's charactenstics but fails to achieve the impossible,<br />
which is turn it into an Al200. Think of it as an additional<br />
model in the <strong>Amiga</strong> computer range and you<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
theti d<br />
Your first stumbling block will be the serial<br />
port. Rather than use the more expensive and<br />
hard-to-come-by 25-pin D connectors,<br />
Paravision have opted for the more common<br />
IBM AT style 9-pin D connector.<br />
Before you gel too concerned, the <strong>Amiga</strong>'s<br />
1RS232 serial port only uses nine of the 25<br />
pins and 9 to 25-pin adapters are quite easy to<br />
come by. Around the outside ot the unit you<br />
will also find a disable switch, a hard drive<br />
connector, an AT keyboard socket and an<br />
audio input.<br />
DISABLING<br />
For the sake of compatibility with some<br />
CO32 software titles a disable switch has<br />
been added_ This disables the hard drive. hoppy<br />
drive, serial port and parallel port, removing<br />
the need to disconnect the SX-1 should you<br />
come across any incompatibilities.<br />
It is possible to connect an external IDE<br />
hard drive, with its own power source, to the<br />
hard drive connector at the rear of the<br />
machine. The only problem I found with this<br />
was that the Appendix concerning the external<br />
hard drive, which was supposed to detail the<br />
pin configurations, was missing.<br />
This should be resolved but if it is important<br />
to you then check with your supplier before<br />
should not be disappointed.<br />
Any Al200-compatible software should work fine on<br />
the CD32 fitted with the SX-1. I certainly could not find<br />
any problems on this front, despite constant attempts to<br />
catch it out. Even programs written in Amos worked fine.<br />
Amos is packed with hardware-hitting routines and short<br />
cuts - the fact that it worked on the CD32 would suggest<br />
that many other OS unfriendly programs should run_<br />
The AT-101 keyboard adapter was, I felt sure, bound<br />
to throw a few wobblies but it happily handled all that I<br />
threw at it. The inclusion of this option was an incredibly<br />
shrewd move and Paravision should be applauded for it.<br />
While the serial port <strong>Is</strong> not the standard Ammo<br />
0E125 connector, the 9-pm IBM AT WIMP<br />
connector is more dim<br />
adeepalle<br />
purchasing. The CD32's Aux port will<br />
an A4000 keyboard, or even an A2000<br />
with the correct adapter, but there is one<br />
snag - they are expensive.<br />
<strong>Amiga</strong> keyboards. unless picked up s<br />
hand, can cost as much as £90. The Ind<br />
of an IBM AT-101 keyboard adapter s<br />
prove a real godsend. because you can<br />
up a suitable keyboard for as little as E25.<br />
IBM AT-101 keyboards are not at all<br />
patible with the <strong>Amiga</strong>'s keyboard. but the<br />
1 has an inbuilt translator that makes the<br />
keyboard act like an <strong>Amiga</strong> one<br />
Not all PC keyboards are AT-101 compall<br />
ble. such as the XT keyboards. so you mil<br />
need to exercise a little caution when burl<br />
one.<br />
You may also tind that your AT-101 key<br />
board lacks a right ALT key. Should this Ix<br />
the case, there is a jumper setting on the S)0<br />
1 's motherboard that allows the right CTFI<br />
button to be used instead.<br />
As well as being able to mix both CD an<br />
<strong>Amiga</strong> audio. you will find that the SX-1<br />
allow you to mix a third audio stream, via th<br />
6-pin Mini-Din socket.<br />
If you are a closet Kareke nut then this lel<br />
ture may be of interest you. For those el<br />
want a bit more umph, you can remove It<br />
unit's cover and add a 2.5 inch IDE hard drii<br />
or some extra memory<br />
The IDE drive can be secured to the undf<br />
side of the circuit board and the cable<br />
attached to the standard 44-pin (2mm) co<br />
nector The single 72-pin SIMM socket<br />
accept either a 1, 2, 4 or 8 megabyte Slit<br />
module (rated at 800s or faster).<br />
Jumper settings allow you to configure t<br />
memory size accordingly but you will exp(<br />
ence certain limitations if you have an<br />
card fitted. Due to the nature of the WV a<br />
figuration you will only be able to use 1, 2 o
likko<br />
dyke<br />
than<br />
Lsate<br />
ccept<br />
) one<br />
slight<br />
icond<br />
usion<br />
-iou lel<br />
pick<br />
coma<br />
SX<br />
e PC<br />
1pati-<br />
_I will<br />
uying<br />
keyis<br />
be<br />
SX-<br />
:TRL<br />
, and<br />
I will<br />
a the<br />
teathat<br />
the<br />
drive<br />
le is<br />
con-<br />
: will<br />
IMM<br />
the<br />
pen-<br />
=MV<br />
conor<br />
4<br />
in<br />
01111105 fal7 Mill turn their (0175fi1P5 into a<br />
1<br />
fir5t<br />
.<br />
major NE add-on through a 11011017 tE511<br />
1<br />
megabyte SIMM's. Incidentally, if you do own<br />
1 an FMV module you will find that the SX-1 The addition of an FMU<br />
provides lull FMV passthrough, allowing<br />
- the FMVIMpeg board to be used with the card, a digitiaer or 5amoler,<br />
SX- 1 0<br />
which draw their rower from the<br />
Last but not least is the onboard real-time<br />
dock. 1 This is an <strong>Amiga</strong>Dos-compatible clock ME, could be a5king too much,<br />
which is powered by a long life CR2032<br />
replaceable 1 lithium battery. Something that cau5ing the machine to<br />
many Al200 do not possess.<br />
-<br />
crash<br />
So does all this turn your CO32 into a<br />
usable <strong>Amiga</strong> computer? Well effectively it<br />
does. e To prove this I spent hours down loading<br />
files from CD-ROM discs onto floppies.<br />
running o floppy-based software, printing off<br />
rim files, playing the odd game and parneting<br />
It up uto<br />
an A4000 in order to chuck files all<br />
over the place. l<br />
SUPPORT<br />
o I even hooked up a modem and used the<br />
CD32 o to log Onto a couple of boards. What<br />
you cannot do is add a faster processor. an<br />
FPU echip<br />
or a SCSI controller. Whether it is<br />
possible to provide support for these remains<br />
to be 1 seen, but no announcements have<br />
been made as yet.<br />
If I you are to experience any hardware<br />
compatibility problems with the SX-1 then<br />
you fwill<br />
probably find the cause to be power<br />
related. The CO32's power supply is a bit<br />
whimpy i in the amperage department.<br />
It works perfectly well with the CD32 but<br />
m may not like too many peripherals drawing<br />
from it. Much depends on how greedy your<br />
i hardware is, but you will find that you should<br />
be able to connect both a 2.5 inch. hard drive<br />
g<br />
a<br />
f<br />
i<br />
n<br />
d<br />
r<br />
e<br />
I<br />
Aleaekalen'a w SX<br />
-<br />
1 g<br />
e<br />
and an 3.5 inch external floppy drive (despite<br />
the instructions advising that you will only be<br />
able to use one or the other).<br />
The addition of an FMV card, a digitizer or<br />
sampler, which draw their power from the<br />
CD32, could be asking too much, causing the<br />
machine to crash.<br />
I actually connected art external floppy,<br />
along with the Vidi digitizer and the separate<br />
Vidi RGB splitter. Older Vidi models are notoriously<br />
greedy when it comes to power consumption<br />
(newer ones are much better) and<br />
this combination proved too much for the<br />
CD32's PSU<br />
Instructions are rather brief and do not<br />
contain any diagrams. While this may not be<br />
necessary for most of the features, diagrams<br />
do tend to break up the text making it more<br />
digestible.<br />
The placing of the RGB socket was also a<br />
little odd. I found that the adapter on my CBM<br />
1960's monitor lead sat tightly on top of the<br />
CD32's power plug. It did not prevent it from<br />
working but it was still slightly annoying.<br />
Actually the whole design was a little disappointing.<br />
A much neater solution would<br />
have been to have a unit that sal underneath<br />
the CD32, with one long row of connectors<br />
along the back d<br />
r<br />
i : o g 1<br />
4 I<br />
INJ i n d 0 1 1 e M l a , t i m a m v4<br />
1•4 k mamas<br />
V<br />
I<br />
-<br />
-<br />
"<br />
Running fl oppy-<br />
baud comes is<br />
ito probiern. This<br />
one was written<br />
in AMOS and<br />
proved that the<br />
CO32'SX-1 could<br />
handle hardware-<br />
hitting software<br />
AN manner of<br />
chipert and<br />
picture fl ies<br />
are there tot<br />
the taking<br />
invest in a few CD-ROM<br />
discs and you will have<br />
access to almost every<br />
possible piece of<br />
software that hes been<br />
released into the Public<br />
Domain<br />
If you own an<br />
44000 key'<br />
board you can<br />
plug it<br />
straight onto<br />
the CO2.<br />
AUX port.<br />
Failing this,<br />
the SX- I will<br />
take certain<br />
PC keyboards<br />
<strong>Amiga</strong> C omputing<br />
OCTOBER 1994<br />
HARDWARE<br />
Sysinte checks owl the perforrnance of<br />
the CO32 and SX-/ combination_ The<br />
addition of a Fast RAPA SIAM module<br />
increases performance considerably<br />
I. Ma We MI ilt•rn laik a no<br />
T i E2<br />
stm 1 1 E1<br />
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1FW. 1<br />
• • *<br />
<strong>Is</strong>m i i r Jn<br />
r I R V<br />
!nrw :<br />
a<br />
The bottom line<br />
Product: SX-1<br />
Supplier: Indi, Calculus<br />
and all good dealers<br />
Price: f 195.55<br />
Ease of use 9<br />
Implementation 7<br />
Value for money 9<br />
Overall 9
1<br />
1994 - 1194<br />
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CALLERS NELCOMIS
Mailing with fire<br />
ne of the biggest dilemmas for any<br />
animator is how to make their creations<br />
believable. in many cases the<br />
obvious solution is to incorporate a sequence<br />
of stills from the real-world as part of the overall<br />
animation.<br />
As a result, things like TV screens and windows<br />
can come to life with your favourite soap<br />
and scenery. Seemingly the perfect solution.<br />
However, what if you need a little more than a<br />
simple sequence mapped onto a flat plain.<br />
For example how do you add explosions to<br />
blazing ships or flickering flames to a candle -<br />
without spending thousands on expensive<br />
pyrotechnics and studio facilities.<br />
The answer. The pyromania CD-ROM from<br />
VCE inc. Thanks to this California outfit, the<br />
nightmare of making a believable big bang is<br />
finally over.<br />
Although many of the more advanced <strong>Amiga</strong><br />
animation systems attempt to emulate explosions<br />
and other pyrotechnics. they've never<br />
really been on a par with the real thing.<br />
As a result, thisnew CD-ROM will be a godsend<br />
for anyone looking for the kind of FX usually<br />
exclusive to big Hollywood productions.<br />
Over the last 16 years VCE, or Visual<br />
Concept Engineenng, has been a leading fight<br />
- pun intended - in the production of visual<br />
effects for films such as Return of the Jedi.<br />
Robocop, Beetlejuice, Addams Family and<br />
Cliffhanger.<br />
Fortunately they've now decided to lavish<br />
their wealth of experience on a new CD-ROM<br />
which boasts 1162 individual PICT files, all<br />
scanned from 35mm film stock at a resolution<br />
of 640 x 480 at 72 DPI.<br />
Not surprisingly, the aforementioned files are<br />
split into a variety of events including eight<br />
explosions, live fire wipes, five flame<br />
sequences and a single film burn sequence.<br />
Consequently. pretty much every pyrotechnic<br />
eventuality can be catered for by using individual<br />
sequences or compositing a series of<br />
events together. Now as the videographers will<br />
Fire wipe<br />
Although the vast majority of the CD is dedicated<br />
to explosions and other spectacular<br />
pyrotechnics, there's also a series of dedicated<br />
wipes that have been pre-processed<br />
using an alpha channel, thereby enabling<br />
the user to apply flaming transitions<br />
between static images.<br />
The end result is a wall or circle of flame<br />
which glides across the screen burning<br />
away the current image, leaving the<br />
replacement in its wake Without seeing the<br />
effect in action it's difficult to appreciate how<br />
impressive it actually is. But rest assured.<br />
even the most dramatic Scala transition<br />
looks weak in comparison<br />
Paul fill557 5E45 hi5 Ilmiga ablaee with the<br />
tliateupiq animator mu5t &me In their rfillPrtion<br />
tie well aware, 640 x 480 is a little short on lull<br />
video resolution. However, thanks to the excellent<br />
quality of the images, scaling up to full<br />
video size doesn't really present a problem.<br />
However, in the vast majority of cases the<br />
actual effect will only occupy a relatively small<br />
area on the screen. As a result, for many of the<br />
applications the files may in tact need scaling<br />
down - in order to accommodate system<br />
requirements.<br />
As you've probably guessed via the reference<br />
to the PICT file format, the actual CD is<br />
primarily aimed at the PC and Macintosh market.<br />
Thanks to the use of a standard IS09660<br />
CD format though, the files are equally at home<br />
on the <strong>Amiga</strong> as they are on the PC or Mac.<br />
I must admit there is one minor problem, this<br />
being the lack of an animated preview of the<br />
various sequences.<br />
COMPILING<br />
On both the Mac and PC. small anim previews<br />
are provided for each event. However, if<br />
you're willing to invest a little time compiling<br />
your own it isn<br />
- As you can see from the composite space<br />
t ship explosion, all the Pyromania images have<br />
exactly<br />
been shot on a black background to aid compo-<br />
a<br />
sition. It must be stressed that the images have<br />
not been pre-processed<br />
m a s<br />
In other words, the black areas of the screen<br />
s<br />
are<br />
i<br />
not<br />
v<br />
restricted<br />
e<br />
to colour zero. As a result it's<br />
p r o<br />
left up to the user to process the images to suit<br />
b<br />
their<br />
l<br />
particular<br />
e<br />
needs.<br />
m<br />
Basically,<br />
.<br />
some form of image processing<br />
is essential, with either ADPro or ImageFX<br />
being the obvious choice for both colour<br />
correct and composition of the effects into your<br />
animations.<br />
If you're serious about your animation the<br />
CD is an absolute must. To my knowledge<br />
there's no other product available that can<br />
match the explosive power of this impressive<br />
product.<br />
Be warned though. there's still a fair amount<br />
of work to do in your favourite image processor<br />
it you want the very best from the images on<br />
otter. A dream come true for serious animators.<br />
The bottom line<br />
Product: Pyromania<br />
Supplier: VCE inc<br />
Price: $199<br />
Tel: 0101 818 367 9187<br />
ai•<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
GRAPHICS<br />
fie
WE MUST BE MAD !!!<br />
AMAZING OFFERS<br />
ON 3.5" DSDD DISKS<br />
25X3.5" DSDD 135tpi DISKS E 8 . 9 5<br />
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OUR FUP TOP STORAGE BOXES ARE OF A HIGH QUALITY<br />
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THIS VERY POPULAR DRAWER STYLE BOX IS IDEAL FOR STACKING.<br />
BOXES CAN BE LINKED TOGETHER HORIZONTALLY AND VERTICALLY<br />
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EACH BOX HOLDS 90 DISKS AND COMES WITH KEYS AND DIVIDERS<br />
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E2.50<br />
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THIS MONTHS SPECIAL OFFERS<br />
SKIDMARKS<br />
MONKEY ISLAND 2<br />
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E17.95<br />
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200 CAPACITY r ) V I S I T OUR SHOP WHERE THESE AND MANY MORE<br />
DRAWER TYPE 41. 1 • ‘1.0 PRODUCTS ARE ON DISPLAY ALL AT LOW PRICES<br />
PLEASE ADD E3.50 FOR P&P<br />
(UK MAINLAND ONLY- OTHER DESTINATIONS WILL BE CHARGED AT COST)<br />
CHEQUES, P/O'S TO:-<br />
M I C R O M A N IADept AMP<br />
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WARLEY, WEST MIDLANDS B65 OJS<br />
TEL: 021 559 1002<br />
All oilers subtect to %satiability. All prices subject to chews without notice, E.& 0.1E<br />
VISA
ou're tired, hungry, weather beaten<br />
and ever so slightly lost. The<br />
tourist information office sits in a<br />
glow of warm sunlight as you make your<br />
way towards it. Entering, you are confronted<br />
by row upon row of pamphlets, maps<br />
and advertising booklets.<br />
A friendly smile beams at you from<br />
behind the counter and asks li<br />
lt you. cSeveral a n minutes h e llater, p you leave the<br />
premises with half a dozen maps, five hotel<br />
brochures and a clump of local attractions'<br />
pamphlets after grabbing blindly at the<br />
shelves. For some strange reason, you<br />
don't feel any the wiser.<br />
Imagine this in a foreign country and the<br />
already hassled individual turns in to a<br />
panic stricken holiday maker with two kids<br />
and wife waiting in the car, all on the mutinous<br />
verge of Sealinking it back home<br />
sharpish.<br />
In North Wales, the tourist board has<br />
decided to take an important step closer to<br />
customer satisfaction by introducing the<br />
country's first multimedia, computer-based<br />
information bureau to help visitors with<br />
accommodation, attractions and many other<br />
slices of the locale's culture.<br />
ATTRACTIONS<br />
With the simple press of a button to highlight<br />
the area you wish to explore, the visitor<br />
and locals alike are able to obtain an<br />
overview of a particular region's attractions<br />
at the lime. Photographs and the soon-tobe<br />
installed full-motion video aid the holidaymaker<br />
in choosing what they will do with<br />
their well-earned vacation.<br />
The idea was thought up by Peter<br />
Simunovic, a Croatian who moved to Britain<br />
eight years ago. While working for the<br />
Clwyd County Council, Peter was already<br />
heavily involved with <strong>Commodore</strong> machines<br />
having owned a Vic-20, C64 and 500.<br />
He saw the opportunity to use the <strong>Amiga</strong><br />
as the perfect platform for the continually<br />
updated delivery of valuable information for<br />
tourists. "I would like to see <strong>Commodore</strong><br />
growing out of the game situation and getting<br />
more Into corporate affairs because the<br />
Touch the<br />
colour.coded<br />
buttons to<br />
operate the<br />
system<br />
Grass,<br />
Please ga ve l butter<br />
IMO Opening limes<br />
Ldnilssien r<br />
1 C ha rge s<br />
5hPPO<br />
le ta lion -<br />
Photographs<br />
and details on<br />
attractions a nd<br />
-<br />
are on otter with<br />
-<br />
and multimedia<br />
li• o t hthe e r press features of a<br />
button<br />
-<br />
.<br />
1<br />
machine has so much potential. Businesses<br />
don't know about the <strong>Amiga</strong> - they have<br />
been surprised by what the machine can<br />
do."<br />
After putting together a proposal, he<br />
managed to convince the County Council to<br />
give a development grant. The demonstrations<br />
began and, after impressing the<br />
Welsh Office, Peter says that he -<br />
got decision aalmost<br />
instantly,'<br />
The impressed investors awarded a full<br />
grant of C15,000 for the project lobe developed<br />
and installed in the Denbigh library<br />
In stepped Ramiga International, headed<br />
by managing director Bill Owen. to help<br />
bring the brainchild to life. By using an<br />
<strong>Amiga</strong> 40001040 combined with the<br />
Personal Paint Animator that captures individual<br />
frames in real time, the Piccolo 24-bit<br />
display board, an Mocig board for handling<br />
There are big plans for the future. Ramiga and Peter Simunovic are<br />
planning a visit to Orlando in America to talk to a chain of hotels<br />
about the possible inclusion of the system in their complexes,<br />
The technology would remain the same: "The concept is the<br />
same from tourism to large hospitals or creating an information<br />
system for business. Everything is the same. only the data<br />
changes," commented Simunovic.<br />
Ultimately, Peter has high hopes for <strong>Commodore</strong>'s machines.<br />
"We want to install a CO32 in every hotel room and can deliver an<br />
entertainment box in one.<br />
"On holiday, your home is your bedroom and you have a single<br />
machine that plays music, video, games and information. There is<br />
still a long way to go though."<br />
And that's another article too...<br />
,<br />
,<br />
,<br />
-<br />
-<br />
-<br />
-<br />
-<br />
'<br />
rillGRAPHICS<br />
5kk of thase holiday blueg let the fimiga<br />
take gm NI the hand. &am Phillip5 lefillit5.<br />
From left to right -<br />
Bill Owen,<br />
Peter Sima novic<br />
and <strong>Commodore</strong> 's<br />
marketing<br />
manager,<br />
Jonathan<br />
Anderson<br />
[oohing<br />
Forward<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
full motion video, SCSI2 board and a<br />
Philips compact disc cutter for creating custom<br />
CDs, the basic tools for creating the<br />
interactive tourist guide were in place,<br />
While some of the above features were<br />
not implemented at the official unveiling at<br />
Denbigh library, the results of Ramiga's<br />
labour are attractive and easy to use.<br />
Implementing a Scala-based system and<br />
a hard drive with over 62 megs of information,<br />
the user simply has to press the<br />
colour-coded buttons to the side of the<br />
screen to choose their desired topic.<br />
TOPICS<br />
The lull rundown includes attractions,<br />
eating out, events, general into and highly<br />
useful emergency numbers. By pressing on<br />
"places to stay", you'll be prompted to<br />
select what board rating you can afford and,<br />
once done, be presented with a series of<br />
hotels in your price bracket.<br />
Choose one and, along with information<br />
on location, fees and other details, the<br />
actual rooms, reception and other areas<br />
may be viewed with accompanying text.<br />
At present, only two of North Wales' eight<br />
counties have been entered - Clwyd and<br />
Gwynedd - but the intention is to have a<br />
fully comprehensive breakdown of the<br />
entire country.<br />
While the system is 4000-based at the<br />
moment, the aim is to produce seven terminals<br />
connected to each other via modems<br />
for ease of updates.<br />
Instead of the 4000, CD32's at each point<br />
using the CO32x expansion unit from Index<br />
Information - the company responsible for<br />
the recent London Transport Museum's<br />
facelift - and a hard drive will run the whole<br />
system<br />
Coupled with FMV, the Wales Tourist<br />
Board can hopefully look forward to a<br />
rewarding pilot run.
UTILITIES<br />
MI tell reel<br />
Mer /;s<br />
r,<br />
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1<br />
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dab In<br />
an<br />
•••••••<br />
•10<br />
*N.. Mb<br />
he trouble with ARexx and the<br />
majority of programs which support<br />
it is that hardly anyone can be<br />
bothered to learn enough ARexx to write<br />
their own scripts and macros.<br />
Sorry, but there it is. ARexx is about as<br />
interesting as a bus timetable and the programmers,<br />
thinking they had provided an<br />
easy enough language for the average<br />
user, were forced to go away and make it<br />
even easier.<br />
Since ADPro was blessed with the<br />
superb ProControl and ProPage got its<br />
Genies, ARexx macros have gradually<br />
become more common, but there has never<br />
been an all-round macro control centre.<br />
Batch Factory hopes to be the answer by<br />
supporting as many of the best applications<br />
as possible.<br />
In a package containing 304 scripts covering<br />
11 applications, the macro-starved<br />
user will find an ARexx elastoplast for many<br />
common or garden ailments.<br />
SCRIPTS<br />
ADPro users can choose from 68 scripts.<br />
most of which can be used on single or<br />
multiple files, ProPage users can add to<br />
their already long list of Genies, and even<br />
good old <strong>Amiga</strong>DOS gets ten scripts ,of its<br />
own.<br />
When loaded, Batch Factory has the<br />
appearance of a directory manager. Two<br />
large windows are used to display the current<br />
directory and the files selected for processing.<br />
and only a single row of buttons<br />
breaks up what is an otherwise uninspiring<br />
screen,<br />
Minimalism is carried over to the menus,<br />
which offer only a few options and can<br />
leave you wondering where the meat and<br />
veg is located.<br />
Choose to select a script. however, and<br />
the poor impression quickly changes- A file<br />
requester, slower than the average snail but<br />
still usable, offers access to an Aladdin's<br />
cave of macros of all shapes and sizes.<br />
The most obvious use tor a program<br />
such as this is for work with ADPro, so<br />
that's where I started.<br />
The 68 scripts dedicated to ADPro cover<br />
80<br />
- - SITVINF Her le' 1 W<br />
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adi5tage<br />
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abaut euergthing 111 sight with the<br />
latest helping hand gatth Fattorq<br />
Support<br />
Below is a list of the packages supported by Batch Factory and<br />
the number of scripts supplied for each. If PageStream 3.0 is<br />
notable by its absence, don't worry.<br />
Batch Factory will support it through an update as soon as<br />
the DTP heavyweight appears. As PS3 has already enjoyed the<br />
gestation period of an elephant, we can only hope it pops out of<br />
SoftLogik's incubators soon.<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
Creating loops<br />
is • snip with<br />
the dedicated<br />
loop Inittea<br />
*knees( fi le<br />
requester,<br />
maybe. but<br />
there are plenty<br />
A0Pro<br />
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the usual sort of tasks, such as rendering<br />
animations from a sequence of images.<br />
plus a variety of common image processing<br />
tasks.<br />
Unlike ProControl, ADPro's dedicated<br />
batch front-end. Batch Factory cannot create<br />
a script as you go along by choosing<br />
loaders. operators, and savers, but the<br />
ADP 6 8 scripts<br />
Ami gamDOS, 1 0 scripts<br />
Image FX 8 2 scripts<br />
Cygnus Ed 2 scripts<br />
Final Writer 4 scripts<br />
Image Master RT 7 5 scripts<br />
Morph Plus 6 scripts<br />
Opal Paint 3 6 scripts<br />
P.A.R 1 5 scripts<br />
ProPage 6 scripts<br />
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program has a multiple script facility so ther<br />
images can be put through sever*<br />
processes one after the other, which is<br />
almost as good<br />
Covering all the most popular operators<br />
such as twirl, rotate, scale, and so on, the<br />
macro list is comprehensive enough to<br />
meet most requirements. though it still cant!<br />
touch ProControl or Muliframe as an<br />
ADPro add-on,<br />
The bad news is that it you take a look at<br />
the support panel you'll notice that some<br />
applications are decidedly better served<br />
than others,<br />
Batch Factory's macros are heavily<br />
biased towards the image processors and<br />
Opal Paint, and while these packages are<br />
treated to dozens of useful scripts, the others<br />
can look a little sad, particularly Final<br />
Writer with its paltry lour and Cygnus Ed<br />
(CED) with only two.<br />
MACROS<br />
Of course, macros can be written and<br />
stored in Batch Factory's directory for use<br />
with any ARexx-compatible package, but in<br />
this case the only added attraction of Batch<br />
Factory is that it can process several<br />
scripts in sequence.<br />
The asking price of $59_95 is therefore a<br />
little less justifiable it you don't use one of<br />
the packages on which Batch Factory lavishes<br />
most of its attention.<br />
Again, if the thought of writing your<br />
own macros prompts you to wash your<br />
socks or fix that wobbly table leg<br />
you've been meaning to gel around to for<br />
the last year or so. take a very close look at<br />
just how many macros you get for your
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There are few ARexx front-end utilities on the market, a fact which lends Batch<br />
Facton/ much of its appeal. but those that do exist are much better, if more specialised.<br />
%Control. for example, is dedicated to ADPro batch processing and does the<br />
iob beautifully. Its simple and elegant inledace is much more attractive than Balch<br />
Factory's. and ProControl has the invaluable advantage of building scripts from<br />
scratch using point and click input from the user,<br />
In a straight light for the ADPro market, Batch Factory would go down in the first.<br />
stagger on through the second. and take a ten count in the third at the latest.<br />
Multiframe is a slightly different proposition in that it can be used to preview the<br />
effects of a script, a huge aid when rendering something like a 24-bit ripple pattern.<br />
As a batch processor it's fine, but many users will want something simpler for<br />
straightforward jobs. Unfortunately for Batch Factory, ProControl will scoop up most<br />
of These people in a trice.<br />
her<br />
mullah. In use, Batch Factory is very easy<br />
to use, and the manual is only really<br />
needed when the program <strong>Is</strong> first installed.<br />
So long as ARexx is running<br />
(the RexxMast program is usually run<br />
from Workbench's startup-sequence),<br />
Batch Factory will launch the required<br />
program, be it Image FX or ProPage,<br />
and carry out its assigned task without<br />
fuss.<br />
MASTERING<br />
Some tasks will require user input in the<br />
form of a new filename or a specified saved<br />
files directory, but all the tricky stuff drifts by<br />
while you make a cup of tea and give your<br />
latest issue of <strong>Amiga</strong> <strong>Computing</strong> the thorough<br />
reading it deserves. As with other<br />
for .•,<br />
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Mutiframe, you can master this program<br />
armed only with a working knowledge of the<br />
mouse.<br />
Besides the scripting functions, Batch<br />
Factory has a couple of very useful extra<br />
buttons, namely the reverse and loop buttons.<br />
Once the program knows the first and<br />
last files in the list to be reversed, the<br />
reverse feature inverts the order of the<br />
images and adds them to the list for<br />
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Alien is the <strong>Amiga</strong>'s script-based language for communication between different programs<br />
and has been supplied as standard since Workbench 2.0 was released.<br />
An ARexx script is written as a text file in an editor such as ED or a word processor, then<br />
saved to disk for use by any program which supports the standard (most do nowadays).<br />
When a script is executed It runs in the background and can be used to do just about anything.<br />
so long as the application it is aiding has enough of its own ARexx functions built in.<br />
ADPro and ProPage are good examples of programs which can be completely controlled from<br />
ARexx.<br />
The script sends and receives commands from its parent program and can loop over and<br />
over again to carry out mundane tasks. such as renaming all the files in a particular directory<br />
or creating an animation from hundreds of single images.<br />
Batch Factory has over 300 scripts (or macros) and can run any that the user creates, thus<br />
taking the drudgery out of many tasks.<br />
Polullitramo: groat<br />
program, but a bit<br />
OTT just Mr batch<br />
procassing<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
I I<br />
W<br />
o<br />
r<br />
k<br />
b<br />
e<br />
n<br />
c<br />
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processing. This can be very handy when<br />
creating large animations and saves<br />
rendering the same sequence twice<br />
just to get, say, a morph to reverse its<br />
course.<br />
Loop is a simple button which<br />
again prompts for a first and last file before<br />
taking the selected files and adding them<br />
(in their original order) to the end of the file<br />
list.<br />
DPaint users will probably be thinking "so<br />
what?", but though looping and ping-pongwig<br />
are easy with 32-colour DPaint anims,<br />
irs not so easy with 24-bit images and not<br />
as widely supported in higher level<br />
packages.<br />
APPEAL<br />
These final two features give Batch<br />
Factory more appeal, but overall the package<br />
will only sell to those who use the packages<br />
it supports most or to those who<br />
aready program in ARexx.<br />
Without the facility to build new scripts<br />
from within the program, Batch Factory falls<br />
down in the novice stakes and robs itself of<br />
a much larger audience.<br />
l_<br />
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UTILITIES<br />
R ED _ Lsse nt, a l BLAC K . Hocommendod<br />
Hard drive<br />
5 Mb<br />
RAM<br />
The bottom line<br />
Product: Batch Factory<br />
Price: $59,95<br />
Supplier: Visual Inspirations<br />
Tel: (0101)813 6410 (voice or fax)<br />
Ease of use 8<br />
Implementation-- 6<br />
Value for money 6<br />
Overall 7<br />
8
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Through the 5ouare<br />
wind<br />
Paul &prod tarkles the Mitt stage of his eliamole<br />
utility by addOg some window opening (ode...<br />
the modern way (Release 2<br />
0 his onwards) month and we are in order opening for things windows to<br />
make sense, some system routine changes<br />
need to be discussed,<br />
In order to create the enhancements<br />
which came with Release 2, many established<br />
system procedures, like window<br />
opening, required extra data items to be<br />
specified.<br />
The new <strong>Commodore</strong> approach to this is<br />
based on the use of arrays that contain<br />
pairs of items consisting of an identifying<br />
label and a corresponding 'rear parameter<br />
value.<br />
Since these lists provide a way of tagging<br />
additional parameters Onto existing 0/S<br />
structures, they have been called tag lists<br />
and are based on system structures known<br />
as Tagitems.<br />
If you look in the Utility/lagiteml header<br />
you'll find that these entities are actually<br />
defined as above:<br />
16n1S<br />
—<br />
ragra<br />
ting<br />
M a s<br />
e n b<br />
i l i<br />
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W<br />
—<br />
r i l<br />
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loop<br />
te te e e mn<br />
Stitittalt<br />
III DN I<br />
RANA<br />
LABEL<br />
The STRUCTURE, ULONG and LABEL<br />
Items are some general system macros<br />
designed to allow the assembly language<br />
included to be written using C style<br />
structures.<br />
You don't need to know how they work,<br />
just remember that each tag item consists of<br />
a pair of long word values - the fast long<br />
word provides a 32-bit idenfity, the second a<br />
corresponding 32-bit parameter value<br />
Tag identity values are, in the main, context<br />
specific and in the intuiliorti header file<br />
for example you'll fi nd defi nitions of a great<br />
many Intuition-related tag identities.<br />
WA_Left, WA_Top, MA_Width and<br />
WA Height for instance are used to speedy<br />
window position and size information.<br />
A number of general tag item values have<br />
move T g r r o U :<br />
neoel •I • 1, 1 i t t ' . I an y a version m yg i loiin o or<br />
nove.t CO dbeo LLSYS 3 lenLibrary_ebsEmeclilase<br />
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,<br />
1 4 III : libraries are Open and available<br />
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ra.. cgasedown e n d ...cute routine If it oul<br />
OK, •o an intuition win-<br />
dow like this may not<br />
look like much, but In<br />
producing it we've cov-<br />
ered a lot of important<br />
groundwork!<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
-OCTOBER<br />
1994<br />
• TAG_IGNORE<br />
• TAG SKIP<br />
• TAG END<br />
TUTORIAL<br />
II<br />
-<br />
also been defined and can be found, along<br />
wiIh the Tagltem structure itself, in the uhlity/tagitern_i<br />
system include file. Here are<br />
some example entries:<br />
Indicates that the associated<br />
data item should<br />
be ignored.<br />
Skip this and the next<br />
ti..Data Tagitems.<br />
Signals the end of an<br />
array (the ti_Data field<br />
is unused).<br />
You'll see how tag list data is defined and<br />
used as we sketch out this month's code,<br />
but before that I need to explain exactly<br />
what we shall be doing.<br />
Last month I dealt with the code which.<br />
among other things. opened the Intuition<br />
library Now you might think that once this<br />
library has been opened we would simply<br />
have to use a suitable library function to<br />
open a window in the Workbench screen.<br />
Sorry, no such luck!<br />
To prevent a user or application from<br />
closing the Workbench before we can open<br />
a window, a locking routine' must be used<br />
to force the Workbench screen to remain<br />
open,<br />
An 'unlocking' function is also available<br />
and the idea is that we sandwich the window<br />
opening code somewhere between the locking<br />
and unlocking code.<br />
The locking/unlocking routines. called<br />
LockPubScreen() and UnlockPubScreen(),<br />
can be used on any public screens and are<br />
handled just like any other library functions.<br />
The required parameters are set up. the
11<br />
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library base is placed in register a6, and the<br />
appropriate indirect sub-routine call is made.<br />
On return, the results (if any) are checked to<br />
see that they are valid.<br />
One way of locking the Workbench<br />
screen is to set up a static name definition<br />
using a dc.b directive, along with a variable<br />
to store the returned Workbench pointer.<br />
For example:<br />
vorkbefich_noot d c . 4 lorkbe tcb<br />
. worebench_p<br />
,11VAL<br />
d s . l<br />
and then use this type of bare bones<br />
library call arrangement:<br />
LockScreen Lee lorkbe e ch_ a le e , e 0<br />
pointer to screen name<br />
CALMS<br />
LociPaScreen,_Intuitiowlese<br />
mowed dOolorkbe nce j<br />
returned painter<br />
rts<br />
The basic code for unlocking the screen is<br />
even simpler<br />
OnteScreen •owee.w OVI I I I , 0 0 scre e n neee nOt:<br />
needed<br />
wovel.1 vorkbe nce _ p, e i<br />
outfit to We e k<br />
CALM Ontoce PubScre te ,<br />
Intuitionnese<br />
ris<br />
We need to tell Intuition which screen we<br />
want our window to open in and this. along<br />
Error handling and program (lowdown<br />
with various other parameters, is something<br />
that we specify in a tag list.<br />
For clarity, the standard <strong>Commodore</strong> tag<br />
identity names should also be used, but to<br />
avoid requiring the use of the official<br />
include files I'll be setting up these items<br />
within the source code itself.<br />
The following EQUates do just that and<br />
produce results identical to those found in<br />
the offi cial intuilion/intuition.i and<br />
uhlity/tagiterni include files:<br />
116_004E IOU<br />
VA_BASE EOU<br />
VA_Left EQU<br />
VA_Top EQU<br />
MA_Widti<br />
NA_MeighlEAU<br />
VA_Titie<br />
Pubicreen<br />
illkAre gba r<br />
At the moment we've got just four addlial operations to Worm. Screen<br />
'locking and unlocking, and window opening and closing. There will be many<br />
, more in the final program and, as with library opening, many of these operalions<br />
may conceivably fail_<br />
Iplified<br />
version of something which, in my C programs, I call 'dynamic<br />
Fresource<br />
allocation'.<br />
o The idea is to code all allocation and opening operations as separate sub-<br />
r routines that try to carry out their intended job and then either fail and return<br />
t<br />
an error code, or succeed and push the address of a corresponding de-allocation<br />
routine onto a function pointer stack.<br />
h<br />
Under normal anon-error) termination conditions, program closedown<br />
i<br />
occurs by reading any existing pointers from the function pointer stack and<br />
s<br />
executing the corresponding de-allocation routines.<br />
e<br />
If during any of the allocation attempts an error occurs, the same stack<br />
x<br />
emptying routine gets called,but only those pointers that have been placed<br />
a'<br />
onto the slack prior to the occurrence of the error will be retrieved and<br />
mexecuted<br />
p Hence, one de-allocation loop handles both error and non-error condition<br />
l closedown perfectly safely.<br />
e This may seem like an unnecessary complicated way of doing things but<br />
pit's<br />
not been used to make things difficult for you Far from it, because this<br />
r technique makes systematic program closedown a piece of cake - just look<br />
ohow<br />
easy the de<br />
g-<br />
r allocation<br />
closedomil<br />
al<br />
o o beq.s p<br />
ia5)4,d0 re trie ie function pointe r<br />
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love.1<br />
jar<br />
!arcs<br />
d0,10<br />
closedown<br />
and e we * ?Wine if it Wits<br />
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<strong>Amiga</strong> <strong>Computing</strong><br />
i<br />
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OCTOBER 1994<br />
$8000M63<br />
idajin(401<br />
wAySt402<br />
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WA_Lelt, WA_Top, WA_Width,<br />
WA_Height and WA_Title are used to provide<br />
details of the size and title of the window<br />
(provided in the corresponding data<br />
fields).<br />
WA_DragBar, as the name suggests,<br />
asks Intuition to place a drag bar on the<br />
window if the data item field is set to<br />
TRUE and WA PubScreen is used to<br />
supply the address of the screen being<br />
used.<br />
Most tag identities and values can be<br />
set up as static definitions consisting of<br />
identity+value pairs, so for the most part<br />
we can decide what values are needed<br />
before assembling the program!<br />
The data part of the WA_PubS<br />
however, a pointer to the public<br />
cannot be set up in this way since<br />
value comes back at run time from<br />
LockPubScreen() function. Because<br />
this you'll see that I've given tow<br />
WA_PubScreen data field a separalte<br />
label.<br />
The WorkBench address has to<br />
stored anyway (it's needed in order<br />
release the public screen lock) so rye<br />
chosen to store it directly in the tag WI<br />
data.<br />
Once the screen is locked a window<br />
can be opened and in this month's code<br />
am creating a 640x200 pixel window wilt<br />
a drag bar which opens at the top left<br />
screen location of (0.0).<br />
Here are the lag list storage definitions<br />
being used:<br />
taps dc.i M A_ PubScre e n<br />
woribenct_p d s . l I<br />
dc.l be _ Le ft, 0<br />
dc.0. VA_ Top, 0<br />
ft.!. WA_ Oi4 t h , 6<br />
0fled<br />
we je ight, 2 0 0<br />
4dc.t<br />
VA_ Ore se e r, TR U E<br />
ds.1 OA_ Tit io , o lo d o o _ n o o t<br />
dc.I TAGJONEAULL<br />
Prior to the OpenWidowTagList() call,<br />
register at will be loaded with the start<br />
of the tag list using code which in its<br />
simplest form looks something like<br />
this:<br />
opeallintiov L o e w e fAULL,a0<br />
tee<br />
tagsol<br />
stort o f t o o L ist<br />
CALLSYS<br />
OpeneindomIebAist,_Intuftionliese<br />
We pull the function pointer off the stack and providing that it is non-zero,<br />
execute the function. Just five instructions are needed, so the 680x0 chip is<br />
pretty good for these type of operations - do note though that a data<br />
register (rve arbitranly chosen dO) has to be used within the loop because<br />
you cannot use the 680x0's move instruction to load an address register<br />
directly.<br />
You'll notice in the source code on disk that I've set up a null address right<br />
at the top of the function pointer stack - this is specifically to allow this zero<br />
address test to be used to indicate when all items have been removed and<br />
used.<br />
There is another important benefit with this stack-based approach as well.<br />
The de-allocation/closedown routines automatically get executed in the<br />
reverse order to that used in the initial allocation/opening stages of the<br />
program.<br />
This provides a nice safe way of de-allocating things and avoids having to<br />
use loads of 'spaghetti code' jumps and branches to provide error pathways<br />
when operations fail.<br />
Listing 1 shows the code arrangements for the lockinglunlocking routines<br />
and listing 2 shows the window routines. (Note: these lisings referred to are<br />
on the Cover Disk along with the extended version of the code.) Notice incidentally<br />
that I'm using an error label that starts with a period in both sets of<br />
routines.<br />
This is Devpac's way of signifying a local label (a label that gets tagged<br />
onto the last used normal label to allow effective re-use ol commonly used<br />
labels like loop, error and so on),<br />
I've also changed a couple of loop names from last month's code to provide<br />
other local label illustrations. Note however, that with some<br />
other assemblers you may need to remove the penods and add a terminal $<br />
sign to the labels to get the same effect (if in doubt, check your assembler<br />
manual).<br />
1
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115 Summer has drifted to its (011(IU5IO17 and -<br />
flutumn's deep hues are Mil UTWI7 115, -<br />
James JON151111 flOPS suumaing far quaky PO<br />
heck out the latest and greatest<br />
from the world of PD. Whether<br />
you need the latest utility or want<br />
to indulge in the delights of demos, from<br />
Bork to Grand Prix Racing. the Public<br />
Domain has a lot to offer__<br />
H05 2.0<br />
Programmed by: Ben Sutter<br />
Available from Your Choice PD<br />
There's a fair chance you'll have seen an<br />
RDS somewhere before. A Random Dot<br />
Stereogram is a strange type of picture that<br />
<strong>Is</strong> supposed to appear as 3D when viewed in<br />
the correct way,<br />
Well now there's a program for your<br />
<strong>Amiga</strong> that allows you to create your own,<br />
and also a text file which explains exactly<br />
how they work_<br />
If you, like many others, have come<br />
across these strange pictures before, you'll<br />
either be able to see them or you won't. If<br />
you can't then I'm sure you'll agree they can<br />
become extremely frustrating and soon you'll<br />
convince yourself Mal they don't exist.<br />
Maybe you should get hold of this offering<br />
and lock yourself in your room until you can.<br />
Believe me, it can take a while, but it's definitely<br />
worth it.<br />
This program allows you take any normal<br />
IFF picture (like the ones created in Deluxe<br />
Paint) and transform it into one of these<br />
magical wonders. The good news is that it<br />
works, and it works quite welt<br />
However, ADS is quite fussy in that it only<br />
works with some pictures. Generally I found<br />
Racing Maniacs is the<br />
name, Ra cing<br />
Maniacs is tho game,<br />
High speed driving<br />
with a differ<br />
-<br />
one<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
-<br />
OCTOBER le 1994<br />
Can you see a 30 Image?<br />
that black and white or greyscales produced<br />
the best stereograms, so don't go feeding in<br />
some hi-res AGA still as it simply will not<br />
work. The is the only obvious drawback to<br />
the software itself. which otherwise does a<br />
good job.<br />
The program is menu driven, simple to<br />
use, and you should have no problems getting<br />
it running. In five minutes you can create<br />
your own 30 masterpieces and save them as<br />
standard picture files If you own a printer<br />
then there's no stopping you. Great fun,<br />
Racing Mania3<br />
Programmed by: Paul Gaze<br />
Contact: Paul Gaze<br />
Racing Maniacs is a fast game. It's even<br />
faster on an Al200. In fact, it's so fast you'll<br />
probably have difficulty playing it at first.<br />
Racing Maniacs is (as you've probably<br />
guessed from the title) a racing game in the<br />
style of Formula One Grand Prix, and is quite<br />
enjoyable.<br />
Two versions of the game are included on<br />
the disk: one for AGA machines and another<br />
for the opposite. Obviously it's enhanced for<br />
the Al 200 and runs like a dream.<br />
The graphics are in a 3D style and certainly<br />
nothing to boast about - basic green,<br />
grey and blue polygons that represent the<br />
"11111111.1 1 1<br />
I I I I I I 11 I I I I I I I I I I I I I I it r<br />
4<br />
Big timeRA<br />
Programmed by: Axis<br />
Available from: Freestyle PD<br />
There's a lot of AGA demos float.around al the moment, and hero s<br />
another to add to the collection This are<br />
is spread over two disks and features<br />
some impressive graphics and effects<br />
including the usual plasma clouds. hi-res<br />
stills_ and also some original effects -<br />
some of which are quite excellent.<br />
The demo opens with an impressrve<br />
display of a mountain range, and uses<br />
some careful animation and pixelisaficet<br />
to add to the atmosphere.<br />
One thing I realised after watching tin<br />
particular demo was the lack of any tone<br />
of spinning objects that normally full<br />
the demo world, and this in itself is<br />
promising.<br />
Big Time AGA definitely makes full use<br />
of the AGA chipset, with 256 colour<br />
pictures and backdrops of a stunning<br />
quality.<br />
There's also a thumping tune by Bork<br />
pumping away in the background which<br />
lasts throughout the demo and is surprisingly<br />
clear.<br />
obvious. The playability on the other hand<br />
where this game wins hands down.<br />
There are a few different options of<br />
gameplay such as head•to-head, tournament<br />
and different tracks to choose from<br />
but essentially the style of play is the same<br />
You control a car and race around venous<br />
tracks against your opponent. with all<br />
the usual features of damage, bonuses and<br />
- as an added feature - weapons to attack<br />
your opponents vehicle with during the race<br />
You are supplied with four mines for each<br />
track, the purpose being to destroy your<br />
opponent and claim victory. This adds a little<br />
more excitement to the game, especially<br />
when racing against your friends.<br />
The best way to describe Racing<br />
-41<br />
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ing<br />
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OM EN M U M<br />
* ume oca ame<br />
IIED eRL<br />
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our<br />
Punters2 Serious money. Welt.<br />
lii-<br />
maybe not, but still a 900d 'MAO<br />
lily<br />
,<br />
Maniacs would be to look no further than the<br />
n title itself, which summarises the game<br />
perfectly.<br />
While Racing Maniacs cannot compete<br />
with the likes of F1G1<br />
3due<br />
to lacking in that essential "I want more"<br />
. factor, a nit d is still ia good s laugh and offers some<br />
fexciting a i features. r t y Check it out.<br />
l i m i t e<br />
d Punter5<br />
Programmed by: G Smith and R Horn<br />
Available from: Sanity Soft<br />
Anyone for a bit of gambling? Supplied on<br />
an enormous four disks, Punters is a collection<br />
of various gambling-related games just<br />
perfect lo entertain yourself with on a rainy<br />
day.<br />
There are five different games in total and<br />
UP to lour people can take part at any one<br />
A<br />
time. There's also provision for single play-<br />
1ers, although it's not nearly as much fun.<br />
Choose from a quick bash at the fruit<br />
• machine, a day at the races, a round of<br />
Yahtzee. Othello or maybe just a game of<br />
Blackjack. Whichever you choose. there are<br />
ART of thy<br />
MONTH, 1<br />
1<br />
tons of options and features to keep you<br />
going.<br />
Although not exactly stunning in the<br />
graphics or sound department, most of the<br />
games are of an average quality and offer<br />
similar features to their real-life counterparts.<br />
Nothing special however.<br />
The only major drawback I can see is the<br />
disk swapping. The entire compilation is<br />
provided on tour disks but linked together<br />
into one main system, whereby you choose<br />
and then insert the required disk.<br />
This can become a bit tiresome, although<br />
it is possible to install the game on hard disk<br />
which is a relief for some. Maybe it would<br />
have been a better idea to supply the<br />
games on separate disks (after all, they are<br />
essentially separate games) to avoid<br />
r • 01en5 - Snefial 511de5<br />
Available from: Kevin Howell<br />
As tar as slide shows go. there are good ones and<br />
there are bad ones. This collection of shots from the<br />
film -<br />
Ali the latter category.<br />
ens Provided on two disks, the first major drawback to<br />
- become apparent is the requirement of an external disk<br />
S<br />
drive in order for it to run correctly. This prevents anyone<br />
without an external from viewing the slides and<br />
p e<br />
could easily have been avoided with a simple disk<br />
c i<br />
swap.<br />
a<br />
Don't<br />
l<br />
worry though, as you're not missing much. A<br />
Ebunch<br />
of poorly digitised, dark and gloomy pictures<br />
dfrom<br />
the film, these might just appeal to the greatest<br />
iFans<br />
of the -<br />
tAlien"<br />
To add to the insult, the soundtrack is nothing spe-<br />
ificial<br />
and l mso s this hardly grips the viewer with any particu-<br />
o.<br />
lar interest.<br />
n<br />
There are hundreds of slide shows for the <strong>Amiga</strong>,<br />
some offering excellent graphics. thumping sound'<br />
"<br />
u<br />
n<br />
f<br />
o<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
P D and S H A R E W A R E<br />
(ailing all PO librarie5....<br />
and individuals with anything remotely<br />
worth my while having a peek at. It you<br />
want something released as PD. or<br />
you're a library with stacks of hot new<br />
stuff that you haven't seen reviewed yet,<br />
why not drop me a line with a copy, full<br />
documentation and everything clearly<br />
labelled? I promise I'll at least look at<br />
your work.<br />
Tina Hackett. PD Submissions.<br />
<strong>Amiga</strong> <strong>Computing</strong>, Europa<br />
House, Adiongton Park,<br />
Macclesfield. Sk10 4NP.<br />
booting through the menu system and<br />
tedious disk swapping.<br />
If you're a particular fan of this sort of<br />
entertainment, then Punters is for you. It's<br />
nothing special but does offer a good selection<br />
of quality games to keep you occupied<br />
even on the dullest of days.<br />
OiskManager<br />
Programmed by: Andrew Woods<br />
Available from KEW=Il Software<br />
Disk No U1100<br />
As the title suggests. DiskManager is a disk<br />
cataloguing program that allows you to<br />
obtain and store information about the<br />
MOM Imed<br />
!ir k r ! IS<br />
— 111WOW t oTed. r WWII M<br />
-—Retbedom<br />
Wow*<br />
i r<br />
dot<br />
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Mit<br />
tt=44<br />
—10211-1<br />
Starr data about your disk collection<br />
wlth sta ta rde ga r.<br />
Sogourney W ifeentares in this<br />
rather poor quality sdide show.<br />
tracks and greater compatibility Many of them are just<br />
one disk in size, and heal this particular offering hands<br />
own<br />
Do yourself a favour and order two slide shows of a<br />
higher standard for ihe same price.
Po and SHAREWARE<br />
simple aspects of your floppy disks.<br />
Basically, you insert the disk you wish to use<br />
and then select the option you require from a<br />
menu.<br />
You can use DiskManager to build up<br />
your own database of all your floppy disks,<br />
holding information such as the files con•<br />
tamed, the file system. space left, bad sectors<br />
and much more<br />
Simply by scanning the required disk,<br />
DishManager will display all the necessary<br />
information and store it where you like.<br />
Also included are some of the basic DOS<br />
commands related to files, such as delete.<br />
rename, etc. This is extremely useful for file<br />
management and although not giving as<br />
much control over your disks than, for<br />
example, Directory Opus or Sid v2. is still a<br />
worthy feature.<br />
Included is the ability to search through<br />
either your whole database or just a particular<br />
disk for specific file names, directories<br />
and hies of a certain size. This is ideal for<br />
locating a particular file and its whereabouts<br />
in your disk collection.<br />
Although DiskManager does offer an<br />
enormous selection of facilities. I didn't find<br />
the actual program very appealing, mainly<br />
due to the fact that the bulk at the features<br />
offered are available using other utilities.<br />
Commercial programs such as Directory<br />
Opus, Quarterback Tools and even<br />
Workbench and <strong>Amiga</strong>DOS are generally<br />
tar superior and also offer greatly used features<br />
that DiskManager sadly doesn't.<br />
Magic Workbench [Ktra5<br />
Available from: Kewell Software<br />
Disk No. U1096<br />
A while ago now. Magic WB was released<br />
in the Public Domain. It immediately shot<br />
up the charts as more and more <strong>Amiga</strong><br />
owners saw it as a way of transforming<br />
their Workbench into a completely new and<br />
= I J 4<br />
4<br />
elett Cettd4t 114..lete liTatirae e e P r rir I .1 h1;<br />
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litriQ. Mtge** 0.1r t w t s ' e t •ter • e e r . Untiteet re*<br />
Hundred. or icons on otter with this Magic WO uogrode.<br />
First Rid 155Phtiai5<br />
-<br />
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Programmed by: Gerard Fitzpatrick<br />
Contact: Gerard Fitzpatrick<br />
The public domain is huge. However, most of<br />
the software available tends to be either some<br />
form of game or demo and we see little in the<br />
way of informative and educational work.<br />
Obviously there are such titles, but just a<br />
minority compared to the games world.<br />
First Aid Essentials is definitely one of<br />
those in the minority and because it's so different,<br />
it is likely to be the only one of its kind.<br />
As you may have already guessed, First<br />
Aid Essentials is a guide to first aid and what<br />
steps or precautions can be taken.<br />
Working from a large database. FAI offers<br />
information to the user on all different aspects<br />
of the human body — injuries, illnesses etc. It's<br />
simply a case of selecting the category from a<br />
menu screen to access the information neces- Meek out thsi human Akisiertan with First Aid Essontials.<br />
sary. For example, if you wished to obtain<br />
information on food poisoning, select "poisons", then "food-poisoning" and bingo, the information is displayed before<br />
you under three headings of symptoms, treatment and causes of illness.<br />
From this database you should be able to find most of the information required. Using First Aid Essentials is just like<br />
looking in an electronic book and could prove extremely handy in an emergency Although this disk will appeal to just a<br />
small handful of people, it is a very professional and informative piece of software, and while not being the most interesting<br />
of PD titles available, I thoroughly recommend it.<br />
Even if it sits at the back of your collection for an age, the fact that it could come in handy ono day is by far enough<br />
reason to own<br />
w,<br />
Vat<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
original piece of software.<br />
In fact. they were wrong. All Magic WB<br />
consists of is replacement backdrops and<br />
icons, and essentially does not alter the<br />
software at all. However, it gave<br />
Workbench a new and more attractive look<br />
and many <strong>Amiga</strong> owners opted for its more<br />
professional style<br />
There was just one main problem concerned<br />
with Magic WB. Now the<br />
Workbench backdrop and icons were of a<br />
similar theme, any other icons (of utilities<br />
or games etc) unfortunately looked out of<br />
place with their old style blue and grey<br />
design, ruining the effect that Magic WB<br />
creates.<br />
Although it is impossible to solve this<br />
problem completely (short of designing<br />
your own icons) the author of Magic WB<br />
has done his best to prevent it, and has<br />
now released a whole disk full of replacement<br />
icons and backdrops) for most of the<br />
popular <strong>Amiga</strong>DOS<br />
Included on this disk are icons for the<br />
likes of DPaint, ADPro, Directory Opus,<br />
Disksalv. and loads more. There are also<br />
alternative icons for some of the earlier<br />
Magic WB offerings and some new ideas<br />
such as icons for certain types of files, for<br />
example graphics or sound.<br />
If you weren't satisfied with the selection<br />
of backdrops with the first release, then<br />
have a browse through the drawer of<br />
replacements, some of which are quite<br />
interesting.<br />
If you have Magic WB installed on your<br />
<strong>Amiga</strong>, then this disk is an invaluable<br />
upgrade and should definitely be considered.<br />
You may not use all the hies offered<br />
on the extras disk, maybe just a few, but<br />
even if only for the choice or a little alter-<br />
ation this disk is worth getting hold of.<br />
Your Workbench should be left looking<br />
even better than it did before!<br />
laq 'lour hand5<br />
on me<br />
Paul Gaze<br />
9 Larch Close. kingsworthy,<br />
Winchester, Hampshire S023 7NE.<br />
Tel: 0962 882819<br />
Your Choice PD Library<br />
39 Lambton Road, Choriton cum<br />
Hardy, Manchester M21 OZJ.<br />
Tel: 061-881 8994<br />
Kevin Howell<br />
54 Collin Road, Brislington,<br />
Bristol BS4 3S0<br />
Freestyle PD<br />
Tel: 0922 404023<br />
Sanity Soft<br />
217 Albert Road, AMIN%<br />
Birmingham 56 WA.<br />
Tel; 021-327 8574<br />
Kew=11 Software<br />
PO Box 672. South Croydon,<br />
Surrey CR2 9•1S<br />
Tel: 081-657 1617<br />
Gerard Fitzpatrick<br />
9 Glenhill Rd, Finglas, Dublin 11, Eire.
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odd Cup US<br />
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CD<br />
The biggest game<br />
of 1<br />
94?<br />
Millennium, the Cambridge-based<br />
software house responsible for<br />
such hits as Brutal Sports Football,<br />
Diggers and the James Pond series<br />
of games, claim to have bagged<br />
the biggest games licence of 1994.<br />
The game is Mr Blobby and it<br />
will feature 60 levels of madness,<br />
mayhem and some darned fine<br />
gameplay to match. By the time<br />
Christmas comes around, you<br />
won't be able to move without<br />
bumping into Noel Edmonds' pink<br />
and yellow creation.<br />
Noel's House Party is watched<br />
by 13 million viewers and Blobby<br />
has even appeared on the front<br />
pages of the New York Daily News<br />
and the Washington Post.<br />
Noel Edmonds, so confident of<br />
Blobby's forthcoming success has<br />
already launched a number of<br />
Theme Parks in the UK which are<br />
attracting up to 10.000 visitors<br />
daily<br />
By the time the game arrives, a<br />
second hit single will be clambering<br />
up the charts and there will be<br />
over 260 Mr Blobby licensed gifts<br />
and products on the market for<br />
you to buy.<br />
I'm still unsure, simply because I<br />
can't stand Mr Blobby, but we shall<br />
see when the game arrives on all<br />
<strong>Amiga</strong> formats this Christmas.<br />
Budgets under<br />
a bluey!<br />
The Birmingham-based software house US Gold has just announced the launch of 15<br />
titles on their Kixx budget label<br />
The titles include 3D Pool, Action Fighter, Bionic Commando, Blasteroads, Carrier<br />
Command, E-Motion, Indiana Jones & The Last Crusade, International Soccer<br />
Challenge, MicroProse Soccer, Out Run, Rick Dangerous, Rick Dangerous 2,<br />
Streetfighter, Stunt Car Racer and last, but by no means least, World Class<br />
Leaderbord.<br />
All the titles are priced at £4.99, so there is no excuse for not running down the<br />
shops to buy a couple of new games. All the products should be in the shops by the<br />
time you read this.<br />
Going for goal!<br />
The World Cup is now over and I bet you've been as surprised as System at<br />
the amount of football games sitting on the shop shelves. You'll not have<br />
been able to afford all of them, but Empire have come up with what is<br />
surely the best-ever football compilation pack.<br />
Empire World Cup Year '94 contains Sensible Soccer, Goal, Championship<br />
Manager '93 (plus it's '94 data disk) and Striker. For football aficionados this<br />
is surely a compilation sent from heaven, but I suppose the majority of<br />
games players have got at least one out of the four games.<br />
If you haven't got any of these games then this is your lucky day, because<br />
Empire World Cup Year '94 costs only £25.99 which works out at about<br />
£6.50 per game.
Happy Daze are here again<br />
Daze, after the tremendous success of Stardust, ore<br />
back on the <strong>Amiga</strong> with two brand new releases to<br />
keep you entertained during the autumn months.<br />
Thefirst is the German-designed football management<br />
simulation entitled On The Ball: World<br />
Cup Edition Developed by Ascon, you begin the<br />
game as manager of a national soccer team, facing<br />
the first few qualifying rounds of the world's<br />
greatest sporting spectacular with the desire to go<br />
all the way and win the trophy,<br />
On The Ball features unique TV style coverage<br />
of each match with exciting action replays from<br />
various different vantage points around the stadium.<br />
A running commentary is also provided to<br />
add to the atmosphere.<br />
The graphics are actual animations and not<br />
jerky computer generated images. On The Ball has<br />
apparently sold loads of copies in Germany and<br />
now Daze are hoping that it will do the same here<br />
in Great Britain.<br />
On The Ball looks like a breath of fresh air in<br />
the world of computer football management simulations<br />
and should be out in the shops by the time<br />
The third part in the 'tha t series of adventures.<br />
avated by top French developers Slimarils, should be<br />
on your loca i shop shelves now<br />
On the Ba ll is a bra nd new footba ll management<br />
simulation which features amazing match a nim•tions<br />
as we ll as unique TV sty& coverage<br />
you read this Daze's second offering is the third<br />
part in the epic <strong>Is</strong>har series of RPG/adventure games<br />
The games have become extremely popular over the<br />
last two years, mainly due to Silmarils' efforts in the<br />
graphics department.<br />
This time the French software house<br />
have included animated film sequences, quantum<br />
leap time travel, teleportation, character manipulation,<br />
detailed maps and even more spectacular<br />
locations.<br />
The evil wizard, who you thought you'd killed at<br />
the end of the second <strong>Is</strong>har game, is back! Time is<br />
the main element in this third and maybe final game<br />
in the series. To kill the evil wizard Shandar, you<br />
must travel back in time and make your way<br />
through a series of time gates.<br />
<strong>Is</strong>har 3 has a scheduled release date of September<br />
and will cost you a mere 132.99. An Al200 enhanced<br />
version will arrive at around the same time, but at<br />
the slightly higher price of E34.99.<br />
Streets ahead<br />
Street Fighter 2, the world's greatest beat-'em-up (allegedly) is going<br />
to feature in its own monthly comic. The Japanese -<br />
Mange will feature all sthe tcharacters y l e from s the t top-selling r i p computer game, as<br />
they take part in the ultimate Street Fighting tournament, set among<br />
the criminal underworld on the <strong>Is</strong>land of Shad.<br />
Street Fighter 2 is the first new title from Manga Publishing, the<br />
newly-formed comics division of Manga Entertainment, producers of<br />
the best-selling Managa video line. it promises to combine all the<br />
action and excitement of one of the world's most popular video<br />
games.<br />
The comic strip is written and drawn by Masaomi Kanzaki, one of<br />
the top artists in Japan, whose other work includes the popular<br />
Manga video, Xenon.<br />
Each issue will feature a 32-page full colour story, plus a pull-out<br />
poster featuring characters from the game. The first issue spotlights<br />
the hero Ryu.<br />
As an additional bonus, a free pack of Super Street Fighter 2 stickers<br />
from Merlin Entertainemt will be given away with the first issue. The<br />
comic will go on sale for a measly 95p.<br />
Y5TE<br />
echnologg<br />
TImurIlsIcui.kuvir-<br />
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you aware dot else is lipppolip<br />
throughout as Misty.<br />
• A home VR unit is finally on its way<br />
and could even be in UK stores in<br />
time for Christmas. US firm Forte<br />
Technologies is making plans to launch<br />
its standalone unit beating rivals such<br />
as Sega and Atari to the market.<br />
Called the Will. it is due to be<br />
launched worldwide in November and<br />
is expected to cost around the 1650<br />
mark.<br />
Its fully PC-compatible, weighs less<br />
than two pounds. supports a standard<br />
VGA video card and slots into the back<br />
of a PC. Several top titles will be available<br />
by the time of the launch. including<br />
Doom by Id Software.<br />
• The Jaguar is arriving on these shores<br />
in greater quantities. thus SDI. have<br />
reduced their RRP to just £229. Jaguar<br />
games from SDI. include Crescent<br />
Galaxy. Dino Dudes. Walden. Tempest<br />
2000, Brutal Sports and the PC smash.<br />
hit Wollenstein 3D.<br />
• With the 300 planned to hit the UK<br />
high-street stores, news has been<br />
leaked about a new 300 compatible<br />
machine code-named the Bulldog.<br />
Scheduled for release at Christmas next<br />
year. the machine is said to boast some<br />
impressive specifications.<br />
• Nintendo Ultra 64 (the new name for<br />
Project Reality) was just one of the<br />
machines on show at this year's<br />
Summer CES in Chicago. Also on show<br />
at the CES. which boasts the largest<br />
gathering of video game companies to<br />
ever assemble under one roof, was the<br />
300 and the CD drive for Atari's 64-bit<br />
Jaguar.<br />
• There is a Super Street Fighter 2<br />
motion picture being filmed in<br />
Bangkok as you read this. The film is<br />
under the direction of Steven de Souza<br />
and is expected to be completed in<br />
time for a stateside Christmas release.<br />
Jean-Claude Van Damme stars as<br />
Guile while Raul Julia plays the evil M<br />
Bison, but perhaps the biggest news of<br />
all is that Aussie actress and top popstrel<br />
Kylie Minogue will play the part<br />
of Chun-ti.
ct<br />
m<br />
ISTEM<br />
212(tionG<br />
Arcade Pool can now be added to the list of<br />
Team 17 budget successes.<br />
The game may have very nice graphics, but<br />
ol<br />
it's in the playability department where it<br />
excels.<br />
There are so many different game styles<br />
o<br />
Highly original it might not be, but fans of<br />
wthe previous games and platform lovers will<br />
be absolutely besotted with the third instalment.<br />
For sheer enjoyment and lastability,<br />
you'd have to go far to find a better platform<br />
lBenefactor<br />
is the best thing Psygnosis has<br />
released in a long time. It feels like a montage<br />
of Flashback and Psygnosis' very own<br />
genocidal pets, the Lemmings. Both the<br />
graphics and sound have been implemented<br />
very well The variety of both location and<br />
I do like this game and the weirdest bit is,<br />
I've never been a fan of shootem-ups! They<br />
usually bore me to bits, but Banshee has that<br />
elusive quality that drags you in. Each level<br />
demands new challenges which a<br />
,<br />
e g e n -<br />
Casting aside all previous platform games,<br />
Quik is really a perfectly funky little game.<br />
Admittedly, my first reaction to a platform<br />
game about rabbits wa5 not printable in a<br />
family publication, but I was won over by the<br />
Welty<br />
Arcade Pool<br />
James Pond 3<br />
Benefactor<br />
Banshee<br />
that you'd be hard pressed to become bored<br />
with this piece,<br />
For just under a tenner it is an amazing<br />
bargain, especially when you consider that it<br />
has actually been in development longer than<br />
most full-price games.<br />
game than Millennium's tasty third fishy<br />
adventure. If you're yearning for some fast,<br />
frenetic platform jumping fun, then I suggest<br />
you splash your cash on James Pond 3, You<br />
will not regret it!<br />
puzzle aspect of Benefactor make it an<br />
engrossing challenge.<br />
Benefactor is the type of title that will<br />
keep the most dextrous platform freaks and<br />
puzzle lovers alike twiddling well into the<br />
wee hours.<br />
Qick The Thunder Rabbit<br />
King's Quest 6<br />
Adventure fans will be delighted tnat Sierra<br />
have finally decided to release the<br />
sixth adventure in the King's Quest series<br />
onto the <strong>Amiga</strong>. As far as adventure<br />
games go, they don't get much better than<br />
this.<br />
Out of touch with the<br />
latest <strong>Amiga</strong> games<br />
scene? These elite<br />
selections from the last<br />
few months should put you<br />
back on the right track<br />
uinely tough, and the learning curve is just<br />
right. This is an intense and extremely satisfying<br />
game that should tempt any games fan<br />
with an ounce of adrenaline in their veins.<br />
The Harvey Keitel of shoot-'em-ups.<br />
sheer professionalism of it all. It's probably<br />
more suited to younger players, due to it's<br />
simplicity and cuddly approach, but despite<br />
every aspect of it screaming "cliche" it comes<br />
across as a very fun game,<br />
With it's brilliant graphics, a fairytale of a<br />
plot, superb playability and a level of addiction<br />
that will keep you coming back for<br />
more and more, King's Quest 6 is an<br />
adventuer that should have a place in everyone's<br />
games collection,<br />
The 5core5<br />
on the donr5<br />
System has a different sawing system thou<br />
of our competitors, so bettre yet Nog=<br />
mill the mag, glance at the words Mow t<br />
• fled let exactly how it worts.<br />
I'm sure many of you are now familiar with our new<br />
scoring system, but for those reading <strong>Amiga</strong><br />
<strong>Computing</strong> for the first time and those who might<br />
have forgotten exactly how it works. here is our<br />
guide to the System scoring, err system.<br />
In our opinion, review scores have lost their context<br />
as a percentage; some products receiving scores<br />
which were only a few percentage short of being the<br />
"perfect" game, when in truth they were only<br />
marginally above average.<br />
Ott, so the scores might seem unnaturally low at<br />
first, but that's only because other scoring systems<br />
tend to be on the high side and perhaps not as comprehensive<br />
or honest as they could be.<br />
In the long run you'll receive a more concise and<br />
reader-orientated review that's geared towards the<br />
consumer.<br />
0-20 This is given to the lowest of the low<br />
31.40 Just below the average, perhaps<br />
let down by a few indiscretions.<br />
41•55 Games of this score are roughly average<br />
with SO being a perfectly average sc<br />
56-66 This is an above average game<br />
and is worth buying. For this reason<br />
it would be awarded the BRONZE<br />
award.<br />
Definitely<br />
ost the definitive<br />
of its T h i s type of game<br />
would t h e GOLD award.<br />
90-100 The<br />
21-30 An all-round poor game that<br />
may have a single saving grace<br />
67-77 A game of high quality that<br />
you as a reviewer would have no<br />
reservation in recommending.<br />
Anything of this ilk would be<br />
aided the SILVER award.<br />
in 7, • le.<br />
)04 %No<br />
(101.,D<br />
%m 44R I)<br />
malt title
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beat the<br />
"<br />
The first art id a two art lets salmi to<br />
11<br />
Sierra's with ma 'cal tal ale adventure.<br />
T<br />
Paul Maher guides ou through the trials mid<br />
trindatioos of trying to become ling.<br />
he start of your adventure and the first<br />
thing you have to do is pick up a ring. Your<br />
next job will be to move the plank After<br />
you have moved the plank you will see a<br />
ril<br />
box, open it up and pick up the coin. Now,<br />
walk to the crossroads and from there walk right up to<br />
the castle.<br />
At the castle you will meet a guard. Talk to him and<br />
show him the ring. You will now meet with Vizier.<br />
After this you will have to walk to the village and<br />
In the swamp and things are starting to get voty spooky<br />
indeed Nothing to go on as yet, but you'll be back here later.<br />
The sta rt of Prince<br />
Alexander's quest to<br />
become King and fi nd<br />
his lost love, and you<br />
can he lp via this<br />
wonderful guide<br />
3 enter the book shop. When<br />
you are in the shop talk to<br />
the shop owner to get the<br />
ferry references_<br />
Collect the boring<br />
book and then go to<br />
the love poem shelf<br />
and read a love<br />
poem. A page should<br />
fall to the ground<br />
and you can pick it<br />
up. Before leaving the shop, click on the spell<br />
book on the counter. Upon leaving the shop<br />
walk north to the village, look at the beauty in<br />
the garden and then go west. Ignore the boy who<br />
is swimming and go to the ferryman Knock on the<br />
Pick up one of the ice berg lettuces because it'll come<br />
in very handy for later on in the adventure<br />
At exclamation point you bump into a bookworm who<br />
has /ost his dangling participle Ouch, sound, painful!<br />
ingls<br />
ferryman's door to talk to the ferryman then go on<br />
the ferry. Keep talking to the ferryman until he<br />
repeats himself.<br />
When he does this take the rabbits foot and exit<br />
the ferry. Now walk back to the village and go to the<br />
Alexander wanders around the catacombs<br />
looking for the beast. That g i n the wall<br />
looks as though he's already met him Gulpi<br />
book shop. Walk inside and talk to Jolla the down.<br />
Show the ring to Jollo and then leave the shop.<br />
Make your next stop at the pawn shop and pick up<br />
a mint. Talk to the shop keeper who will produce a<br />
map. Show the ring to the pawn shop owner and<br />
trade it for the map. Observe the next animation and<br />
then show your coin to the pawn shop owner. After<br />
showing your coin to the pawn shop owner, take the<br />
nightingale and leave.<br />
MAGIC MAP<br />
Once outside leave the village and return to see<br />
another animation. You will now find a bin. Get<br />
some invisible ink from the bin, then go to the beach.<br />
Use the magic map and from it select the <strong>Is</strong>le of the
T1,<br />
k up<br />
ice a<br />
and<br />
and<br />
kfter<br />
! the<br />
see<br />
Get<br />
.ach.<br />
the<br />
Use your windup<br />
nightingale on the red/<br />
nightingale arid you<br />
will fi nd that the bird<br />
wail take love poems to<br />
Quest 6<br />
your Princess<br />
Sacred Mountain<br />
On the mountain pick up a flower and a feather,<br />
then using the magic map once more select the <strong>Is</strong>le<br />
of Wonder.<br />
On the <strong>Is</strong>le of Wonder you will meet up with a<br />
number of gnomes. You must use the flower on the<br />
smell gnome, the wind-up nightingale on the sound<br />
gnome, the mint on the taste gnome, the rabbits<br />
foot on the touch gnome and use the invisible ink on<br />
Prince Alexander in front of the see gnome.<br />
Next you should get the sentence from the water.<br />
You will meet an oyster, whereby read the boring<br />
book to the oyster and when it opens its mouth take<br />
the pearl,<br />
When you have done this head east to exclamation<br />
point. When you reach exclamation point try to<br />
take a pile of books and you will be asked to get a<br />
dangling particle for the exchange of the books.<br />
Walk back to the beach, then north through the<br />
swamp to the garden and pick up an iceburg lettuce,<br />
before heading back to the beach. Use the magic<br />
map again and go to the <strong>Is</strong>le of Beast.<br />
Once on the <strong>Is</strong>le of Beast walk north to the boiling<br />
pond. Use the iceburg lettuce to cool the pond<br />
where there should be a hunters lamp in a tree -<br />
collect it. Next you should head north ignoring the<br />
gardener on the way and you should find a brick -<br />
take it and walk back to the beach. This is where you<br />
meet the dangling particle.<br />
Talk to the dangling particle and read it the sentence.<br />
Now use the map to go back to the <strong>Is</strong>le of<br />
Wonder. When you land on the beach walk to exclamation<br />
point again. Try to take some books and<br />
when the bookworm appears use the dangling particle<br />
on it in exchange for a rare book. Open the rare<br />
book in the inventory.<br />
Click on the dangling thread to distract the spider<br />
and while the spider is distracted get the scrap of<br />
paper. When this is completed walk back to the<br />
beach and use the map to get back to the <strong>Is</strong>le of<br />
Crown.<br />
From the beach, head for the crossroads, When<br />
you find a nightingale use the wind-up nightingale<br />
to befriend it. When you have done that, walk into<br />
the village and read the proclamation.<br />
Then enter the pawn shop. Use the wind-up<br />
nightingale on the shopkeeper and then select a<br />
flute from the counter. Exchange the pearl to get<br />
the ring back and then exit,<br />
Go into the book shop and talk to Jolla Swap the<br />
rare book with the shopkeeper for the spell book.<br />
Open the spell book in the inventory for the ingredients,<br />
exit the shop and walk to the crossroads.<br />
INVENTORY<br />
Use the ring on the nightingale and then pick up<br />
the ribbon. Click on the ribbon in the inventory to<br />
get a hair strand and then walk to the beach. Use<br />
the magic map to go to the <strong>Is</strong>le of Wonder. Once on<br />
the beach, go to the garden.<br />
In the garden there is a teacup on the chair. Take<br />
it and also pick up the rotten tomato. There<br />
is a hole in a wall. Look at the hole and then click on<br />
it_ Use the flute to make the wallflowers dance.<br />
While the flowers dance, click on the hole-in-thewall.<br />
Go through the gate into the chessboard land.<br />
Once in chessboard land, walk towards the chessboard<br />
guard and observe the queen. Get the red<br />
scarf, walk back to the swamp and use the teacup<br />
on the swamp.<br />
Give the rotten tomato to the bump on a log. Use<br />
the teacup on the swamp-ooze, which can be found<br />
on the log. Walk to the beach and use the map to<br />
go back to the <strong>Is</strong>le of the Crown<br />
The guard-dogs at the palace won't<br />
let you in, so change direction and<br />
see if there is another way to enter<br />
ling fee rift!'<br />
The pawn shop is one of the<br />
most useful places you can visit<br />
for getting important objects<br />
+57MTE<br />
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might get lucky anci get a lamp with a genie infi del<br />
Go and see the ferryman, but watch out for the boy in<br />
the water. Don't dive in to loin him or inn be game over!
COMMUNICATIONS<br />
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Millennium's new cutesy platform star must<br />
save the dinosaurs by collecting Ow spotty<br />
eggs, remembering to deposit Owm in his<br />
superb Pinkie pod for sa fe ty<br />
FLASHBACK<br />
There have been so many platformers similar to<br />
Pinkie that I could possibly list them all.<br />
Titles like Zool 2 and Bubba 'n' Stix stand out in<br />
the mind because they've only just come and gone,<br />
but if I had to compare Pinkie to anything. I would<br />
have to delve into Millennium's back catalogue. The<br />
NNW 1114<br />
Zool, Chuck Rock, Bub & Bob, and James Pond have<br />
appeared on the <strong>Amiga</strong>, but where are today's stars'?<br />
Zoo! has gone back to the Nth DiMenSiOn, Chuck has rocked oft Bub & Bob are somewhere<br />
over the rainbow and James Pond has flipped out!<br />
0 n The the lack past of some decent of characters the workt's is best slightly game worrying, characters but like I think a solution to rectify this<br />
problem has been found. Millennium, a company already successful with the James Pond series<br />
of adventures, have invented a brand new platform character and Pinkie is his name.<br />
With his home base set on the Planet Purpie, Pinkie is small in stature, owns a big heart, a<br />
bouncy walk, a huge appetite and perhaps the cheesiest grin you've ever seen in your life.<br />
The actual game is a blend of hot and frenzied platform action, plus a good healthy dose of<br />
ponies have been chucked in there for good measure. Millennium are hoping that Pinkie will<br />
do the business for them and hopefully become as big as his platform contemporaries.<br />
Pinkie<br />
Yet another cutesy platformer<br />
l<br />
different<br />
but<br />
than<br />
i<br />
the<br />
s<br />
rest? Jonathan Maddock is tickled pink as<br />
t h i s<br />
ohe enters n the e surreal egg-collecting world of Millennium's<br />
a<br />
latest platform offering<br />
l i t t l e<br />
b i t<br />
GRAPHICS<br />
On his quest Pinkie must try to collect as many<br />
flowers as possible while a voiding his enemies<br />
James Pond series of games have delighted garners<br />
the world over with their brilliant mix of platform<br />
action and teasing set of puzzles. The best out of the<br />
series was, undoubtedly the last one Millennium<br />
released.<br />
James Pond 3 had better quality graphics than its<br />
predecessors and overall was a much more rounded<br />
and complete game, mainly due to its unmatched<br />
levels of gameplay and addiction<br />
INTRODUCTION<br />
The visuals in Millennium's platformer are<br />
superb and Pinkie really does look like a cartoon.<br />
This is partly down to the traditional<br />
animation pastel colour palette which really<br />
brings all the game characters to life<br />
Not surprisingly, Millennium have got plans<br />
to take their pink star from the monitor<br />
screen and place him on the TV screen in his<br />
own animated cartoon.<br />
The main character jumps and prances<br />
around the screen<br />
and is very well<br />
animated, pluc<br />
there are so many<br />
nice animated<br />
touches that it's<br />
obvious a lot of<br />
time and trouble<br />
has been spent on creating Pinkie.<br />
a 4 . 1 1 . 1 1 1<br />
The backgrounds differ from level to level<br />
and range from snowy wastes to alien worlds<br />
(complete with pulsating backdrops). The<br />
graphics arPso good that Pinkie literally looks<br />
like a breath of fresh air in the otherwise dull<br />
and stale world of platformers.<br />
A<br />
15%<br />
•
IN<br />
• Lidi4LLLL<br />
1k as<br />
<strong>Is</strong><br />
er are<br />
a caitional<br />
really<br />
t plans<br />
anitor<br />
, in his<br />
rances<br />
:o level<br />
worlds<br />
sl The<br />
ly looks<br />
,<br />
'<br />
s<br />
e<br />
d<br />
u<br />
l<br />
l<br />
STONYUNIE<br />
Pinkie makes plenty of happy jaunts to other planets in the<br />
solar system with the intent of exploring and meeting other<br />
beings. Pinkie's first mission in this, his debut game, is to<br />
save the alien dinosaurs from extinction<br />
This is done by collecting the eggs and keeping them safe<br />
in his Pinkie pod. The eggs are yellow with blue spots and<br />
are extremely fragile. When the eggs hatch a fully formed<br />
CII•O<br />
S.<br />
3.<br />
C .<br />
C<br />
rCIO<br />
2<br />
Ia.<br />
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111<br />
r<br />
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2211<br />
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Tor.<br />
I<br />
n<br />
-<br />
OPINION<br />
Pinkie is a cracking little platform* It looks beautifu<br />
with its pastel coloured graphics, it has a nice and<br />
cheesy poptastic soundtrack and even the gameplay<br />
differs from its competitors as it's heavily puzzlebased_<br />
The animation of the characters, including the<br />
baby dinosaur pops out. The eggs have been placed, unfortunately<br />
for Pinkie, in the most precarious of places<br />
throughout the galaxy.<br />
If the hero of the game drop5 an egg it is likely to shatter.<br />
Once this happens, the baby dinosaur immediately extends<br />
its legs out until they reach the floor and then runs away.<br />
These highly mobile eggs cause Pinkie all manner of problems.<br />
If Pinkie does manage to collect all the eggs and save<br />
the dinosaur race, he will be handsomely rewarded by the<br />
King of the Pinkies.<br />
Pinkie's p o d has m ore<br />
gadgets than th e<br />
Satenobile and ta n b i-<br />
used to reach parts of<br />
the game that iholue<br />
wouldn't normaOly by<br />
able t o nPacht<br />
Plopprng o f f his pod. Pin kie<br />
hnds o n e o f the h ig h ly<br />
important d in o sa u rs eggs<br />
hero, is very accomplished and well presented<br />
The end-of-level guardians are especially worth<br />
checking out, due to the sheer gargantuan size of<br />
them_<br />
Pinkie, as a concept, isn't anything different and<br />
doesn't contain any new surprises, but as a game on<br />
its own works remarkably well. I don't think I've seen<br />
a platformer cuter than this one and I imagine Pinkie,<br />
GOLD<br />
AWARD<br />
+511gTra<br />
Mil PI Licio s o<br />
tnict-<br />
SOUND<br />
The music in Pinkie is pure<br />
unadulterated pop and so it<br />
should be. The games score will<br />
go down in the history books as<br />
just another cheesy platform<br />
tune, but Millennium have taken<br />
the concept of game music a step<br />
further,<br />
The Cambridge-based company<br />
approached Station 2 Station, a<br />
music marketing company<br />
responsible for getting Mr Blobby<br />
to number two in the charts last<br />
Christmas and for working with<br />
top pop stars like Right Said Fred,<br />
to see whether licensing Pinkie to<br />
music would be a good idea.<br />
The brief was not to produce a<br />
single from the game music,<br />
instead Millennium asked Station<br />
2 Station to produce an original<br />
interpretation of a game "score'.<br />
Station 2 Station finished up<br />
with a 30-track single entitled<br />
"Play•lt" and it features the vocal<br />
talents of Kelly Smith AKA Little<br />
Sister. CO32 owners will have the<br />
pleasure of having all 30 mixes of<br />
the same single and you, as the<br />
listener, will be able to make up<br />
your own favourite mix.<br />
Al200 owners will just have to<br />
buy the single on its own when it<br />
hits the charts!<br />
The sound effects, before I forget,<br />
are just standard noises and<br />
aren't worth shouting about, but<br />
they do the job adequately<br />
enough.<br />
80%<br />
as a character, w1;1 be a huge success. The game is<br />
obviously going to appeal to the 11-16 age group,<br />
mainly because that's exactly who the game was<br />
designed for. Older garners might want to take a<br />
look, but may prefer something with a little more<br />
substance.<br />
Pinkie is a harmless little platformer that won't<br />
hurt anybody.<br />
MOW 1184
102<br />
INTRODUCTION'<br />
n the past, many companies have<br />
attempted to create involving and<br />
stylish graphic adventures, with<br />
varying degrees of success. These days it takes something a little<br />
bit special to make heads turn. but Derby-based Core Design<br />
have an impressive track record with games such as Chuck Rock<br />
and Heimdall proving especially successful.<br />
Core are confident that Universe will make a major impact on an<br />
already crowded marketplace.<br />
Innovative graphic and sound systems have been developed, but the<br />
game aims to be more than just a pretty face. There are also a couple of<br />
arcade sequences, despite the fact that in the past otherwise excellent<br />
games like Operation Stealth have been spoiled by over-tricky arcade<br />
sections.<br />
However, the emphasis has clearly been on creating a challenging and<br />
atmospheric adventure that can be easily controlled via an uncomplicated<br />
system of user-friendly icons.<br />
Situlur 1114<br />
STORYLINE<br />
Boris is just a normal kid living in a typical suburban neighbourhood.<br />
His dad probably works for a merchant banking firm in<br />
the town centre, and his mum does part time work at a local<br />
estate agents.<br />
Boris has a sister called Jenny, who is about five years<br />
younger than him and likes Neighbours, Just Seventeen and<br />
Take That,<br />
Boris is quite keen on computing, and he's just<br />
invested in a brand spanking new 35-bit Excellence Engine<br />
which knocks the socks off his best mate's 986PC XDAT VHS<br />
thingy.<br />
One winter's day, Boris is happily tinkering away in his bed•<br />
room when his mother, concerned that her beloved son is<br />
devoting too much time to an expensive piece of silicon and<br />
plastic, decides to send him on an errand - taking some mail to<br />
his Uncle George's house.<br />
Boris grudgingly toddles his way through the centre of<br />
Ashby-de-la-Zouch on his despite the recent snowfall,<br />
dodging Christmas shoppers wherever possible and colliding<br />
with them wherever not.<br />
Along the way he ponders some fundamental questions of<br />
life, such as "What's in the envelope?", "Why does dropped<br />
toast always land buttered side down?' and "Who created<br />
Eamon Holmes?' Eventually, having answered two of these<br />
questions, he reaches Uncle George's house.<br />
Uncle George is slightly wacky and eccentric, and among all<br />
manner of junk in his house, Boris finds a bizarre machine.<br />
Foolishly, he begins messing and promptly gets zapped into<br />
another dimension.<br />
Some might say it serves him right, but regardless of whether<br />
it does or not it is your task to return Boris to his home, Having<br />
the opportunity to save the universe along the way is really an<br />
added bonus,<br />
Much was expected of this<br />
graphical adventure from the<br />
creators of Curse of<br />
Enchantia. nave Cusick finds<br />
out if it lives up to its billing<br />
•<br />
A spinning asteroid<br />
passes silently by<br />
before shooting<br />
off into the eternal<br />
night, 'teeing you<br />
gaping at the<br />
outstanding<br />
graphics<br />
Hrtel._ Silas of 1 ; 4 1 0<br />
a whole town on what looks like a<br />
hug ast<br />
,<br />
-<br />
Universe<br />
in the beginning there was Boris, and he stood all<br />
alone on an asteroid in a strange dirnerwoon<br />
k<br />
fr. fr.<br />
,<br />
( I O U )D ' 4<br />
AWARD<br />
I
GRAPHICS<br />
tt's hard not to be impressed by the beautiful moody backdrops which were<br />
lovingly crafted by top-quality artists and then scanned into the computer.<br />
There is some very effective use of colour and in places the scenery is<br />
nothing short of spectacular. Take a look at the screenshots and you'll<br />
appreciate just how stunning the effect can be.<br />
Core says that Universe features a revolutionary new graphics system<br />
which allows up to 256 colours on screen, even on an A500. The desire to<br />
see new locations in all their graphical splendour is probably one of the reasons<br />
that Universe holds the attention so well.<br />
Our hero Boris has quite a range of moves available to him, and the animation<br />
throughout is extremely lifelike and smooth He shrinks as he moves<br />
further away from the front of the screen, but lases little detail in doing so.<br />
The intelligently designed Icon panel means Universe<br />
<strong>Is</strong> easy to get into but strangely addictive<br />
FLASHBACK<br />
The game which really started<br />
the trend for point-and-click<br />
adventures was the ageing<br />
Monkey <strong>Is</strong>land, but to be honest<br />
I reckon Universe has a<br />
more effective control system<br />
and is streets ahead in terms<br />
of presentation.<br />
Monkey <strong>Is</strong>land 2 was a<br />
great game but some of the<br />
puzzles could be a little<br />
strange and the game was<br />
supplied on a huge number of<br />
disks which meant plenty of<br />
swapping.<br />
A fairer comparison might<br />
be Beneath A Steel Sky, a far<br />
more recent release with a<br />
similar science-fiction setting.<br />
In this you play Robert Foster,<br />
who finds himself in Union<br />
City. You must discover why<br />
you are there and what you<br />
must do now that you are.<br />
It features a unique Virtual<br />
Theatre system developed by<br />
programmers Revolution<br />
Software, meaning that other<br />
people in the game go about<br />
their day-to-day business normally,<br />
so there is a feeling that<br />
you are part of a real living<br />
world.<br />
rt locks like the nain console for the<br />
I'm a 3eniusl<br />
Blimey you can't leave a car anywhere these days without<br />
a band of hootigans appearing on the scene<br />
mo.I ma, 4 •••,<br />
4•4 ,knnied rem<br />
This luxurious<br />
kitchen prove s to<br />
be something 00 a<br />
deathtrap unless<br />
you can make a<br />
quick escape<br />
*<br />
W<br />
W<br />
-<br />
A pe rple xe d e ons gazes<br />
longingly up at the tight<br />
spitting from an out<br />
, reach window<br />
of•<br />
Hang on a minute . wa sn't he<br />
in "The Never Ending Story"?<br />
M/4 : e . i I I ; 1 a<br />
wouldn't mind a ve hicle<br />
like tha t one, e xce pt tha t<br />
the insurance premiums<br />
could be worryingly high<br />
i<br />
t<br />
1<br />
DelottrillS4 ' 101 _.<br />
_.,
(<br />
A space hermit reveals all via the<br />
simple conversation system<br />
0<br />
4<br />
X<br />
OPINION<br />
years •so we were travellins<br />
aboard a space liner, when we hit an<br />
asteroid storrt, and we had to eject to<br />
1<br />
-<br />
.<br />
t<br />
i<br />
c<br />
a<br />
p<br />
e<br />
E<br />
e<br />
l<br />
k<br />
i<br />
Welcome to<br />
l<br />
Wheetworld.<br />
l<br />
which appears to<br />
be to Universe<br />
e<br />
what Mos Fisk"<br />
d<br />
was to Sta r Wars<br />
A<br />
n<br />
d<br />
w<br />
e<br />
h<br />
a<br />
v<br />
e<br />
b<br />
e<br />
e<br />
n<br />
vv.M.<br />
V P 1 ..<br />
t426-<br />
85<br />
11<br />
A golde n oldie<br />
springs<br />
making a<br />
pleasant<br />
change from<br />
point-anddirk<br />
frolics<br />
Without doubt, Universe is one of the games of the year so far. It has class in copious<br />
amounts and is presented outstandingly well.<br />
The combined icon /• and text control system is intuitive and friendly, making this<br />
a simple game to get to grips with and allowing for maximum user enjoyment.<br />
While it would appear that Universe is smaller than, for instance, Beneath a<br />
Steel Sky, with regards to the number of disks, there is certainly plenty of depth<br />
and challenge.<br />
Some of the puzzles encountered are completely mystifying, until suddenly the<br />
solution dawns on you and you wonder why on earth you didn't realise what to<br />
do a little earlier on.<br />
As with all good adventure games, there will probably be times when you turn<br />
the computer off in frustration, only to return later when inspiration strikes,<br />
Our universe is thought to be somewhere between 10 and 20 billion years old. At<br />
present the most distant detected galaxies are thought to be around 10 billion<br />
light years away, but scientists believe that the universe is expanding constantly.<br />
The speed at which galaxies are moving away from us is thought to be<br />
between 30 and 60 miles per second for every million parsecs between them and<br />
the earth.<br />
Apparently though, Boris is no longer in our universe - he's in an anti-universe<br />
called Paralela_ Because of this, although Boris does indeed have to save the universe,<br />
there is a spark of originality in that it's not actually our universe he's<br />
saving.<br />
From the brief extracts from the Encyclopaedia Paralela supplied with the<br />
game. Paralela is very different from our universe, All of this suggests that either<br />
Uncle George was one of the greatest scientists who ever lived, or that he was a<br />
crazed fool meddling with forces far beyond his control.<br />
is this WheefworOct or.,<br />
seedier part of Stockport on<br />
a Saturday night?<br />
SOUND<br />
INHI<br />
In its early stages, Universe boasts<br />
the sort of ambient in-game soundtrack<br />
that the Orb would be proud<br />
of. The effect of this is to conjure up<br />
a marvellous all-pervasive atmo<br />
sphere of supreme calmness and<br />
cosmic loneliness, enhancing the<br />
gaming experience no end,<br />
The title theme is suitably 'moos<br />
ing and sets the scene quite nicely<br />
It has a familiar-sounding air about<br />
it without sounding predictable or<br />
unoriginal.<br />
In fact, throughout the game the<br />
music is of a very high standard. If<br />
you do find yourself reaching for<br />
the volume control, it will most<br />
likely be to turn it up.<br />
Core says that during play the<br />
music adapts to the mood of the<br />
game in a manner similar only to<br />
the LucasArts IMuse system, making<br />
it something of a novelty on the<br />
<strong>Amiga</strong>.<br />
There aren't really many sound<br />
effects, but they're not missed due<br />
to the presence of such a feast of<br />
sonic delight<br />
Ors<br />
whereupon you will play the game for hours until you next become badly stuck.<br />
The difficulty level makes success all the more satisfying.<br />
The smattering of humour which is liberally sprinkled throughout the game<br />
adds considerably to the experience_ While Universe is not a comedy adventure in<br />
the mould of Leisure Suit Larry or even the Monkey <strong>Is</strong>land games, it is good to see<br />
that it does not take itself too seriously.<br />
Also, adventure purists will be happy that the occasional arcade sections are<br />
surprisingly well implemented. Another nice touch is that in a bar on Wheelworld,<br />
the arcade machines feature extremely good versions of timeless classics.<br />
It is a shame that Universe is not hard drive installable since this would have<br />
made playing it an even more pleasurable experience, but to be fair the designers<br />
have tried to eliminate disk swapping wherever possible and loading times are<br />
kept to a bare minimum,<br />
Universe is the type of adventure game that will be enjoyed by even those normally<br />
disinterested in the genre, and must be highly recommended,
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Software<br />
Exoressions<br />
Introducing some of the best public domain & shareware<br />
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Ictote 1111.1<br />
ingly, I put the disk into<br />
INTRODUCTION<br />
no<br />
) "W i n g all my reviewer's cynicism to one side though, I<br />
1 _ the drive dreading yet<br />
jt pledged to give it a fair trial. And then a strange thing<br />
he happened, I was actually having fun, in fact it's the only<br />
g that's r brought a smile to my post-holiday depressed face<br />
Id<br />
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Granted, Kid Chaos is another platformer. but Wales-based s<br />
u<br />
ire house, Magnetic Fields, have really done something to a<br />
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to a timi-out olci formula.<br />
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Kid Chaos<br />
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Chao5 often breed5 lite, when<br />
order br22d5 habit<br />
The Education of Henry Adams<br />
ADDITIONAL INFO<br />
rhe story of Kid Chaos relies on<br />
the futuristic image that man<br />
will be able to travel backwards<br />
and forwards in time (i.e. scientists<br />
from the 21s<br />
-back<br />
to the stone age to kidnap<br />
t Kid Chaos).<br />
century Many theories have been<br />
tpushed r a forward v e on the subject,<br />
l<br />
making it a topic rich in<br />
opportunity to stretch the<br />
imagination.<br />
With many explorations into<br />
space having been made, things<br />
that didn't even seem vague<br />
possibilities are now reality.<br />
Those born at the turn of the<br />
century would have merely<br />
laughed at the thought of sending<br />
one man and his dog into<br />
space, but then in 1957 toe first<br />
dog was sent orbiting around<br />
the Earth to determine the<br />
effect of weightlessness on<br />
animals.<br />
And only a few years later we<br />
witnessed the first man landing<br />
on the moon. So, what may<br />
seem bizarre or impossible to us<br />
now may well become a distinct<br />
possibility in the future_<br />
In the meantime though, people<br />
can only speculate, and<br />
images of time travel can still<br />
conjure the imagination without<br />
the restrictions of reality.<br />
Tina Hackett follows<br />
the travels of one<br />
prehistoric space kid<br />
courtesy of Ocean's<br />
new platformer<br />
l Chaos. Kid<br />
C._<br />
It probably makes a pleasant change but I'm actually<br />
stuck for words. The graphics really are breathtaking and<br />
Its hard to sum them up well enough to do them justice.<br />
Layers upon layers of parallax scrolling have been used<br />
to create a terrific sense of realism and depth, and<br />
updates at the most terrific rate to keep up with the<br />
action<br />
Consoles can disappear up their own cartridge holes<br />
because as far as I'm concerned this looks as good,<br />
if not better, than some supposedly superior console<br />
platformers<br />
There are many different settings, from Secret Gardens<br />
to Toxic Wastelands, and each one looks superb, picking<br />
up on a bright, cartoon like feel.<br />
85%<br />
Smash as<br />
much of<br />
the<br />
stenery as<br />
possible<br />
Pig•headed Kid Chaos fi nds his way<br />
around the foal( Wasteland<br />
Mindless violence towards bennms -<br />
makes a refreshing shangi
STORYLINE<br />
Hmm, a bit dodgy this one but<br />
here goes. Kid Chaos, a cave-kid,<br />
was kidnapped by evil scientists<br />
from the future and transported<br />
back to the 21st Century,<br />
They experimented on him<br />
and forced him to wear modern<br />
clothes - this being the most<br />
contrived excuse for his dubious<br />
choice in clothing I've ever<br />
heard.<br />
The kid, having somewhat of<br />
an aversion to being experimented<br />
on and having to wear<br />
blue slacks, decides to escape.<br />
However, the exits are<br />
blocked by force fields but the<br />
kid overhears the scientists talk-<br />
ing - in true blockbuster movie<br />
fashion - and hurrah, by smashing<br />
enough scenery this breaks<br />
the sources of the force field<br />
and unblocks the exits.<br />
He escapes and now it's your<br />
job to guide him home_<br />
d Chaos bakhes the computers to<br />
poems - I know the feeling<br />
,<br />
CPI<br />
tz<br />
- E<br />
ii<br />
U.<br />
V.<br />
F.<br />
-<br />
a<br />
-<br />
Alt kmds of obstacles<br />
block the way. Conveyer<br />
belts make manoeuvring<br />
diffi cult<br />
FLASHBACK<br />
Take your pick really. There are<br />
enough platformers to look back<br />
on and compare. Well. I'll start<br />
with Zool, the game which sets<br />
the standards tor other <strong>Amiga</strong><br />
platiomers to follow.<br />
It's a hard act to match but<br />
Kid Chaos does come pretty<br />
close, although Zool plays a little<br />
faster than Kid Chaos and looks<br />
slightly prettier as well.<br />
Unlike most olatformers<br />
though. Kid Chaos is not cute. In<br />
fact this is where it derives a<br />
great deal of its appeal. Instead<br />
of rescuing sweet fluffy bunnies<br />
you actually get to beat them<br />
out of the way with a club.<br />
And instead of having to play<br />
an annoyingly cute sprite you<br />
get to play a Billy Idol look-a-like<br />
with an attitude for smashing<br />
the place up with a baseball bat.<br />
The amount of de far t makes for a<br />
visually superb game<br />
Yet again brilliant. The fast dance track works well with the style of the<br />
game and it even becomes realistically muffled when the character disappears<br />
under water,<br />
Sound effects such as when Kid Chaos smashes the scenery works well<br />
and gives a great feeling of a real smash-'em-up fest!<br />
-•••-•<br />
1ZYS<br />
.<br />
TqMs<br />
t<br />
112<br />
11<br />
/11<br />
An enctof-leval shoot-'etn-up against the clock<br />
• 17%<br />
Platformers have acquired somewhat of a<br />
reputation of late for unoriginality and<br />
it's great to see a game that really does<br />
break the mould.<br />
Kid Chaos thankfully lacks any cutesy<br />
a<br />
n The idca behind them is a sort of •<br />
' . d shoot-'em-up scenario and armed with a<br />
f tgun<br />
you have to clear the screen of vari-<br />
ahous<br />
objects. On one level you even get to<br />
c e<br />
blast cute teddy bears. See, no sympathy<br />
t<br />
for small, furry creatures and it's great! .<br />
e<br />
The gameplay, although following the<br />
on<br />
basic principles of platformers, adds a<br />
r c<br />
novel twist in destroying the scenery and<br />
s l cute animals.<br />
. i Although it may not be politically cor-<br />
I frect,<br />
it means you get to keep your lunch<br />
t -down<br />
rather than these sickeningly sweet<br />
' lofferings<br />
we get these days.<br />
s I eAnd<br />
just because it's a platformer<br />
f'.<br />
vdoesn't<br />
mean life is going to be easy. Far<br />
a<br />
from it in fact. It'll take some tricky joy-'<br />
e<br />
b<br />
stick manoeuvring in some places, which<br />
l<br />
may prove irritating for some but this is<br />
ug<br />
also an advantage in that the game will<br />
l a<br />
last and last, making it well worth the i<br />
om<br />
asking price_<br />
ui'lla._<br />
e -4111611111111t-, A l i<br />
s s<br />
t -<br />
o w<br />
War Itit<br />
po
football games<br />
released this<br />
Summer to tie in with the Wo • . we<br />
0<br />
all looked forward to some i mitt.<br />
new<br />
ith<br />
games.<br />
the many<br />
but so far there's not been<br />
one that's really astounding.<br />
So with US Gold releasing this offering, the<br />
official World Cup license, it's bound to be good.<br />
Or is it?<br />
SONO<br />
Yes, it does have some and at first it<br />
sounds quite convincing but after a<br />
while it does start to sound rather a<br />
like being in a train toilet while<br />
whining through a tunnel. Sorry, but<br />
that is the most apt description I can<br />
use to describe it.<br />
It does change slightly when you<br />
take a shot at goal but somehow it<br />
just doesn't seem to create much<br />
atmosphere.<br />
GRAPHICS<br />
swit.5. ze 0.04<br />
r<br />
VYorld lCup<br />
o<br />
What a sorry sight this is Well, first off, we have these enormous<br />
green borders around the screen, reducing the actual<br />
game to almost half the screen. Why this has happened is anyone's<br />
guess, but it looks dreadful and makes it very distracting.<br />
And then we have the actual sprite size which give the<br />
impression of "Oh, we couldn't quite make our minds up<br />
whether we wanted small or large sprites, so we've opted for<br />
some that aren't really either.' They're too small to show any<br />
animation and too big to play as well as the tiny Sensible Soccer<br />
sprite.<br />
Animated sequences have been used to show the referee and<br />
the crowd cheering after a goal, but they don't look particularly<br />
effective and slow the proceedings down to a snairs pace.<br />
, 108 id.. INN<br />
Tina 'striker' Hackett takes a peek<br />
at the latest footy game to hit the<br />
shelves courtesy of US Gold.<br />
32<br />
1<br />
li<br />
o<br />
Nice, fi ddly team<br />
selection. Customne the<br />
Note the ridiculous<br />
green borders. They<br />
are actually much<br />
worse on screen!<br />
29%<br />
game to include teams<br />
that didn't qualify.<br />
Co<br />
A. R4rnati.i<br />
Brazil<br />
Russia<br />
17arnp,econ<br />
The animations.. such as the crowd.<br />
slow the whole thing down<br />
mSprite graphics look terrible and seem 'bitty'<br />
b
FLASHBACK<br />
Many football games are available now to choose from and this<br />
lust isn't worth forking out your cash for.<br />
It does have a good range of options but these are available in<br />
other games anyway, One different option is to change the 'Glue<br />
factor' - how close the ball stays to your feet when tackling -<br />
..vhich works well.<br />
The others though, such as Game speed, weather, and the feature<br />
to customise the World Cup match, have all been included in<br />
other games which are a darn sight more playable than this<br />
tedious effort.<br />
Save your money for Goal or Sensible Soccer. They may be old<br />
but they certainly show these new games a thing or two. Or if<br />
you really do want a new footy game then I'd still wait...the computer<br />
footy games season ain't over yet!<br />
Penalty practice - and the goalie has passed<br />
out with the a trocious gra phics!<br />
As if all this wasn't bad enough, the game is full of bugs. it crashes and is glitchy<br />
- the graphics flicker terribly when two players cross over. The whole thing looks<br />
rushed Out in time for the World Cup.<br />
There was some hope with all the options available but this was let down by<br />
the most ridiculous option screens I've ever seen. They've insisted on using the<br />
official dog mascot at every opportunity - just in case we should forget that this<br />
is the official merchandise_ This all leads to total confusion as you try to differentiate<br />
between one dog picture and another.<br />
Incidentally, once you've changed all the variables to suit your game style they<br />
don't make that Much of a difference anyway. There's even the option to change<br />
Throw-ins are<br />
quit. awkward<br />
+EYZI'<br />
Mot<br />
SIMULATION<br />
To get the idea of how World<br />
Cup USA really plays, simply<br />
imagine standing in a train toilet<br />
while going through a tunnel<br />
(for the sound effects), squinting<br />
to see only half the action and<br />
playing with a Space Hopper<br />
rather than a ball. That will be<br />
pretty close.<br />
Seriously, it doesn't get much<br />
better than this and it is about<br />
as far away from the real thing<br />
as you can get.<br />
Set-pieces are taken using a<br />
method of setting an arc of dots<br />
to direct the ball in the required<br />
direction. Unfortunately this<br />
isn't very effective and is fiddly<br />
to do.<br />
Goalkeepers are too easy to<br />
beat and the player simply takes<br />
his shot and stands there.<br />
There's no following it through<br />
in case there's a rebound which<br />
he could redirect into the goal -<br />
incredibly irritating.<br />
A one or two button joystick<br />
can be used and even though<br />
the moves should be quite simple<br />
to carry Out, the controls feel<br />
unresponsive and clumsy.<br />
The useiess Strip Editor, more<br />
tun tha n the actual game<br />
82%<br />
the colour of the teams socks. <strong>Is</strong> this meant to be serious? Does anyone really care<br />
what colour socks they have?<br />
I mean anyone with a modicum of common sense would surely have realised<br />
and said, "Hey, why don't we concentrate on things that really matter, like<br />
gameplay?"<br />
This is what counts after all. Somehow you don't feel in control of the game<br />
and there are no impressive moves to carry out.<br />
Most of all, the game is incredibly boring! Even the most appalling football<br />
games manage to conjure some excitement especially in two-player mode. But<br />
not so in this case. You find yourself wishing for the final whistle and the game<br />
does nothing to evoke the competitive spirit.<br />
This really is the spit in the referees whistle - avoid - unless of course you<br />
really are a glutton for punishment.<br />
Wily I I /
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Again it is in keeping with the platformer style using lively,<br />
jaunty tunes which fit in with the pace.<br />
Sound effects are in abundance and are of a very high<br />
standard. In fact there seems to be a different sound for<br />
every action. From enemies sneezing at you to rippling<br />
water, they all sound realistic and work well. Background<br />
sounds have even been thought out, like birds tweeting.<br />
At first I thought the character's sampled phrases (such as<br />
"Wait here<br />
- they a simply n d reinforce what is happening in the game.<br />
' C o<br />
m e<br />
o n<br />
" )<br />
w o<br />
u l<br />
d<br />
g<br />
r<br />
a<br />
t<br />
e<br />
o<br />
n<br />
m<br />
y<br />
n<br />
e<br />
r<br />
v<br />
e<br />
s<br />
b<br />
INTRODUCTION<br />
70%<br />
Find pots around<br />
the leves to reach<br />
tugher platforms<br />
• • ,<br />
Bubble!<br />
OPINION<br />
STORYLINE<br />
Now this is a weird one!<br />
Apparently a character called<br />
Squeak just happens to drop<br />
through a Black Hole and asks<br />
you (Bubble) to become hero of<br />
the universe.<br />
The land of Grool, Squeak's<br />
home, is under a reign of terror<br />
of the evil Kat of Nine Tails who<br />
has enslaved all the Grooleans<br />
arid stolen their tails.<br />
Squeak managed to escape<br />
and now needs your help to free<br />
the Grooleans.<br />
Gone are the days when<br />
Bubble and Squeak was<br />
merely the dreaded choice<br />
on the School dinner menu<br />
sbecause now it's a tasty<br />
new platformer from<br />
Audingenic. Tina Hackett<br />
investigates what's cookinl<br />
The underwater<br />
efforts look and<br />
sound brilliant<br />
vv<br />
i /0 into the trap of being dull and not very challenging<br />
.'<br />
s o itsalwaysnicetoplaythosethatinvolvea good<br />
I<br />
puzzle element too.<br />
t<br />
Bubble and Squeak does take a fair bit of working out and it's<br />
not a game you can just whiz through.<br />
i<br />
The puzzles require you to work out how to get the two characters around the<br />
levels by using the objects<br />
s<br />
and character's abilities - for example, jumping onto<br />
Squeak's back to reach q higher levels or operating the lifts wdh the switches located<br />
on different platforms. u<br />
This works extremely i well and leaves us with a very enjoyable and addictive<br />
game.<br />
t<br />
It may actually be e a little too cute for some but this doesn't mean it is an easy<br />
game. Ignore the misleading c cutesy factors and it is a taxing but very playable title.<br />
The password system o is a more than welcome feature (although fiddly to operate)<br />
because In some places, if you make a small mistake like falling off a platform, there<br />
m<br />
seems to be no way out other than starting from scratch again.<br />
m<br />
o<br />
n<br />
f<br />
1
ane'<br />
tiled<br />
hop<br />
asks<br />
•<br />
o<br />
o.ak's<br />
f!rror<br />
who<br />
!ans<br />
ape<br />
free<br />
•<br />
cc<br />
111<br />
1<br />
n'<br />
fall<br />
ing.<br />
lood<br />
it's<br />
the<br />
nto<br />
)ted<br />
tive<br />
2asy<br />
le.<br />
ate)<br />
iere<br />
Send him in a spin to fl y otter gaps<br />
and Squeak5t0rotts<br />
are bre wing and the<br />
liSIntening spectacular but our<br />
fearless hero still &awes on, even<br />
against deadly Rattlesnakes,<br />
Poblisher: Audisoeme<br />
Developer<br />
licks: 2<br />
Price: 125.99<br />
1enre: Reformer<br />
Centrel system: 'Weill<br />
howls: A500/1601/11200/940OO<br />
Recommend: GROO duds<br />
Although it looks nothing new and is the usual platformer type thing with cute sprites and bright,<br />
cheerful graphics, it does work exceptionally well and is of a very high standard.<br />
The backdrops are detailed, the levels set out well and the special effects such as the lightning and<br />
the character becoming darker underwater look brilliant.<br />
On the bonus level, you take charge of an underwater submarine and this is where the graphics<br />
really do excel. Using psychedelic, kaleidoscopic patterns to convey the rippling water, the scenery<br />
becomes part of the puzzle as you make your way through seaweed and foreground and background<br />
obstacles.<br />
The characters have been nicely animated and add some humorous touches. For example, if Bubble<br />
is left standing he will yawn or Squeak will tap his feet.<br />
75%<br />
Rubble Gum<br />
machines give<br />
Squeak spe cia l<br />
powers<br />
The game has many objectives which keep things very interesting. There are frve<br />
worlds on the planet Grool and each one has at least five different levels. You also<br />
get to progress onto shoot-'em-up levels and bonus games.<br />
On some levels the water will rise and cut off some of the lower levels. If either<br />
characters become submerged they will lose a life. This keeps things frantic and the<br />
pace exciting.<br />
Gumball machines also play a big part believe it or not, and buying the Bubble<br />
Gum for Bubble results in giving him special powers to fly or move as fast, or jump<br />
as high as Squeak.<br />
Plenty of attention to detail has been paid, especially in creating themed settings<br />
and imaginative sprites, such as the Stardust Caverns with it's Red Crawlers and<br />
Baseball Ducks who will hit any fire you hit back at them.<br />
This <strong>Is</strong> a very polished game, with a great deal of attention paid to every aspect,<br />
providing varied gameplay and detailed graphics. The game has been very nicely put<br />
together and although it is another platformer, it is of a high quality and has<br />
enough puzzles in it to keep it challenging. a<br />
RVS' ;1 _ 1 : :<br />
W<br />
-<br />
GRAPHICS<br />
FLASHBACK<br />
There are many games in this puzzler/platformer genre but perhaps the closest<br />
to Bubble and Squeak is Core Design's Bubba 'N' Stix which involves a similar<br />
sort of gameplay.<br />
In this case you have to use a stick character to get around the levels,<br />
whereas now it is an alien. Both have an exceptionally high standard of<br />
graphics and have many, logical puzzles to solve.<br />
This is more than just another platformer and has many more aspects to<br />
the gameplay than usual.<br />
acinktr 1114
iolence sells. Don't take<br />
my word for it, take a look<br />
at the facts. Street Fighter<br />
2, Mortal Kombat and<br />
Body Blows have all been<br />
amazing successes across<br />
their own various formats.<br />
The majority of these beat-'em-ups<br />
are jam-packed full of nothing more<br />
than 'cartoon" violence. I mean have<br />
you ever been in or seen a brawl where<br />
Qom<br />
system g<br />
This is a trim stars. NMI Axe, Wows !nisi& id Um<br />
martial arts mid, is about to bum big news.<br />
Matta' Maddock Imo pLi 1 takes a Ma at<br />
114 M isr 1111<br />
forthcoming but -<br />
1<br />
10 -op<br />
adrava<br />
llalla.<br />
one of the fighters has leapt 20ft in the<br />
air and fired lighting out of the tips of his<br />
fingers?<br />
No, of course you haven't because,<br />
and here's a thing, computer games<br />
aren't real! That's not to say that there<br />
isn't a person out there who has spent<br />
twenty years training in martial arts,<br />
almost as much time studying ancient<br />
Chinese legend and is now ready to<br />
become the portal for the ancient and<br />
The finishe d<br />
drawings of the<br />
enernoes that will<br />
appear in Master<br />
Axe: rhe Genesis<br />
of itlysterit<br />
banished five guardians of the earth.<br />
Sounds weird, but it's totally true. Neil<br />
Axe is his name and he's about to star in<br />
his very own beat-'ern-up entitled<br />
MysterX - but his story goes much deeper<br />
than that.<br />
Born in the year of the snake in Bucks,<br />
Neil Axe (real name) was first taught<br />
karate by his father at the age of five He<br />
spent seven years learning karate-based<br />
self defence, before using the next couple<br />
of years to widen his skills in two<br />
other forms of karate. Wado Ryu and<br />
Shotokan.<br />
After dabbling in boxing, Akido<br />
and Judo, Neil moved to New<br />
Zealand where a five year<br />
gap in his martial arts<br />
training was<br />
mainly with bouncing<br />
work in night-clubs.<br />
On Neil's return<br />
to Britain, more<br />
study in several martial<br />
arts resulted in<br />
Neil's rise to the top of<br />
his chosen profession<br />
and eventually became<br />
known as Master Axe - but<br />
his story doesn't stop there.<br />
Oriental legend has it that there are<br />
five guardians of the earth: Quazar,<br />
Stone, Storm, Aqua and Fire, All were<br />
banished from this plane 9000 years ago<br />
by man, who felt that he no longer<br />
needed their advke,<br />
Since then, chaos has ruled the earth<br />
and without the guardians it seems set to<br />
continue. The guardians need to find a<br />
human host through which to project<br />
themselves into this world once more, but<br />
the host is a rare being and must possess<br />
a number of special skills.<br />
The skills required are those of the<br />
fabled Manimal Warriors: Bull, Dragon,<br />
Crane, Leopard, Mantis, Monkey.<br />
Phoenix, Snake and Tiger. It will take<br />
many years to select the host, as a test is<br />
required for the chosen one<br />
In 11988 Neil Axe led a team of four<br />
men (Roger. Michael, Julian and Mr Axe<br />
himself) across the United States, sparring<br />
in various towns and cycling around 4000<br />
miles from New York to San Diego,<br />
This, as Neil believes, was the<br />
test The guardians had<br />
appeared to Neil in<br />
dreams before the<br />
trip, but it wasn't<br />
until he finished<br />
his cycling guest<br />
(which incidentally<br />
raised funds<br />
for the Great<br />
Ormond Street<br />
-lospital) that he<br />
inally realised it.<br />
Look I know it<br />
sounds far out, but Neil<br />
states very clearly that the five<br />
guardians wish to make their voices heard<br />
through him and that he is the chosen<br />
one<br />
Ridicule the story if you wish, but by all<br />
accounts Mr Axe is not one of those people<br />
that you'd want to mess with, but I<br />
swear that the above story is true.<br />
The full official and impressive title of<br />
Millennium's bea•'em-up is Master Axe<br />
The Genesis of MysterX, but it isn't a<br />
straightforward out and out beat-'ern-up,<br />
Chris Elliot, the head honcho behind<br />
the creation of the game, explains just<br />
how MysterX will work.<br />
The beat-'em-up will be split<br />
into four distinct parts: The<br />
Academy, Coast to Coast<br />
Trial by Combat and Spirit<br />
Struggle. Each part will test<br />
the player on a slightly<br />
different level, as well as<br />
portraying varying types<br />
of atmosphere"<br />
The Academy<br />
part is essentially<br />
a trainer level to<br />
enable the player<br />
to get friendly with<br />
the controls and practice<br />
all the moves needed to complete<br />
the quest. Spirit Struggle is a
)re, but<br />
possess<br />
of the<br />
lragon.<br />
Dnkey.<br />
II take<br />
II test 3<br />
)f four<br />
vir Axe<br />
pairing<br />
d 4000<br />
vas the<br />
ts had<br />
leil in<br />
'e the<br />
'wasn't<br />
iished<br />
quest<br />
:idenfunds<br />
Great<br />
itreet<br />
at he<br />
t.<br />
ow it<br />
t Neil<br />
le five<br />
heard<br />
hosen<br />
by all<br />
peobut<br />
I<br />
tie of<br />
- Axe:<br />
in't a<br />
m-up.<br />
?hind<br />
IS just<br />
split<br />
r_ The<br />
:oast,<br />
Spirit<br />
I test<br />
)htly<br />
ell as<br />
t<br />
y<br />
plemy<br />
etially<br />
el to<br />
s<br />
layer<br />
with<br />
prac-<br />
is a<br />
The preliminary sketches for Master Axe's opponents include a cop who Neil. Roger,<br />
Michael and Julian ran into while cycling across the United States of America<br />
two-player section, whereby the competitors<br />
control the dark and light (dark<br />
representing evil, light representing<br />
good) side of one of the four characters<br />
on the spooky spirit plane.<br />
Trial by Combat is another two-player<br />
level and is a tournament mode based on<br />
Neil and his cornrade's adventures in<br />
places like Las Vegas, Los Angeles and<br />
Maui,<br />
SPRITES<br />
Coast by Coast, which was destined at<br />
one time to become the first game in a<br />
MysterX series, is a one-player game featuring<br />
the previously mentioned cycle<br />
trek across the USA.<br />
As well as Neil, Roger, Michael and<br />
Julian, one of which you'll be able to<br />
control, there are to be eight computer<br />
opponents who pop up during various<br />
stages.<br />
The game is only in it's beginning<br />
stages and has a predicted release date<br />
of November - therefore only the Neil<br />
Axe sprites and a handful of backgrounds<br />
are fully complete - but already<br />
it's looking rather good.<br />
Neil himself is more than pleased with<br />
Neil Axe in front of the<br />
ster<br />
the backgrounds. -<br />
I've looking at just about every other beats'em-up<br />
p ethere n t is," says Master Axe 'and all<br />
mright. oI'm nbiased. t h<br />
s<br />
"I don't like special moves and I think<br />
that from a martial arts viewpoint, which<br />
n o<br />
some of them try to emulate, the move-<br />
w<br />
ment is ridiculous. Apart from that<br />
though, there is a tendency to treat the<br />
backgrounds as an afterthought. 'A pier<br />
somewhere', 'a city street anywhere', that<br />
kind of thing_ What Chris and Millennium<br />
have done though is just superb.<br />
- The A500/600 versions of Mys<br />
be -released<br />
first, with the enhanced<br />
Al200 terX and wCO32 i l versions l following soon<br />
after. The A5001600 version may have<br />
slightly less moves than it's more powerful<br />
counterparts.<br />
MysterX is going to be that little bit<br />
different from the norm. It's not a license,<br />
it's based on a real story and a real<br />
person.<br />
Neil Axe will be punching and kicking<br />
his way on to the <strong>Amiga</strong> very soon and<br />
with plans for his own Hollywood movie<br />
and countless merchandising deals, the<br />
computer game is only the tip of the<br />
iceberg<br />
O At the this Neil stage sprite has been completed amd<br />
, in it tmoves h o exactly like Master Axe<br />
d o v o i n p<br />
m o n t ,<br />
0<br />
o<br />
l<br />
In look<br />
n<br />
the at training how much centre detail and has Just been have. put<br />
y<br />
into Me background<br />
spectacutat view of<br />
Mount Rushmore<br />
N$><br />
O The Neil 5 prlfr whose realistic<br />
fit otittng manoeuvres have been<br />
brought to the small screen<br />
O The just back one of streets the amaamg of New York,<br />
backgrounds in MysterX<br />
5
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R E P<br />
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of parts, labour, VAT and return postage/packing<br />
<strong>Commodore</strong> registered for full technical support<br />
Computers repaired in the quickest possible time<br />
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All machines will be overhauled with a full soak-test to ensure optimum reliability<br />
Entrust your machine to the experts, full 90 day warranty<br />
Repairs to disk drive and keyboard also included<br />
S(extra charge possible if found to need complete replacement)<br />
Repairs to other <strong>Commodore</strong> systems undertaken • phone for details<br />
Upgrades and expansions supplied and fitted • phone tor details<br />
E44.95<br />
COLLECTION SERVICE AVAILABLE<br />
To take advantage of this exceptional offer. simply send e l hand deliver your computer to our workshop complex,<br />
address detatis below, enclosing this advertisement vou< her, paymeni. fault description, return address.<br />
along with your daytime and evening telephone number and we will do the rest.<br />
Should you requite Group 4 Ser utity return delive ry. simply add 2 5 0 0 to the repair charge<br />
\KIS Electronics Ltd (haul End Lane Luton Bedfordshire LU4 8EZ Tel 0582 491949 (6 lines)<br />
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OCTOBER 1994<br />
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CATALOGUE DISK IS 75p OR 3 FIRST CLASS STAMPS 1 1 ...<br />
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El know about or have seen almost<br />
every single <strong>Amiga</strong> game.<br />
Although I know at least one<br />
game a month will shine like a twinkling<br />
star, I also know that the others<br />
won't make the grade. Only a few<br />
games now genuinely excite me,<br />
Theme Park is one product I'm<br />
eagerly looking forward to, the same<br />
goes for Oceans IFX and Inferno, but<br />
there is one piece of software I saw a<br />
year ago which excited me more than<br />
anything I have seen in a long time.<br />
Dreamweb, developed by Creative<br />
Reality and published by Empire, is now<br />
only a month away from release and<br />
about to make Reservoir Dogs look like<br />
Play School.<br />
It's an overhead view role-play<br />
adventure game and on its menu is bad<br />
language for starters, violence as the<br />
1111r tour years in the making and it comet complete<br />
with sex, bad language and violence. Jonathan<br />
Maddock desperatey searches tor something to get<br />
those" E i t nearly clean, hot really clean_<br />
18<br />
ktilte<br />
Cal) non<br />
main course with a small side order of sex<br />
for good measure, A banquet fit for a<br />
Kingl<br />
Before some of you start writing to<br />
Points of View about the state of violent<br />
games and todaYs disaffected youth,<br />
system g<br />
Reality bites!<br />
Creative Reality was formed about four years ago and consists of just two people -<br />
Neil Dodwell (odes while Dave Dew produces all the graphics. The duo have worked<br />
on almost every machine and completed about 15 products between them_<br />
Before Dreamweb, Neil and Dave created the wonderful Myth for System 3. The<br />
two were also responsible for several older Spectrum games including Nemesis the<br />
Warlock and Slaine from 2000AD, plus they've done various conversions onto the<br />
consoles.<br />
Both developers have never had any formal training and never had a 'proper"<br />
, The two work well as a team and their best work is always something that the<br />
ve collaborated on.<br />
• The Dreamweb concept was first conceived sometime in 1989. Creative Reality,<br />
, e so many developers, got bored with linear platform games and then got the<br />
ea to do a role-play adventure. The name 'Dreamweb' was what first started the<br />
: ole project because Creative Reality thought that it was a powerful film-like<br />
_ me.<br />
The game has been through many ideas and story lines and it's taken just over<br />
._ .<br />
Ryan, on a visit<br />
to Louis, his<br />
dodgy druggy<br />
friend, gets<br />
himself mugged<br />
for his trainers<br />
The start of<br />
Ryan's<br />
adventure and<br />
time for him to<br />
too/ up and go<br />
and kill his<br />
first victim<br />
Dreamweb has an adult theme and thus<br />
is going to be aimed at the same audience<br />
who have seen films like Blade<br />
Runner and Akira.<br />
Empire are even going to give the<br />
game a voluntary 19 certificate, so<br />
angered parents need not worry - not<br />
that they should anyway because their<br />
kids need only watch the News at Ten to<br />
get their daily dose of violence.<br />
The Dreamweb is an endless dwelling<br />
of thought. Its core is occupied by seven<br />
In Dream web<br />
there is an<br />
element of<br />
surprise and<br />
Ryan, by not<br />
looking over his<br />
shoulder has,<br />
unfortunately,<br />
lust been blown<br />
away. Game<br />
over, man<br />
Dream<br />
four years to complete. This in computer game terms is a hell of a long time, but<br />
Empire have let the lads have complete freedom to do what they want and firmly<br />
believe that Dreamweb is worth waiting for.<br />
In the future, Creative Reality are hoping to do more games using the<br />
Dreamweb adventure engine. The duo are planning to use CD technology more<br />
and more as it is ideally suited to games like Dreamweb.
not<br />
.heir<br />
•n to<br />
Bing<br />
?wen<br />
rer<br />
gas,<br />
bely,<br />
btown<br />
te<br />
but<br />
mly<br />
the<br />
ore<br />
controlling powers who influence the<br />
trt oug ht and actions of their hosts on<br />
Earth, The Dreamweb is watched over by<br />
tie keepers. When any of the seven people<br />
on Earth die, their controlling power<br />
tbes too.<br />
A new power emerges which may be<br />
good or evil. The overall feeling of the<br />
D<br />
, dreams on Earth. If the Dreamweb tends<br />
Ttowards<br />
evil, dreams become night-<br />
a<br />
mares.<br />
The evil hosts come into conflict with<br />
m<br />
w<br />
the good hosts and a battle for status<br />
ensues for centuries, The battle swayed<br />
e<br />
both sides, but evil has finally destroyed<br />
b<br />
all the good hosts and it now controls all<br />
ithe<br />
dreams. The keepers decided that it<br />
s was time to appoint a person on Earth to<br />
ract<br />
for them and restore the balance.<br />
e<br />
fHOSTS<br />
l You play Ryan, the only person close<br />
eenough<br />
to all seven hosts to destroy<br />
c'sem<br />
before they reach entropy. When<br />
t<br />
Ryan kills a host their soul is consumed<br />
into his body, sending the hero of the<br />
e<br />
adventure into the Drearnweb.<br />
d<br />
Only when all seven hosts are dead<br />
i<br />
will the Dreamweb's balance be finally<br />
n restored. This concludes Dreamweb's<br />
pmind-expanding<br />
epic storyline!<br />
e The game revolves around intricate<br />
oobject<br />
manipulation and Creative Reality<br />
pare<br />
proud of the fact that every object<br />
lcan<br />
be examined in minute detail.<br />
eObjects<br />
can hold many other smaller<br />
'objects<br />
which can also be used (i.e.<br />
s<br />
cigarette packet hold cigarettes and so<br />
on).<br />
The objects can be picked up and<br />
dropped anywhere in the game, unlike<br />
web<br />
most adventures which don't let you<br />
drop them. The game keeps track of all<br />
The guardians of the Dreamweb<br />
summon Ryan to assassina<br />
te t h e<br />
seven evtt beings to try and restore<br />
the balance between good and bad<br />
this manipulation using complex data<br />
structures.<br />
Dreamweb is a graphically huge<br />
adventure and as with the programming,<br />
it was all done by one person. There are<br />
over 4000 frames of animation alone,<br />
each frame hand-drawn by Dave Dew.<br />
The graphics are heavily stylised and give<br />
more than a nod and a wink to the visuals<br />
seen in Ridley Scott's Blade Runner.<br />
Dave didn't use any clever techniques<br />
such as digitising - everything was drawn<br />
with his own fair hand. Most of the<br />
graphics were produced using Creative<br />
Reality's own adventure editor, but some<br />
of the larger sprites and backgrounds<br />
were created on Deluxe Paint.<br />
rve seen a 99% complete version of<br />
Dreamweb and all Creative Reality need<br />
to do is add the ever-changing atmospheric<br />
soundtrack, but I can't really fail<br />
to be impressed_<br />
I know this is a preview and not a<br />
review, but Empire have got a winner on<br />
their hands and I will have the wonderful<br />
pleasure of reviewing it for you next<br />
month. Just dreamy!<br />
Creative<br />
Reality<br />
consist of<br />
lust two.<br />
Neil<br />
codes, w<br />
hiI<br />
Dave Dew<br />
handles the<br />
graphics for<br />
Empire's<br />
imminent<br />
adventure<br />
Outside of Sparky's bar and there is a babbling drunk standing<br />
in the rain. Go inside to gain some froportant information<br />
First assassinetion of the day and you have to shoot a rock star<br />
while he's indulging himself in a bit of hot sex_ What a vvay to got<br />
Another evil target has been hunted down and the is<br />
about to be put to rest with a bullet in the head<br />
Imor<br />
,
1111 •tte itt 1114<br />
10_0_10<br />
system g<br />
MomI dm pits if hdl, %Romanian MAIM erns<br />
some horwi out of the top of his INC ralis his Mild<br />
sod takes a 1111 it Gromho's forthcoming 1:1132-sep<br />
calm utrawspiiii<br />
ot•<br />
Mutt ha, found one of tiro doors othorh le a d to one of the ga me r 50 or to pure . rooms<br />
The begirtrung of the<br />
game. A guarcharp on the<br />
bridge has been added,<br />
but graplucaify not much<br />
has changed from the<br />
first initiai sketch<br />
vet the last few years the term<br />
"interactive cartoon" has<br />
slowly translated into "unplayable<br />
game.<br />
fault of the - Tdevelopers h i s who have been<br />
putting itoo s much emphasis on the<br />
graphics t and h sound e and forgetting<br />
about what really counts, the<br />
playability.<br />
The first interactive cartoons on the<br />
<strong>Amiga</strong> were the Dragon's Lair and<br />
Space Ace series of games. Technically,<br />
these software products were outstanding<br />
and caused many garners' jaws to<br />
drop.<br />
The down side, due to massive<br />
amounts of data involved, was that the<br />
games came on far too many disks<br />
which meant you were sentenced to a<br />
life in swapping hell.<br />
The Sullivan Bluth Studios, famous<br />
for motion pictures such as Freddy<br />
F.R.0.7, All Dogs Go To Heaven and<br />
more recently Thumbelina, handled all<br />
Litif Theft had,<br />
unfortunately, found<br />
one of the many traps<br />
in the game and r don't<br />
think he looks too<br />
happy about it either<br />
0 0<br />
the animation and did a really good job<br />
with the products, but they were<br />
all sadly lacking in the playability<br />
department.<br />
3.5" disks are now becoming slowly<br />
defunct and it looks like the computer<br />
industry is quickly moving towards the<br />
CD format. The CD is able to hold huge<br />
amounts of data and some machines<br />
like the CD32 even have built-in FMV<br />
(Full Motion Video) modules, enabling<br />
the user to watch current movies on<br />
CD.<br />
This means games like Space Ace will<br />
now become more commonplace and<br />
with the data storage problem sorted,<br />
prominence can now be, at last, put on<br />
gameplay.<br />
The Irish division of Gremlin Graphics<br />
have been working on a game to fully<br />
test the CD32's capabilities in the interactive<br />
cartoon department. Its called<br />
Litil Divil and has taken four years to<br />
complete. Litil Divirs story begins in the
There are several items on sale in the shop and all of them are needed<br />
to complete the game. Collect the gold and they will be yours<br />
derworld and this is where the sands<br />
trickle eternally through the<br />
Nt t e same as yesterday and will<br />
ur undoubtedly be the same as the day<br />
gafter<br />
l Time crawls along and only once is<br />
athe<br />
monotony broken. This occurs<br />
s once a year by a meeting of the<br />
Grand Council in the Chamber of the<br />
s<br />
Ancients.<br />
o<br />
This occasion is where Mutt, the hero<br />
f<br />
i<br />
n<br />
f<br />
i<br />
n<br />
i<br />
t<br />
y<br />
.<br />
T<br />
h<br />
u<br />
s<br />
of Litil Divil, currently resides. The<br />
t Council must decide who will be chosen<br />
oto<br />
go forward into the Overworld,<br />
mthrough<br />
the labyrinth of Chaos, and<br />
obring<br />
back the Mystic Pizza of Plenty.<br />
r Every year, one of the Divils is selected,<br />
r but as yet none have ever returned<br />
ofrom<br />
their quests.<br />
Each Distil in turn must reach into the<br />
w<br />
sacred pot and pull out a straw. The<br />
i<br />
one with the shortest must go and find<br />
s<br />
the pizza. When it comes to Mutt's<br />
turn, he surprisingly gets stuck with the<br />
short straw,<br />
After much celebrating from the<br />
other Divils and congratulations<br />
received from the Grand Councillor,<br />
Mutt is shoved towards the entrance to<br />
the Labyrinth.<br />
Despite the terrible inscriptions outside,<br />
Mutt makes a start on his treacherous<br />
journey - this is where you take<br />
control of Litil Distil,<br />
There are two distinct styles of game<br />
contained within Gremlin's arcade<br />
adventure. The first and main one is a<br />
3D maze which Mutt must explore,<br />
looking for doors which lead to the second<br />
style of game.<br />
Through theses door are puzzles<br />
or quest rooms and these must be<br />
successfully negotiated before<br />
Mutt is able to progress further into the<br />
maze,<br />
The puzzles range from dealing with<br />
huge spiders to playing a fishy game of<br />
•<br />
"Simon says" with a wicked mermaid<br />
Some of the puzzles are relatively<br />
straightforward, while some will have<br />
you racking your brains - but nothing<br />
that you won't be able to finally get<br />
past.<br />
The 3D maze is littered with traps of<br />
all shapes and sizes. Each one, if<br />
sprung, takes some health-force away<br />
from Mutt. To restore this rapidly<br />
decreasing energy bar, Mutt can pick<br />
up loads of food which can be found<br />
dotted around the levels.<br />
The most outstanding features of<br />
Litil Distil are the graphics. Apart from<br />
Microcosm, Gremlins adventure is the<br />
best-looking game yet to appear on the<br />
CD32. The sprites and characters look<br />
set to rival anything that Sullivan Bluth<br />
have done or Disney themselves for<br />
that matter.<br />
The backgrounds are exquisite and<br />
even though they are highly detailed.<br />
they don't detract anything away from<br />
the character sprites. The animation is<br />
top-notch stuff and it's no wonder that<br />
Gremlin Ireland have taken so long<br />
over Litil Distil,<br />
Animation isn't the quickest thing<br />
to do in the world and the creators<br />
have taken care of every little<br />
detail, including drawing every<br />
single wall in the 3D maze individ•<br />
ually.<br />
Although the graphics are<br />
undoubtedly the game's best feature,<br />
Litil Distil does have a whole host of<br />
others, like the fact that it<br />
is riddled with<br />
humour all<br />
the w a y<br />
through the<br />
adventure.<br />
The top quality gags look as<br />
though they've been nicked from an<br />
episode of Bugs Bunny, Mutt gets<br />
stabbed by spikes, falls down holes and<br />
fire shoots out of the floor and burns<br />
our hapless hero, but he still gives that<br />
shake of his cartoon head, jumps up<br />
and gets on with his perilous quest -<br />
that is until his life-force runs Out and<br />
one of the oilmelr rooms and Mutt must make his way<br />
across the swamp by hopping on the stepping stones<br />
: le<br />
you lose a life. The whole game is<br />
topped off with a full cinematic CD<br />
score, giving Lib! Distil just the right<br />
amount of atmosphere in all the right<br />
places. To go along with the various<br />
comedy moments, there is a full corn•<br />
pliment of -<br />
wacky sound effects.<br />
- As mentioned before, Litil Distil has<br />
cbeen a four r t oyears<br />
in the making and<br />
o<br />
from<br />
n<br />
what<br />
-<br />
I've seen it's going to be<br />
well worth waiting for, With it's gor-<br />
s t y l e<br />
geous graphics, superb soundtrack<br />
and the fact that it's playable, these<br />
make the perfect ingredients for a<br />
classic game.<br />
Gremlin's spectacular CD32 game<br />
looks like it will become the first<br />
product to actually be called an<br />
"interactive cartoon<br />
- this awill n entice d more software publish-<br />
h<br />
ers<br />
o<br />
to<br />
p<br />
use<br />
e f<br />
the<br />
u l<br />
CD32<br />
l<br />
to it's full<br />
ycapacity.
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Some older gamesplayers reading this might remember the first time Apidya raised its competing. Maybe that's just me<br />
shoot-'em-up head. It was heralded, at the time, as one of the best and most original being completely rubbish at<br />
horizontally-saolling blasters you could get for your <strong>Amiga</strong> s h o o t - ' e m - u o s i For just over a<br />
Since then, Team 17 have waded into the computer industry wearing a pair of size termer though I shouldn't corntwelve<br />
Doc Martens and brought out a range of classic games including the shoot- plain too much because it will<br />
Gremlin's sequel to the classic 3D isometric adventure,<br />
released back in May, was warmly received by both the<br />
press and the general public. This CD32 version of the<br />
game isn't that much different from the original Hero , 4<br />
Quest 2 The only noticable change is a brand spanking<br />
new CD soundtrack to tantalise your ear drums while you .<br />
wander around the fabled land of Rhia.<br />
You can either use a mouse or the CD32 joypad for controlling<br />
your party of four heroes Both are equally good. although the extra buttons on the<br />
joypad tend to make things slightly easier.<br />
The game is relatively easy to play, but first-time adventurers might need to practise<br />
before attempting to complete the quest. Hero Quest 2 is divided into turns. You<br />
move your characters first then the Forces of Darkness respond.<br />
Each of your characters moves in order and there are a range of options each can<br />
carry out. All have an allocation of 20 action points per turn, to be used in whichever<br />
way you require - remembering that the more complex the action the more points it<br />
will take to complete<br />
CD32 owners will be more than happy with Grernlin's superb adventure sequel_<br />
The 3D isometric graphics are spot on, the CD sound is a major improvement over the<br />
sonics heard in the computer version, plus it's still highly playable and incredibly<br />
addictive.<br />
Whether you're using joypad or mouse, the control method is very simple, making<br />
the game a lot of fun to play. Even the younger player won't have too many problems<br />
with it. Hero<br />
Publisher: Grarlia Q u e s t 2 will last you<br />
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and it's by no means a<br />
eish 1 g a m e you're going to<br />
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Price<br />
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Karl disk G r e m l i n ' s fantasy role-<br />
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'em-up benchmark, Project X. k e e p you entertained for quite a while.<br />
If Team 17 have the best <strong>Amiga</strong> blaster sitting in their stables, why have they T o sum up, Apidya has gorgeous graphics, nice sound, plenty of playability, a<br />
bought Blue-Byte's Apidya and put it on their budget label for a ridiculously cheap touch of addiction, but the difficu ty level is set just a tad too high. 67%<br />
price of E10.997 Er, I don't really know, but that's what Team 17 tend to do from time<br />
to time and with a fair amount of success.<br />
Apidya is a five level shoot-'em-tio with a distinct insect. You control a "bee<br />
M b a r . hal 11<br />
(which - ship looks more like a wasp, but there you go) and must hunt down an evil sorcerer<br />
M called Hexaa i who tortured n your epartner to near r death. l i s t s : 2<br />
MThe sprites and u background t graphics are t delicately crafted s and even in today's era<br />
of super high-quality products they look just beautiful. The game boasts the largest<br />
ever animated end-of-level guardians, some of which reach to full screens in height<br />
M e t nil<br />
hiilst Mt Ill<br />
and Unlike over two Team screens 17's Prolect-X, in length. Apidya features a really good Ssimultaneous two-player F h e n : SW' isig<br />
mode. The "other player controls a drone which is able to protect the bee, but its<br />
abilities are limited. This is not a bad shoot-'erri-up, but it's not brilliant and whoever<br />
D e m i sista: Uptick<br />
reviewed it when it first appeared on the <strong>Amiga</strong> scene was perhaps a little too enthu• t i p p u l t 15111/11111/M211<br />
siastic. The main problem appears to be that It's just too hard, even with two players M I N I M : MI
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Jonathan Maddock offers<br />
some sound advice on<br />
sampling with a guided tour<br />
of the do's and don'ts<br />
NOMP aide(' litt<br />
In this the third part of<br />
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Ild55ifiRd5 la?<br />
browsing, all the best <strong>Amiga</strong><br />
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1<br />
1<br />
TUTOR I AL<br />
Sample<br />
efore you even load up your<br />
sampling package to record<br />
your sounds for your musical<br />
masterpiece, you need Co know<br />
all about the law of sampling, otherwise you<br />
could find yourself in a lot of trouble<br />
Sampling has become a massive bone of<br />
contention throughout the music industry,<br />
and within the last few years it has become<br />
more and more popular due to professional<br />
sampling machines becoming more<br />
affordable.<br />
<strong>Is</strong> sampling a legitimate source of new<br />
sounds or is it quite simply out and Out<br />
theft? This particular argument will rage on<br />
until the opposing parties are blue in the<br />
face, but as far as the future goes, sampling<br />
is here to stay.<br />
When you create a piece of music, you<br />
Artist<br />
n Track<br />
1. The Prodigy Charly b<br />
2. Orbital Halcyon + On + On<br />
3. Credit to the Nation Cal It What You o Want<br />
4. The Orb Little Fluffy Clouds<br />
5. Utah Saints What Can U Do For Me<br />
6. The Orb Majestic (Mihail Mix)<br />
7, Senseless Things Homophobic Asshole<br />
S. Ned's Atomic Dustbin Suave and Suffocated<br />
9 Carter USIA Faling On A Bruise<br />
10. Public Enemy Hazy Shade of Criminal Cr<br />
The law of<br />
automatically have the copyright. but only if<br />
you write it down or record it. Even if<br />
someone else records your piece of music.<br />
you are still the author and thus have<br />
exclusive rights Co the piece.<br />
The important thing is proving that you<br />
Carrie up with the music first There are two<br />
things you can do which will satisfy any<br />
court of law You can either post a copy of<br />
the work to yourself by recorded delwery.<br />
So the postmark can act as proof of the<br />
date. The other option is to leave a copy<br />
with youm bank and get an official receipt<br />
stating me date of the deposit.<br />
RE(01105<br />
That's the law dealt with. but the art of<br />
sampling has raised many Pegal problems. If<br />
you want Co sample from a record, just how<br />
rIludh can you get away with? An<br />
infringement only occurs if a 'substantial<br />
part<br />
- sampled<br />
of The actual Copyright act doesn t state<br />
a exactly how much this is, but its as much<br />
pdie<br />
quality of the sample as the actual<br />
iquantity.<br />
A very short musical piece can still<br />
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Sample samples<br />
Creativity and imagination is the key when it comes to sampling something. That small vocal g snippet or musical stab<br />
h<br />
can either make or break a record. Here, in no particular order, is my top ten favourite sampling music moments.<br />
Sample in question<br />
The sample that flew up from the underground and spawned a rave generation<br />
The vocal oft "A Fine Day" by Opus 3 backwards!<br />
The beginning rift of Nirvana's 'Smells Like Teen Spirit" fused into rap record that virtually assured a chart hit<br />
Rickie Lee Jones babbling on about the sky and thus giving ambience to the masses<br />
The sampling of Annie Lennox. a master-stroke that turned the track into a massive chart smash<br />
Genius snippets from the cult TV comedy series, Monty Python's Flying Circus<br />
The girl screaming "you want it" from the film Helraiser, edited especialy for the radio<br />
Dennis Hopper's mad ranting and raving from Apocalypse Now<br />
Michael Caine's classic "Know what I mean" speech from the film Attie<br />
The words "Rebel Base" as uttered by Darth \fader, take on a whole new meaning<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
oldIME IMM— C<br />
constitute a substantial rot:, Its oisc,nalve<br />
enough. The lour copynghted notes of the<br />
Channel Four television theme tune is just<br />
one example out of many<br />
If you sample any part of any copyrighted<br />
work, no matter how small, you risk getting<br />
caught. You may believe that what you ve<br />
sampled is from a relatively obscure<br />
source, but there will always be someone<br />
Boot up your Sam-<br />
piing package,<br />
plug in your loads<br />
and let tho sounds<br />
play. Welcome to<br />
the exciting law.<br />
breaking world of<br />
,<br />
, Even if you distort the sample, so that it's<br />
ototally<br />
different from the original, there<br />
mmight<br />
be that certain somebody maybe<br />
eeven<br />
the original artist - who will know the<br />
wsound<br />
and sue you because you've<br />
hchanged<br />
It from its original form Your case<br />
eprobably<br />
wouldn't even make it to a court<br />
rof<br />
law, but you still could face a large<br />
e<br />
w<br />
h<br />
o<br />
m<br />
i<br />
t<br />
r<br />
e<br />
c<br />
o<br />
g<br />
n<br />
i<br />
s<br />
e<br />
i<br />
t<br />
.
'rampling<br />
it itS<br />
the<br />
:ase<br />
ijrt<br />
mit-of-court settlement. There are four safe<br />
options to slop you getting into trouble wth<br />
your samples. First, go through the proper<br />
channels and get your samples cleared.<br />
you've got a sample you're not sure about<br />
am can try to get it cleared by getting in<br />
contact with the Mechanical Copynght<br />
totection Society.<br />
Check with the MCPS whether you need a<br />
ence and how much it will cost If the<br />
.-,tilisher of the sample in question is not<br />
associated with the MCPS. Men you must get<br />
I' contact with the publisher youtsert and get<br />
request clearance. Payment for the use of a<br />
sample may be a lump sum or a royalty on<br />
each recording sold<br />
The second option is to create your own<br />
samples. This technique is now being used by<br />
a number Of artists and rt involves the creation<br />
of lake' samples by intentionally adding noise<br />
to your own sounds. Take a drum track for<br />
instance and add some background noise and<br />
'N.ry presto, you've created your own<br />
, ,iustve sound.<br />
THOUBLE<br />
A third alternative is that if you believe the<br />
-<br />
. u think you'll get in trouble for using it,<br />
amen<br />
simply don't use rtl I know it might totally<br />
maereck<br />
your original inspirational idea, but it's<br />
p at better than getting sued.<br />
l Dance band, the Utah Saints had to get<br />
e •<br />
y-4<br />
Kate Bush, and they say that had the<br />
om•gnat<br />
artists not liked the use of their<br />
u sarnples, i then they simply wouldn't have<br />
wreleased<br />
s the records<br />
as<br />
The fourth and final option is to get your<br />
nsamples<br />
i from a reputable specialist sample CO<br />
t company o like Time + Space or AMG. These<br />
tdiscs<br />
n provide a wealth of noises. beats and<br />
elleaS o t in many different musical styles for full<br />
uaad<br />
o part-time muecrans. ;Ind are beaming<br />
su<br />
,<br />
e s rThe<br />
convenience of the COs are heaven-<br />
iiffit<br />
e e and all the sounds are free to use as.<br />
s tern s a anti as much as you like They cost<br />
qaround<br />
a n E50 each which to the amateur<br />
um...icon<br />
d might sound ci lot Of Cash, but If<br />
ep<br />
- mrivaivable<br />
because you'll end up paying a<br />
soi<br />
l more o if you get caught sampling someone<br />
telse<br />
e r<br />
i s As e mentioned at the start, sampling is here<br />
o p.<br />
n*gaily<br />
f oa<br />
or morally, Out one thogs for sure.<br />
artists aA<br />
p.<br />
and musicians are using it more and<br />
bmach<br />
n ua<br />
more creatively than ever before.<br />
l n ly<br />
Sampling looks relatively easy. maybe<br />
e irriJ_•<br />
aw<br />
use it IS<br />
ae<br />
, rh<br />
out should know that will really improve the<br />
ntardarct<br />
Lteh<br />
eOf<br />
your samples Here 8 a brief. but<br />
daids/<br />
em<br />
t set of hints and ups for would-be<br />
nahr<br />
ne<br />
e<br />
ocr<br />
e<br />
xrpt<br />
a<br />
Now!<br />
HATE5<br />
The nasal/id<br />
Producer Series<br />
Osv• an /soar .a, ,<br />
maaar Ph<br />
, 11 I. ..da<br />
.<br />
ramigi Gaityve4<br />
C aUtut<br />
.<br />
Norma. CPA<br />
.<br />
Dawav avotionals<br />
I44111<br />
r-<br />
k.<br />
, Ro<br />
ot<br />
.<br />
h/<br />
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r<br />
o<br />
.<br />
,<br />
- - -<br />
PUBLIC IP<br />
ENE M 117<br />
samplers. The first tip might sound<br />
incredibly stupid to many of you, Out for<br />
the beginner always read the manual from<br />
cover to cover. It's an obvious point, but<br />
there are so many people who by not<br />
reading the manual miss an important<br />
'eature that they might benefit by.<br />
Try experimenting with sample rates.<br />
You don't always have to go for the<br />
highest quaky frequency, you can always<br />
get some many dirty effect by usski a much<br />
lower rate - plus it saves on a lot of disk<br />
space.<br />
The best sampling ram are between I Sk<br />
UP to 28k. because this tends to get nd of<br />
all the top and bass sounds and leaves you<br />
with a nice middle ' sound,<br />
Always, and I mean always, make sure<br />
that your loop points are joined at around<br />
the same point Failure to do the, normally<br />
leaves you with ,a click sound as the sound<br />
loops, making for messy and amateurish<br />
samples<br />
It ten be useful to Alt the sample loop<br />
•<br />
cr .<br />
points about especially where percussion IS<br />
concerned, because ma can sometimes<br />
provide you with a new feel in your beat<br />
Try using short samples rather than long.<br />
as this leaves you a lot more scope for<br />
experimentation, which of course is what<br />
sampling is all abota<br />
Don t tie too fidely when it comes to<br />
tuning the sample. Try and get friends<br />
to listen to the noise because it<br />
might not need much altering as different<br />
people's ears have different perceptiona of<br />
pitch.<br />
Don't spend too much time On any<br />
carve, apart from the ones that you re<br />
definitely going to use in your musical<br />
masterpleri•. because Ma just wastes<br />
unnecessary time.<br />
One cal the most important tips I can grve<br />
is to always make sure that you save your<br />
work at least every ten minutes. Crashes by<br />
your computer can cause So much hassle<br />
and stress that this tip should never be<br />
—<br />
110'<br />
When saving your work. make sure you<br />
ygoplace<br />
your samples ri an organised library<br />
tte<br />
n. <strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
TUTOR I AL<br />
Looking for that elusive<br />
sample that'll bring goo<br />
(hart SUEC2557<br />
Jonathan Maddock<br />
guide5 !mu around the<br />
5amoling laws and tells<br />
goo how to get better<br />
ualitq 5dITIO1P5.<br />
the nation<br />
where they can he easily and quickly found<br />
when you need them. This will save a lot of<br />
time in the long-run.<br />
The last thing I can really say is to always<br />
experiment with your samples. You never<br />
know, one quick reverse of a sample and a<br />
whole hit record could just be around the<br />
corner. Happy samplingt<br />
Useful<br />
Addresses<br />
Mechanical Copyright Protection<br />
Society Ltd<br />
Elgar House, 41 Streatham High<br />
Road, Streatham, London SWI 6 I ER<br />
Phone: 0811469 4400<br />
AMG<br />
PO Boa 67, Farnham, Surrey<br />
GU9 84R<br />
Phone: 0252 717333<br />
Time + Spa ce<br />
PO Boa 306, 8erkhamsted, Herts<br />
HP4 3EP<br />
Phone: 0442 870681<br />
131
NI<br />
Take your <strong>Amiga</strong> Multimedia System to Warp Speed<br />
with the WarpEngigW40 running a Motorola 68040<br />
at 80/40MHz fointr 30 MIPS of Workstation<br />
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Dramatically Increase Speed for 3D Rendering, Modeling and Layout.<br />
Reduces Screen redraw times for Graphic Design and DTP.<br />
How Fast is the WarpEnginelm:<br />
Rendering the Texture example included<br />
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Diskspeed using 2.1Gig Barracuda Drive:<br />
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Coming Soon:<br />
The ImpulsEnginew is a 50M1iz Accelerator<br />
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It is more cost effective to install a WarpEngine 4028 Accelerator if you have an <strong>Amiga</strong> 4000/040 than to buy a HardDrive<br />
iniller/memory board or one of each which will take up expansion slots and won't accelerate your <strong>Amiga</strong> 1Ram speed is actually<br />
Cr). This will double your Rendering Speed(<br />
The WarpEnginem uses four standard 72 pin S1MMs and allows the use of up to four different size SIMMs at the same<br />
ime(4,8,16.32MB SIMMs). CAT only has two SIMM sockets onboard and uses much more expensive (up to 1.5 times as much as<br />
VarpEngine SIMMs) custom SIMM modules (only 4 or I6MB SIMMs can be used but not at the same time) which are only available<br />
rom CAT.<br />
The NCR SCSI-2 Fast 32Bit DMA Bus Master Processor makes it the Fastest HardDrive controller available for the <strong>Amiga</strong>! It<br />
rovides up to 10MBis Transfers with 90 to 98% of the 68040 CPU Processing Power left available in your applications. All<br />
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, All WarpEngines are fully upgradable to 40MHz!<br />
L.<br />
Features<br />
28M1iz• 33MHz. 40MHz Versions<br />
28MItz Upgradable to 33 or 40MHz<br />
• ndable onboard to 128Megahytes<br />
It in SCSI-2 Fast Hard Disk Controller<br />
s Industry Standard <strong>Amiga</strong> SIMM Modules<br />
' ibination of SIMMs<br />
f. Memory from the <strong>Amiga</strong><br />
ster than <strong>Amiga</strong> Ram<br />
r Problems<br />
WarpEngine<br />
YES<br />
YES<br />
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YES<br />
YES<br />
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ira<br />
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Available! All of this WITHOUT using a single -Zorro 111 Slot!<br />
We have equipped half of our Toaster Systems with 40N1Ht WarpEngines<br />
and have seen our rendering times triple in throughput speed.<br />
Now we are going to install 40M11t WarpEngines in the rest of our<br />
Toaster Systems.<br />
Lee Wilson<br />
Visual Effect8 Supen•or<br />
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ull Two Year Warranty on Board<br />
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134<br />
TUTORIAL<br />
he first two parts of mis senes<br />
looked at most of the <strong>Amiga</strong><br />
hardware and software you<br />
need to add titles and graphics to<br />
your videos and grab images from them<br />
But what about the video equipment itself<br />
- the cameras, VCRs, sound recording and<br />
other equipment you'll need for capturing an<br />
event and the additional <strong>Amiga</strong> add-ons<br />
you'll need to edit your raw source material.<br />
That's where we're headed this month.<br />
Obviously. youCe going to need a video<br />
camera so that you can record your own<br />
original matenal. The next time you walk<br />
down the main street in any major town, or<br />
you go to a shopping centre, take a look in<br />
some of the specialist electronsCS shops<br />
(Dixons. Currys. and the kkel<br />
You II see a number of video cameras on<br />
display, in a wide range of shapes. sizes and<br />
prices. all with labels pointing out their latest<br />
whizz-bang features.<br />
But what do you really need in a camera?<br />
<strong>Is</strong> fuzzy logic or builtin capoormng a<br />
necessity? In most cases I would think not<br />
but it isn't my place to tell you wnether a<br />
particular feature is necessary for your<br />
purposes. I'd rather let you know about<br />
those you'll actually need - everything else is<br />
icing on the cake.<br />
The first thing you should decide is what<br />
video format you want to use For many<br />
people this will mean choosing either VHS or<br />
WHS, though some people will prefer<br />
Video8 or Hi-El. Ultimately, which system you<br />
choose depends on several factors<br />
Your main concern will probably be image<br />
1 v k k K ) 8<br />
Itlx Handycam<br />
legto<br />
quaky II this is the case, then S-VHS or 148<br />
should be your choice as each offers visibly<br />
superior quality over their VHS or Video8<br />
counterparts and, as a consequence. S-VHS<br />
and Vocleo8 formats are more expensive.<br />
The type of genlock and digitiser you<br />
own or plan to own) also has a bearing on<br />
the cnoice of format, as genlocks or<br />
digitisers are capable of accepung the more<br />
sophisticated Y/C signals from SA/HS and<br />
Hi-8 machines.<br />
If you re planning on using your<br />
camcorder as an editing source, make sure I<br />
can be controlled externally via a ControiL<br />
port Oka tANC). because Ma is what your<br />
<strong>Amiga</strong> will interlace to Ina an appropriate<br />
editing package) to gain control over the<br />
camcorder s play and pause functions so<br />
that the appropnate video clips can be<br />
recalled as required.<br />
Efinal<br />
Try to get a camera with a reasonable<br />
zoorn lens, and macro too, so that you have<br />
more choice rn the shots you can take. It the<br />
zoom can also be operated manually so<br />
much the better, because the motors whKli<br />
drive the zoom can quickly drain a battery<br />
during frequent use<br />
Speaking of batteries, get a few spares -they<br />
might be expensive. Out there are times<br />
when a pare battery would have allowed<br />
you to get those brilliant shots you just<br />
missed when the power ran Out.<br />
Make sure your camera has a mains<br />
adaptor too, because if you power the<br />
camera from the mains rts unlikety you're<br />
SONY<br />
•<br />
•41,••• •K•••• EARIM 41.1 realms., " U M ' a<br />
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M I M I Mid • Imo<br />
onn •<br />
•••••• am* 1.1 • rodb<br />
ma wk.,' semi aes Moldy portable and otter to use, but many feetore<br />
restriction automated remotions with no manual control<br />
The out-takes<br />
To edit video you need at least one video source 'which could be a camcorder or a VCRI<br />
and a VCR to record onto. The record VCR should be capable of accurate frame<br />
positioning - the more accurate the better.<br />
Again, the choice of VCR format is up to you, and it doesn't necessarily have to be the<br />
same as the format of the video source, as long as they can be connected together<br />
successfully. For instance, you could use a Hi-8 camcorder arid an S-VHS VCR. since both<br />
use Y/C video signals.<br />
One important point to note is that the VCR must, like the camcorder, be able to be<br />
controlled externally - for instance via infra red remote control - because this control will<br />
be used during editing.<br />
But you can't just connect the video decks to the <strong>Amiga</strong> and start editing. You'll need<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTQBER 1994<br />
•<br />
light5,<br />
The uideo camera and its counterparts are<br />
the ail-important aspects of a &leo<br />
production. Cam Whiteleg shows goo<br />
what tiou need and how to U5P them<br />
Make the investment in a high quality SCR now leusteed<br />
of biter - think about the long tem, wherever •Hordable<br />
going to run out of juice at a critical time.<br />
There are other things yeti"' need to go<br />
with your camera, like a good fluid-head<br />
tripod and maybe a shoulder-mount, but<br />
go and buy a specialist video magazine<br />
and take it from there.<br />
For sound reco(sbnig. try to find a<br />
camera which will let you plug an external<br />
microphone in because. lets face it, there's<br />
no way that the built-in camera mic can<br />
possibly cope with everything Mats<br />
thrown at It,<br />
Try recording an interview on a windy<br />
day using only a camera mic and you'll<br />
hear why professional camera crews<br />
usually use a separate mit<br />
- operator). land m i c<br />
There's no way that a camera mic can<br />
capture just the sound of the interviewee<br />
and filter out the wind noise, Oren if you<br />
stick a woolly sock over in<br />
One further point. If you can, buy a<br />
camera which allows you to control the<br />
volume level manually as well as<br />
autornaticaliy. and make sore you learn<br />
how to use this feature.<br />
Otherwise you'll fall foul of the built-in<br />
AGC lAilt0Mdb( Gain Conuol), which tries<br />
its best to keep me recording level constant<br />
at Me expense of the sound itself.<br />
For instance, if you were recording an<br />
interview and a lorry drove past or a noisy<br />
aeroplane flew over, then the AGC would<br />
reduce the recording level to take into<br />
account the lorry or plane.<br />
The result would be that the<br />
interviewees recorded voice would drop in<br />
proportion to the overall ceop in recording<br />
an interlace and control software of one kind or another. and true coo of such things<br />
ranges from several hundred pounds to several thousand, depending on the level you<br />
wish to edit at.<br />
In most cases home users won't be doing NB Of 3-machine editing, concentrating<br />
instead on simple cutting from source to recorder and genlocking graphics and titles. so<br />
one of the cheaper packages would probably suffice.<br />
Two-machine editing cant add wipes and fades between pictures, but it can let you<br />
cut out all the rubbish from your source tapes, add graphics and music and assemble a<br />
coherent program from a series of individual clips.<br />
This is probably a satisfactory compromise for those birthday, holiday and other home<br />
videos which won't ever be seen by anyone but you. your close friends and family.<br />
There are a couple of low-cost edit controllers on the market - Gold Disk"s Video<br />
Director is well under E200, likewise Scala's Echo EEI 00 (which also requires<br />
ScalaMM300 and a fairly powerful <strong>Amiga</strong> with a hard drivel. Both packages can control a
camera5, action<br />
level. and probably be completely swamped<br />
by the louder lorry or plane.<br />
For me, as an ex-sound recordist. AGC is a<br />
bog pain in the backside and tan cause no<br />
end of problems.<br />
Therefore its important that (al you can<br />
control the sound levels manually and Ibl you<br />
can plug an external microphone in so you<br />
can get closer to your subject<br />
If you are able to MP( your main sound<br />
source as closety as possible, the relative<br />
balance between it and the background<br />
Sound will be much better - and the<br />
resulting recordings will be far more<br />
audible<br />
[gnomons<br />
There are times when even the best<br />
cameras cant cope property with the<br />
prevaltrog lighting conditions (unless<br />
you've got an Infrared night-vision<br />
camera, of course!).<br />
Most modern cameras use CCD<br />
devices. which provide better lighting<br />
pidc•up than the tubes older cameras<br />
were based on. Although many cameras have<br />
lighting gain switches to boost the brightness<br />
of a low-light image. Mrs boosting also<br />
enhances the inherent noise in the image.<br />
making it appear more grainy.<br />
The solution is to add extra lighting, where<br />
circumstances allow, so that the prcure<br />
quality remains as high as possible It isn't<br />
always necessary to buy specialised lights<br />
though. because depending on where, and<br />
CCD<br />
Mak* auto to choose<br />
a coma,. that suite<br />
your particutar<br />
requirements<br />
what you are shooting it might be possible to<br />
use lighting which is at hand. For instance,<br />
use an Angiepoise or table lamp to improve<br />
the lighting, switch on the room lights, or<br />
even just use a sheet el newspaper as a<br />
reffector to bounce some daylight onto a<br />
Subject There are lots of title things you can<br />
The Charged<br />
coupled Dewiest<br />
pro vOdos better<br />
lighting pick-up<br />
!when compered<br />
to tubo-basnd<br />
•geism@<br />
Wntrol-L camcorder or VCR as source and an infra red-equipped VCR for editing. By<br />
defining a series of clips which you wish to copy from the source to Me editor, the whole<br />
process can be organised fairly simply, if you have the right video equipment.<br />
Obviously, each program has different features and there's no room for reviews<br />
here, so you'll have to look elsewhere for more details - and for other editing packages -<br />
but as a good start for your research check out Video Director and, if possible,<br />
Scala Echo. Other editing solutions include KRP's Video 20 series, VideoPilot 330 and<br />
SynuonK's Eckman<br />
Of course, an edit controller isn't strictly necessary, and you can do simple editing by<br />
hand using only the play, pause and record buttons on the video machines. However,<br />
this is a very rough and ready method and there's no way you're going to get accurate<br />
edits this way. though as a cheap and nasty method it's hard to beat.<br />
tio :0 improve the<br />
lighting, but there are also times<br />
when proper lighting is an absolute must,<br />
whether for practical or artistrc purposes.<br />
If you cannot hire light like most video<br />
equipment, lights are often available for hire<br />
focally if you make a few<br />
engumest then you'll<br />
have to buy some.<br />
Good lights cost a lot of<br />
roortey, so before you take the<br />
plunge take a trip to a large<br />
hardware store and see what kind of<br />
halogen lamps they have on offer<br />
say halogen because they<br />
provide a lot of light whrie<br />
being compact in size,<br />
and you might<br />
decide that to<br />
save money you<br />
can improvise a so<br />
of fights for all but<br />
those special<br />
occasions when it<br />
wouldn't do to look like<br />
you're using makeshift lighting<br />
But for home shooting. animation or what<br />
have you, such lighting wM usually suffice.<br />
Always remember that electricity can be<br />
deadly, and if you're not sure what<br />
you're doing, bod someone who<br />
does who can either advise you<br />
or fix the lights up for you.<br />
Gary Whiteley can be contacted by e-mall as<br />
drgattkix•conipulMk.co.sik<br />
And, by way of a shameless plug, you could also buy<br />
his <strong>Amiga</strong> Desktop Video book /ISBN 1-8911275-08-41<br />
From Future Publishing /Tel: 0225 11225101 or from<br />
any gone bookshop.<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
ILIT0111111.<br />
C<br />
o<br />
s<br />
t<br />
s<br />
There s not much I can tell you here<br />
except that good video equipment<br />
doesn't come cheap and there's seldom<br />
such a thing as a bargain when buying<br />
edit-capable VCRs and camcorders. If<br />
you're buying from scratch, expect to<br />
shell out at least E2000 on all the bits<br />
and pieces<br />
Home video Part 2<br />
Radtsoad•<br />
blondhoads<br />
and tillers<br />
ore Mat<br />
component'<br />
to any<br />
productleit
E. M. COMPUTERGRAPHIC<br />
THE U.K.'S NUMBER 1 AMIGA FONT AND CLIPART DISTRIBUTORS - AMIGA COMPUTING ISSUE 52<br />
WORM° CLIP ART<br />
INAS<br />
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Volume 11 - 5 Disks - E14,00 • Classic OFF CADact<br />
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EMC Volume 88 - 6 Disks - E10.50 - 256 Cora 1<br />
Ferraris Corvtele Marta Formula 1. Sports Cars and morel<br />
!VAC Volume St - Disks • cle,541- 256 Cars 2<br />
Porches Larsbas. Classic, 0<br />
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EMC Volume - 5 Disks - E16.50 - 256 Planes 1<br />
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OVA/9147N 5112 • 5 Disks - E14,Q0 - 256 Space I<br />
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EPIC Volume 93 - 5 Disks - E14.00 - 256 Space 2<br />
tnteronses. Space Shuttles. NASA Shots and rrora<br />
EMC Volume 94 5 Disks • E14.00 - 256 Women<br />
Lot. or Eleaulile WOrnen and Models<br />
roc Volume 95 - 5 Disks - E14.09.- 256 WildCals<br />
eopards asd lois ol other Veldt:ars!<br />
EMC Volume - S_Disks.• E16.50 - 258 Horses I<br />
Honnitt) Horses, Foals R<br />
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EMC Volume 97 - 6 Disks E16.50 - 256 Horses 2<br />
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EMC Volume 90_ - 5 Disks - E14.00 • 256 Dogs 1<br />
A1631,,,,,Lt,br.rkg Loris. puppies and /Wet/ 900/11 i-gly -<br />
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MC VOUS), 99 - 5 Disks • E14.00 - 256 Dogs 2<br />
!Jetlers Lute Dogs yetis Cats. Cube r utalres and mart.<br />
,EMC VOIUMII 100 • 6 Disks - E15.50 - 266 Cats<br />
Really cute and humProes picturws or Cats arid Kaleral<br />
gmc Volume 101 - 6 Disks - E18.512 - 256 Cats 2<br />
mere c u t e and htoriorous pictures Or Cats and kiiterls!<br />
EMC Volume 102 - 6 Disks...E16,50 - 256 WaterAfte<br />
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EMC Volume 105 - 6.10isks - E18,59 • 255 Anima& 3<br />
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Lizard Squirrels, Walrus, Kalens and lots al 4Vher Arlerals<br />
EMC V9ILIMe 109 - 6 Disks -S18.50 - 258 Panorama 1<br />
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EPIC Volume 119 - 6 Disks • E15.5Q.<br />
- 258 P a n o r a m a<br />
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EMC Volumes 111 - 8 Disks • E16,50 - 256 The Sun<br />
Sunrises and Sunset* horn Cates to Lakes in Deserts!<br />
EAIC Volume 112 • 5 Disks - E14.60 • 256 World People<br />
Arnencan'amazon Indians, Hawaiians, Alscass and mem!<br />
EMC VOiLifile 113 - 6 Disks • E16.50 - 256 America<br />
brand Canyon Vegas. CeasaraPalace, Vallee House etc.<br />
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EMC Volume 115 - 6 Disks - E18,50 456 The World<br />
From,arcarrld the world Egypt Japan, Ita•y. France England etc<br />
EPiCVOlUnle 115 • 5,10isks E14.00 - 258 Birds<br />
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Ducks, Eaglet Hawks, Ow-e. Wirier Birds sad more Birds!<br />
EPAC Volume 118 - 5 !Disks • E14.00 - 256 Birds 3<br />
Swans, Falcons and lots ot teds that we canl rdenblyl<br />
RUC Volume 1151- 6 Ov.ks - E16.50 • 256 Fantasy 1<br />
Warriors. Dragans. Female 'Namur* and Us snore<br />
,EPIC Volume 120 - 6 Pisks - £16.50 - 256 Fantasy 2<br />
liras/no LartCat pica. Uracula. Skull Wamors are lob e f<br />
EMC Volume 121 • 6 Disks - E16,50 - 258 The Movies<br />
barman Slarwas. Top Gun. Terminator. Indy Karate Kid etc<br />
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kachens, bosasng insects. cameras aria mere<br />
EACC Volume 125 - 5 Disks - E14.90 -<br />
.256 G i r l s 1<br />
Iluruutilul Women oreesed very Wee None boiling!<br />
EMC Volume 128 • 5 Disks - E14.00 - 256 Girls 2<br />
Bea uotril Women di eased in very late Brood tblingt<br />
EMC Volume 127 - 5 Disks - E14.00 -<br />
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EPIC Volume 129 • 5 Dtsks - E14_00 - 251 Swim Suits<br />
Bee/fitful Women. 01 all shapes and sites, Seirestats<br />
MC VoluMe 130 - 5 Disks' E14.00 - 258 Bikinis<br />
I4,,uul.ivion,r, Of all slatpeil and sizes. mu therm.<br />
EPIC Volume 131 • 5 Disks - C14.00 - 255 Roach Girls<br />
Women on tho boach. the kind of babes you see in Bap-relict'<br />
EPIC Volume ln • 5 Disks V111•00 • 256 Lingerie<br />
bleaulaul Warnen, el all shapes and sizes. in Lingerie<br />
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Snakes, Frogs, Lizards Crocus and some arraireg pea of UMOS<br />
EPIC Volume 130 - 6 Disks • £16.50 - 256 Classic Cars<br />
6 disks packed mai Classic cars or all shapes and sizes<br />
EMC Volume 137 • 6 Disks - E16,50 - 256 Cars 3<br />
Veltes, Pcerhes. Asion Countachs. E Type Mini, HH Ewa etc<br />
EMC Volume 138 • 6 Disks - E18,50 • 256 Fast Cars<br />
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Casks lull 01 Indy Racing. Formula 1, Drag Racing and ntnrei<br />
EPIC Volume 140 - 6 Disks • £16.50 - 256 Boats<br />
Power. Yachts, Military and lust atinia every other type<br />
EPIC Volume 141 • 5 Disks - E14.00 • 256 Trains1<br />
Iv& Out 256 Train vols. containing Steam red E lecke locos'<br />
EPIC Volume 142 - 5 Disks. E14.00 - 256 Trains 2<br />
2od of ran 256 Train vols. containing Steers arid Eleciic locos!<br />
EMC Volume 143 - 5 Disks - E14,00 - 256 Trains 3<br />
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EPIC Volume 144 • 5 Disks - E14.00 • 256 Trains 4<br />
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Desert Storm. Tanks, Bombs. Jets Cannons Navel and morel<br />
EPIC Volume 148 • 6 Disks - E18.50 • 256 FliOd<br />
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EPIC Volume 147 - 6 Disks - E16.50 • 256 Jet Fighters<br />
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EPAC Volume 148 • 6 Disks - E16.50 - 256 Snow SerlOS<br />
pnciscsaar ails or Snow Capped M tans. Snowy Fur0515 & Ft.yers<br />
FMC Volume 149 - 6 Disks • E16.50 - 256 Waled-ifs 2<br />
L:oloutrul pen ul Trope& Fish. Coral, Sta<br />
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EMC Volume 150 • 6 Disks - E18.50 • 256 Travel<br />
Stonehenge, King<br />
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EMC Volume lel - 5 Disks - El 4,00 - 256 NASA 1<br />
Annuls, Shuttles, Planets. Lunar Modules and Elabble TaCCIPre elc<br />
EMC Volume 152 - 5 Disks • E14,00 - 256 NASA 2<br />
Shuttles. Sires, LaunCh Sites Launchs and lots of Space Shots'<br />
EMC Volum* 153 - 6 Disks - E16.50 - 256 Babes 1<br />
Due to oven/crea•ing demand yel more disks of BeautirJ<br />
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EMC Volume 154 - 6 Disks - E16.50 - 256 Babes 2<br />
Due In overseheanong demand. yet more disks of Emairlitia Bates!<br />
EPIC Volume 155 - 6 Disks • 06,50 - 258 Babas 3<br />
Due le overwheiroreg demand yet more cliSket 01 BeatirAut Babe&<br />
EMC Volume 156 - 6 Disks - £16.50 - 256 Babes 4<br />
Due to overwhelming demand. ..yet more rinks al Beautilul Babes<br />
,EMC Volume 157 - 6 Disks - E16.50 - 256 Babas 5<br />
Due to ovenatelnung demand you more diSitS Or Bearzuful Babes'<br />
EMC Volume 158 - 6 Disks - E10.50 - 256 Hunks<br />
One Ira ins Girls • 6 disks ol 'Clsopendais tyre Hunky men!<br />
EMC Volume 159 - 6 Disks • £16.50 - 256 Various 2<br />
Pictnre5 rnarnty COMpniSN al Babes mid Wild Cats<br />
EPIC Volume 160 - 6 Disks - E16.50 - 256 Various 3<br />
Famous People Walerlite. Srear Scenes and Traver<br />
EMC Volume 161 • 6 Dakar - E16.50 • 256 Various 4<br />
Hoeks Bates. Reck Slams and Famous People<br />
EMC Volume 200 - 6 Disks • E16.50 - 256 Robots<br />
Scene arri.izyg Nati Quality artwork of craurrie pared ferrate I taLoOls<br />
EMC Volume 209 - 6 Disks - E18.50 - 256 Heavy Metal<br />
Veq nice fantasy type &tear* irdra Heavy Metal magazine<br />
EMCVOIUMS 210 • 6 Disks - E16.50 • 266 Star Wars<br />
Quality pictures arid acle1011s horn lave Star Wtes newies<br />
EPIC Volume 211 - 6 Disks - E15.50 - 256 Night Breed<br />
Oualrly pictures and artwork from the SciF! series Niribl Breed<br />
EPIC Volume 212 - 6 Disks - E115.50 • 256 DS9 1<br />
Ckalth, prclures and artwork Irom Star Trek • Deep Soace Nine,<br />
EMC Volume 213 - 6 Disks - E15.50 • 256 D59 2<br />
: Ouroty pclures and artwork Iron, Sitar 1 rek - Deep Space Nine<br />
EMC Volume 214 - 6 Disks • E16.50 gm; DS9 3<br />
Du ality pickwara and edged.. from Star Tres - Deep Space Nine<br />
EASC Volume 215 • 6 Disks - E18.50 • 256 059 4<br />
Qualify pictures and artwork from Star Trek Deep space Nine<br />
VAC Volume 215 - 6 Disks • E16.50 - 258 DS9 5<br />
(kality pictures and artwork from Star Trek - Deep SIligoa Nino.<br />
VAC VOILIMS 217 • 6 Disks - E16,50 • 256 TNO 1<br />
Ehelay pclures and artwork irons Star Trek The Neal Generation<br />
EMC Volume 218 - 6 Disks - E16.50 - 256 TNO 2<br />
Queasy taclures and artwork from Star Ire* • The Next Generallon<br />
EMC Volume 219 - 6 Disk4- £16.50 - 256 TNG 3<br />
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Great pctures ana artwork troth Star Trek • langinal sepias & Moves<br />
EPIC Volume 221 • 6 Disks - E1.9.50 - 256 Star Trek 3<br />
Gress picteres arid artwork from Star T<br />
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SAW Volume 222 - 6 Disks - E16.50 - 258 Conan<br />
Eicellent 256 arlaKait teaLteng Conan Ile Barbarian<br />
EMCVOIUMS 223 - 6 Disks • E16.50 - 256 Dr Who<br />
Steal pictures and excellen1 artwork from the cult sores Dr Who.<br />
EMC Volume 224 • 6 Disks - E18.50 • 256 TV<br />
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EMC Volume 225 - 6 Disks - El 5,50 - 256 D.Lance 1<br />
bromine high quality artwork. Imre Dagen Lance<br />
EPIC Volume 226 - 6 Disks - E15.50 - 256 Blame 2<br />
Siunneg. high quality &moods trorn Dragon Laroce<br />
EPIC Volume 227 • 6 Disks - E16.50 • 256 BorisV I<br />
Eureptional artwork by the renowned fantasy altar Bons Vallejo.<br />
EMC Volume 228 - 6 Disks • E16.50 - 256 BorisV 2<br />
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EAtC Volume 229 • 6 Disks - E16„50 • 256 BorisV 3<br />
EtizeplIonal artwork by ihe een0Wi9e4 fantasy arasi Buns Valielo<br />
EPIC Volume 230 - 6 DiSks E16.50 - 255 BorisV 4<br />
Exceptional arloatifk by ihe renowored laMasy artist Bons Valleio<br />
EPIC Volume 231 - 6 Disks • E16•50 - 256 BorirtV 5<br />
Exceptional artwork by Ma renowned laniasy arts! Bons '<br />
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EPIC Volume 232 - 6 Disks - E15.50 - 256 BorisV 6<br />
a• -• !.o rk by the renowned fantasy at5i5I bons Valleta•<br />
EMC Volume 233 - 6 Disks - E16.50 - 256 BorisV 7<br />
Exceptinnto anwork by the renowned fantasy artist Boris %/allele<br />
EMC Volume 234 - 6 Disks - E18.50 • 256 BorlaV 8<br />
Exceptional ariwork by the renowned fantasy arlim eons Valetas<br />
EMC Volume 235 • 6 Disks - E18.50 • 256 Kelly I<br />
Fxcellenl artwork by the lamous fantasy artist Ken Kelly<br />
EPIC Volume 238 - 6 Disks - E18.50 - 258 Kelly 2<br />
Excellent tiowerk by the famous fantasy arlist Ken Kelly<br />
EPIC Volume 237 • 6 Disks - clue - 256 SciFi Art 1<br />
Limed beg 01 grand artwork and pictures war, a general SciF• there<br />
EIWC Volume 238 - 6 Disks - E16.50 - 256 SciFi Art 2<br />
Mixed bag ol great arksiorla and pit:lures with a wrier:it SCiFt thane<br />
EMC Volume 239 - 6 Disks - E18.50 - 258 Woodrolte<br />
Really geed Weird fantasy pic * horn me world of Patrick Woodrofte<br />
EPIC Volume 240 • 6 Disks - E18.50 - 256 Movies 2<br />
ExCellen1DOStartwork IrOM 10/116 CS9 Star Wart lerrrrnator<br />
EPIC Volume 241 • 6 Disks - E18.50 • 256 D &<br />
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EPIC Volume 242 - 6 Disks • (16.50 - 258 Fantasy 3<br />
Leads of grtros quality general fantasy artwork<br />
EMC Volume 243 - 6 Disks • E16.50 - 256 White /<br />
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<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994
ast month we were looking at a<br />
routine that can be incorporated into<br />
any macro that needs to make unit<br />
conversion changes (eg lbs to kilos( in<br />
blocks of text<br />
The idea was to use a loop to search for<br />
particular combinations. and whenever a<br />
number was found at the rill location we set j to<br />
1+1 and compared the fth word with the units<br />
parameter. After doing any conversions<br />
necessary. the next iteration of the loop was<br />
performed<br />
I said that an improvement could be made<br />
arid in case you're still wondering what it is, just<br />
consider the case where the wordS_j units test is<br />
successful.<br />
The next iteration of the loop will then atways<br />
be pointless because the next wordS i cannot be<br />
a number (since wordS.i or that iteration will be<br />
word SI of the previous iteration and this<br />
matched the specified units stnnigi_<br />
This means that we can reduce the work that<br />
the routine has to do by eliminating those<br />
pointless loop iterations. This is done by<br />
Incrementing i whenever a units match is found•<br />
This simple change produces the Modifyglockt)<br />
procedure shown in listing 1 There are faster<br />
ways of doing the job but to be hmest when<br />
this particular routine was being written speed<br />
was not the only concern - flexibility and reusability<br />
were also high on the agenda.<br />
Notice that ModifyBlockft doesn't get involved<br />
with any inter-program communication itself.<br />
This is deliberate and is done to ensure the<br />
generality, and therefore the reusability, of the<br />
procedure<br />
The idea is that you should collect the text<br />
from the program in question, do any<br />
modifications in as application independent way<br />
as possible'. and then send the replacement text<br />
back to the Main program<br />
A typical paragraph-oriented use can be seen<br />
Modifahock: procedure<br />
Polio e rg blockLumitSoeu_Initg,con eeee i e e je ctor<br />
ouseric digits 4<br />
mueber_of_mordszidordsCbtockl/<br />
do i.I to oustier.of.vords<br />
vord4.11ord(btockS<br />
o<br />
i) I °<br />
do 1 .1 to mumber_of_mords-1<br />
e x t r a c t<br />
w o r d s<br />
• d of<br />
r o<br />
.<br />
j.i.I<br />
b l o<br />
c<br />
*<br />
/<br />
k do<br />
cod<br />
ktockP"<br />
if gatatePt4vord8.1,14 tiem<br />
if. i1 to ausber_of_aords<br />
btock4=btockg uordLi / . re build block * /<br />
emd<br />
return block$<br />
if uorild.unitt them<br />
do<br />
vordS.i* conversion_fector.vordLi<br />
wordS.j.ote.umit$<br />
end<br />
end<br />
if mordS,j.a nie l tbeu<br />
end<br />
vordg.i.conversion_fector.vord4,i<br />
word$4.neir_unitS<br />
a.40<br />
Roam far • AREH • • •<br />
• • • • •<br />
••<br />
improuement • ••• •<br />
for instance in this Final Copy II macro fragment<br />
optical mutts<br />
'extrect' / * read paragraph .1<br />
teltS.Modityelocktresult,qeet'.'iochre<br />
. 'fletete'<br />
petagrape ,12) e j<br />
1 0 re tool 'tilting<br />
'type' te a t$<br />
pertgraph ./<br />
r . inse rt modified<br />
In this case 'extract' pulls in the text (notice that<br />
the paragraph returned in Affexc's results<br />
variable is passed directly to the Modify8tockt/<br />
procedure as a parameter'.<br />
The 'delete command removes the original<br />
text, and type puts the new text in place AN<br />
easy enough to do but as mentioned, the key<br />
point is that the Modify8lockft routine is pure<br />
ARecx code - It doesn't rely on any product<br />
,specific interface commands_<br />
This brings us to an important general point<br />
Mem functions are the building blocks of all<br />
larger Affexx programs and programmers use<br />
them in me same way as the electrical engineer<br />
might use integrated circuit chips leleCtronic<br />
components pre-designed to do a particular job)<br />
to build an electronic °Kurt<br />
A function will perform an operation (perhaps<br />
make a cakulation or, as in the case of our<br />
Modify8lockij routine, make alterations to<br />
selected text block items) and may Mso return a<br />
value to the program which called it_<br />
To use the example routine you supply the<br />
text block, the two units strings and a<br />
conversion factor. ARexx evaluates the righthand<br />
side of the expression by making a call to<br />
the ModifyBlockll function using the parameters<br />
supplied.<br />
It then assigns the function's return value to<br />
whatever variable is provided on the left-hand<br />
Side of the expression that uses the function_<br />
Wnuen properly, a function should behave<br />
just like a black box - Me function user provides<br />
some input (known as the function's parameters<br />
or arguments' and the function carries out its<br />
job, possibly returning some information to the<br />
To be honest, the user of the function<br />
doesn't even need to know how the function<br />
works - they jest have to know what the<br />
function does, what information must be<br />
supplied, and the significance of the results<br />
produced<br />
You'll notice that I've tended to call the<br />
ModrlyBlocki) routine a -<br />
procedure<br />
a function This is to emphasue the fact that I've<br />
rused a the t ARexx h e Procedure r instruction at the<br />
tstart of h my afunction n definition.<br />
The purpose of this is to force ARexx to<br />
regard all the vanables used within the function<br />
as being local to the Modify1:10ock() routine.<br />
If_ when you write a function, you use the<br />
Procedure keyword and pass all the data<br />
required by the function as function arguments<br />
rather than use global variables, 1 e variables<br />
that are visible throughout the program, then<br />
you'll end up with routines that can be easily<br />
extracted and re-used.<br />
Needless to say, these types of ideas become<br />
more and more important as your AReur scnots<br />
become largeri<br />
sore couple' conrersiems e i<br />
1i coold be done using .r<br />
/. furthe r procedure ce ll •/<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
Listrng I The<br />
Improved<br />
procedure prowidois<br />
• good e•ornple of<br />
the use of focal<br />
W.Inable •<br />
Folowing on<br />
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xavering e away on his two <strong>Amiga</strong> 4000s<br />
t?eating<br />
30 stills and animation for television<br />
old t video alike.<br />
e One machine is used for creating objects<br />
atrule d the other busres itself with the lengthy task<br />
f-r<br />
rendering. AM graphics are created with<br />
imagine i but. when Lightwave PAL arrives. Simon<br />
ntersds r to _jump on the bandwagon of the<br />
eirellent m package<br />
He first staled dabbling on 30 at the age of<br />
1<br />
:UStOthelS 7 with a Real 30 demo coverdtsk. After<br />
alapng w round with it for a few weeks. Hough<br />
'vas h hooked<br />
e Flicking through a magazine one day. he<br />
Atrie n across an advert from Matt Black, pan of<br />
the<br />
pop group Cold Cut who was looking for<br />
homputeralesigned<br />
graphics to include in their<br />
i'rest<br />
BREAKTHROUGH<br />
s<br />
v<br />
e Putting sevraai images on disk Simon posted<br />
firs r work wholeheartedly believing that he would<br />
hear y nothing in reply. A couple of days later.<br />
Black m was on the phone: want more of yoir<br />
a<br />
gWith<br />
the success boosting his cortiderice. he<br />
began a to peddle his wares at local video<br />
production z studios. Hough secured several deals<br />
clue i to his low prices when compared to the<br />
competition. n<br />
e Due to his association with Man Black Simon<br />
was p approached in mid 93 by Melvyn Bragg of<br />
the r South Bank Show who wanted some<br />
animation o done for a new series called Opening<br />
Shot v<br />
i The sequence they were asked to do was a<br />
visualisation d of a section in Terry Prachett s book.<br />
Only e you can save mankind. He only had two<br />
weeks d in which to produce a space battle<br />
sequence i for the programme. The end result<br />
t<br />
s<br />
M I As well as video work, Ceystat hate also<br />
These image. were an<br />
dabble In other mocha areas such a• 0135's<br />
produced on Imagine<br />
131i585ful unian<br />
Sonse sequences proekk•d tor elide° houses we enervated. This<br />
exarnpto moves in /earn the stde and rotates towards the wewer<br />
was a resounding success, with (Agri Bragg and<br />
Pratchett highly impressed with the graphics<br />
produced in such a short space of time.<br />
With this arrow to his bow. Hough hes<br />
continued to steadily climb the career ladder<br />
Watch your back<br />
.<br />
'biggest A mistake you can ever do is to tell people that you use an <strong>Amiga</strong> You go to the potential<br />
w,<br />
customer and tell him you use an <strong>Amiga</strong> and they'll say • Oh, my son uses one of those for games.<br />
oyour<br />
finished results cant be that good<br />
r Simon continues, - they expect a SikOn Graphics machine or a Pentium PC I thought that kind of<br />
d<br />
attitude was a rumour when I first started out but it's actual fact<br />
o He believes that if <strong>Commodore</strong> are ever to break their games-only image, its going to take a serious<br />
f turn round in marketing and even a renaming to poll the focus of punters away from the <strong>Amiga</strong><br />
c<br />
'game onty• label.<br />
a The marketing people at <strong>Commodore</strong> need to be given the push Television programmes such as<br />
uBabylon<br />
5. use the <strong>Amiga</strong> and <strong>Commodore</strong> still cant get the machine off the ground,<br />
t-<br />
As for those of us who with to use the <strong>Amiga</strong> for something other than games.. Hough has these<br />
iwords<br />
of advice: " For those people trying to start out. don't get depressed when people put you<br />
down Watch out for indrviduals trying to exploit you and watch your back:<br />
Crystal Haze Graphics can be reached on 021421 4835 rafter 6 PM, the line becomes a BBSI.<br />
MONS<br />
0730 895789<br />
IPI<br />
2400-9600 Bps<br />
and earn himself a nealthy EIBX a year for his<br />
work.<br />
Corning up is work on a senes of exhibitions<br />
7:30ap<br />
for a large freezer manufacturer and for Spender<br />
speakers who have asked him to design what<br />
wifi appear on the video walls at an up-andcorning<br />
show.<br />
Of course, Hough intends to use the <strong>Amiga</strong><br />
exclusively for any graphics operations<br />
undertaken. He is adamant that <strong>Amiga</strong> is the<br />
best machine for the job: 'software support is<br />
amazing. Lightwave. Imagine it goes<br />
on -<br />
Various forays in to the PC world and<br />
Windows have left him cold 1 don't want to<br />
know, I simply don't hie it:<br />
At the moment Serioris burning ambition is<br />
to make it in the pop video market where there<br />
<strong>Is</strong> so mach scope You can let your imagination<br />
run wild.'<br />
With a healthy portfolio of images logged in<br />
his hard drive, we may well be seeing the<br />
<strong>Amiga</strong>-fronted Chart Show displaying his name<br />
at some point.<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
• • • •<br />
• • •<br />
• • • • • • •<br />
• • •<br />
the <strong>Amiga</strong><br />
and video<br />
arp two<br />
words that<br />
belong<br />
together.<br />
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talks to<br />
(nista' Ham<br />
a WET<br />
graphits<br />
tompang
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9<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
IF 1<br />
CO NPUTe lt CENTIME<br />
First Computer Centre ". " 0532-319444<br />
Unit 3, Armley Park Court<br />
Off C<br />
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<strong>Commodore</strong><br />
• miga A5001500+<br />
• <strong>Amiga</strong> A60011200<br />
• <strong>Amiga</strong> 150012000<br />
• <strong>Amiga</strong> 300014000<br />
• C641CD3 2<br />
• Monitors/Printers<br />
• Floppy/Hard Disks<br />
• Modems<br />
We otte r a fre e quota tion on the re pa ir of your compute r a t sm9<br />
peripheral. Your only cost is the re turn ca rria ge of El. Simply drop<br />
oil your equipment a t our showroom or ca ll us for a courie r pick.up<br />
at Put Ell.<br />
All work is earned out by our highly qua lifie d engineers in custom-built<br />
premises. We will a lso insta ll any upgrade, software or beCeSSOrli from ge r<br />
main a dve rt fre e of charge unle ss othe rwise stated.<br />
A 9 0 da y wa rra nty is give n to a ll re pa irs.
0 • •<br />
• 8 • 0<br />
• M<br />
• • 111<br />
ost of us, given the chance, like<br />
spending a few bob but the chanCes<br />
are that we never have quite enough<br />
of the green stuff floating around to buy<br />
everything we want<br />
Software is a typical case so this month I<br />
Thought d look at some of the midi/music PO<br />
and shareware offerings that are available. I've<br />
chosen the SeaSoft <strong>Computing</strong> library simply<br />
because they seem to provide more music-related<br />
offerings than most other Iibraries.<br />
With SeaSoft's strong MED/OctaMED<br />
Connections it's not surprising that a great many<br />
MED/OctaMED related casks are available.<br />
Total Irrelevance, the disk magazine from<br />
MUG (MED Users Group) costs EZ,50 and is<br />
avorth looking at since it always has an<br />
nteresting selection of articles.<br />
If you want a taste of what it is like then you<br />
can in fact get the best of the 1993 issues on a<br />
three disk set for E4.50. Other MUG related<br />
offenngs include the Friends of Paula volumes<br />
one to four, which are modules for use with<br />
OctaMED. Making Traits Volume one, Musicaily<br />
Challenged. and Microcraft Volumes one to four<br />
There are also Drurnkit samples Volumes one<br />
and two, Bass Sounds, and Brass & Woodwind<br />
FF sample disks available, again courtesy of<br />
MUG.<br />
Of course IFF samples are found no abundance<br />
nroughout the public domain and as well as the<br />
'ANIMA sources, such as the disks just<br />
mentioned, you can also create your civet using<br />
sound sampler.<br />
YOu Can also borrow' samples from PD games<br />
And demos or other legitimate sources pots of<br />
magazine disks will include sound samples that<br />
can be used for your own purposes(.<br />
Finding such samples is easy enough if you<br />
only have a few directories on the disk -<br />
especially if the sampies have been given obvious<br />
names such as crashill, bang snd or<br />
wallop.EISVX,<br />
Locating them when the samples have less<br />
inturtive names leg DX13021 can be much haider,<br />
especially if the disk has many nested directories.<br />
More to the point a may take a lot of time to<br />
look at every file in every directory'<br />
The result of course is that all too often you<br />
can miss potentially useful sound samples lust<br />
because they are not easy to identify Fortunately<br />
there's a nice easy solution - we automate<br />
hing and let the <strong>Amiga</strong> do all the hard<br />
Eve used a Shell utility called Search for a<br />
Doing it an ••••••• Miff<br />
the theap<br />
R.„<br />
,sk<br />
It<br />
I<br />
1<br />
Memersed L<br />
A<br />
1<br />
Progrens<br />
1<br />
o7<br />
I Merkbench<br />
frAi<br />
4ork<br />
,<br />
4<br />
1<br />
1<br />
. PC1 I T<br />
7 .<br />
rq7<br />
.<br />
J<br />
A<br />
You II also find plenty of other Midi/Muse items fl oating around the<br />
SeaSoft library. X-Beat Professional for instance is a particularly good<br />
shareware drum sequencer.<br />
If you want to team more about Midi then there is a Midi tutorial<br />
disk written by Kevan and GarreM Craft that's worth looking at. and<br />
the same authors have also produced a Mtge selection of Music X and<br />
<strong>Amiga</strong>/PC Midi files that are available at 115 per set with a MidKraft<br />
demo disk available for El SOIL<br />
In addition to this. SeaSoft also distribute the AM/FM disk-based<br />
music magazine which now has about 18 issues under its belt. A<br />
similar number of NNFM sample disks are also available along with a<br />
•miety of other disks containing Midi songs, larger music utilities etc.<br />
There are of course loads of ready-made songs available for use<br />
with the freely distributable OctaMEDPlayer module player utilty. A<br />
LI<br />
••••• W M , I• lb<br />
Warks<br />
.<br />
al M a rts•nlit 3 2 1 1 fe lt. 2 3 K tre e . 8 1 3 K tn use<br />
n<br />
.<br />
/ I 111<br />
811<br />
1<br />
411w<br />
0.I.0. ThsLa h stiong tvmtM .ns 0 .1 .1 1 ..Rom<br />
/ 111PON 11111<br />
milt_ • '<br />
1<br />
N<br />
e r f t GUS I T a tchingThe Ke ne<br />
m OctaMEDPIeser P4.111 - simegns leen<br />
number c.;,<br />
eic samples tout all common IFF files 11LBM pictures.<br />
o SMUS files etcj<br />
l oIt will o even find things kite Muse X MSCC and<br />
k standard Midi files ISMF Files'. This utility,<br />
nincidentally o was provided on the February '93<br />
t cover disk but since it only takes 8k of disk goce<br />
oit's been n provided agaon on this months cover<br />
ldisk for y the benefit of any of you who missed it<br />
fthe<br />
first time aroundl<br />
o To use it just open a Shell window and type<br />
r Search followed by the disk drive to be looked at.<br />
BSearch<br />
WO for exam*. will search all of the<br />
Sdirectories<br />
of the disk in drive clf0 and give you a<br />
Vlist<br />
of the required files and their directory<br />
X locations This is the sort of output you'll get<br />
s<br />
o<br />
u<br />
r<br />
lihtLeStSeas I I N d<br />
flee 1 Ce nt I Ste p 1 M IPI:NI FRee I<br />
_LISe:81/81 8 8 3 5 / 4 4 8 8 :3 2 / 4 4 LO835<br />
And there's more<br />
sr<br />
—<br />
Aligi Funpuling IFF/SOF Sn ick st t ily iOn u i<br />
Oleral 1 9 1 2 I ...<br />
IFF 8SYX: Of 0 :FI Fil<br />
III 8STX: 0 0 :FX1 s2<br />
SOF Fitt: df0:trockticompieteititLe.sld<br />
Function t rip le t s<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
The MIED<br />
User Oroup's<br />
Barney -<br />
Warts 'n All'<br />
is typical of<br />
the (high)<br />
standard of<br />
ready-made<br />
music avail.<br />
able. It's a<br />
pity you<br />
can't hoar St<br />
playing!<br />
If you are searching a high capacity hard Chi<br />
partition or a floppy with many files ana rested<br />
directories, the program may take a moue co nom<br />
to locate the required information DA e nil Pe a<br />
icit quicker than Other methods/<br />
You ran, incidentally. cancel the search<br />
operation at any time Dy hang coraal-C or<br />
control-D. If you need a minimal copy of the<br />
programs finangs just rreirect ire screen Output<br />
to a disk tie, or to the PET device<br />
disk called Barney - Warta n AN provides a good example of the<br />
quality available and is Just one at the may song collections available<br />
nowadays.<br />
In general the disk magazines cost 12 50 per disk and normal<br />
PO/shareware utility and sample disks El SO fan extra E0.50 for<br />
postage and packing needs to be tagged on to each order).<br />
With samples. Midi files, disk mag and tutorial-type disks you II<br />
usually encounter few problems in using the disks but, as with all<br />
PE/shareware stuff, not all utility programs will work with all Arnigas.<br />
X-Beat Professional VI .0. for example, does not run on my A40001<br />
You'll find the SeaSoft ads in most issues of <strong>Amiga</strong> <strong>Computing</strong> and<br />
obviously the best idea is to give them a call before ordering, lust to<br />
Confirm that a particular utility will actually run on your machine<br />
SeaSoft <strong>Computing</strong> can be reached on 0903 850378.<br />
•••• es•<br />
•••.<br />
azi<br />
:17<br />
11<br />
1<br />
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1<br />
1<br />
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ANALOG JOYSTICKS
1• • •<br />
• • • •<br />
•<br />
e all have favourite musicard. dont We 7<br />
In pubs and at colleges al over me<br />
country, indeed all over the world,<br />
common ground is formed by the sort of music<br />
we are into, the sort of sports we like arid the soni<br />
of computers we bite.<br />
The Net is Just an extension of those little items<br />
of small talk that we use in real fife, so its only<br />
fitting that the Net should have places where you<br />
can talk k'ittpUi MUSIC<br />
In your search for bits and bobs about your<br />
favourite musicians, your first point ol call should<br />
be Nchie. Do an Archie search using your<br />
favourite musician or type of music as the<br />
keyword.<br />
Thu s will lead you to a few sites mat carry<br />
information or pictures of your fave raves. To get<br />
you going still further, here's a list of thongs I've<br />
found uselut<br />
• ElectronkAnductrial Musk Tone List - A<br />
list o l 0er:trot it magazines based ors<br />
efectrotindustrial music. You can obtain the list<br />
using anonymous Fri<br />
, to:<br />
using the directory path:<br />
.tos<br />
•and download the file<br />
etectron.zin<br />
'Library/Esc/NMI<br />
and there you are. A whole list of sources about<br />
this type o f m usic<br />
• CyberSieeze The sleaze guide used to be<br />
available from rrity.com. but this is now called<br />
metaversecom because the sysop used to work<br />
for MN but got the sack. so MTV wont allow him<br />
to use the domain name Send a message to:<br />
11.1 adaninetriericcoa 111<br />
asking to sus( rite to the cybersleaze magazine, or<br />
better yet why not cop it via Mosaic at the<br />
metaverse StAllAtr server?<br />
• Techno/Rave Gopher - Although for the last<br />
few days this service has been offline, the Rave<br />
gopher is a good source of pictures and info<br />
about the Rave scene in both the US and Ilk. Get<br />
it by using Gopher to go to.<br />
Get pm tures of<br />
you, Ms.:writes—<br />
techno.stantottLed• 1 / 1 "<br />
L_erwa<br />
letP5 talk<br />
about<br />
• So n g L yrics Go p h e r I f yo u wa n t t o fi n d o u t<br />
the lyrics t o a certain favourite song, sim p ly<br />
Gopher to:<br />
.1 1 .1<br />
!du<br />
1 1 / i t<br />
'and<br />
choose the WHIN)<br />
a l C<br />
ik<br />
Fun g Ellys<br />
then choose<br />
and just pick your artist from the alphabetical<br />
listings.<br />
hilt/talc Archivetarrics Archives<br />
• Mintosic Gopher - Another music gopher is<br />
at<br />
mitilisic.fertis.sdu<br />
• Musk A,chlves - One of the very nest music<br />
archives is via anonoymous Ft? 4<br />
,<br />
ttp.ump.ed•<br />
although you may find its Lao busy to get on once<br />
the USA wakes up. Its a very popular site and is<br />
often swamped<br />
You might also like to try<br />
ftu• ssmot SE ' 1 1<br />
1 1 1<br />
which is where lip tiwpedu get teen p4ctuies• and<br />
in fact Mrs is where thiS issue's pictures come from.<br />
There's hundreds, so why not go and check them<br />
out for your favourite artists?<br />
Also, there is a superb list of music trivia at the<br />
excellent Rutgers Gopher site<br />
•<br />
geortz.roloortifily<br />
-<br />
,<br />
t<br />
which is a place to be recommended for just tabout<br />
any Net surfing you might have in mind, as they -<br />
1<br />
have links with a number of other interesting sites<br />
•<br />
What is there is pretty interesting too, without " the<br />
need fix you to explore further<br />
t<br />
t<br />
. I would also recommend WM, and MIT Gopher i<br />
site<br />
e<br />
r<br />
otts.sit.tdo<br />
•<br />
which also has some great music matenal Quartz,<br />
RTFM and Spies are my favourite Internet sites of all<br />
of them<br />
Along with the WELL Gopher, these are the<br />
places I visit most often on the Net, as they provide<br />
huge resourtes of infoonatiOn but also provide<br />
useful links with similar sources, including in most<br />
cases each other.<br />
• Usenet<br />
Music<br />
Newsgroups<br />
These are just<br />
some of the ones I<br />
frequent, Mr Sad that I am,<br />
but you can be sure that your favourite music is<br />
catered fo r somewhere on th e Net<br />
alt.fan.frank-zappa<br />
alt lantaune-anderson<br />
aft lartspinal-tap<br />
altmusicaltemative<br />
aPt.music.enya<br />
altmusic boan-ents<br />
aft music. hardcore<br />
alt.music peter-gabriel<br />
att, music prince<br />
alt. music u2<br />
&rave<br />
rec.music newage<br />
...incOuding<br />
his name... Prince?<br />
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lit clone screen wipes before I know, but<br />
easy to employ screen transitions, like a<br />
piece of lead pipe in your pocket in a<br />
dark alley, are comforting to have around.<br />
These ideas are from J Haughey. who has<br />
supplied us with three wipe PROCs to get us going<br />
Id be interested to see some more of this type of<br />
PROC. as its nice to have a little library of useful<br />
obis, especially ones which you use a lot_<br />
So here we have mree screen wipes, and this is<br />
number one. To demonstrate the PROC. we have<br />
to load a screen<br />
.<br />
Wipt1.ARDS<br />
Laid 1 ff 'df0asnyscreee,0<br />
Then we need to activate the PRO(<br />
_kfi ll<br />
E<br />
which well do like so lf0,1 for the sake of argument<br />
Later down the program ,41 we define the PROC.<br />
which as in all Amos programs can be anywhere<br />
-<br />
Procedure ..040E11$(1,01,C01<br />
How do you use the procedure? Well the format is<br />
hke so: _LEADE I ISCR,DI,C0I, where SCR equah the<br />
number or the screen you want the effect to<br />
happen, and you have to make sure that (he screen<br />
exists<br />
DI equals the effect type for which you can use<br />
the numbers I to 51 and CO equals the ink colour<br />
you wish the screen to wipe to.<br />
So having set the parameters of the wipe and<br />
called it. we have to code the wipe, which in this<br />
case goes like this Set up the screen:<br />
Screen SIN<br />
SIX.Scrten OfdthfS00-1 : SI I .Scre e t leiglatISCU -1<br />
lok C O<br />
3<br />
0<br />
find out which effect you want and draw it to the<br />
screen<br />
Create a screen wwelike Ohio or you may pmfor difforont outlook<br />
Wipe that• ••••<br />
5MilE Off Exm:m<br />
00 To SI I Step 2 : I ra n 0 ,4 To SI I , A N e xt<br />
For 0 1 To SIT lte p 2 : I ra * 0 ,0 To SI I , A : Next<br />
End I t<br />
•M ott 2<br />
End I f<br />
• Effect 3<br />
if 11.3<br />
For 0 0 To SIT Stop : trim 0 ,4 To SIX,A : Nest<br />
For OSIT-2 To 0 Step -2 : Draw 0 ,1 To 111,1<br />
Next<br />
End I f<br />
• Effe ct 4<br />
fi flA4<br />
For OSI I -2 Ti 0 Step -2 : Prow 0 ,0 To Sit, f<br />
Next For pa To I I ? Step 2 : I ron ILA To Slfra t<br />
Nail<br />
End I f<br />
' Effe ct 5<br />
If 111.5<br />
For Asa To iff Stop 2 : fro, 0 ,0 To 511,0 : Orfl<br />
0,5I1-02 To SIX,51Y-442 : Ne tt End I f<br />
End Prot<br />
The wipe is a simple matter of drawing lines to the<br />
screen in the ink colour specified. Simple arid looks<br />
good on screen, so at gets the thumbs up from<br />
me. Here is another one which takes the wipe<br />
from a different angle:<br />
Proceaure _NFASEIISCR,D1,C01<br />
foreer SCR : le n se t screen<br />
ilidtb(SCA/<br />
- : le a get screen de ta ils<br />
ink CO 1<br />
3 Effect I<br />
SII.<br />
0 IF:r :<br />
l e 0:0 To IScre I I Stop 2 :Draw 1 ,0 To A,SIY : Next<br />
o For 0 1 Ti Sit enStep<br />
2 Prow 1 ,0 To A, SI I : Next<br />
O"1<br />
c<br />
Lid<br />
t<br />
2<br />
i<br />
If 111.2<br />
n<br />
For •1 1 1 Ti 0 Step -<br />
k<br />
2 Nett : For DA.S1I-1 r a w To 0 Step -2 : Drew 1 ,0 To<br />
t<br />
0 A,SIT , : Nest 0<br />
o<br />
TEnd I f o<br />
t<br />
A ' Effe<br />
t<br />
, ct IS<br />
I<br />
a<br />
TIf<br />
0 1 .3<br />
For 0 0 To Sit Step ? : Prow 0 ,0 To A,SIY a Ne tt<br />
u<br />
for 0511-2 I o 0 Step -2 : Prow 0,0 To * ,SIT<br />
f<br />
Next<br />
l'C l<br />
fi Efl 0 1 .4<br />
for f OSI X.? To 0 Step -2 : fre e 0 ,0 to A, SI I<br />
ect<br />
Nut: 4 For 0 0 To SI I Step 2 ; Ara s 0#0 Ti A#SII :<br />
:: f<br />
: For 0T 0 To 511 Step 2 : I ron 1 ,0 TS 0,111 : Pa w<br />
1iff-05<br />
2 , 0 To N e s t End I f<br />
0End<br />
Prot •<br />
1<br />
l<br />
And finally. for a realty rip snorting finish, yet<br />
i<br />
another variation The format this time is:<br />
_SFADE(SCR.DEl. where SCR equals the number<br />
of the screen, and DE equals the delay<br />
So for example<br />
.<br />
_SFAIEE0,53<br />
will call the Colour Remove effect to work on<br />
screen number 0 using a delay of three. Suck it<br />
and see:<br />
Procedure _SFAIEISCII,OEI<br />
Screen SCR : I ts net screen<br />
11C.Scroto Colocr-1<br />
For A.0 To fiC<br />
fotour 4,0<br />
If 1Er0 Tie * ta il OE<br />
Ion<br />
End Prot<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
OCTOBER 1994<br />
IM05 guru<br />
Phil 5outh<br />
meditates on<br />
screen<br />
Write<br />
stuff<br />
if yci. n a .r .<br />
QUestICNI, hr of a routine<br />
A m o s<br />
you'd Ike to Zaire with<br />
the world, then please<br />
write to Phil South.<br />
AMOS Column. <strong>Amiga</strong><br />
, <strong>Computing</strong> Europa<br />
House. Adlington Park,<br />
Macctesfield 51(10 4NP<br />
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'••-• a •<br />
inding is important. A brilliantly laid out<br />
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binding, Obvious example - a document<br />
which is intended for reference. where readers<br />
are going to want the document to remain open<br />
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inStfloCliOnS.<br />
Use a binding that won't let the documeni<br />
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The cheapest method of binding rs called We--<br />
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the left-hand side.<br />
Mhough cheap and easy, it is a crude method<br />
which does not allow the document to be opened<br />
easily, nor to remain open Only use this method<br />
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to use plastic grip binders which cost a Wile more<br />
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plus there is the added disadvantage that if<br />
opened very guickty the grip may well fly off at<br />
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The most widespread method of bending and<br />
also one of the least costly methods is called<br />
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together on the same sheet NI the sheets are<br />
collated, folded in half, and then they are either<br />
stitched or wire-stapled together down the fold.<br />
Provided they do not contain too many pages.<br />
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documents can usually be opened flat<br />
and persuaded to remain open at a certain page<br />
The smaller the format, the hover pages you<br />
Can have before the fold gets the upper hand.<br />
While a 48-page. A4 format saddle-stitched<br />
document may be persuaded to remain open, an<br />
A5 format document of that size would want to<br />
close INK <strong>Is</strong>aac Newton It you want to know<br />
why.I<br />
For binding purposes, the pairs of pages have<br />
to be printed in a certain order The exact layout<br />
of the pages depends on how many pages fit on<br />
to the sheet, but the rule of thumb is that the<br />
page numbers of "facing" pages always add up to<br />
one more page than there is in the document.<br />
So for a four-page document, page one and<br />
four (=five) are a pair IPage I being the covert,<br />
and page two and three (=fivel are a pair. If you<br />
are providing your artwork to the printers as<br />
single pages, then let the printers worry about<br />
this, but do ensure that your pagination Ipage<br />
numbeiingI is correct<br />
Keep in mind that saddle-stitched documents<br />
have to be made up of multiples of four pages<br />
Two land, Of<br />
binding oquionsond,<br />
one is capobJe of •Illotolog<br />
40,000 oopies per hour, Cho ollow<br />
ono vs not!<br />
DESIGI<br />
tamplete Deflation<br />
Perfect binding is the neatest method. It is how this magazine is bound Single pages - or single sheets<br />
of eight or 16 pages folded in a special way Icalled sectionsI. later sliced along the folds - are clamped<br />
tightly together and a thin layer of glue is applied along the spine.<br />
Perfect binding costs a bit more than saddle-stitched, but the results are much neater, it is possible<br />
to -<br />
out br but on the whole perfect binding is good for anything over 32 pages that doesn't have to lie flat<br />
ea and remain open.<br />
k<br />
-<br />
t<br />
h<br />
e<br />
Hit of a bind<br />
You can't have a nine-page document saddle<br />
stitched, it would have to have tnree blank pages<br />
to make it I /<br />
Most printers prefer to work in multiples of<br />
eight so think about this before you design and<br />
lay out your document.<br />
Saddle-stitched documents will also need<br />
trimming down the non-stitched length, as the<br />
pages in the centre will poke out further than<br />
those nearer the covers.<br />
Bear this in mind when designing your pages.<br />
It depends on the thickness of the paper, but in a<br />
64-page (32-sheet) document the trim can be as<br />
much as 5mm left and right with standard 80<br />
gsm boot paper.<br />
And that size - 64 pages - is about as big as<br />
you can go with saddle-stitch without getbng an<br />
ugly bulge at the fold. You may be able to push it<br />
to 96 pages 148 sheets) if the paper rsn t too<br />
thick, but any bigger than this and you'll either<br />
have to have the document stitched in sections<br />
and use the cover to bind the sections 'hardback<br />
books art' riortild.ly txX,<br />
,, cheap), or choose another method of binding<br />
; • ;<br />
n Wire o or plastic t binding is very popular these<br />
days Many offices have a machine for binding<br />
reports and so on in this way Holes are punched<br />
along the left-hand edge of sheets and a wire or<br />
plastic clasp is meshed into the holes For<br />
documents that need to lie flat wire or plastic<br />
binding is perfect.<br />
The main disadvantage. apart from the cost if<br />
you use wire (even more for plastic-coated wire).<br />
is that documents bound in this way are not easy<br />
to store because the binding rswidev than the<br />
publication<br />
Also, packed on to a bookshelf, wire bindings<br />
can get entwined. A solution to this problem is a<br />
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equipment needed, this is among the most<br />
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Lastly. there are nng binders. Two or four<br />
holes are punched down the left-hand side of<br />
pages, and these are then threaded on to a<br />
Fitting in the ring binder<br />
It is simple, but the ring binders themselves<br />
can be expenwe They don't get much cheaper<br />
than about 1.2 each unless you buy in vast<br />
quantities Elut of your document needs to be<br />
regularly updated, and/or needs to lie flat and<br />
stay open. ring binders are the best solution<br />
The only disadvantage, apart from cost, is that<br />
the pages can wear at the holes if the document<br />
is used regularly. If you do choose ring binders,<br />
choose ones that suit the size of the document -<br />
there's nothing worse than having half-a-dozen<br />
pages flapping about in a binder designed to<br />
take hundreds<br />
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-•••••<br />
, 1 &<br />
Increase E Gyour<br />
<strong>Amiga</strong> 50012000 chip RAM to a<br />
total Aof 2MII. C Megaalip does this by using its own<br />
1MB Hof 1RAM<br />
and drawing cam memory from<br />
any Pocher _RAM g you have installed in your <strong>Amiga</strong>.<br />
No soldering A is required.<br />
M T<br />
hiegaChip RAM e 1 59<br />
-<br />
SCSI-2 board lot the <strong>Amiga</strong> 2000 including<br />
memory expansion capabilities of up to 8MB.<br />
Octogen SCSI<br />
-<br />
2<br />
e<br />
All maths co-procosors include crystals.<br />
1<br />
20MHz 1 2 5<br />
1<br />
33MHz £ 6 0<br />
2<br />
40MHz £ 8 0<br />
9<br />
50MHz (PGA) £ 1 2 0<br />
M i l l i r r n PARES<br />
Call for your requirements C P O A<br />
1<br />
Connects up to seven SCSI devices to your<br />
<strong>Amiga</strong>. The DKB 4091 futon= Full 7nern<br />
implementation. fast SOV2 implemenution,<br />
direct mentor! accos.<br />
DKB 4091 1 2 9 9<br />
1.<br />
Release - 2.1 Enhancer, including 2.1 sohware<br />
1 We nunufacture a vast range of memory cards<br />
and User Guide manuals,<br />
0<br />
for the <strong>Amiga</strong> 500, 500t, 600. 1200, 1500, 2000.<br />
1.1000<br />
and 4000. Please telephone us for prices and<br />
-<br />
2.1 Enhancer £ 6<br />
ROM ESharer<br />
with 2.04 ROM E<br />
2.04 IL ROM Chip £ 2<br />
9<br />
9<br />
9<br />
9<br />
t<br />
R Kfi<br />
rtErrignIXMIME<br />
w<br />
Replacotient 1I Pk tot tiVP & ocher HD's<br />
o<br />
Replacement B Power Supply Unit £ 3 9<br />
c<br />
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A N tiati<br />
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RE,<br />
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<strong>Is</strong>t—ittosh nodular board Ixturs to<br />
gallintE<br />
many features to list all of them, for further details<br />
r<br />
please contact Power. Same of the tonnes include<br />
x lull whoa support, stereo sound. hard drive support<br />
Mac BOOK and MacirIBM 1 .44M11 support.<br />
p<br />
E lit<br />
=<br />
=EILDAILxILL=<br />
E<br />
Appktalk. SCSI devices, printers, scanners and<br />
A CD-ROM etc. •<br />
•<br />
tBasic<br />
E 2 7 9 . 9 5<br />
aBasic<br />
4 Appletalk £ 3 2 9 . 9 5<br />
Bask + SCSI Interface £ 3 2 9 . 9 5<br />
tBasic<br />
+ Appleulk,SCsi InterfaLeE379.9 5<br />
=DELL pc_TLEEDL<br />
Supports Syquot 1.5" drives<br />
m Supports IDE hard dines<br />
• Play audio CI) utility<br />
• Requires KickStan 2.04 and above<br />
• Includes cables, software and manual<br />
For 1500120001100014000<br />
Supports Mitsuma 111005 CD-ROM & 1-10011)<br />
double speed CD-ROM drives<br />
Tandem CD-DE card £ 6 9<br />
Tandem CD-DE Al200 card E 6 9<br />
Tandem CD-DE & CD Drive £ 2 2 9<br />
Mitsuma CD-ROM Drive £ 1 6 0<br />
iminTUE1311<br />
-<br />
LE<br />
ROM Share £ 1 9 . 9 5<br />
ROM Share including v2.04 £ 5 0<br />
ROM Share including v11.3 E 3 9<br />
ROM Share A600 £ 2 9<br />
ROM Share A600 v1.3 £ 5 5<br />
A<br />
VGA Adaptor t 5<br />
U j i<br />
Al<br />
ai Produce 256 gteykak images ion a AGA<br />
madine), scats in 64 greyscales (non AGA <strong>Amiga</strong><br />
%<br />
can only display i 6), add colour to greystale<br />
special effects, new support hat I8-bit wanna,<br />
add not to scam. Al200/600 version available.<br />
PowerStan 4 (Mono) £ 1 1 9<br />
PowerScan 4 inc. OCR 1 1 3 9<br />
PowerScan 4 upgrade interfatx £ 5 0<br />
PowerScan 4 upgrade software £ 2 0<br />
OCR Full version £ 4 9<br />
"PowerSean is virtually flawless.<br />
Highly recommended" <strong>Amiga</strong> Format<br />
= F S dirre A N N<br />
The G1-00.1 and st 24-bit colour<br />
Bathed scanners from Epson scan up to Al in size.<br />
with output resolutions of up to I 200DPI on the<br />
GI•6500 and 1600DPI on the GT-8000 in 16.7<br />
million colours, gtrysede or line art The scanners<br />
include other PowerStan or linage EX warming<br />
software.<br />
£ 5 9 9<br />
Epson GT-6500 PowerScan<br />
Epson GT-6500 Image FX£<br />
6 8 9<br />
Epson GT-8000 PowerScan £849<br />
£929<br />
Document Feeder E 3 9 9<br />
ErS0111 GT<br />
-<br />
8000<br />
I m a<br />
g<br />
E<br />
X<br />
e<br />
DISK J X PAKI1111—<br />
can all st.mti to sosi hard drive
AGA<br />
<strong>Amiga</strong><br />
rysaile<br />
Liana<br />
hIt<br />
119<br />
139<br />
£50<br />
£20<br />
£49<br />
s.<br />
-mat<br />
colour<br />
in nom<br />
on the<br />
n 16.7<br />
antlers<br />
arming<br />
599<br />
$89<br />
349<br />
?29<br />
399<br />
strokt<br />
rssion<br />
IDE.<br />
it mar<br />
:35<br />
.95<br />
r disks<br />
Di on<br />
!.65<br />
60<br />
a<br />
:illOCIE,S<br />
• External — Fax & Data modem<br />
EAX<br />
Receive & send faxes in the backgrpound<br />
M O D<br />
• Full Haynes AT command set supported<br />
E M<br />
• Supports class 1.2 and 3 lax commands<br />
• Fax send & receive<br />
• Auto dial & Auto answer<br />
• Suppons error correction + detection<br />
• Leased line support<br />
• All cables & manuals supplied<br />
Acetic Modem v.32 his £ 1 6 9<br />
Accra Modem v.32 his inc. TrapFax C199<br />
High Speed 040 Acceleration. up to<br />
28MB of Memory. Fast SCSI-II<br />
Controller, all of this expansion is on a singk<br />
hoard thai installs into the CPU slot -<br />
NOT a Zorm 111 Slot!<br />
• Very High Speed Local 040 Memory Bus<br />
with full 1340 burst access<br />
• NCR 53C710 40MHz SCSI<br />
-<br />
Controller connected directly to the 040<br />
2<br />
• 32Bit<br />
F a<br />
SCSI<br />
s t<br />
host bus DMA interiase<br />
supporting burst to and from the RAM<br />
• Supports IOMBis SCSI Transfers,<br />
• Full DMA allows the CPU to still have 90%<br />
Processing Power while doing Transfers<br />
• No 'Lorry LII DMA Problems<br />
• Fully Autoconfiguarable with optional<br />
Autoboot capability for SCSI<br />
• 32Bit RAM Expansion Up to 128MB<br />
• Uses Standard 72Pin S1MM Modules<br />
• Allows Mixing of RAM Module Sizes<br />
• Supports 4,8.1632MB S1MM Modules<br />
• Uses the Memory that is installed on the<br />
<strong>Amiga</strong> 4000 MotherBoard<br />
• Supports DMA access from lorrolll<br />
Devices to onboard Memory<br />
• A3000 Version supports up to CAMB of<br />
32131t Memory<br />
• A3000 Engine will clock I6MHz<br />
MotherBoards at 25MHz<br />
Warp Engine 28MHe 1 7 9 9<br />
Warp Engine 40M117 1 1 1 9 9<br />
<strong>Amiga</strong> 4000 only<br />
guantnref Prme are mato' tiv mow; 15f pobkasm i<br />
sis E O E , A l l<br />
p r k , ,<br />
o n c h a t i r<br />
I 11<br />
Primera printer E 6 4 9<br />
Photo realistic upgrade kit C 1 9 9<br />
Photo realistic refill kit (100 printsi ,1250<br />
Photo realistic refill kit (25 prints) £79.95<br />
4 colour ribbon (80 prints) • .C38.95<br />
3 colour ribbon 1115 prints) • ..E38.95<br />
Monochrome ribbon (400 prints) C31.95<br />
Primer& paper IA4 200 sheets) C 1 8<br />
T-Shin tralliet paper (M 10 sheen) .C17.95<br />
Prim= & Smdio DS software £699<br />
ISratho software Sc a Mit 24-hir printer drisrn<br />
an supply SCSI or IDE 3.5",(2.5' hard<br />
drives in many different size. Including cables and<br />
installation software<br />
BOMB IDE 2.5' Internal C 1 6 0<br />
130MB IDE 2.5<br />
- l'OMB IDE 15" Internal R 2 7 0<br />
Internal<br />
260MB IDE 2.5' Internal £ 3 5 9<br />
1 2<br />
2<br />
52QMB<br />
9<br />
SOI/IDE<br />
BOMB SCSI/IDE 1<br />
t<br />
7<br />
II 69<br />
9<br />
160MB SCSUIDE £ 2 4 9<br />
200MB SCSIIIDE 2 3 4 9<br />
Alt-s-<br />
TYQ<br />
3.5'UTS<br />
POWER SCAN COLOUR<br />
. 3.5" TIDE i External £ 5 7 9<br />
I<br />
3.5" n105MB<br />
Cartridge<br />
D<br />
3. a r<br />
E 5 M<br />
--- I"<br />
nS<br />
a l<br />
Iri I28MB tC<br />
Optical Internal<br />
£<br />
E<br />
7 9<br />
6 9 9 Name<br />
Order Form<br />
128MB eS<br />
Optical Eternal £<br />
nu I28MB rI<br />
Optical Disk £<br />
mSCSI<br />
nv<br />
Controller A20410 £<br />
7<br />
3<br />
1<br />
7 9<br />
5<br />
2 9<br />
Address<br />
a<br />
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= — r<br />
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sE<br />
X-Backup i<br />
Pro Hahtv., .kstgneti by Lk, £29.95<br />
C4 r =<br />
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rmt 9n<br />
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- -9<br />
a<br />
7 s . -<br />
-11<br />
I<br />
Telephone No.<br />
System Owned<br />
Description<br />
I enclose a cheque/PC) for<br />
Credit Card No.<br />
,<br />
31 PIJLW<br />
MIDI INTIRFAtr<br />
11 0<br />
Midi A Interface (new Midi chip) .t 19.95<br />
Expiry Date<br />
Signature<br />
••••1 •0 0 •1 •1 0 ••••••••••<br />
Delivery next day .E5.00 2-3 days 1.2,50 Saturday £10.00 deliwnei are subtect to stock availability.<br />
Please make cheques parable Co Power <strong>Computing</strong> Ltd, please allow upto 7 days for cheque jaillirk.t_<br />
V<br />
1<br />
4<br />
1<br />
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POWER COMPUTING LTD<br />
4 4a/b Stanley Street Bedford MK4 1 7RW<br />
Tel 02 3 4 27 3000 Fax 02 34 352 207<br />
E239<br />
new 18-hit colour b.at4ncr pmduces<br />
44<br />
stunning colours , with darity and verve,<br />
brightning up 3those<br />
presentations. With<br />
over 250,000 colours and award winning<br />
PowerScan software anything is possible!<br />
Colour and mono software<br />
Full image manipulation<br />
Up to 400DPI<br />
256 Greyscale (AGA machine)<br />
128-bit colour (AGA machine)<br />
OCR optional extra<br />
4<br />
c<br />
o<br />
i<br />
l<br />
"<br />
ca)<br />
)
3 Steps to<br />
Frame Grabbing<br />
r'ombo<br />
1. Capture your picture<br />
2. Convert it<br />
3. Use it<br />
ROMBO Productions Limited,<br />
2B Young Square,<br />
Brucefield Industrial Park,<br />
Livingston, Scotland. EH54 9BX.<br />
Frame grabbing couldn't be simpler and more<br />
satisfying and is probably the best function that you<br />
can add to your <strong>Commodore</strong> AMIGA.<br />
The Vidi AMIGA range has been developed to meet<br />
this requirement at an affordable price and an<br />
unequalled performance level. No matter what your<br />
needs are, from hobbyist to professional, there is a<br />
Vidi to fit the bill.<br />
The Vidi AMIGA helps you place pictures within<br />
publications, animate or just have fun with digitised<br />
images. Connection couldn't be quicker and simpler.<br />
They're designed to exploit your creativity and<br />
imagination!<br />
Vidi AMIGA 12<br />
Excellent value 12-bit digitiser, captures colour HAM<br />
pictures in less than 1 second. Delivers good quality<br />
grabs from composite or S-Video sources. Minimum<br />
recommended system: A500 with 1MB RAM.<br />
Only £99.95<br />
Vidi AMIGA 12RT<br />
A superb real time (fast scan) digitiser, grabs 24-bit<br />
images in 1/50th of a second. Similar to the Vidi 12<br />
but with many additional features and higher quality<br />
output. Vidi 12RT can be upgraded to the Vidi 24RT.<br />
Minimum recommended system: Al200 with 2MB<br />
RAM.<br />
Only £199<br />
Vidi AMIGA 24RT<br />
Identical to the Vidi 12RT but with more video RAM.<br />
Can grab in formats up to 24-bit and produce full<br />
overscan images in HiRes interlace. Professional<br />
quality capture. Minimum recommended system:<br />
Al200 with 2MB RAM.<br />
Only £299<br />
All Vidi digitisers have common built-in features such<br />
as sequence editing and playback, essential for<br />
animation and sophisticated image processing<br />
software. All have composite and S-video inputs and<br />
are fully AGA compatible.<br />
The Vidi AMIGA range is available from your<br />
authorised reseller or from ROMBO.<br />
For more information or to place your order phone<br />
0506 414631 or fax 0506 414634.